Twice Told Tales

And now has Morning gathered up her dewy pearls and fled away. The sun rolls blazing through the sky, and cannot find a cloud to cool his face with. The horses toil sluggishly along the bridge, and heave their glistening sides in short quick pantings when the reins are tightened at the toll-house. Glisten, too, the faces of the travellers. Their garments are thickly bestrewn with dust; their whiskers and hair look hoary; their throats are choked with the dusty atmosphere which they have left behind them. No air is stirring on the road. Nature dares draw no breath lest she should inhale a stifling cloud of dust. "A hot and dusty day!" cry the poor pilgrims as they wipe their begrimed foreheads and woo the doubtful breeze which the river bears along with it. – "Awful hot! Dreadful dusty!" answers the sympathetic toll-gatherer. They start again to pass through the fiery furnace, while he re-enters his cool hermitage and besprinkles it with a pail of briny water from the stream beneath. He thinks within himself that the sun is not so fierce here as elsewhere, and that the gentle air doth not forget him in these sultry days. Yes, old friend, and a quiet heart will make a dog-day temperate. He hears a weary footstep, and perceives a traveller with pack and staff, who sits down upon the hospitable bench and removes the hat from his wet brow. The toll-gatherer administers a cup of cold water, and, discovering his guest to be a man of homely sense, he engages him in profitable talk, uttering the maxims of a philosophy which he has found in his own soul, but knows not how it came there. And as the wayfarer makes ready to resume his journey he tells him a sovereign remedy for blistered feet.

Now comes the noontide hour – of all the hours, nearest akin to midnight, for each has its own calmness and repose. Soon, however, the world begins to turn again upon its axis, and it seems the busiest epoch of the day, when an accident impedes the march of sublunary things. The draw being lifted to permit the passage of a schooner laden with wood from the Eastern forests, she sticks immovably right athwart the bridge. Meanwhile, on both sides of the chasm a throng of impatient travellers fret and fume. Here are two sailors in a gig with the top thrown back, both puffing cigars and swearing all sorts of forecastle oaths; there, in a smart chaise, a dashingly-dressed gentleman and lady, he from a tailor's shop-board and she from a milliner's back room – the aristocrats of a summer afternoon. And what are the haughtiest of us but the ephemeral aristocrats of a summer's day? Here is a tin-pedler whose glittering ware bedazzles all beholders like a travelling meteor or opposition sun, and on the other side a seller of spruce beer, which brisk liquor is confined in several dozen of stone bottles. Here conic a party of ladies on horseback, in green ridings habits, and gentlemen attendant, and there a flock of sheep for the market, pattering over the bridge with a multitude nous clatter of their little hoofs; here a Frenchman with a hand-organ on his shoulder, and there an itinerant Swiss jeweller. On this side, heralded by a blast of clarions and bugles, appears a train of wagons conveying all the wild beasts of a caravan; and on that a company of summer soldiers marching from village to village on a festival campaign, attended by the "brass band." Now look at the scene, and it presents an emblem of the mysterious confusion, the apparently insolvable riddle, in which individuals, or the great world itself, seem often to be involved. What miracle shall set all things right again?

But see! the schooner has thrust her bulky carcase through the chasm; the draw descends; horse and foot pass onward and leave the bridge vacant from end to end. "And thus," muses the toll-gatherer, "have I found it with all stoppages, even though the universe seemed to be at a stand." The sage old man!

Far westward now the reddening sun throws a broad sheet of splendor across the flood, and to the eyes of distant boatmen gleams brightly among the timbers of the bridge. Strollers come from the town to quaff the freshening breeze. One or two let down long lines and haul up flapping flounders or cunners or small cod, or perhaps an eel. Others, and fair girls among them, with the flush of the hot day still on their cheeks, bend over the railing and watch the heaps of seaweed floating upward with the flowing tide. The horses now tramp heavily along the bridge and wistfully bethink them of their stables. – Rest, rest, thou weary world! for to-morrow's round of toil and pleasure will be as wearisome as to-day's has been, yet both shall bear thee onward a day's march of eternity. – Now the old toll-gatherer looks seaward and discerns the lighthouse kindling on a far island, and the stars, too, kindling in the sky, as if but a little way beyond; and, mingling reveries of heaven with remembrances of earth, the whole procession of mortal travellers, all the dusty pilgrimage which he has witnessed, seems like a flitting show of phantoms for his thoughtful soul to muse upon.

THE VISION OF THE FOUNTAIN

At fifteen I became a resident in a country village more than a hundred miles from home. The morning after my arrival – a September morning, but warm and bright as any in July – I rambled into a wood of oaks with a few walnut trees intermixed, forming the closest shade above my head. The ground was rocky, uneven, overgrown with bushes and clumps of young saplings and traversed only by cattle-paths. The track which I chanced to follow led me to a crystal spring with a border of grass as freshly green as on May morning, and overshadowed by the limb of a great oak. One solitary sunbeam found its way down and played like a goldfish in the water.

From my childhood I have loved to gaze into a spring. The water filled a circular basin, small but deep and set round with stones, some of which were covered with slimy moss, the others naked and of variegated hue – reddish, white and brown. The bottom was covered with coarse sand, which sparkled in the lonely sunbeam and seemed to illuminate the spring with an unborrowed light. In one spot the gush of the water violently agitated the sand, but without obscuring the fountain or breaking the glassiness of its surface. It appeared as if some living creature were about to emerge – the naiad of the spring, perhaps, in the shape of a beautiful young woman with a gown of filmy water-moss, a belt of rainbow-drops and a cold, pure, passionless countenance. How would the beholder shiver, pleasantly yet fearfully, to see her sitting on one of the stones, paddling her white feet in the ripples and throwing up water to sparkle in the sun! Wherever she laid her hands on grass and flowers, they would immediately be moist, as with morning dew. Then would she set about her labors, like a careful housewife, to clear the fountain of withered leaves, and bits of slimy wood, and old acorns from the oaks above, and grains of corn left by cattle in drinking, till the bright sand in the bright water were like a treasury of diamonds. But, should the intruder approach too near, he would find only the drops of a summer shower glistening about the spot where he had seen her.

Reclining on the border of grass where the dewy goddess should have been, I bent forward, and a pair of eyes met mine within the watery mirror. They were the reflection of my own. I looked again, and, lo! another face, deeper in the fountain than my own image, more distinct in all the features, yet faint as thought. The vision had the aspect of a fair young girl with locks of paly gold. A mirthful expression laughed in the eyes and dimpled over the whole shadowy countenance, till it seemed just what a fountain would be if, while dancing merrily into the sunshine, it should assume the shape of woman. Through the dim rosiness of the cheeks I could see the brown leaves, the slimy twigs, the acorns and the sparkling sand. The solitary sunbeam was diffused among the golden hair, which melted into its faint brightness and became a glory round that head so beautiful.

My description can give no idea how suddenly the fountain was thus tenanted and how soon it was left desolate. I breathed, and there was the face; I held my breath, and it was gone. Had it passed away or faded into nothing? I doubted whether it had ever been.

My sweet readers, what a dreamy and delicious hour did I spend where that vision found and left me! For a long time I sat perfectly still, waiting till it should reappear, and fearful that the slightest motion, or even the flutter of my breath, might frighten it away. Thus have I often started from a pleasant dream, and then kept quiet in hopes to wile it back. Deep were my musings as to the race and attributes of that ethereal being. Had I created her? Was she the daughter of my fancy, akin to those strange shapes which peep under the lids of children's eyes? And did her beauty gladden me for that one moment and then die? Or was she a water-nymph within the fountain, or fairy or woodland goddess peeping over my shoulder, or the ghost of some forsaken maid who had drowned herself for love? Or, in good truth, had a lovely girl with a warm heart and lips that would bear pressure stolen softly behind me and thrown her image into the spring?

I watched and waited, but no vision came again. I departed, but with a spell upon me which drew me back that same afternoon to the haunted spring. There was the water gushing, the sand sparkling and the sunbeam glimmering. There the vision was not, but only a great frog, the hermit of that solitude, who immediately withdrew his speckled snout and made himself invisible – all except a pair of long legs – beneath a stone. Methought he had a devilish look. I could have slain him as an enchanter who kept the mysterious beauty imprisoned in the fountain.

Sad and heavy, I was returning to the village. Between me and the church-spire rose a little hill, and on its summit a group of trees insulated from all the rest of the wood, with their own share of radiance hovering on them from the west and their own solitary shadow falling to the east. The afternoon being far declined, the sunshine was almost pensive and the shade almost cheerful; glory and gloom were mingled in the placid light, as if the spirits of the Day and Evening had met in friendship under those trees and found themselves akin. I was admiring the picture when the shape of a young girl emerged from behind the clump of oaks. My heart knew her: it was the vision, but so distant and ethereal did she seem, so unmixed with earth, so imbued with the pensive glory of the spot where she was standing, that my spirit sunk within me, sadder than before. How could I ever reach her?

While I gazed a sudden shower came pattering down upon the leaves. In a moment the air was full of brightness, each raindrop catching a portion of sunlight as it fell, and the whole gentle shower appearing like a mist, just substantial enough to bear the burden of radiance. A rainbow vivid as Niagara's was painted in the air. Its southern limb came down before the group of trees and enveloped the fair vision as if the hues of heaven were the only garment for her beauty. When the rainbow vanished, she who had seemed a part of it was no longer there. Was her existence absorbed in nature's loveliest phenomenon, and did her pure frame dissolve away in the varied light? Yet I would not despair of her return, for, robed in the rainbow, she was the emblem of Hope.

Thus did the vision leave me, and many a doleful day succeeded to the parting moment. By the spring and in the wood and on the hill and through the village, at dewy sunrise, burning noon, and at that magic hour of sunset, when she had vanished from my sight, I sought her, but in vain. Weeks came and went, months rolled away, and she appeared not in them. I imparted my mystery to none, but wandered to and fro or sat in solitude like one that had caught a glimpse of heaven and could take no more joy on earth. I withdrew into an inner world where my thoughts lived and breathed, and the vision in the midst of them. Without intending it, I became at once the author and hero of a romance, conjuring up rivals, imagining events, the actions of others and my own, and experiencing every change of passion, till jealousy and despair had their end in bliss. Oh, had I the burning fancy of my early youth with manhood's colder gift, the power of expression, your hearts, sweet ladies, should flutter at my tale.

In the middle of January I was summoned home. The day before my departure, visiting the spots which had been hallowed by the vision, I found that the spring had a frozen bosom, and nothing but the snow and a glare of winter sunshine on the hill of the rainbow. "Let me hope," thought I, "or my heart will be as icy as the fountain and the whole world as desolate as this snowy hill." Most of the day was spent in preparing for the journey, which was to commence at four o'clock the next morning. About an hour after supper, when all was in readiness, I descended from my chamber to the sitting-room to take leave of the old clergyman and his family with whom I had been an inmate. A gust of wind blew out my lamp as I passed through the entry.

According to their invariable custom – so pleasant a one when the fire blazes cheerfully – the family were sitting in the parlor with no other light than what came from the hearth. As the good clergyman's scanty stipend compelled him to use all sorts of economy, the foundation of his fires was always a large heap of tan, or ground bark, which would smoulder away from morning till night with a dull warmth and no flame. This evening the heap of tan was newly put on and surmounted with three sticks of red oak full of moisture, and a few pieces of dry pine that had not yet kindled. There was no light except the little that came sullenly from two half-burnt brands, without even glimmering on the andirons. But I knew the position of the old minister's arm-chair, and also where his wife sat with her knitting-work, and how to avoid his two daughters – one a stout country lass, and the other a consumptive girl. Groping through the gloom, I found my own place next to that of the son, a learned collegian who had come home to keep school in the village during the winter vacation. I noticed that there was less room than usual to-night between the collegian's chair and mine.

As people are always taciturn in the dark, not a word was said for some time after my entrance. Nothing broke the stillness but the regular click of the matron's knitting-needles. At times the fire threw out a brief and dusky gleam which twinkled on the old man's glasses and hovered doubtfully round our circle, but was far too faint to portray the individuals who composed it. Were we not like ghosts? Dreamy as the scene was, might it not be a type of the mode in which departed people who had known and loved each other here would hold communion in eternity? We were aware of each other's presence, not by sight nor sound nor touch, but by an inward consciousness. Would it not be so among the dead?

The silence was interrupted by the consumptive daughter addressing a remark to some one in the circle whom she called Rachel. Her tremulous and decayed accents were answered by a single word, but in a voice that made me start and bend toward the spot whence it had proceeded. Had I ever heard that sweet, low tone? If not, why did it rouse up so many old recollections, or mockeries of such, the shadows of things familiar yet unknown, and fill my mind with confused images of her features who had spoken, though buried in the gloom of the parlor? Whom had my heart recognized, that it throbbed so? I listened to catch her gentle breathing, and strove by the intensity of my gaze to picture forth a shape where none was visible.

Suddenly the dry pine caught; the fire blazed up with a ruddy glow, and where the darkness had been, there was she – the vision of the fountain. A spirit of radiance only, she had vanished with the rainbow and appeared again in the firelight, perhaps to flicker with the blaze and be gone. Yet her cheek was rosy and lifelike, and her features, in the bright warmth of the room, were even sweeter and tenderer than my recollection of them. She knew me. The mirthful expression that had laughed in her eyes and dimpled over her countenance when I beheld her faint beauty in the fountain was laughing and dimpling there now. One moment our glance mingled; the next, down rolled the heap of tan upon the kindled wood, and darkness snatched away that daughter of the light, and gave her back to me no more!

Fair ladies, there is nothing more to tell. Must the simple mystery be revealed, then, that Rachel was the daughter of the village squire and had left home for a boarding-school the morning after I arrived and returned the day before my departure? If I transformed her to an angel, it is what every youthful lover does for his mistress. Therein consists the essence of my story. But slight the change, sweet maids, to make angels of yourselves.

FANCY'S SHOW-BOX

A MORALITY

What is guilt? A stain upon the soul. And it is a point of vast interest whether the soul may contract such stains in all their depth and flagrancy from deeds which may have been plotted and resolved upon, but which physically have never had existence. Must the fleshly hand and visible frame of man set its seal to the evil designs of the soul, in order to give them their entire validity against the sinner? Or, while none but crimes perpetrated are cognizable before an earthly tribunal, will guilty thoughts – of which guilty deeds are no more than shadows, – will these draw down the full weight of a condemning sentence in the supreme court of eternity? In the solitude of a midnight chamber or in a desert afar from men or in a church while the body is kneeling the soul may pollute itself even with those crimes which we are accustomed to deem altogether carnal. If this be true, it is a fearful truth.

Let us illustrate the subject by an imaginary example. A venerable gentleman – one Mr. Smith – who had long been regarded as a pattern of moral excellence was warming his aged blood with a glass or two of generous wine. His children being gone forth about their worldly business and his grandchildren at school, he sat alone in a deep luxurious arm-chair with his feet beneath a richly-carved mahogany table. Some old people have a dread of solitude, and when better company may not be had rejoice even to hear the quiet breathing of a babe asleep upon the carpet. But Mr. Smith, whose silver hair was the bright symbol of a life unstained except by such spots as are inseparable from human nature – he had no need of a babe to protect him by its purity, nor of a grown person to stand between him and his own soul. Nevertheless, either manhood must converse with age, or womanhood must soothe him with gentle cares, or infancy must sport around his chair, or his thoughts will stray into the misty region of the past and the old man be chill and sad. Wine will not always cheer him.

Such might have been the case with Mr. Smith, when, through the brilliant medium of his glass of old Madeira, he beheld three figures entering the room. These were Fancy, who had assumed the garb and aspect of an itinerant showman, with a box of pictures on her back; and Memory, in the likeness of a clerk, with a pen behind her ear, an inkhorn at her buttonhole and a huge manuscript volume beneath her arm; and lastly, behind the other two, a person shrouded in a dusky mantle which concealed both face and form. But Mr. Smith had a shrewd idea that it was Conscience. How kind of Fancy, Memory and Conscience to visit the old gentleman just as he was beginning to imagine that the wine had neither so bright a sparkle nor so excellent a flavor as when himself and the liquor were less aged! Through the dim length of the apartment, where crimson curtains muffled the glare of sunshine and created a rich obscurity, the three guests drew near the silver-haired old man. Memory, with a finger between the leaves of her huge volume, placed herself at his right hand; Conscience, with her face still hidden in the dusky mantle, took her station on the left, so as to be next his heart; while Fancy set down her picture-box upon the table with the magnifying-glass convenient to his eye.

We can sketch merely the outlines of two or three out of the many pictures which at the pulling of a string successively peopled the box with the semblances of living scenes. One was a moonlight picture, in the background a lowly dwelling, and in front, partly shadowed by a tree, yet besprinkled with flakes of radiance, two youthful figures, male and female. The young man stood with folded arms, a haughty smile upon his lip and a gleam of triumph in his eye as he glanced downward at the kneeling girl. She was almost prostrate at his feet, evidently sinking under a weight of shame and anguish which hardly allowed her to lift her clasped hands in supplication. Her eyes she could not lift. But neither her agony, nor the lovely features on which it was depicted, nor the slender grace of the form which it convulsed, appeared to soften the obduracy of the young man. He was the personification of triumphant scorn.

Now, strange to say, as old Mr. Smith peeped through the magnifying-glass, which made the objects start out from the canvas with magical deception, he began to recognize the farmhouse, the tree and both the figures of the picture. The young man in times long past had often met his gaze within the looking-glass; the girl was the very image of his first love – his cottage-love, his Martha Burroughs. Mr. Smith was scandalized. "Oh, vile and slanderous picture!" he exclaims. "When have I triumphed over ruined innocence? Was not Martha wedded in her teens to David Tomkins, who won her girlish love and long enjoyed her affection as a wife? And ever since his death she has lived a reputable widow!"

Meantime, Memory was turning over the leaves of her volume, rustling them to and fro with uncertain fingers, until among the earlier pages she found one which had reference to this picture. She reads it close to the old gentleman's ear: it is a record merely of sinful thought which never was embodied in an act, but, while Memory is reading, Conscience unveils her face and strikes a dagger to the heart of Mr. Smith. Though not a death-blow, the torture was extreme.

The exhibition proceeded. One after another Fancy displayed her pictures, all of which appeared to have been painted by some malicious artist on purpose to vex Mr. Smith. Not a shadow of proof could have been adduced in any earthly court that he was guilty of the slightest of those sins which were thus made to stare him in the face. In one scene there was a table set out, with several bottles and glasses half filled with wine, which threw back the dull ray of an expiring lamp. There had been mirth and revelry until the hand of the clock stood just at midnight, when Murder stepped between the boon-companions. A young man had fallen on the floor, and lay stone dead with a ghastly wound crushed into his temple, while over him, with a delirium of mingled rage and horror in his countenance, stood the youthful likeness of Mr. Smith. The murdered youth wore the features of Edward Spencer. "What does this rascal of a painter mean?" cries Mr. Smith, provoked beyond all patience. "Edward Spencer was my earliest and dearest friend, true to me as I to him through more than half a century. Neither I nor any other ever murdered him. Was he not alive within five years, and did he not, in token of our long friendship, bequeath me his gold-headed cane and a mourning-ring?"

Again had Memory been turning over her volume, and fixed at length upon so confused a page that she surely must have scribbled it when she was tipsy. The purport was, however, that while Mr. Smith and Edward Spencer were heating their young blood with wine a quarrel had flashed up between them, and Mr. Smith, in deadly wrath, had flung a bottle at Spencer's head. True, it missed its aim and merely smashed a looking-glass; and the next morning, when the incident was imperfectly remembered, they had shaken hands with a hearty laugh. Yet, again, while Memory was reading, Conscience unveiled her face, struck a dagger to the heart of Mr. Smith and quelled his remonstrance with her iron frown. The pain was quite excruciating.

Some of the pictures had been painted with so doubtful a touch, and in colors so faint and pale, that the subjects could barely be conjectured. A dull, semi-transparent mist had been thrown over the surface of the canvas, into which the figures seemed to vanish while the eye sought most earnestly to fix them. But in every scene, however dubiously portrayed, Mr. Smith was invariably haunted by his own lineaments at various ages as in a dusty mirror. After poring several minutes over one of these blurred and almost indistinguishable pictures, he began to see that the painter had intended to represent him, now in the decline of life, as stripping the clothes from the backs of three half-starved children. "Really, this puzzles me!" quoth Mr. Smith, with the irony of conscious rectitude. "Asking pardon of the painter, I pronounce him a fool as well as a scandalous knave. A man of my standing in the world to be robbing little children of their clothes! Ridiculous!"