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The Notebooks of Leonardo Da Vinci. Complete

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The Notebooks of Leonardo Da Vinci. Complete

And, Archivio di Stato, Firenze, Libro d'Entrata e Uscita di cassa de' Magnifici Signori di luglio e agosto

1503 a 51 T.: Andata di Leonardo al Campo sotto Pisa. Spese extraordinarie dieno dare a di XXVI di luglio L. LVI sol. XII per loro a Giovanni Piffero; e sono per tanti, asegnia avere spexi in vetture di sei chavalli a spese di vitto per andare chon Lionardo da Vinci a livellare Arno in quello di Pisa per levallo del lilo suo. (Published by MILANESI, Archivio Storico Italiano, Serie III, Tom. XVI.} VASARI asserts: (Leonardo) fu il primo ancora, che giovanetto discorresse sopra il fiume d'Arno per metterlo in canale da Pisa a Fiorenza (ed. SANSONI, IV, 20).

The passage above is in some degree illustrated by the map on Pl. CXII, where the course of the Arno westward from Empoli is shown.]

1007

The eddy made by the Mensola, when the Arno is low and the Mensola full.

[Footnote: Mensola is a mountain stream which falls into the Arno about a mile and a half above Florence.

A=Arno, I=Isola, M=Mvgone, P=Pesa, N=Mesola.]

1008

That the river which is to be turned from one place to another must be coaxed and not treated roughly or with violence; and to do this a sort of floodgate should be made in the river, and then lower down one in front of it and in like manner a third, fourth and fifth, so that the river may discharge itself into the channel given to it, or that by this means it may be diverted from the place it has damaged, as was done in Flanders—as I was told by Niccolo di Forsore.

How to protect and repair the banks washed by the water, as below the island of Cocomeri.

Ponte Rubaconte (Fig. 1); below [the palaces] Bisticci and Canigiani (Fig. 2). Above the flood gate of la Giustizia (Fig. 3); a b is a sand bank opposite the end of the island of the Cocomeri in the middle of the Arno (Fig. 4). [Footnote: The course of the river Arno is also discussed in Nos. 987 and 988.]

Canals in the Milanese (1009-1013).

1009

The canal of San Cristofano at Milan made May 3rd 1509. [Footnote: This observation is written above a washed pen and ink drawing which has been published as Tav. VI in the ,,Saggio." The editors of that work explain the drawing as "uno Studio di bocche per estrazione d'acqua."]

1010

OF THE CANAL OF MARTESANA.

By making the canal of Martesana the water of the Adda is greatly diminished by its distribution over many districts for the irrigation of the fields. A remedy for this would be to make several little channels, since the water drunk up by the earth is of no more use to any one, nor mischief neither, because it is taken from no one; and by making these channels the water which before was lost returns again and is once more serviceable and useful to men.

[Footnote: "el navilio di Martagano" is also mentioned in a note written in red chalk, MS. H2 17a Leonardo has, as it seems, little to do with Lodovico il Moro's scheme to render this canal navigable. The canal had been made in 1460 by Bertonino da Novara. Il Moro issued his degree in 1493, but Leonardo's notes about this canal were, with the exception of one (No. 1343), written about sixteen years later.]

1011

No canal which is fed by a river can be permanent if the river whence it originates is not wholly closed up, like the canal of Martesana which is fed by the Ticino.

1012

>From the beginning of the canal to the mill.

>From the beginning of the canal of Brivio to the mill of Travaglia is 2794 trabochi, that is 11176 braccia, which is more than 3 miles and two thirds; and here the canal is 57 braccia higher than the surface of the water of the Adda, giving a fall of two inches in every hundred trabochi; and at that spot we propose to take the opening of our canal.

[Footnote: The following are written on the sketches: At the place marked N: navilio da dacquiue (canal of running water); at M: molin del Travaglia (Mill of Travaglia); at R: rochetta ssanta maria (small rock of Santa Maria); at A: Adda; at L: Lagho di Lecho ringorgato alli 3 corni in Adda,—Concha perpetua (lake of Lecco overflowing at Tre Corni, in Adda,– a permanent sluice). Near the second sketch, referring to the sluice near Q: qui la chatena ttalie d'u peso (here the chain is in one piece). At M in the lower sketch: mol del travaglia, nel cavare la concha il tereno ara chotrapero co cassa d'acqua. (Mill of Travaglia, in digging out the sluice the soil will have as a counterpoise a vessel of water).]

1013

If it be not reported there that this is to be a public canal, it will be necessary to pay for the land; [Footnote 3: il re. Louis XII or Francis I of France. It is hardly possible to doubt that the canals here spoken of were intended to be in the Milanese. Compare with this passage the rough copy of a letter by Leonardo, to the "Presidente dell' Ufficio regolatore dell' acqua" on No. 1350. See also the note to No. 745, 1. 12.] and the king will pay it by remitting the taxes for a year.

Estimates and preparatory studies for canals (1014. 1015).

1014

CANAL.

The canal which may be 16 braccia wide at the bottom and 20 at the top, we may say is on the average 18 braccia wide, and if it is 4 braccia deep, at 4 dinari the square braccia; it will only cost 900 ducats, to excavate by the mile, if the square braccio is calculated in ordinary braccia; but if the braccia are those used in measuring land, of which every 4 are equal to 4 1/2 and if by the mile we understand three thousand ordinary braccia; turned into land braccia, these 3000 braccia will lack 1/4; there remain 2250 braccia, which at 4 dinari the braccio will amount to 675 ducats a mile. At 3 dinari the square braccio, the mile will amount to 506 1/4 ducats so that the excavation of 30 miles of the canal will amount to 15187 1/2 ducats.

1015

To make the great canal, first make the smaller one and conduct into it the waters which by a wheel will help to fill the great one.

Notes on buildings in Milan (1016-1019)

1016

Indicate the centre of Milan.

Moforte—porta resa—porta nova—strada nova—navilio—porta cumana—barco—porta giovia—porta vercellina—porta sco Anbrogio—porta Tesinese—torre dell' Imperatore— porta Lodovica—acqua.

[Footnote: See Pl. CIX. The original sketch is here reduced to about half its size. The gates of the town are here named, beginning at the right hand and following the curved line. In the bird's eye view of Milan below, the cathedral is plainly recognisable in the middle; to the right is the tower of San Gottardo. The square, above the number 9147, is the Lazzaretto, which was begun in 1488. On the left the group of buildings of the 'Castello' will be noticed. On the sketched Plan of Florence (see No. 1004 note) Leonardo has written on the margin the following names of gates of Milan: Vercellina —Ticinese—Ludovica—Romana—Orientale—Nova—Beatrice—Cumana—Compare too No. 1448, 11. 5, 12.]

1017

The moat of Milan.

Canal 2 braccia wide.

The castle with the moats full.

The filling of the moats of the Castle of Milan.

1018

THE BATH.

To heat the water for the stove of the Duchess take four parts of cold water to three parts of hot water.

[Footnote: Duchessa di Milano, Beatrice d'Este, wife of Ludovico il Moro to whom she was married, in 1491. She died in June 1497.]

1019

In the Cathedral at the pulley of the nail of the cross.

Item.

To place the mass v r in the…

[Footnote: On this passage AMORETTI remarks (Memorie Storiche chap. IX): Nell'anno stesso lo veggiamo formare un congegno di carucole e di corde, con cui trasportare in piu venerabile e piu sicuro luogo, cioe nell'ultima arcata della nave di mezzo della metropolitana, la sacra reliquia del Santo Chiodo, che ivi ancor si venera. Al fol. 15 del codice segnato Q. R. in 16, egli ci ha lasciata di tal congegno una doppia figura, cioe una di quattro carucole, e una di tre colle rispettive corde, soggiugnandovi: in Domo alla carucola del Chiodo della Croce.

AMORETTI'S views as to the mark on the MS, and the date when it was written are, it may be observed, wholly unfounded. The MS. L, in which it occurs, is of the year 1502, and it is very unlikely that Leonardo was in Milan at that time; this however would not prevent the remark, which is somewhat obscure, from applying to the Cathedral at Milan.]

1020

OF THE FORCE OF THE VACUUM FORMED IN A MOMENT.

I saw, at Milan, a thunderbolt fall on the tower della Credenza on its Northern side, and it descended with a slow motion down that side, and then at once parted from that tower and carried with it and tore away from that wall a space of 3 braccia wide and two deep; and this wall was 4 braccia thick and was built of thin and small old bricks; and this was dragged out by the vacuum which the flame of the thunderbolt had caused, &c.

[Footnote: With reference to buildings at Milan see also Nos. 751 and 756, and Pl. XCV, No. 2 (explained on p. 52), Pl. C (explained on pages 60-62). See also pages 25, 39 and 40.]

Remarks on natural phenomena in and near Milan (1021. 1022).

1021

I have already been to see a great variety (of atmospheric effects). And lately over Milan towards Lago Maggiore I saw a cloud in the form of an immense mountain full of rifts of glowing light, because the rays of the sun, which was already close to the horizon and red, tinged the cloud with its own hue. And this cloud attracted to it all the little clouds that were near while the large one did not move from its place; thus it retained on its summit the reflection of the sunlight till an hour and a half after sunset, so immensely large was it; and about two hours after sunset such a violent wind arose, that it was really tremendous and unheard of.

[Footnote: di arie is wanting in the original but may safely be inserted in the context, as the formation of clouds is under discussion before this text.]

1022

On the 10th day of December at 9 o'clock a. m. fire was set to the place.

On the l8th day of December 1511 at 9 o'clock a. m. this second fire was kindled by the Swiss at Milan at the place called DCXC. [Footnote: With these two texts, (l. 1—2 and l. 3—5 are in the original side by side) there are sketches of smoke wreaths in red chalk.]

Note on Pavia.

1023

The chimneys of the castle of Pavia have 6 rows of openings and from each to the other is one braccio.

[Footnote: Other notes relating to Pavia occur on p. 43 and p. 53 (Pl. XCVIII, No. 3). Compare No. 1448, 26.]

Notes on the Sforzesca near Vigevano (1024-1028).

1024

On the 2nd day of February 1494. At Sforzesca I drew twenty five steps, 2/3 braccia to each, and 8 braccia wide.

[Footnote: See Pl. CX, No. 2. The rest of the notes on this page refer to the motion of water. On the lower sketch we read: 4 br. (four braccia) and giara (for ghiaja, sand, gravel).]

1025

The vineyards of Vigevano on the 20th day of March 1494.

[Footnote: On one side there is an effaced sketch in red chalk.]

1026

To lock up a butteris at Vigevano.

1027

Again if the lowest part of the bank which lies across the current of the waters is made in deep and wide steps, after the manner of stairs, the waters which, in their course usually fall perpendicularly from the top of such a place to the bottom, and wear away the foundations of this bank can no longer descend with a blow of too great a force; and I find the example of this in the stairs down which the water falls in the fields at Sforzesca at Vigevano over which the running water falls for a height of 50 braccia.

1028

Stair of Vigevano below La Sforzesca, 130 steps, 1/4 braccio high and 1/2 braccio wide, down which the water falls, so as not to wear away anything at the end of its fall; by these steps so much soil has come down that it has dried up a pool; that is to say it has filled it up and a pool of great depth has been turned into meadows.

Notes on the North Italian lake. (1029-1033)

1029

In many places there are streams of water which swell for six hours and ebb for six hours; and I, for my part, have seen one above the lake of Como called Fonte Pliniana, which increases and ebbs, as I have said, in such a way as to turn the stones of two mills; and when it fails it falls so low that it is like looking at water in a deep pit.

[Footnote: The fountain is known by this name to this day: it is near Torno, on the Eastern shore of Como. The waters still rise and fall with the flow and ebb of the tide as Pliny described it (Epist. IV, 30; Hist. Nat. II, 206).]

1030

LAKE OF COMO. VALLEY OF CHIAVENNA.

Above the lake of Como towards Germany is the valley of Chiavenna where the river Mera flows into this lake. Here are barren and very high mountains, with huge rocks. Among these mountains are to be found the water-birds called gulls. Here grow fir trees, larches and pines. Deer, wildgoats, chamois, and terrible bears. It is impossible to climb them without using hands and feet. The peasants go there at the time of the snows with great snares to make the bears fall down these rocks. These mountains which very closely approach each other are parted by the river. They are to the right and left for the distance of 20 miles throughout of the same nature. >From mile to mile there are good inns. Above on the said river there are waterfalls of 400 braccia in height, which are fine to see; and there is good living at 4 soldi the reckoning. This river brings down a great deal of timber.

VAL SASINA.

Val Sasina runs down towards Italy; this is almost the same form and character. There grow here many mappello and there are great ruins and falls of water [Footnote 14: The meaning of mappello is unknown.].

VALLEY OF INTROZZO.

This valley produces a great quantity of firs, pines and larches; and from here Ambrogio Fereri has his timber brought down; at the head of the Valtellina are the mountains of Bormio, terrible and always covered with snow; marmots (?) are found there.

BELLAGGIO.

Opposite the castle Bellaggio there is the river Latte, which falls from a height of more than 100 braccia from the source whence it springs, perpendicularly, into the lake with an inconceivable roar and noise. This spring flows only in August and September.

VALTELLINA.

Valtellina, as it is called, is a valley enclosed in high and terrible mountains; it produces much strong wine, and there is so much cattle that the natives conclude that more milk than wine grows there. This is the valley through which the Adda passes, which first runs more than 40 miles through Germany; this river breeds the fish temolo which live on silver, of which much is to be found in its sands. In this country every one can sell bread and wine, and the wine is worth at most one soldo the bottle and a pound of veal one soldo, and salt ten dinari and butter the same and their pound is 30 ounces, and eggs are one soldo the lot.

1031

At BORMIO.

At Bormio are the baths;—About eight miles above Como is the Pliniana, which increases and ebbs every six hours, and its swell supplies water for two mills; and its ebbing makes the spring dry up; two miles higher up there is Nesso, a place where a river falls with great violence into a vast rift in the mountain. These excursions are to be made in the month of May. And the largest bare rocks that are to be found in this part of the country are the mountains of Mandello near to those of Lecco, and of Gravidona towards Bellinzona, 30 miles from Lecco, and those of the valley of Chiavenna; but the greatest of all is that of Mandello, which has at its base an opening towards the lake, which goes down 200 steps, and there at all times is ice and wind.

IN VAL SASINA.

In Val Sasina, between Vimognio and Introbbio, to the right hand, going in by the road to Lecco, is the river Troggia which falls from a very high rock, and as it falls it goes underground and the river ends there. 3 miles farther we find the buildings of the mines of copper and silver near a place called Pra' Santo Pietro, and mines of iron and curious things. La Grigna is the highest mountain there is in this part, and it is quite bare.

[Footnote: 1030 and 1031. From the character of the handwriting we may conclude that these observations were made in Leonardo's youth; and I should infer from their contents, that they were notes made in anticipation of a visit to the places here described, and derived from some person (unknown to us) who had given him an account of them.]

1032

The lake of Pusiano flows into the lake of Segrino [Footnote 3: The statement about the lake Segrino is incorrect; it is situated in the Valle Assina, above the lake of Pusiano.] and of Annone and of Sala. The lake of Annone is 22 braccia higher at the surface of its water than the surface of the water of the lake of Lecco, and the lake of Pusiano is 20 braccia higher than the lake of Annone, which added to the afore said 22 braccia make 42 braccia and this is the greatest height of the surface of the lake of Pusiano above the surface of the lake of Lecco.

[Footnote: This text has in the original a slight sketch to illustrate it.]

1033

At Santa Maria in the Valley of Ravagnate [Footnote 2: Ravagnate (Leonardo writes Ravagna) in the Brianza is between Oggiono and Brivio, South of the lake of Como. M. Ravaisson avails himself of this note to prove his hypothesis that Leonardo paid two visits to France. See Gazette des Beaux Arts, 1881 pag. 528:

_Au recto du meme feuillet, on lit encore une note relative a une vallee "nemonti brigatia"; il me semble qu'il s'agit bien des monts de Briancon, le Brigantio des anciens. Briancon est sur la route de Lyon en Italie. Ce fut par le mont Viso que passerent, en aout 1515, les troupes francaises qui allaient remporter la victoire de Marignan.

Leonard de Vinci, ingenieur de Francois Ier, comme il l'avait ete de Louis XII, aurait-il ete pour quelque chose dans le plan du celebre passage des Alpes, qui eut lieu en aout 1515, et a la suite duquel on le vit accompagner partout le chevaleresque vainqueur? Auraitil ete appele par le jeune roi, de Rome ou l'artiste etait alors, des son avenement au trone?_] in the mountains of Brianza are the rods of chestnuts of 9 braccia and one out of an average of 100 will be 14 braccia.

At Varallo di Ponbia near to Sesto on the Ticino the quinces are white, large and hard.

[Footnote 5: Varallo di Ponbia, about ten miles South of Arona is distinct from Varallo the chief town in the Val di Sesia.]

Notes on places in Central Italy, visited in 1502 (1034-1054).

1034

Pigeon-house at Urbino, the 30th day of July 1502. [Footnote: An indistinct sketch is introduced with this text, in the original, in which the word Scolatoro (conduit) is written.]

1035

Made by the sea at Piombino. [Footnote: Below the sketch there are eleven lines of text referring to the motion of waves.]

1036

Acquapendente is near Orvieto. [Footnote: Acquapendente is about 10 miles West of Orvieto, and is to the right in the map on Pl. CXIII, near the lake of Bolsena.]

1037

The rock of Cesena. [Footnote: See Pl. XCIV No. 1, the lower sketch. The explanation of the upper sketch is given on p. 29.]

1038

Siena, a b 4 braccia, a c 10 braccia. Steps at [the castle of] Urbino. [Footnote: See Pl. CX No. 3; compare also No. 765.]

1039

The bell of Siena, that is the manner of its movement, and the place of the attachment of the clapper. [Footnote: The text is accompanied by an indistinct sketch.]

1040

On St. Mary's day in the middle of August, at Cesena, 1502.

[Footnote: See Pl. CX, No. 4.]

1041

Stairs of the [palace of the] Count of Urbino,—rough. [Footnote: The text is accompanied by a slight sketch.]

1042

At the fair of San Lorenzo at Cesena. 1502.

1043

Windows at Cesena. [Footnote: There are four more lines of text which refer to a slightly sketched diagram.]

1044

At Porto Cesenatico, on the 6th of September 1502 at 9 o'clock a. m.

The way in which bastions ought to project beyond the walls of the towers to defend the outer talus; so that they may not be taken by artillery.

[Footnote: An indistinct sketch, accompanies this passage.]

1045

The rock of the harbour of Cesena is four points towards the South West from Cesena.

1046

In Romagna, the realm of all stupidity, vehicles with four wheels are used, of which O the two in front are small and two high ones are behind; an arrangement which is very unfavourable to the motion, because on the fore wheels more weight is laid than on those behind, as I showed in the first of the 5th on "Elements".

1047

Thus grapes are carried at Cesena. The number of the diggers of the ditches is [arranged] pyramidically. [Footnote: A sketch, representing a hook to which two bunches of grapes are hanging, refers to these first two lines. Cesena is mentioned again Fol. 82a: Carro da Cesena (a cart from Cesena).]

1048

There might be a harmony of the different falls of water as you saw them at the fountain of Rimini on the 8th day of August, 1502.

1049

The fortress at Urbino. [Footnote: 1049. In the original the text is written inside the sketch in the place here marked n.]

1050

Imola, as regards Bologna, is five points from the West, towards the North West, at a distance of 20 miles.

Castel San Piero is seen from Imola at four points from the West towards the North West, at a distance of 7 miles.

Faenza stands with regard to Imola between East and South East at a distance of ten miles. Forli stands with regard to Faenza between South East and East at a distance of 20 miles from Imola and ten from Faenza.

Forlimpopoli lies in the same direction at 25 miles from Imola.

Bertinoro, as regards Imola, is five points from the East to wards the South East, at 27 miles.

1051

Imola as regards Bologna is five points from the West towards the North West at a distance of 20 miles.

Castel San Pietro lies exactly North West of Imola, at a distance of 7 miles.

Faenza, as regards Imola lies exactly half way between the East and South East at a distance of 10 miles; and Forli lies in the same direction from Imola at a distance of 20 miles; and Forlimpopolo lies in the same direction from Forli at a distance of 25 miles.

Bertinoro is seen from Imola two points from the East towards the South East at a distance of 27 miles.

[Footnote: Leonardo inserted this passage on the margin of the circular plan, in water colour, of Imola—see Pl. CXI No. 1.—In the original the fields surrounding the town are light green; the moat, which surrounds the fortifications and the windings of the river Santerno, are light blue. The parts, which have come out blackish close to the river are yellow ochre in the original. The dark groups of houses inside the town are red. At the four points of the compass drawn in the middle of the town Leonardo has written (from right to left): Mezzodi (South) at the top; to the left Scirocho (South east), levante (East), Greco (North East), Septantrione (North), Maesstro (North West), ponente (West) Libecco (South West). The arch in which the plan is drawn is, in the original, 42 centimetres across.

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