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Tender is the night / Ночь нежна. Книга для чтения на английском языке
Френсис Скотт Кэй Фицджеральд
К. Ю. Михно
Чтение в оригинале (Каро)Classical Literature (Каро)
Фрэнсис Скотт Фицджеральд (1896–1940) – писатель и сценарист, классик американской литературы.
«Ночь нежна» (1934) – один из наиболее известных романов автора. Начинающая актриса Розмари Хойт знакомится с Диком и Николь Дайвер, которые кажутся ей идеальной парой, воплощением «американской мечты». Розмари влюбляется в Дика и искренне восхищается Николь, но она даже не догадывается, какие мрачные тайны скрываются под маской внешнего благополучия…
Неадаптированный текст на языке оригинала снабжен постраничными комментариями и словарем.
Фрэнсис Скотт Фицджеральд / F. Scott Fitzgerald
Ночь нежна / Tender is the nigh. Книга для чтения на английском языке
To Gerald and Sara many fêtes[1 - fêtes – (фр.) праздники]
Already with thee! tender is the night…
…But here there is no light, Save what from heaven is with the breezes blown
Through verdurous glooms and winding mossy ways.
Ode to a Nightingale[2 - строчки из стихотворения Джона Китса (1795–1821)]
© КАРО, 2007
Book One
I
On the pleasant shore of the French Riviera[3 - French Riviera – Французская Ривьера (или Лазурный берег) – средиземноморское побережье Франции, примыкающее к итало-французской границе, где расположены фешенебельные курорты и туристические центры: Канны, Ницца, Ментона, Антиб, а также государство-княжество Монако с его игорным центром Монте-Карло], about half way between Marseilles and the Italian border, stands a large, proud, rose-colored hotel. Deferential palms cool its flushed façade, and before it stretches a short dazzling beach. Lately it has become a summer resort of notable and fashionable people; a decade ago it was almost deserted after its English clientele went north in April. Now, many bungalows cluster near it, but when this story begins only the cupolas of a dozen old villas rotted like water lilies among the massed pines between Gausse’s Hôtel des Étrangers[4 - Hôtel des Étrangers – (фр.) гостиница для иностранцев] and Cannes, five miles away.
The hotel and its bright tan prayer rug of a beach were one. In the early morning the distant image of Cannes, the pink and cream of old fortifications, the purple Alp that bounded Italy, were cast across the water and lay quavering in the ripples and rings sent up by sea-plants through the clear shallows. Before eight a man came down to the beach in a blue bathrobe and with much preliminary application to his person of the chilly water, and much grunting and loud breathing, floundered a minute in the sea. When he had gone, beach and bay were quiet for an hour. Merchantmen crawled westward on the horizon; bus boys shouted in the hotel court; the dew dried upon the pines. In another hour the horns of motors began to blow down from the winding road along the low range of the Maures, which separates the littoral from true Provençal France.
A mile from the sea, where pines give way to dusty poplars, is an isolated railroad stop, whence one June morning in 1925 a victoria[5 - victoria – (зд.) легкая четырехколесная коляска с откидным верхом] brought a woman and her daughter down to Gausse’s Hôtel. The mother’s face was of a fading prettiness that would soon be patted with broken veins; her expression was both tranquil and aware in a pleasant way. However, one’s eye moved on quickly to her daughter, who had magic in her pink palms and her cheeks lit to a lovely flame, like the thrilling flush of children after their cold baths in the evening. Her fine forehead sloped gently up to where her hair, bordering it like an armorial shield, burst into lovelocks and waves and curlicues of ash blonde and gold. Her eyes were bright, big, clear, wet, and shining, the color of her cheeks was real, breaking close to the surface from the strong young pump of her heart. Her body hovered delicately on the last edge of childhood – she was almost eighteen, nearly complete, but the dew was still on her.
As sea and sky appeared below them in a thin, hot line the mother said:
“Something tells me we’re not going to like this place.”
“I want to go home anyhow,” the girl answered. They both spoke cheerfully but were obviously without direction and bored by the fact – moreover, just any direction would not do. They wanted high excitement, not from the necessity of stimulating jaded nerves but with the avidity of prizewinning schoolchildren who deserved their vacations.
“We’ll stay three days and then go home. I’ll wire right away for steamer tickets.”
At the hotel the girl made the reservation in idiomatic but rather flat French, like something remembered. When they were installed on the ground floor she walked into the glare of the French windows[6 - French windows – двустворчатые узкие окна, доходящие до пола, так называемые французские окна] and out a few steps onto the stone veranda that ran the length of the hotel. When she walked she carried herself like a ballet-dancer, not slumped down on her hips but held up in the small of her back. Out there the hot light clipped close her shadow and she retreated – it was too bright to see. Fifty yards away the Mediterranean yielded up its pigments, moment by moment, to the brutal sunshine; below the balustrade a faded Buick cooked on the hotel drive.
Indeed, of all the region only the beach stirred with activity. Three British nannies sat knitting the slow pattern of Victorian England, the pattern of the forties, the sixties, and the eighties, into sweaters and socks, to the tune of gossip as formalized as incantation; closer to the sea a dozen persons kept house under striped umbrellas, while their dozen children pursued unintimidated fish through the shallows or lay naked and glistening with cocoanut oil out in the sun. As Rosemary came onto the beach a boy of twelve ran past her and dashed into the sea with exultant cries. Feeling the impactive scrutiny of strange faces, she took off her bathrobe and followed. She floated face down for a few yards and finding it shallow staggered to her feet and plodded forward, dragging slim legs like weights against the resistance of the water. When it was about breast high, she glanced back toward shore: a bald man in a monocle and a pair of tights[7 - tights – (зд.) мужской купальный костюм в виде трико], his tufted chest thrown out, his brash navel sucked in, was regarding her attentively. As Rosemary returned the gaze the man dislodged the monocle, which went into hiding amid the facetious whiskers of his chest, and poured himself a glass of something from a bottle in his hand.
Rosemary laid her face on the water and swam a choppy little four-beat crawl[8 - four-beat crawl – (спорт.) кроль со вдохом-выдохом через каждые четыре движения] out to the raft[9 - raft – (зд.) плот, укрепленный в некотором отдалении от берега, на котором отдыхают и загорают]. The water reached up for her, pulled her down tenderly out of the heat, seeped in her hair and ran into the corners of her body. She turned round and round in it, embracing it, wallowing in it. Reaching the raft she was out of breath, but a tanned woman with very white teeth looked down at her, and Rosemary, suddenly conscious of the raw whiteness of her own body, turned on her back and drifted toward shore. The hairy man holding the bottle spoke to her as she came out.
“I say – they have sharks out behind the raft.” He was of indeterminate nationality, but spoke English with a slow Oxford drawl[10 - with a slow Oxford drawl – по-оксфордски растягивая слова]. “Yesterday they devoured two British sailors from the flotte[11 - flotte – (фр.) флот] at Golfe Juan.”
“Heavens![12 - Heavens! – (воскл.) Боже мой! О Боже!]” exclaimed Rosemary.
“They come in for the refuse from the flotte.”
Glazing his eyes to indicate that he had only spoken in order to warn her, he minced off two steps and poured himself another drink.
Not unpleasantly self-conscious, since there had been a slight sway of attention toward her during this conversation, Rosemary looked for a place to sit. Obviously each family possessed the strip of sand immediately in front of its umbrella; besides there was much visiting and talking back and forth – the atmosphere of a community upon which it would be presumptuous to intrude. Farther up, where the beach was strewn with pebbles and dead sea-weed, sat a group with flesh as white as her own. They lay under small hand-parasols instead of beach umbrellas and were obviously less indigenous to the place. Between the dark people and the light, Rosemary found room and spread out her peignoir on the sand.
Lying so, she first heard their voices and felt their feet skirt her body and their shapes pass between the sun and herself. The breath of an inquisitive dog blew warm and nervous on her neck; she could feel her skin broiling a little in the heat and hear the small exhausted wa-waa of the expiring waves. Presendy her ear distinguished individual voices and she became aware that some one referred to scornfully as “that North guy” had kidnapped a waiter from a café in Cannes last night in order to saw him in two. The sponsor of the story was a white-haired woman in full evening dress, obviously a relic of the previous evening, for a tiara still clung to her head and a discouraged orchid expired from her shoulder. Rosemary, forming a vague antipathy to her and her companions, turned away.
Nearest her, on the other side, a young woman lay under a roof of umbrellas making out a list of things from a book open on the sand. Her bathing suit was pulled off her shoulders and her back, a ruddy, orange brown, set off by a string of creamy pearls, shone in the sun. Her face was hard and lovely and pitiful. Her eyes met Rosemary’s but did not see her. Beyond her was a fine man in a jockey cap and red-striped tights; then the woman Rosemary had seen on the raft, and who looked back at her, seeing her; then a man with a long face and a golden, leonine head, with blue tights and no hat, talking very seriously to an unmistakably Latin[13 - Latin – (зд.) испанец или итальянец] young man in black tights, both of them picking at little pieces of sea-weed in the sand. She thought they were mostly Americans, but something made them unlike the Americans she had known of late.
After a while she realized that the man in the jockey cap was giving a quiet little performance for this group; he moved gravely about with a rake, ostensibly removing gravel and meanwhile developing some esoteric burlesque held in suspension by his grave face. Its faintest ramification had become hilarious, until whatever he said released a burst of laughter. Even those who, like herself, were too far away to hear, sent out antennae of attention until the only person on the beach not caught up in it was the young woman with the string of pearls. Perhaps from modesty of possession she responded to each salvo of amusement by bending closer over her list.
The man of the monocle and botlle spoke suddenly out of the sky above Rosemary.
“You are a ripping swimmer.”
She demurred.
“Jolly good. My name is Campion. Here is a lady who says she saw you in Sorrento last week and knows who you are and would so like to meet you.”
Glancing around with concealed annoyance Rosemary saw the untanned people were waiting. Reluctantly she got up and went over to them.
“Mrs. Abrams – Mrs. McKisco – Mr. McKisco – Mr. Dumphry —”
“We know who you are,” spoke up the woman in evening dress. “You’re Rosemary Hoyt and I recognized you in Sorrento and asked the hotel clerk and we all think you’re perfectly marvellous and we want to know why you’re not back in America making another marvellous moving picture.”
They made a superfluous gesture of moving over for her. The woman who had recognized her was not a Jewess, despite her name. She was one of those elderly “good sports” preserved by an imperviousness to experience and a good digestion into another generation.
“We wanted to warn you about getting burned the first day,” she continued cheerily, “because your skin is important, but there seems to be so darn[14 - darn = damn] much formality on this beach that we didn’t know whether you’d mind.”
II
“We thought maybe you were in the plot,” said Mrs. McKisco. She was a shabby-eyed, pretty young woman with a disheartening intensity. “We don’t know who’s in the plot and who isn’t. One man my husband had been particularly nice to turned out to be a chief character – practically the assistant hero.”
“The plot?” inquired Rosemary, half understanding. “Is there a plot?”
“My dear, we don’t know,” said Mrs. Abrams, with a convulsive, stout woman’s chuckle. “We’re not in it. We’re the gallery[15 - gallery – (театр.) галерка].”
Mr. Dumphry, a tow-headed effeminate young man, remarked: “Mama Abrams is a plot in herself,” and Campion shook his monocle at him, saying: “Now, Royal, don’t be too ghastly for words[16 - don’t be too ghastly for words – не говори такие ужасные слова].” Rosemary looked at them all uncomfortably, wishing her mother had come down here with her. She did not like these people, especially in her immediate comparison of them with those who had interested her at the other end of the beach. Her mother’s modest but compact social gift got them out of unwelcome situations swiftly and firmly. But Rosemary had been a celebrity for only six months, and sometimes the French manners of her early adolescence and the democratic manners of America, these latter superimposed, made a certain confusion and let her in for just such things.
Mr. McKisco, a scrawny, freckle-and-red man of thirty, did not find the topic of the “plot” amusing. He had been staring at the sea – now after a swift glance at his wife he turned to Rosemary and demanded aggressively:
“Been here long?”
“Only a day.”
“Oh.”
Evidently feeling that the subject had been thoroughly changed, he looked in turn at the others.
“Going to stay all summer?” asked Mrs. McKisco, innocently. “If you do you can watch the plot unfold.”
“For God’s sake, Violet, drop the subject!” exploded her husband. “Get a new joke, for God’s sake!”
Mrs. McKisco swayed toward Mrs. Abrams and breathed audibly:
“He’s nervous.”
“I’m not nervous,” disagreed McKisco. “It just happens I’m not nervous at all.”
He was burning visibly – a grayish flush had spread over his face, dissolving all his expressions into a vast ineffectuality. Suddenly remotely conscious of his condition he got up to go in the water, followed by his wife, and seizing the opportunity Rosemary followed.
Mr. McKisco drew a long breath, flung himself into the shallows and began a stiff-armed batting of the Mediterranean, obviously intended to suggest a crawl – his breath exhausted he arose and looked around with an expression of surprise that he was still in sight of shore.
“I haven’t learned to breathe yet. I never quite understood how they breathed.” He looked at Rosemary inquiringly.
“I think you breathe out under water,” she explained. “And every fourth beat you roll your head over for air.”
“The breathing’s the hardest part for me. Shall we go to the raft?”
The man with the leonine head lay stretched out upon the raft, which tipped back and forth with the motion of the water. As Mrs. McKisco reached for it a sudden tilt struck her arm up roughly, whereupon the man started up and pulled her on board.
“I was afraid it hit you.” His voice was slow and shy; he had one of the saddest faces Rosemary had ever seen, the high cheekbones of an Indian, a long upper lip, and enormous deep-set dark golden eyes. He had spoken out of the side of his mouth, as if he hoped his words would reach Mrs. McKisco by a circuitous and unobtrusive route; in a minute he had shoved off into the water and his long body lay motionless toward shore.
Rosemary and Mrs. McKisco watched him. When he had exhausted his momentum he abruptly bent double, his thin thighs rose above the surface, and he disappeared totally, leaving scarcely a fleck of foam behind.
“He’s a good swimmer,” Rosemary said.
Mrs. McKisco’s answer came with surprising violence.
“Well, he’s a rotten musician.” She turned to her husband, who after two unsuccessful attempts had managed to climb on the raft, and having attained his balance was trying to make some kind of compensatory flourish[17 - flourish – (зд.) демонстративные, показные движения (телом)], achieving only an extra stagger. “I was just saying that Abe North may be a good swimmer but he’s a rotten musician.”
“Yes,” agreed McKisco, grudgingly. Obviously he had created his wife’s world, and allowed her few liberties in it.
“Antheil’s[18 - Antheil – Джордж Антейль (1900–1959), американский композитор-авангардист] my man.” Mrs. McKisco turned challengingly to Rosemary, “Antheil and Joyce[19 - Joyce – Джеймс Джойс (1882–1941), англо-ирландский писатель, один из основоположников школы «потока сознания»]. I don’t suppose you ever hear much about those sort of people in Hollywood, but my husband wrote the first criticism of Ulysses[20 - Ulysses – «Улисс» (1922), центральное произведение Джойса, в романе описан один день из жизни нескольких жителей Дублина] that ever appeared in America.”
“I wish I had a cigarette,” said McKisco calmly. “That’s more important to me just now.”
“He’s got insides[21 - inside – (разг.) внутренний, скрытый смысл] – don’t you think so, Albert?”
Her voice faded off suddenly. The woman of the pearls had joined her two children in the water, and now Abe North came up under one of them like a volcanic island, raising him on his shoulders. The child yelled with fear and delight and the woman watched with a lovely peace, without a smile.
“Is that his wife?” Rosemary asked.
“No, that’s Mrs. Diver. They’re not at the hotel.” Her eyes, photographic, did not move from the woman’s face. After a moment she turned vehemently to Rosemary.
“Have you been abroad before?”
“Yes – I went to school in Paris.”
“Oh! Well then you probably know that if you want to enjoy yourself here the thing is to get to know some real French families. What do these people get out of it?” She pointed her left shoulder toward shore. “They just stick around with each other in little cliques. Of course, we had letters of introduction and met all the best French artists and writers in Paris. That made it very nice.”
“I should think so.”
“My husband is finishing his first novel, you see.”
Rosemary said: “Oh, he is?” She was not thinking anything special, except wondering whether her mother had got to sleep in this heat.
“It’s on the idea of Ulysses,” continued Mrs. McKisco. “Only instead of taking twenty-four hours my husband takes a hundred years. He takes a decayed old French aristocrat and puts him in contrast with the mechanical age —”
“Oh, for God’s sake, Violet, don’t go telling everybody the idea,” protested McKisco. “I don’t want it to get all around before the book’s published.”
Rosemary swam back to the shore, where she threw her peignoir over her already sore shoulders and lay down again in the sun. The man with the jockey cap was now going from umbrella to umbrella carrying a bottle and little glasses in his hands; presently he and his friends grew livelier and closer together and now they were all under a single assemblage of umbrellas – she gathered that someone was leaving and that this was a last drink on the beach. Even the children knew that excitement was generating under that umbrella and turned toward it – and it seemed to Rosemary that it all came from the man in the jockey cap.
Noon dominated sea and sky – even the white line of Cannes, five miles off, had faded to a mirage of what was fresh and cool; a robin-breasted sailing boat pulled in behind it a strand from the outer, darker sea. It seemed that there was no life anywhere in all this expanse of coast except under the filtered sunlight of those umbrellas, where something went on amid the color and the murmur.
Campion walked near her, stood a few feet away and Rosemary closed her eyes, pretending to be asleep; then she half-opened them and watched two dim, blurred pillars that were legs. The man tried to edge his way into a sand-colored cloud, but the cloud floated off into the vast hot sky. Rosemary fell really asleep.
She awoke drenched with sweat to find the beach deserted save for the man in the jockey cap, who was folding a last umbrella. As Rosemary lay blinking, he walked nearer and said:
“I was going to wake you before I left. It’s not good to get too burned right away.”
“Thank you.” Rosemary looked down at her crimson legs.
“Heavens!”
She laughed cheerfully, inviting him to talk, but Dick Diver was already carrying a tent and a beach umbrella up to a waiting car, so she went into the water to wash off the sweat. He came back and gathering up a rake, a shovel, and a sieve, stowed them in a crevice of a rock. He glanced up and down the beach to see if he had left anything.
“Do you know what time it is?” Rosemary asked.
“It’s about half-past one.”
They faced the seascape together momentarily.
“It’s not a bad time,” said Dick Diver. “It’s not one of the worst times of the day.”
He looked at her and for a moment she lived in the bright blue worlds of his eyes, eagerly and confidently. Then he shouldered his last piece of junk and went up to his car, and Rosemary came out of the water, shook out her peignoir and walked up to the hotel.
III
It was almost two when they went into the dining-room. Back and forth over the deserted tables a heavy pattern of beams and shadows swayed with the motion of the pines outside. Two waiters, piling plates and talking loud Italian, fell silent when they came in and brought them a tired version of the table d’hôte[22 - table d’hôte – (фр.) табльдот, общий обеденный стол в пансионах, курортных столовых и ресторанах] luncheon.
“I fell in love on the beach,” said Rosemary.
