The Works of Guy de Maupassant, Volume 8

We resumed our walk, and, ten minutes later, we found ourselves in the defile.

Then I beheld an astonishing landscape. Beyond another forest, a valley, but a valley such as I had never seen before, a solitude of stone ten leagues long, hollowed out between two high mountains, without a field or a tree to be seen. This was the Niolo valley, the fatherland of Corsican liberty, the inaccessible citadel, from which the invaders had never been able to drive out the mountaineers.

My companion said to me: "Is it here, too, that all our bandits have taken refuge?"

Ere long we were at the further end of this chasm so wild, so inconceivably beautiful.

Not a blade of grass, not a plant – nothing but granite. As far as our eyes could reach, we saw in front of us a desert of glittering stone, heated like an oven by a burning sun, which seemed to hang for that very purpose right above the gorge. When we raised our eyes towards the crests, we stood dazzled and stupefied by what we saw. They looked red and notched like festoons of coral, for all the summits are made of porphyry; and the sky overhead seemed violet, lilac, discolored by the vicinity of these strange mountains. Lower down the granite was of scintillating gray, and under our feet it seemed rasped, pounded; we were walking over shining powder. At our right, along a long and irregular course, a tumultuous torrent ran with a continuous roar. And we staggered along under this heat, in this light, in this burning, arid, desolate valley cut by this ravine of turbulent water which seemed to be ever hurrying onward, without being able to fertilize these rocks, lost in this furnace which greedily drank it up without being penetrated or refreshed by it.

But suddenly there was visible at our right a little wooden cross sunk in a little heap of stones. A man had been killed there; and I said to my companion:

"Tell me about your bandits."

He replied:

"I knew the most celebrated of them, the terrible St. Lucia. I will tell you his history.

"His father was killed in a quarrel by a young man of the same district, it is said; and St. Lucia was left alone with his sister. He was a weak and timid youth, small, often ill, without any energy. He did not proclaim the vendetta against the assassin of his father. All his relatives came to see him, and implored of him to take vengeance; he remained deaf to their menaces and their supplications.

"Then, following the old Corsican custom, his sister, in her indignation, carried away his black clothes, in order that he might not wear mourning for a dead man who had not been avenged. He was insensible to even this outrage, and rather than take down from the rack his father's gun, which was still loaded, he shut himself up, not daring to brave the looks of the young men of the district.

"He seemed to have even forgotten the crime and he lived with his sister in the obscurity of their dwelling.

"But, one day, the man who was suspected of having committed the murder, was about to get married. St. Lucia did not appear to be moved by this news, but, no doubt, out of sheer bravado, the bridegroom, on his way to the church, passed before the two orphans' house.

"The brother and the sister, at their window, were eating little fried cakes when the young man saw the bridal procession moving past the house. Suddenly he began to tremble, rose up without uttering a word, made the sign of the cross, took the gun which was hanging over the fireplace, and he went out.

"When he spoke of this later on, he said: 'I don't know what was the matter with me; it was like fire in my blood; I felt that I should do it, that in spite of everything I could not resist, and I concealed the gun in a cave on the road to Corte.'

"An hour later, he came back, with nothing in his hand, and with his habitual air of sad weariness. His sister believed that there was nothing further in his thoughts.

"But when night fell he disappeared.

"His enemy had, the same evening, to repair to Corte on foot, accompanied by his two bridesmen.

"He was pursuing his way, singing as he went, when St. Lucia stood before him, and looking straight in the murderer's face, exclaimed: 'Now is the time!' and shot him point-blank in the chest.

"One of the bridesmen fled; the other stared at the young man saying:

"'What have you done, St. Lucia?'

"Then he was going to hasten to Corte for help, but St. Lucia said in stern tone:

"'If you move another step, I'll shoot you through the legs.'

"The other, aware that till now he had always appeared timid, said to him: 'You would not dare to do it!' and he was hurrying off when he fell instantaneously, his thigh shattered by a bullet.

"And St. Lucia, coming over to where he lay, said:

"'I am going to look at your wound; if it is not serious, I'll leave you there; if it is mortal I'll finish you off.'

"He inspected the wound, considered it mortal, and slowly re-loading his gun, told the wounded man to say a prayer, and shot him through the head.

"Next day he was in the mountains.

"And do you know what this St. Lucia did after this?

"All his family were arrested by the gendarmes. His uncle, the curé, who was suspected of having incited him to this deed of vengeance, was himself put into prison, and accused by the dead man's relatives. But he escaped, took a gun in his turn, and went to join his nephew in the cave.

"Next, St. Lucia killed, one after the other, his uncle's accusers, and tore out their eyes to teach the others never to state what they had seen with their eyes.

"He killed all the relatives, all the connections of his enemy's family. He massacred during his life fourteen gendarmes, burned down the houses of his adversaries, and was up to the day of his death the most terrible of the bandits, whose memory we have preserved."

The sun disappeared behind Monte Cinto and the tall shadow of the granite mountain went to sleep on the granite of the valley. We quickened our pace in order to reach before night the little village of Albertaccio, nothing better than a heap of stones welded beside the stone flanks of a wild gorge. And I said as I thought of the bandit:

"What a terrible custom your vendetta is!"

My companion answered with an air of resignation:

"What, would you have? A man must do his duty!"

A DEAD WOMAN'S SECRET

She had died painlessly, tranquilly, like a woman whose life was irreproachable, and she now lay on her back in bed, with closed eyes, calm features, her long white hair carefully arranged as if she had again made her toilet ten minutes before her death, all her pale physiognomy so composed, now that she had passed away, so resigned that one felt sure a sweet soul had dwelt in that body, that this serene grandmother had spent an untroubled existence, that this virtuous woman had ended her life without any shock, without any remorse.

On his knees, beside the bed, her son, a magistrate of inflexible principles, and her daughter Marguerite, in religion, Sister Eulalie, were weeping distractedly. She had from the time of their infancy armed them with an inflexible code of morality, teaching them a religion without weakness and a sense of duty without any compromise. He, the son, had become a magistrate, and, wielding the weapon of the law, he struck down without pity the feeble and the erring. She, the daughter, quite penetrated with the virtue that had bathed her in this austere family, had become the spouse of God through disgust with men.

They had scarcely known their father; all they knew was that he had made their mother unhappy without learning any further details. The nun passionately kissed one hand of her dead mother, which hung down, a hand of ivory like that of Christ in the large crucifix which lay on the bed. At the opposite side of the prostrate body, the other hand seemed still to grasp the rumpled sheet with that wandering movement which is called the fold of the dying, and the lines had retained little wavy creases as a memento of those last motions which precede the eternal motionlessness. A few light taps at the door caused the two sobbing heads to rise up, and the priest who had just dined, entered the apartment. He was flushed, a little puffed, from the effects of the process of digestion which had just commenced; for he had put a good dash of brandy into his coffee in order to counteract the fatigue caused by the last nights he had remained up and that which he anticipated from the night that was still in store for him. He had put on a look of sadness, that simulated sadness of the priest to whom death is a means of livelihood. He made the sign of the cross, and coming over to them with his professional gesture said:

"Well, my poor children, I have come to help you to pass these mournful hours."

But Sister Eulalie suddenly rose up.

"Thanks, father, but my brother and I would like to be left alone with her. These are the last moments that we now have for seeing her; so we want to feel ourselves once more, the three of us, just as we were years ago when we – we – we were only children, and our poor – poor mother – "

She was unable to finish with the flood of tears that gushed from her eyes, and the sobs that were choking her.

But the priest bowed, with a more serene look on his face, for he was thinking of his bed. "Just as you please, my children."

Then, he knelt down, again crossed himself, prayed, rose up, and softly stole away murmuring as he went: "She was a saint."

They were left alone, the dead woman and her children. A hidden timepiece kept regularly ticking in its dark corner, and through the open window the soft odors of hay and of woods penetrated with faint gleams of moonlight. No sound in the fields outside, save the wandering notes of toads and now and then the humming of some nocturnal insect darting into like a ball, and knocking itself against the wall.

An infinite peace, a divine melancholy, a silent serenity surrounded this dead woman, seemed to emanate from her, to evaporate from her into the atmosphere outside and to calm Nature itself.

Then the magistrate, still on his knees, his head pressed against the bed-clothes, in a far-off, heart-broken voice that pierced through the sheets and the coverlet, exclaimed:

"Mamma, mamma, mamma!" And the sister, sinking down on the floor, striking the wood with her forehead fanatically, twisting herself about and quivering like a person in an epileptic fit, groaned: "Jesus, Jesus – mamma – Jesus!"

And both of them shaken by a hurricane of grief panted with a rattling in their throats.

Then the fit gradually subsided, and they now wept in a less violent fashion, like the rainy calm that follows a squall on a storm-beaten sea. Then, after some time, they rose, and fixed their glances on the beloved corpse. And memories, those memories of the past, so sweet, so torturing to-day, came back to their minds with all those little forgotten details, those little details so intimate and familiar, which make the being who is no more live over again. They recalled circumstances, words, smiles, certain intonations of voice which belonged to one whom they should hear speaking to them again. They saw her once more happy and calm, and phrases she used in ordinary conversation rose to their lips. They even remembered a little movement of the hand peculiar to her, as if she were keeping time when she was saying something of importance.

And they loved her as they had never before loved her. And by the depth of their despair they realized how strongly they had been attached to her, and how desolate they would find themselves now.

She had been their mainstay, their guide, the best part of their youth, of that happy portion of their lives which had vanished; she had been the bond that united them to existence, the mother, the mamma, the creative flesh, the tie that bound them to their ancestors. They would henceforth be solitary, isolated; they would have nothing on earth to look back upon.

The nun said to her brother:

"You know how mamma used always to read over her old letters. They are all there in her drawer. Suppose we read them in our turn, and so revive all her life this night by her side? It would be like a kind of road of the cross, like making the acquaintance of her mother, of grandparents whom we never knew, whose letters are there, and of whom she has so often talked to us, you remember?"

And they drew forth from the drawer a dozen little packets of yellow paper, carefully tied up and placed close to one another. They flung these relics on the bed, and selecting one of them on which the word "Father" was written, they opened and read what was in it.

It consisted of those very old letters which are to be found in old family writing-desks, those letters which have the flavor of another century. The first said, "My darling," another "My beautiful little girl," then others "My dear child," and then again "My dear daughter." And suddenly the nun began reading aloud, reading for the dead her own history, all her tender souvenirs. And the magistrate listened, while he leaned on the bed, with his eyes on his mother's face. And the motionless corpse seemed happy.

Sister Eulalie, interrupting herself, said: "We ought to put them into the grave with her, to make a winding-sheet of them, and bury them with her."

And then she took up another packet, on which the descriptive word did not appear.

And in a loud tone she began: "My adored one, I love you to distraction. Since yesterday I have been suffering like a damned soul burned by the recollection of you. I feel your lips on mine, your eyes under my eyes, your flesh under my flesh. I love you! I love you! You have made me mad! My arms open! I pant with an immense desire to possess you again. My whole body calls out to you, wants you. I have kept in my mouth the taste of your kisses."

The magistrate rose up; the nun stopped reading. He snatched the letter from her, and sought for the signature. There was none, save under the words, "He who adores you," the name "Henry." Their father's name was René. So then he was not the man.

Then, the son, with rapid fingers, fumbled in the packet of letters took another of them, and read: "I can do without your caresses no longer."

And, standing up, with the severity of a judge passing sentence, he gazed at the impassive face of the dead woman.

The nun, straight as a statue, with teardrops standing at each corner of her eyes, looked at her brother, waiting to see what he meant to do. Then he crossed the room, slowly reached the window, and looked out thoughtfully into the night.

When he turned back, Sister Eulalie, her eyes now quite dry, still remained standing near the bed, with a downcast look.

He went over to the drawer and flung in the letters which he had picked up from the floor. Then he drew the curtains round the bed.

And when the dawn made the candles on the table look pale, the son rose from his armchair, and without even a parting glance at the mother whom he had separated from them and condemned, he said slowly:

"Now, my sister, let us leave the room."

THE CAKE

Let us say that her name was Madame Anserre so as not to reveal her real name.

She was one of those Parisian comets which leave, as it were, a trail of fire behind them. She wrote verses and novels; she had a poetic heart, and was ravishingly beautiful. She opened her doors to very few – only to exceptional people, those who are commonly described as princes of something or other.

To be a visitor at her house constituted a claim, a genuine claim of intellect: at least this was the estimate set on her invitations.

Her husband played the part of an obscure satellite. To be the husband of a star is not an easy thing. This husband had, however, an original idea, that of creating a State within a State, of possessing a merit of his own, a merit of the second order; it is true; but he did, in fact, in this fashion, on the days when his wife held receptions, hold receptions also on his own account. He had his special set who appreciated him, listened to him, and bestowed on him more attention than they did on his brilliant partner.

He had devoted himself to agriculture – to agriculture in the Chamber. There are in the same way generals in the Chamber – those who are born, who live, and who die, on the round leather chairs of the War Office, are all of this sort, are they not? Sailors in the Chambers – viz., in the Admiralty – Colonizers in the Chamber, etc., etc. So he had studied agriculture, indeed he had studied it deeply, in its relations with the other sciences, with political economy, with the Fine Arts – we dress up the Fine Arts with every kind of science, since we even call the horrible railway bridges "works of art." At length he reached the point when it was said of him: "He is a man of ability." He was quoted in the Technical Reviews; his wife had succeeded in getting him appointed a member of a committee at the Ministry of Agriculture.

This latest glory was quite sufficient for him.

Under the pretext of diminishing the expenses, he sent out invitations to his friends for the day when his wife received hers, so that they associated together, or rather they did not – they formed two groups. Madame, with her escort of artists, academicians, and Ministers, occupied a kind of gallery, furnished and decorated in the style of the Empire. Monsieur generally withdrew with his agriculturists into a smaller portion of the house used as a smoking-room and ironically described by Madame Anserre as the Salon of Agriculture.

The two camps were clearly separated. Monsieur, without jealousy, moreover, sometimes penetrated into the Academy, and cordial handshakings were exchanged, but the Academy entertained infinite contempt for the Salon of Agriculture, and it was rarely that one of the princes of science, of thought, or of anything else mingled with the agriculturists.

These receptions occasioned little expense – a cup of tea, a cake, that was all. Monsieur, at an earlier period, had claimed two cakes, one for the academy, and one for the agriculturists, but Madame having rightly suggested that this way of acting seemed to indicate two camps, two receptions, two parties, Monsieur did not press the matter, so that they used only one cake, of which Madame Anserre did the honors at the Academy, and which then passed into the Salon de Agriculture.

Now, this cake was soon, for the Academy, a subject of observation well calculated to arouse curiosity. Madame Anserre never cut it herself. That function always fell to the lot of one or other of the illustrious guests. The particular duty, which was supposed to carry with it honorable distinction, was performed by each person for a pretty long period, in one case for three months, scarcely ever for more; and it was noticed that the privilege of "cutting the cake" carried with it a heap of other marks of superiority – a sort of royalty, or rather very accentuated vice-royalty.

The reigning cutter spoke in a haughty tone, with an air of marked command; and all the favors of the mistress of the house were for him alone.

These happy individuals were in moments of intimacy described in hushed tones behind doors as the "favorites of the cake," and every change of favorite introduced into the Academy a sort of revolution. The knife was a scepter, the pastry an emblem; the chosen ones were congratulated. The agriculturists never cut the cake. Monsieur himself was always excluded, although he ate his share.

The cake was cut in succession by poets, by painters, and by novelists. A great musician had the privilege of measuring the portions of the cake for some time; an ambassador succeeded him. Sometimes a man less well-known, but elegant and sought after, one of those who are called according to the different epochs, "true gentleman," or "perfect knight," or "dandy," or something else, seated himself, in his turn, before the symbolic cake. Each of them, during his ephemeral reign, exhibited greater consideration towards the husband; then, when the hour of his fall had arrived, he passed on the knife towards the other and mingled once more with the crowd of followers and admirers of the "beautiful Madame Anserre."

This state of things lasted a long time, but comets do not always shine with the same brilliance. Everything gets worn out in society. One would have said that gradually the eagerness of the cutters grew feebler; they seemed to hesitate at times when the tray was held out to them; this office, once so much coveted, became less and less desired. It was retained for a shorter time; they appeared to be less proud of it.

Madame Anserre was prodigal of smiles and civilities. Alas! no one was found any longer to cut it voluntarily. The new comers seemed to decline the honor. The "old favorites" reappeared one by one like dethroned princes who have been replaced for a brief spell in power. Then, the chosen ones became few, very few. For a month (O, prodigy!) M. Anserre cut open the cake; then he looked as if he were getting tired of it; and one evening Madame Anserre, the beautiful Madame Anserre, was seen cutting it herself. But this appeared to be very wearisome to her, and, next day, she urged one of her guests so strongly to do it that he did not dare to refuse.

The symbol was too well-known, however; the guests stared at one another with scared anxious faces. To cut the cake was nothing, but the privileges to which this favor had always given a claim now frightened people; therefore, the moment the dish made its appearance the academicians rushed pell-mell into the Salon of Agriculture, as if to shelter themselves behind the husband, who was perpetually smiling. And when Madame Anserre, in a state of anxiety, presented herself at the door with a cake in one hand and the knife in the other, they all seemed to form a circle around her husband as if to appeal to him for protection.

Some years more passed. Nobody cut the cake now; but yielding to an old inveterate habit, the lady who had always been gallantly called "the beautiful Madame Anserre" looked out each evening for some devotee to take the knife, and each time the same movement took place around her, a general flight, skillfully arranged, and full of combined maneuvers that showed great cleverness, in order to avoid the offer that was rising to her lips.

But, one evening, a young man presented himself at her reception – an innocent, unsophisticated youth. He knew nothing about the mystery of the cake; accordingly, when it appeared, and when all the rest ran away, when Madame Anserre took from the man-servant's hands the dish and the pastry, he remained quietly by her side.

She thought that perhaps he knew about the matter; she smiled, and in a tone which showed some emotion, said:

"Will you be kind enough, dear Monsieur, to cut this cake?"

He displayed the utmost readiness, and took off his gloves, flattered at such an honor being conferred on him.

"Oh, to be sure Madame, with the greatest pleasure."

Some distance away in the corner of the gallery, in the frame of the door which led into the Salon of the Agriculturists, faces which expressed utter amazement were staring at him. Then, when the spectators saw the new comer cutting without any hesitation, they quickly came forward.

An old poet jocosely slapped the neophyte on the shoulder.

"Bravo, young man!" he whispered in his ear.

The others gazed at him with curiosity. Even the husband appeared to be surprised. As for the young man, he was astonished at the consideration which they suddenly seemed to show towards him; above all, he failed to comprehend the marked attentions, the manifest favor, and the species of mute gratitude which the mistress of the house bestowed on him.

It appears, however, that he eventually found out.

At what moment, in what place, was the revelation made to him? Nobody could tell; but, when he again presented himself at the reception, he had a preoccupied air, almost a shamefaced look, and he cast around him a glance of uneasiness.

The bell rang for tea. The man-servant appeared. Madame Anserre, with a smile, seized the dish, casting a look about her for her young friend; but he had fled so precipitately that no trace of him could be seen any longer. Then, she went looking everywhere for him, and ere long she discovered him in the Salon of the Agriculturists. With his arm locked in that of the husband, he was consulting that gentleman as to the means employed for destroying phylloxera.