The History of Antiquity, Vol. 2 (of 6)

By far the most important remains of ancient Phœnicia are the rock-tombs, which are found in great numbers and extent opposite to the islands of Tyre and Aradus, as well as at Sidon, Byblus, and among the ruins of the other cities on the spurs of Lebanon; and which at Tyre especially spread out into wide burial-places, and several stories of tombs, one upon the other. In the same style we find to the west of the ruins of Carthage long walls of rocks hollowed out into thousands of tombs, and furnished with arched niches for the reception of the dead.507 In the oldest period the Phenicians must have placed their dead in natural cavities of rock, and perhaps they erected a stone before them as a memorial. In Genesis Abraham buries Sarah in the cave of Machpelah, and Jacob sets up a stone on the grave of Rachel.508 Afterwards the natural hollows were extended, and whole cavities dug out artificially for tombs. The tomb of David and the tombs of his successors were hewn in the rocks of the gorge which separated the city from the height of Zion (p. 177). The oldest of the artificial tombs in Phœnicia are doubtless those which consist of cubical chambers with horizontal hewn roofs. Round one or two large chambers lower oblong depressions are driven further in the rocks to receive the corpses. The entrance into these ancient chambers are formed by downward perpendicular shafts, at the bottom of which on two sides are openings into the chambers secured by slabs of stone laid before them. Shafts of this kind must be meant when the Hebrews say in a figure of the dead, "The mouth of the well has eaten him up." Later than the tombs of this description are those the entrance to which is on the level ground (which was then closed by a stone), which have roofs hewn in low arches, and side niches for the corpses. The arched chambers approached by steps leading downward, the walls of which are decorated after Grecian patterns on the stone, or on stucco, must originate from the time of the predominance of Greek art, i. e. of the days of Hellenism. The oldest style of burial was the placing of the corpse in the cavity, the grave-chamber, and afterwards in the depression at the side of this. At a later time apparently the enclosure of the corpse in a narrow coffin of clay became common here, as in Babylonia. Coffins of lead have also been found in the rock-tombs of Phœnicia. But beside these, heavy oblong stone-coffins with a simple slab of stone as a lid were in use in ancient times; along with flat lids, lids raised in a low triangle are also found; later still, and latest of all, are coffins and sarcophagi adorned with acroteria and other ornaments of the Greek style.509

In the flat limestone rocks which run at a moderate elevation in the neighbourhood of Sidon, and contain the vast necropolis of that city, there is a cavern, now called Mogharet Ablun, i. e. the cave of Apollo. Beside the entrance, in a depression covered by a structure attached to the rock-wall (the rock-tombs were supplemented and extended by structures attached to the wall), was found a coffin of blackish blue stone, the form of which indicates the shape of the buried person after the manner of the mummy-coffins of Egypt, and displays in colossal relief the mask of the dead in Egyptian style, with an Egyptian covering for the head and beard on the chin; the band round the neck ends behind in two hawk's heads. The inscription in Phenician letters teaches us that this coffin contained Esmunazar, king of Sidon. Similar sarcophagi in stone, in part expressing the form even more accurately, seven or eight in number, have been discovered in other chambers of the burial-place of Sidon, and in the burial-places of Byblus and Antaradus, but only in cubical, i. e. in more ancient chambers. Marble coffins of this kind have also been found in the Phenician colonies of Soloeis and Panormus in Sicily, and of the same shape in burnt earth in Malta and Gozzo. The Phenicians, therefore, came to imitate the coffins of the Egyptians. Similar imitation of Egyptian burial is proved by the gold plates found in Phenician chambers, which are like those with which we find the mouth closed in Egyptian mummies, and the discovery of golden masks in Phenician chambers,510 which correspond to the gilding of the masks of the face of the innermost Egyptian coffins which immediately surround the linen covering. As the face-mask of the external coffin imitated the face of the dead in stone or in coloured wood, so also ought the inner gilded face to preserve the features of the dead. This imitation of the Egyptian style of burial among the Phenicians must go back to a great antiquity. It is true that Esmunazar of Sidon did not rule till the second half of the fifth or the beginning of the fourth century B.C.511 Yet the shape and style of his coffin reminds us of older Egyptian patterns; it is most like the stone coffins of Egypt which have come down from the beginning of the sixth century. And if the ancient tombs opened at Mycenæ behind the lion's gate belong to Carians influenced by Phenician civilisation (p. 74), if golden masks are here found on the face of the dead, the Phenicians must have borrowed this custom from the Egyptians as early as the thirteenth century, if not even earlier.

The remains which have come down to us of the sculpture, jars, and utensils of Phœnicia exhibit the double influence which the art and industry of the Phenicians underwent even at an early period. Agreeably to the close relations into which the Phenicians entered, on the one hand with Babel and Asshur, and on the other with Egypt, the effects of these two ancient civilisations meet each other on the coast of Syria. The arts of the kindred land of the Euphrates, the relations of which to Phœnicia were at the same time the older, naturally made themselves felt first. When Tuthmosis III. collected tribute in Syria at the beginning of the sixteenth century, the Babylonian weight was already in use there; the jars which were brought to this king as the tribute of Syria are carefully worked, but as yet adorned with very simple and recurring patterns of lines. On the other hand, the ornaments found in the tombs of Mycenæ, gold-plates, frontlets, and armlets, exhibit ornaments like those figured on the monuments of Assyria; and the objects found in the rock-tombs on Hymettus, at Spata, point even more definitely to Babylonian patterns: winged fabulous animals and battles of beasts (a lion attacking a bull or an antelope512) are formed in the manner of the Eastern Semites, which brings the form of the muscles into prominence. We may assume that the influence of Egypt began with the times of the Tuthmosis and Amenophis, and their supremacy in Syria, and slowly gathered strength. The heavy style of Phenician buildings would not be made lighter or more free by the architecture of Egypt, which also arose out of building in rock. The temples of Phœnicia adopted Egyptian symbols for their ornaments; the monoliths of the roofs of those three cellæ at Marathus exhibit the winged sun's-disk, the emblem at the entrance of Egyptian temples; the chests for the dead and masks for the mummies of the Egyptians were imitated in the rock-tombs of Phœnicia. If the weaving of the Phenicians at first copied the ancient Babylonian patterns, they began under the stronger influence of Egypt to adorn their pottery and metal-work after Egyptian patterns. But they also combined the Babylonian and Egyptian elements in their art.513 The oldest memorial of this combination is perhaps retained in that winged sphinx, which belongs to the time of the dominion of the shepherds in Egypt. In the graves on Hymettus pictures in relief of female winged sphinxes are found with clothed breasts and peculiar wings, in a treatment obviously already conventional. In Phœnicia itself are found reliefs of similar sphinxes, old men with a human face on either side of the tree of life, which meet us oftentimes in the monuments of Assyria. This combination, this use of Babylonian and Egyptian types and forms side by side, is seen most clearly on a large bowl found at Curium near Amathus, in Cyprus, and wrought with great care and skill.514 It follows that the art of the Phenicians was essentially imitative and intended to furnish objects for trade. Of round works of sculpture we have only dwarfish deities (I. 378), the typical form of which was naturally retained, and a few lions coarsely wrought in the style of the plastic art of Babylon and Assyria.515 The relation in which the lion stood to the god Melkarth naturally made the delineation of the lion a favourite object of Phenician art.

Phœnicia, though the home of alphabetical writing, has left us no more than two or three inscriptions, and Carthage has not left us a great number. Not that there was any lack of inscriptions in Phœnicia in ancient days. We have heard already of ancient inscriptions at Rhodes, Thebes, and Gades. Job wishes that "his words might be graven on rocks for ever with an iron chisel and lead."516 The inscriptions of Phœnicia have perished because they were engraved like those inscriptions of Gades, on plates of brass. Beside the inscription on the coffin of Esmunazar, king of Sidon, already mentioned, of a date about 400 B.C., only two or three smaller inscriptions have been preserved, which do not go beyond the second century B.C. In this inscription Esmunazar speaks in person; he calls himself the son of Tabnit, king of the Sidonians, son of Esmunazar, king of the Sidonians. With his mother, Amastarte, the priestess of Astarte, he had erected temples to Baal, Astarte, and Esmun. He beseeches the favour of the gods for himself and his land; he prays that Dor and Japho may always remain under Sidon; he declares that he wishes to rest in the grave which he has built and in this coffin. No one is to open the tomb or plunder it, or remove or damage this stone coffin. If any man attempts it the gods will destroy him with his seed; he is not to be buried, and after death will find no rest among the shades.517

There is scarcely any side of civilisation, any forms of technical art, the invention of which was not ascribed by the Greeks to the Phenicians. They were nearly all made known to the Greeks through the Phenicians; more especially the building of walls and fortresses, mining, the alphabet, astronomy, numbers, mathematics, navigation, together with a great variety of applications of technical skill. If the discovery of alphabetic writing belongs to the Phenicians, the Babylonians were the instructors of the Phenicians in astronomy as well as in fixing measures and weights (I. 305). Yet this is no reason for contesting the statement of Strabo that the Sidonians were "eager inquirers into the knowledge of the stars and of numbers, to which they were led by navigation by night and the art of calculation."518 In the same way the technical discoveries ascribed by the Greeks to the Phenicians were not all made in their cities; they carried on with vigour and skill what grew up independently among them as well as what they learnt from others. The making of glass was undoubtedly older in Egypt than in Phœnicia (I. 224). Egypt also practised work in metals before Phœnicia. Snefru and Chufu made themselves masters of the copper mines of the peninsula of Sinai before the year 3000 B.C. (I. 95), while the Phenicians can hardly have occupied the copper island off their coast (Cyprus) before the middle of the thirteenth century B.C. Artistic weaving and embroidery were certainly practised at a more ancient date in Babylonia than in the cities of the Phenicians. But all these branches of industry were carried on with success by the Phenicians. Sidon furnished excellent works in glass, which were accounted the best even down to a late period of antiquity. The dunes on the coast between Acco and Tyre, where is the mouth of the glass-river (Sihor Libnath),519 provided the Phenician manufacturers with the earth necessary for the manufacture of glass. It was maintained that the most beautiful glass was cast in Sarepta (Zarpath, i. e. melting), a city on the coast between Sidon and Tyre.520

The purple dyeing, i. e. the colouring of woofs by the liquor from fish, was discovered by the Phenicians. They were unsurpassed in this art; it outlived by many centuries the power and splendour of their cities. Trumpet and purple fish were found in great numbers on their coasts, and the liquor from these provided excellent dye. The liquor of the purple-fish, which comes from a vessel in the throat, is dark-red in the small fish, and black in the larger fish; the liquor of the trumpet-fish is scarlet. The fish were pounded and the dye extracted by decoction. By mixing, weakening, or thickening this material, and by adding this or that ingredient, various colours were obtained, through all the shades of crimson and violet down to the darkest black, in which fine woollen stuffs and linen from Egypt were dipped. The stuffs soaked in these colours are the purple cloths of antiquity, and were distinguished by the bright sheen of the colours. The Tyrian double-dyed cloth, which had the colour of curdled blood, and the violet amethyst purple were considered the most beautiful.521 Three hundred pounds of the raw material were usually required to dye 50 pounds of wool.522 When the purple stuffs began to be sought after, the fish collected on the coasts of Tyre, Sidon, and Sarepta were no longer sufficient. We saw how the ships of the Phenicians went from coast to coast in order to get fresh materials for the dye, and found them in great numbers on the shores of Cyprus, Rhodes, Crete, Cythera, and Thera; in the bays of Laconia and Argos, and in the straits of Eubœa. Purple-fish were also collected on the greater Syrtis, in Sicily, the Balearic Isles, and coasts of Tarshish.523 Even at a later period, when the art of dyeing with the purple-fish was understood and practised at many places in the Mediterranean Sea, the Tyrian purple still maintained its pre-eminence and fame. "Tyre," says Strabo, "overcame her misfortunes, and always recovered herself by means of her navigation, in which the Phenicians were superior to all others, and her purples. The Tyrian purple is the most beautiful; the fish are caught close at hand, and every other requirement for the dyeing is there in abundance."524 A hundred years later Pliny adds "that the ancient glory of Tyre survived now only in her fish and her purples."525 The consumption and expense of purple in antiquity was very great, especially in Hither Asia. At first the Phenician kings wore the purple robe as the sign of their rank; then it became the adornment of the princes of the East, the priests, the women of high rank, and upper classes. In the temples and palaces the purple served for curtains and cloths, robes and veils for the images and shrines. The kings of Babylon and Assyria, and after them the kings of Persia, collected stores of purple stuffs in their palaces. Plutarch puts the value of the amount of purple found by Alexander at Susa at 5000 talents.526 In the West also the purple robe soon became the distinguishing garb of royalty and rank. Yet the Greeks and Romans of the better times, owing to the costliness of the material, contented themselves with the possession of borders or stripes of purple.

The weaving and embroidery of the Phenicians apparently followed Assyrian and Babylonian patterns. They must also have made and exported ceramic ware and earthen vessels in large numbers at an ancient period, as is proved by the tributes brought to Tuthmosis III., the discoveries in Cyprus, Rhodes, Thera, and at Hissarlik. In the preparation of perfumes Sidon and Tyre were not equal to the Babylonians. It is true that their manufacturers supplied susinum and cyprinum of excellent quality, but they could not attain to the cinnamon or the nard ointment, nor to the royal ointment of the Babylonians.527

In mining the Phenicians were masters. In regard to the Phenician skill in this art, the Book of Job says, "The earth, from which comes nourishment, is turned up; he lays his hand upon the flint; far from the dealings of men he makes his descending shaft. No bird of prey knows the path; the eye of the vulture discovers it not; the wild beasts do not tread it. Through the rocks paths are made; he searches out the darkness and the night. Then his eye beholds all precious things. The stone of the rocks is the place of the sapphire and gold-dust. Iron is taken out of the mountains; stones are melted into brass, the drop of water is stopped, and the hidden is brought to light."528 The Phenicians dug mines for copper, first on Lebanon and then in Cyprus. We saw that they afterwards, in the second half of the thirteenth century, opened out the gold treasures of Thasos in the Thracian Sea. Herodotus, who had seen their abandoned mines there (they lay on the south coast of Thasos), informed us that the Phenicians had entirely "turned over a whole mountain." Yet even in the fifth century B.C. the mines of Thasos produced a yearly income of from two to three hundred talents. In Spain the Phenicians opened their mines in the silver mountain, i. e. in the Sierra Morena, above the lower course of the Baetis (the Guadalquivir);529 their ships went up the stream as far as Sephela (perhaps Hispalis, Seville). The richest silver-mines lay above Sephela at Ilipa (Niebla); the best gold and copper mines were at Cotini, in the region of Gades.530 Diodorus assures us that all the mines in Iberia had been opened by Phenicians and Carthaginians, and not one by the Romans. In the more ancient times the workmen here brought up in three days an Euboic talent of silver, and their wages were fixed at a fourth part of the returns. The mines in Iberia were carried down many stades in depth and length, with pits, shafts, and sloping paths crossing each other; for the veins of gold and silver were more productive at a greater depth. The water in the mines was taken out by Egyptian spiral pumps. Strabo observes that the gold ore when brought up was melted over a slow fire, and purified by vitriolated earth. The smelting-ovens for the silver were built high, in order that the vapour from the ore, which was injurious and even deadly, might pass into the air.531

The Phenicians also understood how to work skilfully the metals supplied by their mines. At the founding of Gades, which we had to place about the year 1100 B.C., iron pillars with inscriptions are mentioned which the settlers put up in the temple of Melkarth (p. 82). The brass work which the melter, Hiram of Tyre, executed for Solomon (p. 182) is evidence of long practice in melting brass, and of skill in bringing into shape large masses of melted metal. The Homeric poems speak of Sidon as "rich in brass," and "skilful;" they tell us of large beaten bowls of brass and silver of Sidonian workmanship, "rich in invention." Even at a later period the goblets of Sidon were in request. Not only metal implements and vessels of brass and copper, molten and beaten, were furnished by the Phenicians; they must also have manufactured armour in large quantities, if we may draw any conclusion about armour from the tribute imposed on the Syrians by Tuthmosis III. It is easily intelligible of what value it must have been for the nations of the West to come into the possession of splendid armour and good weapons. Besides these are the ornaments found in great numbers, and of high antiquity, in the tombs of Spata and Mycenæ, and in the excavations at Hissarlik. In Homer, Phenician ships bring necklaces of gold and amber to the Greeks. At a later time the ornaments of the Phenicians and their alabaster boxes were sought after; the carved work in ivory and wood, with which they also adorned the prows and banks of oars of their ships, is praised by Ezekiel. They also knew how to set and cut precious stones; some seals have come down to us in part from an ancient date.532

In ship-building the Phenicians were confessedly superior; they are said to have discovered navigation.533 The ancient forests of cedar and cypress which rose immediately above their shores supplied the best wood, which resisted decay for an extraordinary length of time even in salt water. Much as the Phenicians used these forests in the course of a thousand years for building their ships, their palaces, and temples, as well as for exportation, they provided even in the third century B.C. a material which for extent, size, and beauty won the admiration of the Greeks.534 The oldest ship of the Phenicians which continued through all time in use as a trading-vessel was the gaulos, a vessel with high prow and stern, both of which were similarly rounded. It was propelled by a large sail and by rowers, from 20 to 30 in number. Besides the gaulos, there was the long and narrow fifty-oar, which served for a merchantman and pirate-ship as well as for a ship of war, and after the discovery of the silver land the large and armed merchantman, the ship of Tarshish. Isaiah enumerates the ship of Tarshish among the costly structures of men.535 Ezekiel compares Tyre to a proud ship of the sea. We know that the great transport-ships and merchantmen of the Phenicians and Carthaginians could take about 500 men on board. The Byblians were considered the best ship-builders. The keels of the ships, like the masts, were made of cedar; the oars were of oak, supplied by the oak forests of the table-land of Bashan. The mariners of Sidon and Aradus were considered the best rowers. The Greeks praise the strict and careful order on board a Phenician ship, the happy use of the smallest spaces, the accuracy in distributing and placing the lading, the experience, wisdom, activity, and safety of the Phenician pilots and officers.536 Others commend the great sail and oar power of the Phenician ships. They could sail even against the wind, and make fortunate voyages in the stormy season of the year. While the Greeks steered by the Great Bear, which, if a more visible, was a far more uncertain guide, the Phenicians had at an early time discovered a less conspicuous but more trustworthy guide in the polar star, which the Greeks call the "Phenician star." The Greeks themselves allow that this circumstance rendered the voyages of the Phenicians more accurate and secure. On an average the Phenician ships, which as a rule did not set out before the end of February, and returned at the end of October, accomplished 120 miles in 24 hours; but ships that were excellently built and equipped, and sufficiently manned, ran about 150 miles.537 In the fifteenth century the galleys of Venice could run from 50 to 100 miles in the Mediterranean in the 24 hours. The excellence of the Phenician navy survived the independence of the cities. Inclination towards, and pleasure in navigation, as well as skill in it, were always to be found among the populations of those cities. The Phenician ships were by far the best in the fleets of the Persian kings.

CHAPTER XII

THE TRADE OF THE PHENICIANS

We found above at what an early period the migratory tribes of Arabia came into intercourse with the region of the Euphrates, and the valley of the Nile, how in both these places they purchased corn, implements, and weapons in return for their horses and camels, their skins and their wool, and the prisoners taken in their feuds. It was this exchange trade of the Arabian tribes which in the first instance brought about the intercourse of Syria with Babylonia and Egypt. Egypt like Babylonia required oil and wine for their population; metals, skins, and wool for their manufactures; wood for the building of houses and ships. For the Syrians and cities of the Phenicians the intercourse with the Arabians, and the lands of the Euphrates and Tigris, was facilitated by the fact that nations related to them in race and language dwelt as far as the border-mountains of Armenia and Iran and the southern coast of Arabia, and their trade with Egypt was facilitated in the same manner when Semitic tribes between 2000 and 1500 B.C. obtained the supremacy in Egypt and maintained it for more than three centuries. From the fact that Babylonian weights and measures were in use in Syria in the sixteenth century B.C., we may conclude that there must have been close trade relations between Syria and Babylonia from the year 2000 B.C.; and in the same manner in consequence of the conquest of Egypt by the shepherds more active relations must have commenced between Syria and the land of the Nile, at a period not much later. The supremacy which Egypt afterwards obtained over Syria under the Tuthmosis and Amenophis must have rather advanced than destroyed this; thus Sethos, towards the year 1400, used his successes against the Cheta, i. e. the Hittites, to have cedars felled on Lebanon. We may assume that even before this time, after the rise of the kingdom of the Hittites, i. e. after the middle of the fifteenth century, the cities of the Phenicians were no longer content to exchange the products of Syria, wine, oil, and brass, the manufactures of their own growing industry, purple stuffs and weapons, with the manufactures of Egypt, linen cloths, and papyrus tissues, glass and engraved stones, ornaments and drugs, on the one hand, and on the other hand with the manufactures of Babylon, cloths, ointments, and embroidered stuffs: they also carried Egyptian fabrics to Babylon, and Babylonian fabrics to Egypt. The trade of Phœnicia with Egypt and Babylonia was no longer restricted to the exchange of Phenician-Syrian products and fabrics with those of Egypt and Babylon: it was at the same time a middle trade between those two most ancient seats of cultivation, between Egypt and Babylonia. It cannot have been any detriment to this trade of the Phenicians that a second centre of civic life sprang up subsequently on the central Tigris in the growing power of Assyria. In the ruins of Chalah (p. 34) Egyptian works of art have been dug up in no inconsiderable numbers. Herodotus begins his work with the observation that the Phenicians at an early period endeavoured to export and exchange Egyptian and Assyrian (i. e. Babylonian and Assyrian) wares.