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The Restless Sea
Vanessa de Haan
‘The sure-footedness of a pro, an amazing debut’ Jeffrey ArcherAbsorbing and richly observed, THE RESTLESS SEA is a masterful story of the turbulent years of the Second World War.Three lives collide in a way that only the war makes possible…Jack, a child of the Blitz, has fled the law to become a seaman in the Merchant Navy. The frozen world of the Russian Arctic convoys may be harsh, but it opens his eyes to a new life.While on leave in the Navy’s secret Scottish harbour, Jack meets Olivia, the cossetted daughter of an officer family. Free to roam, Olivia relishes the new freedom granted by war. But her family – and especially the well-connected Charlie, now a fast-rising pilot – don’t welcome these changes. Least of all the arrival of Jack, the boy who casts doubt on each of their futures.The war inflicts danger and social upheaval like never before. But the most unlikely friendships are forged in times when people live like they don’t want tomorrow to come…
Copyright (#u63a52a62-342e-5051-9a05-0d67ffaaa350)
Published by HarperCollinsPublishers Ltd
1 London Bridge Street
London SE1 9GF
www.harpercollins.co.uk (http://www.harpercollins.co.uk)
First published in Great Britain by HarperCollinsPublishers 2018
Copyright © Vanessa de Haan 2018
Cover photographs © Mark Owen/Trevillion Images (seascape); © Shutterstock.com (https://www.shutterstock.com) (letter and plane)
Cover design © HarperCollinsPublishers Ltd 2018
Vanessa de Haan asserts the moral right to be identified as the author of this work.
A catalogue copy of this book is available from the British Library.
This novel is entirely a work of fiction. The names, characters and incidents portrayed in it
are the work of the author’s imagination. Any resemblance to actual persons, living or dead,
events or localities is entirely coincidental.
All rights reserved under International and Pan-American Copyright Conventions. By payment of the required fees, you have been granted the non-exclusive, non-transferable right to access and read the text of this e-book on screen. No part of this text may be reproduced, transmitted, down-loaded, decompiled, reverse engineered, or stored in or introduced into any information storage and retrieval system, in any form or by any means, whether electronic or mechanical, now known or hereinafter invented, without the express written permission of HarperCollins.
Source ISBN: 9780008245764
Ebook Edition © April 2018 ISBN: 9780008229818
Version: 2018-01-23
Dedication (#u63a52a62-342e-5051-9a05-0d67ffaaa350)
To my weird, wonderful and extensive family
– you know who you are –
and to Amelia Grace Jessel, in memory.
Table of Contents
Cover (#u9aedbb8b-f7b3-51b7-9ae5-3911f490a2e1)
Title Page (#udac4641f-a1dc-5194-b994-9d94dd234484)
Copyright (#u085afa8c-bec2-5d1f-995c-bcc6144d1af0)
Dedication (#ua03e2ea9-bd30-5813-b285-f2d00d0ad54b)
Hymn (#u5a9962c7-d06f-5cff-9f8f-0b45dd66829d)
Prologue (#u38a20c96-f856-5b49-977f-2e361218338e)
Chapter 1: Jack (#u47a4021b-2e83-5a16-b7d1-4635968ac0cf)
Chapter 2 (#u7de59ea6-703a-5b2c-8b19-f91396aaf49e)
Chapter 3: Charlie (#ufc2cc261-6ef8-56d0-8f85-e20a9a53c859)
Chapter 4 (#u2e95ba9e-7ad2-515d-9f51-6efe776d6510)
Chapter 5: Olivia (#ud90538cd-fc2b-5158-9103-2c5a8fe60e9b)
Chapter 6 (#u1b16b6f3-8c34-54a6-ad43-dd001b52ff65)
Chapter 7 (#u2eeba6ea-fa17-5b4c-8823-921eb5fb5a05)
Chapter 8: Jack (#litres_trial_promo)
Chapter 9 (#litres_trial_promo)
Chapter 10: Charlie (#litres_trial_promo)
Chapter 11 (#litres_trial_promo)
Chapter 12: Olivia (#litres_trial_promo)
Chapter 13 (#litres_trial_promo)
Chapter 14: Charlie (#litres_trial_promo)
Chapter 15: Olivia (#litres_trial_promo)
Chapter 16: Jack (#litres_trial_promo)
Chapter 17: Charlie (#litres_trial_promo)
Chapter 18: Jack (#litres_trial_promo)
Chapter 19: Olivia (#litres_trial_promo)
Chapter 20: Jack (#litres_trial_promo)
Chapter 21: Charlie (#litres_trial_promo)
Chapter 22: Jack (#litres_trial_promo)
Chapter 23: Charlie (#litres_trial_promo)
Chapter 24: Olivia (#litres_trial_promo)
Chapter 25: Jack (#litres_trial_promo)
Chapter 26: Olivia (#litres_trial_promo)
Chapter 27: Charlie (#litres_trial_promo)
Chapter 28: Olivia (#litres_trial_promo)
Chapter 29: Charlie (#litres_trial_promo)
Chapter 30: Olivia (#litres_trial_promo)
Chapter 31: Jack (#litres_trial_promo)
Chapter 32: Charlie (#litres_trial_promo)
Chapter 33: Olivia (#litres_trial_promo)
Historical Note (#litres_trial_promo)
Acknowledgements (#litres_trial_promo)
We, Who Live Now (#litres_trial_promo)
About the Author (#litres_trial_promo)
About the Publisher (#litres_trial_promo)
Hymn (#u63a52a62-342e-5051-9a05-0d67ffaaa350)
Eternal Father, strong to save
Whose arm does bound the restless wave
Who bidst the mighty ocean deep
Its own appointed limits keep
O hear us when we cry to thee
For those in peril on the sea
O ruler of the earth and sky
Be with our airmen as they fly
And keep them in thy loving care
From all the perils of the air
O let our cry come up to thee
For those who fly o’er land and sea
O Trinity of love and might
Be with our airmen day and night
In peace or war
Midst friend or foe
Be with them wheresoe’er they go
Thus shall our prayers ascend to thee
For those who fly o’er land and sea
This famous hymn, written by William Whiting in 1860, is also known as the Navy Hymn and sung at naval occasions around the world. This is a version frequently used by the Fleet Air Arm.
Prologue (#u63a52a62-342e-5051-9a05-0d67ffaaa350)
The roof stretches across the railway station like the skin of a drum, magnifying the sounds: the tapping and pounding of feet, the trains clanking, the rumble of wheels, the shout of a guard, the whistle of a porter. At the ticket office, there is no sense of where the queue ends or where it begins. A man bashes on the glass, his voice raised in anger, frustration. Tickets are scarce. Everybody here wants to get away, to follow the children who have been evacuated to safer parts of this now unsafe country. The air is sticky and humid. In the haze, little things stand out: two sailors balancing on a stack of cases, one singing as the other accompanies him on a squeezebox. The drifting smoke from the newspaper seller’s pipe; the neat rows of black-and-white print on his stand. A cluster of soldiers, their uniforms smart, the leather of their boots supple and clean, their dark, heavy rifles pulling at their shoulders.
A policeman tails a group of suspicious-looking lads that trickle away from him like mercury, slipping through gaps that close as quickly as they open. He loses them again as they circle a girl dressed in a pale-green coat, a cerise ribbon tied around her matching hat, a bright splash of colour among the drab browns and greys of suits and caps. The policeman glimpses the lads once more as they sidestep the expensive leather cases at the girl’s feet. Then they are gone again, like the brief flash of the bracelet she is fiddling nervously with beneath the cuff of her jacket: now you see it, now you don’t.
The sounds swirl into one cacophony – the sobs of children, the wails of babies, the tinny squeezebox and the guard shouting into the loudspeaker, the scream of another train pulling free from the throng and towards the light. And then suddenly all noise is drowned out by a new sound, one that Londoners will soon grow accustomed to, but this is the first time they have heard its ear-splitting warning. For a moment, the station freezes, caught in a sliver of time. The babies stop wailing. The man stops banging the window. The squeezebox exhales with a breathless sigh. A thousand pairs of eyes widen, a thousand hearts stop beating.
And then there is chaos. Hands fly up to ears. People scream and clutch at each other. Others gape, bewildered. ‘It’s the gas!’ ‘A bomb!’ ‘They’re coming!’ Some people throw themselves to the floor while others blindly follow each other, staggering from one foot to the other, unsure which way to run. People fumble for their gas masks, trying to remember the drill. The straps pinch and catch at their hair; the rubber digs into their faces; the horrible smell fills their nostrils.
The crowd takes on a life of its own and surges towards the Underground, sweeping everything before it, pushing aside anything that will not join the plunging wave. The girl in the pale-green coat is caught up in the rush. She stretches out for her luggage, but it has scattered and she is knocked one way and shoved another and then swept along for a little while, all the time trying to reach back with a pale hand for her bags. The policeman is too busy trying to calm the uncalmable to notice that the girl has been swept up by the hoodlums he had his eye on. Now her bags are lost, but at least she has been carried on the tide to the safety of the Underground.
The siren wails through the empty station. The concourse is a mess of scattered things. Luggage is strewn across the floor like flotsam, bags split open, a favourite teddy has been trampled, the newspapers have toppled to the ground, the thick headlines declaring war smudged and smeared by a myriad of shoes. The ticket seller cowers beneath his desk. The guards and porters have disappeared. The only sign of life is a group of naval ratings who have remained on their platform and are being lined up by a young officer. The officer issues his instructions and smooths his impeccable uniform. The boys do not take their eyes off him, drawing confidence from his easy manner, the authority borne of fine breeding and education. They form neat rows of bell bottoms and white-topped caps. The officer calls out another command, and this time the words echo clearly across the silent emptiness. The wailing has stopped.
The alarm is a mistake, a faulty air-raid siren. The station begins to fill up as people return to search for their lost companions, their abandoned luggage. Soon it is as if the concourse never emptied. The ticket seller clambers up from the floor, dusting the dirt from his trousers and resetting his cap upon his head. A new customer bangs at the window while the people behind him jostle for their original positions in the reformed queue. The policeman has long lost his intended targets. No doubt more will be along any moment. Pickpocketing is as much a problem today as it has always been in these crowded places, and the chaos of a war is not going to help matters. He spies the girl in the pale-green dress grappling for her bags and goes to help, his hand resting on his truncheon, his chin sweaty beneath its strap. Together they count the bags. None is missing. Now another figure emerges from the crowds, small and bird-like beneath a thick fur stole – the only one to be seen in such weather. The girl reaches out to her mother, and the policeman summons a porter to place the bags on a trolley, then touches his helmet in farewell as the porter relays the lady, the girl, and their luggage towards the sleeper for Inverness, skirting around a jumble of bicycles, freight, prams and trunks.
The sleeper is already at the platform. Men are rubbing cloths over its black and maroon paint. The girl and the lady search for the correct carriage. Further along the same platform, the young naval officer is ushering the ratings into the dining car, the only carriage with any space left. The boys chatter and laugh as they jostle for a seat until the officer reminds them that they are representing His Majesty’s Naval Service, and they stifle their smiles behind their hands. Three pregnant women heave themselves into another carriage. A child cries, snotty hiccups that she tries to blow into a handkerchief. A toddler holds her other hand, sucking bleakly at his free thumb. Passengers already on the train lean out of the windows, hands grasping like sea anemones for a last touch of friends and family. One of them is the girl in the pale-green dress, but the woman she has left on the platform has already issued a brief goodbye and turned on her heel, and there is nothing to do but retreat reluctantly into the safety of her compartment.
There are fewer people on the platform now, more guards and porters in their dark-blue uniforms, polished buttons and cap badges glinting. The doors slam and slide. The guard blows his whistle, and there is the whoosh of steam, and slowly, slowly the train starts to move. A woman with puffy red eyes runs alongside, trying to catch a glimpse of a friend or child slipping away. A guard manages to grasp her by the shoulders and hold her back. Someone screams, but the sound is drowned out by the train’s whistle. The carriages jerk forward, away from the confines of the hot and crowded station and out into the warm light. In the dining car, some of the boy seamen are already resting their heads against the windows, eyelids drooping, while others play cards or elbow each other and giggle when they think no one is looking. Their officer adjusts his tie and then runs a finger over the golden wings stitched on to his sleeve and smiles to himself. In the sleeper berth, the girl in the pale-green dress runs her hand over the starched white sheets and sighs. Outside, London begins to slip by faster and faster as the train gathers speed, past narrow gardens and rows of houses, the sun reflected in their windows, making it seem as if the city is on fire.
