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The Mirror of Literature, Amusement, and Instruction. Volume 17, No. 476, February 12, 1831
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The Mirror of Literature, Amusement, and Instruction. Volume 17, No. 476, February 12, 1831

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The Mirror of Literature, Amusement, and Instruction. Volume 17, No. 476, February 12, 1831

Her lisping language was sprinkled with words alien from common childhood's uncertain speech, that murmurs only when indigent nature prompts;—and her own parents wondered whence they came in her simplicity, when first they looked upon her kneeling in an unbidden prayer. As one mild week of vernal sunshine covers the braes with primroses, so shone with fair and fragrant feelings—unfolded, ere they knew, before her parents' eyes—the divine nature of her who, for a season, was lent to them from the skies. She learned to read out of the Bible—almost without any teaching—they knew not how—just by looking gladly on the words, even as she looked on the pretty daisies on the green—till their meanings stole insensibly into her soul, and the sweet syllables, succeeding each other on the blessed page, were all united by the memories her heart had been treasuring every hour that her father or her mother had read aloud in her hearing from the Book of Life. "Suffer little children to come unto me, and forbid them not, for of such is the kingdom of Heaven"—how wept her parents, as these the most affecting of our Saviour's words dropt silver-sweet from her lips, and continued in her upward eyes among the swimming tears!

Be not incredulous of this dawn of reason, wonderful as it may seem to you, so soon becoming morn—almost perfect daylight—with the "Holy Child."—Many such miracles are set before us; but we recognise them not, or pass them by, with a word or a smile of short surprise. How leaps the baby in its mother's arms, when the mysterious charm of music thrills through its little brain! And how learns it to modulate its feeble voice, unable yet to articulate, to the melodies that bring forth all round its eyes a delighted smile! Who knows what then may be the thoughts and feelings of the infant awakened to the sense of a new world, alive through all its being to sounds that haply glide past our ears, unmeaning as the breath of the common air! Thus have mere infants sometimes been seen inspired by music, till like small genii they warbled spell-strains of their own, powerful to sadden and subdue our hearts. So, too, have infant eyes been so charmed by the rainbow irradiating the earth, that almost infant hands have been taught, as if by inspiration, the power to paint in finest colours, and to imitate with a wondrous art, the skies so beautiful to the quick-awakened spirit of delight. What knowledge have not some children acquired, and gone down scholars to their small untimely graves! Knowing that such things have been—are—and will be—why art thou incredulous of the divine expansion of soul—so soon understanding the things that are divine—in the "Holy Child?"

Thus grew she in the eye of God, day by day waxing wiser and wiser in the knowledge that tends towards the skies, and as if some angel visitant were nightly with her in her dreams, awakening every morn with a new dream of thought that brought with it a gilt of more comprehensive speech. Yet merry she was at times with her companions among the woods and braes, though while they all were laughing, she only smiled; and the passing traveller, who might pause a moment to bless the sweet creatures in their play, could not but single out one face among the many fair, so pensive in its paleness, a face to be remembered, coming from afar, like a mournful thought upon the hour of joy!

Sister or brother of her own had she none—and often both her parents—who lived in a hut by itself up among the mossy stumps of the old decayed forest—had to leave her alone—sometimes even all the day long, from morning till night. But she no more wearied in her solitariness than does the wren in the wood. All the flowers were her friends—all the birds. The linnet ceased not his song for her, though her footsteps wandered into the green glade among the yellow broom, almost within reach of the spray from which he poured his melody—the quiet eyes of his mate feared her not when her garments almost touched the bush where she brooded on her young. Shyest of the winged silvans, the cushat clapped not her wings away on the soft approach of her harmless footsteps to the pine that concealed her slender nest. As if blown from heaven, descended round her path the showers of the painted butterflies, to feed, sleep, or die—undisturbed by her—upon the wild flowers—with wings, when motionless, undistinguishable from the blossoms. And well she loved the brown, busy, blameless bees, come thither for the honey-dews from a hundred cots sprinkled all over the parish, and all high over-head sailing away at evening, laden and wearied, to their straw-roofed skeps in many a hamlet-garden. The leal of every tree, shrub, and plant, she knew familiarly and lovingly in its own characteristic beauty; and was loath to shake one dew-drop from the sweetbriar-rose. And well she knew that all nature loved her in return—that they were dear to each other in their innocence—and that the very sunshine, in motion or in rest, was ready to come at the bidding of her smiles. Skilful those small white hands of hers among the reeds, and rushes, and osiers—and many a pretty flower-basket grew beneath their touch, her parents wondering on their return home to see the handiwork of one who was never idle in her happiness. Thus, early—ere yet but five years old—did she earn her mite for the sustenance of her own beautiful life! The russet garb she wore she herself had won—and thus Poverty, at the door of that hut, became even like a Guardian Angel, with the lineaments of heaven on her brow, and the quietude of heaven beneath her feet.

But these were but her lonely pastimes, or gentle task-work self-imposed among her pastimes; and itself, the sweetest of them all, inspired by a sense of duty, that still brings with it its own delight—and hallowed by religion, that even in the most adverse lot changes slavery into freedom—till the heart, insensible to the bonds of necessity, sings aloud for joy. The life within the life of the "Holy Child," apart from even such innocent employments as these, and from such recreations as innocent, among the shadows and the sunshine of those silvan haunts, was passed, let us fear not to say the truth, wondrous as such worship was in one so very young—was passed in the worship of God; and her parents—though sometimes even saddened to see such piety in a small creature like her, and afraid, in their exceeding love, that it betokened an early removal from this world of one too perfectly pure ever to be touched by its sins and sorrows—forbore, in an awful pity, ever to remove the Bible from her knees, as she would sit with it there, not at morning and at evening only, or all the Sabbath long as soon as they returned from the kirk, but often through all the hours of the longest and sunniest week-days, when there was nothing to hinder her from going up to the hillside, or down to the little village, to play with the other children, always too happy when she appeared—nothing to hinder her but the voice she heard speaking to her in that Book, and the hallelujahs that, at the turning over of each blessed page, came upon the ear of the "Holy Child" from white-robed saints all kneeling before His throne in heaven!

THE SELECTOR; AND LITERARY NOTICES OF NEW WORKS

ROMANCE OF HISTORY

France. By Leitch Ritchie

The design of moulding the romantic annals of different countries into so many series of Tales—is one of unquestionable beauty. It originated, we believe, with the late Mr. Henry Neele, who was in every sense well qualified for so poetical an exercise of ingenuity. He commenced with "England;" but, unfortunately, did not live to complete a Second Series; neither had he the gratification of seeing his design fully appreciated by the public. The "Romantic Annals of England," on their first appearance, made but slow progress in popularity: the author trusted, and the publisher hoped, and, to use a publishing phrase, the work gradually made its way—slow but sure—if we may judge from the wished-for "new editions." How unlike is this course of favour to the blaze of fashionable annals, or novels of high life, that are born and die in a day, or with one reading circle of a subscription library. They strut and fume in the publisher's newspaper puffs; but their light is put out within a few brief hours, and they are laid to sleep on the capacious shelves of the publisher's warehouse. Not so with the Tales of Historical Romance: they have fancy enough to embellish sober fact.

The second series—Spain—is from a Spanish hand of some pretension, but less power than that of Mr. Neele.

The third series—France—by another hand, is now before us. In his advertisement, the author says, when he undertook the present series, "he proposed to himself to fulfil what 'the Romance of History' seemed to require, by presenting a succession of romantic pictures illustrative of the historical manners of the French Nation." We incline to his conception of the task. He further notes that "he has taken pains to go for information to the original sources of French History. These he found in reasonable abundance, in the old Collegiate Library of Caen, and in the British Museum." There are in the Series nineteen Tales, with historical summaries where requisite for their elucidation. The titles are irresistible invitations—as Bertha, or the Court of Charlemagne—Adventures of Eriland—the Man-Wolf—the Phantom Fight—the Magic Wand—the Dream Girl, &c. Their style may be called spirit-stirring, while it has much of the graceful prettiness of love-romance.—The author, too, has caught the very air of chivalric times, and his pages glitter with the points of their glories;—not unseasonably mixed with the delightful quaintnesses and descriptive minuteness of the old chroniclers.

To condense either of the stories would be neither advantageous to the author nor reader. We therefore extract a scene or two from "the Bondsman's Feast," and an exquisite portrait of "the Dream Girl:"—

The Bondsman's Feast

Arthault's only child was a son, who owed nothing to his father but the prospect of a fair inheritance, for he was little like him in form, and not at all in mind: he was a fine, manly, generous, and high-spirited youth—such as would have been thought too early born, had his appearance been made before the hereditary servility of his family was forgotten. The knight, too, had an only child, a daughter; who, in personal appearance and moral qualities, contrasted in as remarkable a manner with her father. She was little almost to a fault, in the standard of beauty, if there be such a thing; her form was moulded with a delicacy, which gave the idea of one of those aërial shapes that dance in the beam of poesy: and there was that gentle and refined playfulness of expression in her fair countenance, which artists have loved to picture in the nymphs of some silvan goddess, whose rudest employment is to chase one another on the green bank, or sport in the transparent wave.

Guillaume loved the beautiful bourgeoise before he knew that such love was a condescension; and Amable, when, on being desired by her father to refuse her heart to Guillaume, she thought of inquiring whether she possessed such a thing at all, started with surprise to find that she had given it away to the knight's son long ago. But where was the use of repining? Guillaume was young, and handsome, and generous, and brave; and what harm could befall her heart in such keeping? Amable turned away from her father with a light laugh, and a light step, and stealing skippingly round the garden wall—for already the paternal prohibitions had gone forth—bounded towards a grove of wild shrubs at the farther end.

The trees were bathed in sunlight; the air was filled with the song of birds; the face of heaven was undimmed by a single spot of shade, and the earth was green, and sparkling, and beautiful beneath. Such was the scene around her; but in Amable's mind, a warmer and brighter sun shed its light upon her maiden dreams, and the voice of the sweet, rich singer Hope drowned the melody of the woods. "Away!" she thought; "it cannot be that this strange, unkindly mood can endure; my father loves his friend in spite of all, and the noble and generous knight could not hate if he would. They shall not be a week apart when they will both regret what has passed; and when they meet again, I will laugh them into a confession that they have done so. Then the two friends will embrace; and then Guillaume and I will sing, and dance, and read together again—and then—and then—and then—" It seemed as if her thoughts had run her out of breath; for at this point of the reverie she paused, and hung back for a moment, while a sudden blush rose to her very eyes. Soon, however, she recovered; she threw back her head gaily, and yet proudly; legends of happy love crowded upon her memory, and minstrel songs echoed in her ear; she bounded lightly into the wood, and as some one, darting from behind a tree, caught her while she passed, Amable, with the stifled scream of alarm, which maidens are wont to give when they wish it unheard by all save one, found herself in the arms of Guillaume. * * * *

This was a proud and a happy day for Arthault. His head was in the clouds; he scarcely seemed to touch the earth with his feet; but yet, with the strong control which worldly men are wont to exercise over their feelings, he schooled his aspect into the bland and lowly expression of grateful humility. When, in the early part of the morning, the echoes of Nogent (the chateau) were awakened by a flourish of trumpets, which proclaimed the approach of the Count, instead of waiting to receive him in the arcade under the belfry, according to the common usage of lords at that period,4 he walked bare-headed to the gate of the outer court, and, kneeling, held the prince's stirrup as he dismounted.

The breakfast was served in cups and porringers of silver, set on a magnificent gold tray, and consisted chiefly of milk made thick with honey, peeled barley, cherries dried in the sun, and preserved barberries. The bread was of the mias cakes, composed of rye-flour, cream, orange-water, and new-laid eggs;5 and the whole was distributed among the guests by Guillaume; the host himself having been compelled to take his seat at table by the Count.

The morning was spent in viewing the improvements of the place, and riding about the neighbourhood; and at ten o'clock the company partook of a dinner served in the same style of tasteful magnificence. The viands included, among other things, a lamb roasted whole, the head of a wild boar covered with flowers, fried trouts, and poached eggs, which were eaten with boiled radishes, and peas in their shells.6

A profusion of the precious metals graced the table, more especially in drinking cups; those of horn, which were formerly in general use, having about this period gone out of vogue. The luxury of forks, it is true, had not yet been invented; but when it is remembered that the hands were washed publicly, before and after meals, not as a fashionable form, but in absolute earnest, it will not be feared that any indelicacy in the feasters contrasted with the taste and splendour of the feast.7

The wines filled by Guillaume, who waited particularly on the Count, besides the fashionable vin d'Aï of the district,8 included the vin de Beaume of Burgundy, the vin d'Orleans, so much prized by Louis le Jeune, and the powerful vin de Rebrechien (another Orleans wine) which used formerly to be carried to the field by Henry I. to animate his courage.9

After dinner the guests partook of the amusement of the chase, which afforded Arthault an opportunity of exhibiting, in all its extent, his newly-acquired estates—and which, indeed, comprehended a great part of the family property of Sansavoir; although the Count did not observe, and therefore no one else was so ill-bred as to do so, an old blackened building mouldering near the garden-wall, which Sir Launcelot had still preserved, and where he continued to reside in a kind of dogged defiance of his enemy.

The festivities of the day were closed by a splendid supper, attended by music and minstrel songs; and when the sleeping cup had passed round, the Count Henri retired to the chamber prepared for him, which he found to be not at all inferior to his own in luxury and magnificence. Vessels of gold, filled with rose-water, were placed on his dressing-table; the curtains of the ample bed were ornamented with partridge plumes, supposed to ensure to the sleeper a long and peaceful life; and, in short, nothing was wanting that might have been deemed pleasing either to the taste or superstition of the age.

We halt for the present with this foretaste of the gratification we may calculate on receiving from nearly every page of the whole Series. By the way, "the references to authorities for manners, &c. have been introduced throughout the work, and occasionally, illustrative and literary notes," at the request of the publisher; and we must not lose this opportunity of complimenting the sense and good taste of the suggestion.

THE GATHERER

A snapper up of unconsidered trifles.SHAKSPEARE.

A clergyman of the name of Mathson was minister of Patteesdale, in Westmoreland, sixty years, and died at the age of ninety. During the early part of his life, his benefice brought him in only twelve pounds a-year; it was afterwards increased (perhaps by Queen Anne's bounty) to eighteen, which it never exceeded. On this income he married, brought up four children, and lived comfortably with his neighbours, educated a son at the university, and left behind him upwards of one thousand pounds. With that singular simplicity and inattention to forms which characterize a country life, thus he himself read the burial service over his mother, he married his father to a second wife, and afterwards buried him also. He published his own banns of marriage in the church, with a woman he had formerly christened, and he himself married all his four children.

W.G.C

THE POPE PUZZLED

Pope Alexander the sixth asked the Venetian ambassador at Rome, "What right his republic had to the dominion of the Adriatic See?" "It will be found," replied he, "on the back of the donation of the patrimony of St. Peter to his successors."

W.A.R

CHANGING SIDES

"I am come from Naples to support you," said one of the old opposition one night to a member on the ministerial benches. "From Naples!" was the ready rejoinder; "much farther—you are come from the other side of the House!"

TO MOLLY

Mollis abuti,Has an acuti,No lasso finis,Molli divinis.Omi de armistres,Imi na distres.Cant u discover,Meas alo ver.—SWIFT.

KINGS OF FRANCE

It is worthy of remark, that none of the Kings of France have been succeeded by their sons for nearly two centuries. Phillippe, the present King of the French, succeeded to the regal sway in consequence of the dethronement of Charles the Tenth; who succeeded his brother, Louis the Eighteenth; who succeeded his brother, Louis the Sixteenth; who succeeded his grandfather, Louis the Fifteenth; who likewise succeeded his grandfather, Louis the Fourteenth, when only five years of age.

H.B.A

PANDORA'S BOX

The Prince of Piedmont was not quite seven years old, when his preceptor, Cardinal (then Father) Glendel, explained to him the fable of Pandora's Box. He told him that all evils which afflict the human race were shut up in that fatal box; which Pandora, tempted by Curiosity, opened, when they immediately flew out, and spread themselves over the surface of the earth.

"What, Father!" said the young prince, "were all the evils shut up in that box?"

"Yes," answered the preceptor.

"That cannot be," replied the prince, "since Curiosity tempted Pandora; and that evil, which could not have been in it, was not the least, since it was the origin of all."

J.G.B

SQUALL AT SEA

The other evening a surgeon in the navy stated the following curious circumstance:—

While off Madagascar, in the ship Scorpion, he with the other officers of the ship were dining with the Captain (Johnson) who had just looked at the glass; it being a very fine day no one had any apprehension of a squall. The dinner was hardly over when the captain's eye caught the glass: he suddenly rose from table and hurrying on deck, ordered "All hands to turn up, and furl all sail immediately." They had just completed the order and were descending, when the ship was laid on her beam-ends, most of the men had a ducking, but that was all the mischief that happened. Three or four East Indiamen had already been destroyed by the same accident; and if the above order had not been complied with immediately as it was, nothing could have saved the ship, it being only a quarter of an hour since the first notice of it. The captain was afterwards made commissioner of Bombay, where he died.

GEO. ST. CLAIR

1

Letter-press of the superb "Landscape Annual" for the present year, whence our Engraving is transferred. The Life of the noble Poet at Venice cannot be better described than in his own Letters, for which see pages 43-82 of the present volume.

2

From some passages in his Lordship's Letters, this would not appear correct.

3

Pot or kitchen love.

4

Gerard de Rousillon, MS. cited in Tristan le Voyageur.

5

The paste formed of these materials was spread upon broad cabbage leaves, which came out of the oven covered with a slight golden crust, composing the mias cakes.—Tristan le Voyageur.

6

Tristan le Voyageur. Boiled radishes, it may be important to know, are an excellent substitute for asparagus!

7

Forks did not come into use till the time of Charles V. in the latter half of the fourteenth century. In France, these instruments, both in silver and tinned iron, are made so as to bear some resemblance to the fingers, of which they are the substitutes, and they are used exclusively in the business of conveying food to the mouth; while the knives, being narrow and sharp-pointed, can answer no purpose but that of carving.—In England the case is different. The steel forks, in common use among the people, are incapable of raising thin viands to the mouth: while the broad, round-pointed knife was obviously intended for this business.

8

The vin d'Aï, in Champagne, according to Patin, was called "Vinum Dei," by Dominicus Bandius. It was the common drink of kings and princes.—Paumier, Traité du Vin.

9

Mabillon, Annales Benedictines.

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