The Expression of the Emotions in Man and Animals

Spitting seems an almost universal sign of contempt or disgust; and spitting obviously represents the rejection of anything offensive from the mouth. Shakspeare makes the Duke of Norfolk say, "I spit at him – call him a slanderous coward and a villain." So, again, Falstaff says, "Tell thee what, Hal, – if I tell thee a lie, spit in my face." Leichhardt remarks that the Australians "interrupted their speeches by spitting, and uttering a noise like pooh! pooh! apparently expressive of their disgust." And Captain Burton speaks of certain negroes "spitting with disgust upon the ground." Captain Speedy informs me that this is likewise the case with the Abyssinians. Mr. Geach says that with the Malays of Malacca the expression of disgust "answers to spitting from the mouth;" and with the Fuegians, according to Mr. Bridges "to spit at one is the highest mark of contempt."[1110]

I never saw disgust more plainly expressed than on the face of one of my infants at the age of five months, when, for the first time, some cold water, and again a month afterwards, when a piece of ripe cherry was put into his mouth. This was shown by the lips and whole mouth assuming a shape which allowed the contents to run or fall quickly out; the tongue being likewise protruded. These movements were accompanied by a little shudder. It was all the more comical, as I doubt whether the child felt real disgust – the eyes and forehead expressing much surprise and consideration. The protrusion of the tongue in letting a nasty object fall out of the mouth, may explain how it is that lolling out the tongue universally serves as a sign of contempt and hatred.[1111]

We have now seen that scorn, disdain, contempt, and disgust are expressed in many different ways, by movements of the features, and by various gestures; and that these are the same throughout the world. They all consist of actions representing the rejection or exclusion of some real object which we dislike or abhor, but which does not excite in us certain other strong emotions, such as rage or terror; and through the force of habit and association similar actions are performed, whenever any analogous sensation arises in our minds.

Jealousy, Envy, Avarice, Revenge, Suspicion, Deceit, Slyness, Guilt, Vanity, Conceit, Ambition, Pride, Humility, &c. – It is doubtful whether the greater number of the above complex states of mind are revealed by any fixed expression, sufficiently distinct to be described or delineated. When Shakspeare speaks of Envy as lean-faced, or black, or pale, and Jealousy as "the green-eyed monster;" and when Spenser describes Suspicion as "foul, ill-favoured, and grim," they must have felt this difficulty. Nevertheless, the above feelings – at least many of them – can be detected by the eye; for instance, conceit; but we are often guided in a much greater degree than we suppose by our previous knowledge of the persons or circumstances.

My correspondents almost unanimously answer in the affirmative to my query, whether the expression of guilt and deceit can be recognized amongst the various races of man; and I have confidence in their answers, as they generally deny that jealousy can thus be recognized. In the cases in which details are given, the eyes are almost always referred to. The guilty man is said to avoid looking at his accuser, or to give him stolen looks. The eyes are said "to be turned askant," or "to waver from side to side," or "the eyelids to be lowered and partly closed." This latter remark is made by Mr. Hagenauer with respect to the Australians, and by Gaika with respect to the Kafirs. The restless movements of the eyes apparently follow, as will be explained when we treat of blushing, from the guilty man not enduring to meet the gaze of his accuser. I may add, that I have observed a guilty expression, without a shade of fear, in some of my own children at a very early age. In one instance the expression was unmistakably clear in a child two years and seven months old, and led to the detection of his little crime. It was shown, as I record in my notes made at the time, by an unnatural brightness in the eyes, and by an odd, affected manner, impossible to describe.

Slyness is also, I believe, exhibited chiefly by movements about the eyes; for these are less under the control of the will, owing to the force of long-continued habit, than are the movements of the body. Mr. Herbert Spencer remarks,[1112] "When there is a desire to see something on one side of the visual field without being supposed to see it, the tendency is to check the conspicuous movement of the head, and to make the required adjustment entirely with the eyes; which are, therefore, drawn very much to one side. Hence, when the eyes are turned to one side, while the face is not turned to the same side, we get the natural language of what is called slyness."

Of all the above-named complex emotions, Pride, perhaps, is the most plainly expressed. A proud man exhibits his sense of superiority over others by holding his head and body erect. He is haughty (haut), or high, and makes himself appear as large as possible; so that metaphorically he is said to be swollen or puffed up with pride. A peacock or a turkey-cock strutting about with puffed-up feathers, is sometimes said to be an emblem of pride.[1113] The arrogant man looks down on others, and with lowered eyelids hardly condescends to see them; or he may show his contempt by slight movements, such as those before described, about the nostrils or lips. Hence the muscle which everts the lower lip has been called the musculus superbus. In some photographs of patients affected by a monomania of pride, sent me by Dr. Crichton Browne, the head and body were held erect, and the mouth firmly closed. This latter action, expressive of decision, follows, I presume, from the proud man feeling perfect self-confidence in himself. The whole expression of pride stands in direct antithesis to that of humility; so that nothing need here be said of the latter state of mind.

Helplessness, Impotence: Shrugging the shoulders. – When a man wishes to show that he cannot do something, or prevent something being done, he often raises with a quick movement both shoulders. At the same time, if the whole gesture is completed, he bends his elbows closely inwards, raises his open hands, turning them outwards, with the fingers separated. The head is often thrown a little on one side; the eyebrows are elevated, and this causes wrinkles across the forehead. The mouth is generally opened. I may mention, in order to show how unconsciously the features are thus acted on, that though I had often intentionally shrugged my shoulders to observe how my arms were placed, I was not at all aware that my eyebrows were raised and mouth opened, until I looked at myself in a glass; and since then I have noticed the same movements in the faces of others. In the accompanying Plate VI., figs. 3 and 4, Mr. Rejlander has successfully acted the gesture of shrugging the shoulders.

Englishmen are much less demonstrative than the men of most other European nations, and they shrug their shoulders far less frequently and energetically than Frenchmen or Italians do. The gesture varies in all degrees from the complex movement, just described, to only a momentary and scarcely perceptible raising of both shoulders; or, as I have noticed in a lady sitting in an arm-chair, to the mere turning slightly outwards of the open hands with separated fingers. I have never seen very young English children shrug their shoulders, but the following case was observed with care by a medical professor and excellent observer, and has been communicated to me by him. The father of this gentleman was a Parisian, and his mother a Scotch lady. His wife is of British extraction on both sides, and my informant does not believe that she ever shrugged her shoulders in her life. His children have been reared in England, and the nursemaid is a thorough Englishwoman, who has never been seen to shrug her shoulders. Now, his eldest daughter was observed to shrug her shoulders at the age of between sixteen and eighteen months; her mother exclaiming at the time, "Look at the little French girl shrugging her shoulders!" At first she often acted thus, sometimes throwing her head a little backwards and on one side, but she did not, as far as was observed, move her elbows and hands in the usual manner. The habit gradually wore away, and now, when she is a little over four years old, she is never seen to act thus. The father is told that he sometimes shrugs his shoulders, especially when arguing with any one; but it is extremely improbable that his daughter should have imitated him at so early an age; for, as he remarks, she could not possibly have often seen this gesture in him. Moreover, if the habit had been acquired through imitation, it is not probable that it would so soon have been spontaneously discontinued by this child, and, as we shall immediately see, by a second child, though the father still lived with his family. This little girl, it may be added, resembles her Parisian grandfather in countenance to an almost absurd degree. She also presents another and very curious resemblance to him, namely, by practising a singular trick. When she impatiently wants something, she holds out her little hand, and rapidly rubs the thumb against the index and middle finger: now this same trick was frequently performed under the same circumstances by her grandfather.

This gentleman's second daughter also shrugged her shoulders before the age of eighteen months, and afterwards discontinued the habit. It is of course possible that she may have imitated her elder sister; but she continued it after her sister had lost the habit. She at first resembled her Parisian grandfather in a less degree than did her sister at the same age, but now in a greater degree. She likewise practises to the present time the peculiar habit of rubbing together, when impatient, her thumb and two of her fore-fingers.

In this latter case we have a good instance, like those given in a former chapter, of the inheritance of a trick or gesture; for no one, I presume, will attribute to mere coincidence so peculiar a habit as this, which was common to the grandfather and his two grandchildren who had never seen him.

Considering all the circumstances with reference to these children shrugging their shoulders, it can hardly be doubted that they have inherited the habit from their French progenitors, although they have only one quarter French blood in their veins, and although their grandfather did not often shrug his shoulders. There is nothing very unusual, though the fact is interesting, in these children having gained by inheritance a habit during early youth, and then discontinuing it; for it is of frequent occurrence with many kinds of animals that certain characters are retained for a period by the young, and are then lost.

As it appeared to me at one time improbable in a high degree that so complex a gesture as shrugging the shoulders, together with the accompanying movements, should be innate, I was anxious to ascertain whether the blind and deaf Laura Bridgman, who could not have learnt the habit by imitation, practised it. And I have heard, through Dr. Innes, from a lady who has lately had charge of her, that she does shrug her shoulders, turn in her elbows, and raise her eyebrows in the same manner as other people, and under the same circumstances. I was also anxious to learn whether this gesture was practised by the various races of man, especially by those who never have had much intercourse with Europeans. We shall see that they act in this manner; but it appears that the gesture is sometimes confined to merely raising or shrugging the shoulders, without the other movements.

Mr. Scott has frequently seen this gesture in the Bengalees and Dhangars (the latter constituting a distinct race) who are employed in the Botanic Garden at Calcutta; when, for instance, they have declared that they could not do some work, such as lifting a heavy weight. He ordered a Bengalee to climb a lofty tree; but the man, with a shrug of his shoulders and a lateral shake of his head, said he could not. Mr. Scott knowing that the man was lazy, thought he could, and insisted on his trying. His face now became pale, his arms dropped to his sides, his mouth and eyes were widely opened, and again surveying the tree, he looked askant at Mr. Scott, shrugged his shoulders, inverted his elbows, extended his open hands, and with a few quick lateral shakes of the head declared his inability. Mr. H. Erskine has likewise seen the natives of India shrugging their shoulders; but he has never seen the elbows turned so much inwards as with us; and whilst shrugging their shoulders they sometimes lay their uncrossed hands on their breasts.

With the wild Malays of the interior of Malacca, and with the Bugis (true Malays, though speaking a different, language), Mr. Geach has often seen this gesture. I presume that it is complete, as, in answer to my query descriptive of the movements of the shoulders, arms, hands, and face, Mr. Geach remarks, "it is performed in a beautiful style." I have lost an extract from a scientific voyage, in which shrugging the shoulders by some natives (Micronesians) of the Caroline Archipelago in the Pacific Ocean, was well described. Capt. Speedy informs me that the Abyssinians shrug their shoulders but enters into no details. Mrs. Asa Gray saw an Arab dragoman in Alexandria acting exactly as described in my query, when an old gentleman, on whom he attended, would not go in the proper direction which had been pointed out to him.

Mr. Washington Matthews says, in reference to the wild Indian tribes of the western parts of the United States, "I have on a few occasions detected men using a slight apologetic shrug, but the rest of the demonstration which you describe I have not witnessed." Fritz Muller informs me that he has seen the negroes in Brazil shrugging their shoulders; but it is of course possible that they may have learnt to do so by imitating the Portuguese. Mrs. Barber has never seen this gesture with the Kafirs of South Africa; and Gaika, judging from his answer, did not even understand what was meant by my description. Mr. Swinhoe is also doubtful about the Chinese; but he has seen them, under the circumstances which would make us shrug our shoulders, press their right elbow against their side, raise their eyebrows, lift up their hand with the palm directed towards the person addressed, and shake it from right to left. Lastly, with respect to the Australians, four of my informants answer by a simple negative, and one by a simple affirmative. Mr. Bunnett, who has had excellent opportunities for observation on the borders of the Colony of Victory, also answers by a "yes," adding that the gesture is performed "in a more subdued and less demonstrative manner than is the case with civilized nations." This circumstance may account for its not having been noticed by four of my informants.

These statements, relating to Europeans, Hindoos, the hill-tribes of India, Malays, Micronesians, Abyssinians, Arabs, Negroes, Indians of North America, and apparently to the Australians – many of these natives having had scarcely any intercourse with Europeans – are sufficient to show that shrugging the shoulders, accompanied in some cases by the other proper movements, is a gesture natural to mankind.

This gesture implies an unintentional or unavoidable action on our own part, or one that we cannot perform; or an action performed by another person which we cannot prevent. It accompanies such speeches as, "It was not my fault;" "It is impossible for me to grant this favour;" "He must follow his own course, I cannot stop him." Shrugging the shoulders likewise expresses patience, or the absence of any intention to resist. Hence the muscles which raise the shoulders are sometimes called, as I have been informed by an artist, the patience muscles. Shylock the Jew, says,

      "Signor Antonio, many a time and oft      In the Rialto have you rated me      About my monies and usances;      Still have I borne it with a patient shrug." Merchant of Venice, act 1. sc. 3.

Sir C. Bell has given[1114] a life-like figure of a man, who is shrinking back from some terrible danger, and is on the point of screaming out in abject terror. He is represented with his shoulders lifted up almost to his ears; and this at once declares that there is no thought of resistance.

As shrugging the shoulders generally implies "I cannot do this or that," so by a slight change, it sometimes implies "I won't do it." The movement then expresses a dogged determination not to act. Olmsted describes[1115] an Indian in Texas as giving a great shrug to his shoulders, when he was informed that a party of men were Germans and not Americans, thus expressing that he would have nothing to do with them. Sulky and obstinate children may be seen with both their shoulders raised high up; but this movement is not associated with the others which generally accompany a true shrug. An excellent observer[1116] in describing a young man who was determined not to yield to his father's desire, says, "He thrust his hands deep down into his pockets, and set up his shoulders to his ears, which was a good warning that, come right or wrong, this rock should fly from its firm base as soon as Jack would; and that any remonstrance on the subject was purely futile." As soon as the son got his own way, he "put his shoulders into their natural position."

Resignation is sometimes shown by the open hands being placed, one over the other, on the lower part of the body. I should not have thought this little gesture worth even a passing notice, had not Dr. W. Ogle remarked to me that he had two or three times observed it in patients who were preparing for operations under chloroform. They exhibited no great fear, but seemed to declare by this posture of their hands, that they had made up their minds, and were resigned to the inevitable.

We may now inquire why men in all parts of the world when they feel, – whether or not they wish to show this feeling, – that they cannot or will not do something, or will not resist something if done by another, shrug their shoulders, at the same time often bending in their elbows, showing the palms of their hands with extended fingers, often throwing their heads a little on one side, raising their eyebrows, and opening their mouths. These states of the mind are either simply passive, or show a determination not to act. None of the above movements are of the least service. The explanation lies, I cannot doubt, in the principle of unconscious antithesis. This principle here seems to come into play as clearly as in the case of a dog, who, when feeling savage, puts himself in the proper attitude for attacking and for making himself appear terrible to his enemy; but as soon as he feels affectionate, throws his whole body into a directly opposite attitude, though this is of no direct use to him.

Let it be observed how an indignant man, who resents, and will not submit to some injury, holds his head erect, squares his shoulders, and expands his chest. He often clenches his fists, and puts one or both arms in the proper position for attack or defence, with the muscles of his limbs rigid. He frowns, – that is, he contracts and lowers his brows, – and, being determined, closes his mouth. The actions and attitude of a helpless man are, in every one of these respects, exactly the reverse. In Plate VI. we may imagine one of the figures on the left side to have just said, "What do you mean by insulting me?" and one of the figures on the right side to answer, "I really could not help it." The helpless man unconsciously contracts the muscles of his forehead which are antagonistic to those that cause a frown, and thus raises his eyebrows; at the same time he relaxes the muscles about the mouth, so that the lower jaw drops. The antithesis is complete in every detail, not only in the movements of the features, but in the position of the limbs and in the attitude of the whole body, as may be seen in the accompanying plate. As the helpless or apologetic man often wishes to show his state of mind, he then acts in a conspicuous or demonstrative manner.

In accordance with the fact that squaring the elbows and clenching the fists are gestures by no means universal with the men of all races, when they feel indignant and are prepared to attack their enemy, so it appears that a helpless or apologetic frame of mind is expressed in many parts of the world by merely shrugging the shoulders, without turning inwards the elbows and opening the hands. The man or child who is obstinate, or one who is resigned to some great misfortune, has in neither case any idea of resistance by active means; and he expresses this state of mind, by simply keeping his shoulders raised; or he may possibly fold his arms across his breast.

Signs of affirmation or approval, and of negation or disapproval: nodding and shaking the head. – I was curious to ascertain how far the common signs used by us in affirmation and negation were general throughout the world. These signs are indeed to a certain extent expressive of our feelings, as we give a vertical nod of approval with a smile to our children, when we approve of their conduct; and shake our heads laterally with a frown, when we disapprove. With infants, the first act of denial consists in refusing food; and I repeatedly noticed with my own infants, that they did so by withdrawing their heads laterally from the breast, or from anything offered them in a spoon. In accepting food and taking it into their mouths, they incline their heads forwards. Since making these observations I have been informed that the same idea had occurred to Charma.[1117] It deserves notice that in accepting or taking food, there is only a single movement forward, and a single nod implies an affirmation. On the other hand, in refusing food, especially if it be pressed on them, children frequently move their heads several times from side to side, as we do in shaking our heads in negation. Moreover, in the case of refusal, the head is not rarely thrown backwards, or the mouth is closed, so that these movements might likewise come to serve as signs of negation. Mr. Wedgwood remarks on this subject,[1118] that "when the voice is exerted with closed teeth or lips, it produces the sound of the letter n or m. Hence we may account for the use of the particle ne to signify negation, and possibly also of the Greek mh in the same sense."

That these signs are innate or instinctive, at least with Anglo-Saxons, is rendered highly probable by the blind and deaf Laura Bridgman "constantly accompanying her yes with the common affirmative nod, and her no with our negative shake of the head." Had not Mr. Lieber stated to the contrary,[1119] I should have imagined that these gestures might have been acquired or learnt by her, considering her wonderful sense of touch and appreciation of the movements of others. With microcephalous idiots, who are so degraded that they never learn to speak, one of them is described by Vogt,[1120] as answering, when asked whether he wished for more food or drink, by inclining or shaking his head. Schmalz, in his remarkable dissertation on the education of the deaf and dumb, as well as of children raised only one degree above idiotcy, assumes that they can always both make and understand the common signs of affirmation and negation.[1121]

Nevertheless if we look to the various races of man, these signs are not so universally employed as I should have expected; yet they seem too general to be ranked as altogether conventional or artificial. My informants assert that both signs are used by the Malays, by the natives of Ceylon, the Chinese, the negroes of the Guinea coast, and, according to Gaika, by the Kafirs of South Africa, though with these latter people Mrs. Barber has never seen a lateral shake used as a negative. With respect to the Australians, seven observers agree that a nod is given in affirmation; five agree about a lateral shake in negation, accompanied or not by some word; but Mr. Dyson Lacy has never seen this latter sign in Queensland, and Mr. Bulmer says that in Gipps' Land a negative is expressed by throwing the head a little backwards and putting out the tongue. At the northern extremity of the continent, near Torres Straits, the natives when uttering a negative "don't shake the head with it, but holding up the right hand, shake it by turning it half round and back again two or three times."[1122] The throwing back of the head with a cluck of the tongue is said to be used as a negative by the modern Greeks and Turks, the latter people expressing yes by a movement like that made by us when we shake our heads.[1123] The Abyssinians, as I am informed by Captain Speedy, express a negative by jerking the head to the right shoulder, together with a slight cluck, the mouth being closed; an affirmation is expressed by the head being thrown backwards and the eyebrows raised for an instant. The Tagals of Luzon, in the Philippine Archipelago, as I hear from Dr. Adolf Meyer, when they say "yes," also throw the head backwards. According to the Rajah Brooke, the Dyaks of Borneo express an affirmation by raising the eyebrows, and a negation by slightly contracting them, together with a peculiar look from the eyes. With the Arabs on the Nile, Professor and Mrs. Asa Gray concluded that nodding in affirmation was rare, whilst shaking the head in negation was never used, and was not even understood by them. With the Esquimaux[1124] a nod means yes and a wink no. The New Zealanders "elevate the head and chin in place of nodding acquiescence."[1125]