Rookwood

Barbara's withered countenance exhibited for an instant the deepest indignation at the sexton's threat. The malediction trembled on her tongue; she raised her staff to smite him, but she checked the action. In the same tone, and with a sharp, suspicious look, she replied, "My friend, sayest thou? See that it prove so, or beware of me."

And, with a malignant scowl, the gipsy queen slowly shuffled towards her satellites, who were stationed at the door.

CHAPTER VIII

THE PARTING

No marriage I esteem it, where the friendsForce love upon their children; where the virginIs not so truly given as betrayed.I would not have betrothed people—forI can by no means call them lovers—makeTheir rites no wedlock, but a sacrifice.Combat of Love and Friendship.

Eleanor Mowbray had witnessed her mother's withdrawal from her side with much uneasiness, and was with difficulty prevented by Sybil from breaking upon her conference with the gipsy queen. Barbara's dark eye was fixed upon them during the whole of the interview, and communicated an indefinite sense of dread to Eleanor.

"Who—who is that old woman?" asked Eleanor, under her breath. "Never, even in my wildest dreams, have I seen aught so terrible. Why does she look so at us? She terrifies me; and yet she cannot mean me ill, or my mother—we have never injured her?"

"Alas!" sighed Sybil.

"You sigh!" exclaimed Eleanor, in alarm. "Is there any real danger, then? Help us to avoid it. Quick, warn my mother; she seems agitated. Oh, let me go to her."

"Hush!" whispered Sybil, maintaining an unmoved demeanor under the lynx-like gaze of Barbara. "Stir not, as you value your life; you know not where you are, or what may befall you. Your safety depends upon your composure. Your life is not in danger; but what is dearer than life, your love, is threatened with a fatal blow. There is a dark design to wed you to another."

"Heavens!" ejaculated Eleanor, "and to whom?"

"To Sir Luke Rookwood."

"I would die sooner! Marry him? They shall kill me ere they force me to it!"

"Could you not love him?"

"Love him! I have only seen him within this hour. I knew not of his existence. He rescued me from peril. I would thank him. I would love him, if I could, for Ranulph's sake; and yet for Ranulph's sake I hate him."

"Speak not of him thus to me," said Sybil, angrily. "If you love him not, I love him. Oh! forgive me, lady; pardon my impatience—my heart is breaking, yet it has not ceased to beat for him. You say you will die sooner than consent to this forced union. Your faith shall not be so cruelly attested. If there must be a victim, I will be the sacrifice. God grant I may be the only one. Be happy! as happy as I am wretched. You shall see what the love of a gipsy can do."

As she spoke, Sybil burst into a flood of passionate tears. Eleanor regarded her with the deepest commiseration; but the feeling was transient; for Barbara, now advancing, exclaimed: "Hence to your mother. The bridegroom is waiting: to your mother, girl!" And she motioned Eleanor fiercely away. "What means this?" continued the old gipsy. "What have you said to that girl? Did I not caution you against speech with her? and you have dared to disobey me. You, my grandchild—the daughter of my Agatha, with whom my slightest wish was law. I abandon you! I curse you!"

"Oh, curse me not!" cried Sybil. "Add not to my despair."

"Then follow my advice implicitly. Cast off this weakness; all is in readiness. Luke shall descend into the vaulted chapel, the ceremony shall there take place—there also shall Eleanor die—and there again shall you be wedded. Take this phial, place it within the folds of your girdle. When all is over, I will tell you how to use it. Are you prepared? Shall we set out?"

"I am prepared," replied Sybil, in accents hollow as despair; "but let me speak with Luke before we go."

"Be brief, then—each moment is precious. Keep a guard upon your tongue. I will to Mrs. Mowbray. You have placed the phial in safety. A drop will free you from your troubles."

"'Tis in that hope I guard it," replied Sybil, as she departed in the direction of Luke. Barbara watched her join him, and then turned shortly towards Mrs. Mowbray and her daughter.

"You are ill, dear Luke," said Sybil, who had silently approached her faithless lover; "very ill."

"Ill!" echoed Luke, breaking into frantic laughter. "Ill! Ha, ha!—upon my wedding-day. No, I am well—well. Your eyes are jaundiced by jealousy."

"Luke, dear Luke, laugh not thus. It terrifies me. I shall think you insane. There, you are calmer—you are more like yourself—more human. You looked just now—oh God! that I should say it of you—as if you were possessed by demons."

"And if I were possessed, what then?"

"Horrible! hint not at it. You almost make me credit the dreadful tales I have heard, that on their wedding-day the Rookwoods are subject to the power of the 'Evil One.'"

"Upon their wedding-day—and I look thus?"

"You do—you do. Oh! cast this frenzy from you."

"She is mine—she is mine! I care not though fiends possess me, if it is my wedding-day, and Eleanor is my bride. And you say I look like a Rookwood. Ha, ha!"

"That wild laughter again. Luke, I implore you, hear me one word—my last–"

"I will not bear reproaches."

"I mean not to reproach you. I come to bless you—to forgive you—to bid you farewell. Will you not say farewell?"

"Farewell."

"Not so—not so. Mercy! my God! compassionate him and me! My heart will break with agony. Luke, if you would not kill me, recall that word. Let not the guilt of my death be yours. 'Tis to save you from that remorse that I die!"

"Sybil, you have said rightly, I am not myself. I know not what demons have possession of my soul, that I can behold your agonies without remorse; that your matchless affection should awaken no return. Yet so it is. Since the fatal moment when I beheld yon maid, I have loved her."

"No more. Now I can part with you. Farewell!"

"Stay, stay! wretch that I am. Stay, Sybil! If we must part—and that it must be so I feel—let me receive your pardon, if you can bestow it. Let me clasp you once more within my arms. May you live to happier days—may you–"

"Oh, to die thus!" sobbed Sybil, disengaging herself from his embrace. "Live to happier days, said you? When have I given you reason to doubt, for an instant, the sincerity of my love, that you should insult me thus?"

"Then live with me—live for me."

"If you can love me still, I will live as your slave, your minion, your wife; aught you will have me be. You have raised me from wretchedness. Oh!" continued she in an altered tone, "have I mistaken your meaning? Did you utter those words in false compassion for my sufferings?—Speak, it is not yet too late—all may be well. My fate—my life is in your hands. If you love me yet—if you can forsake Eleanor, speak—if not, be silent."

Luke averted his head.

"Enough!" continued Sybil, in a voice of agony; "I understand. May God forgive you! Fare you well! We shall meet no more."

"Do we part for ever?" asked Luke, without daring to regard her.

"For ever!" answered Sybil.

Before her lover could reply, she shot from his side, and plunging amidst the dark and dense assemblage near the door, disappeared from view. An instant after, she emerged into the open air. She stood within the roofless hall. It was filled with sunshine—with the fresh breath of morn. The ivied ruins, the grassy floor, the blue vault of heaven, seemed to greet her with a benignant smile. All was riant and rejoicing—all, save her heart. Amid such brightness, her sorrow seemed harsh and unnatural; as she felt the glad influence of day, she was scarcely able to refrain from tears. It was terrible to leave this beautiful world, that blue sky, that sunshine, and all she loved—so young, so soon.

Entering a low arch that yawned within the wall, she vanished like a ghost at the approach of morn.

CHAPTER IX

THE PHILTER

Thou hast practised on her with foul charms—Abused her delicate youth with drugs and minerals.Shakspeare: Othello.

To return to Eleanor Mowbray. In a state of mind bordering upon distraction, she rushed to her mother, and, flinging her arms wildly round her neck, besought her to protect her. Mrs. Mowbray gazed anxiously upon the altered countenance of her daughter, but a few moments relieved her from much of her uneasiness.—The expression of pain gradually subsided, and the look of vacuity was succeeded by one of frenzied excitement. A film had, for an instant or two, dimmed her eyes; they now gleamed with unnatural lustre. She smiled—the smile was singular; it was not the playful, pleasurable lighting up of the face that it used to be; but it was a smile, and the mother's heart was satisfied.

Mrs. Mowbray knew not to what circumstance she could attribute this wondrous change. She looked at the priest. He was more apt in divining the probable cause of the sudden alteration in Eleanor's manner.

"What if she has swallowed a love-powder?" said he, approaching Mrs. Mowbray, and speaking in a whisper. "I have heard of such abominable mixtures; indeed, the holy St. Jerome himself relates an instance of similar sorcery, in his life of Hilarius; and these people are said to compound them."

"It may be so," replied Mrs. Mowbray, in the same tone. "I think that the peculiar softness in the eye is more than natural."

"I will at least hazard an experiment, to attest the truth or fallacy of my supposition," returned the father. "Do you see your destined bridegroom yonder?" continued he, addressing Eleanor.

She followed with her eyes in the direction which Father Ambrose pointed. She beheld Luke. We know not how to describe the sensations which now possessed her. She thought not of Ranulph; or, if she did, it was with vague indifference. Wrapped in a kind of mental trance, she yielded to the pleasurable impulse that directed her unsettled fancies towards Luke. For some moments she did not take her eyes from him. The priest and Mrs. Mowbray watched her in silence.

Nothing passed between the party till Luke joined them. Eleanor continued gazing at him, and the seeming tenderness of her glance emboldened Luke to advance towards her. The soft fire that dwelt in those orbs was, however, cold as the shining wing of the luciola.

Luke approached her; he took her hand—she withdrew it not. He kissed it. Still she withdrew it not, but gazed at him with gently-glimmering eyes.

"My daughter is yours, Sir Luke Rookwood," exclaimed Mrs. Mowbray.

"What says the maid herself?" asked Luke.

Eleanor answered not. Her eyes were still fixed on him.

"She will not refuse me her hand," said Luke.

The victim resisted not.

"To the subterranean shrine," cried Barbara. And she gave the preconcerted signal to the band.

The signal was repeated by the gipsy crew. We may here casually note, that the crew had been by no means uninterested or silent spectators of passing events, but had, on the contrary, indulged themselves in a variety of conjectures as to their probable issue. Several bets were pending as to whether it would be a match or not after all. Zoroaster took long odds that the match was off—offering a bean to half-a-quid—in other words, a guinea to a half-guinea—that Sybil would be the bride. His offer was taken at once by Jerry Juniper, and backed by the knight of Malta.

"Ha! there's the signal," cried the knight; "I'll trouble you for the bean."

"And I," added Jerry Juniper, "for another."

"See 'em fairly spliced first," replied the Magus; "that's vot I betted."

"Vell, vell, a few minutes will settle that. Come, pals, to the autem ken. Avay. Mind and obey orders."

"Ay, ay," answered the crew.

"Here's a torch for the altar of Hymen," said the knight, flashing his torch in the eyes of the patrico as he passed him.

"For the halter of Haman, you might say," returned Balthazar, sulkily. "It's well if some of us don't swing for it."

"You don't say," rejoined the perplexed Magus, "swing! Egad I fear it's a ticklish business. But there's no fighting shy, I fear, with Barbara present; and then there's that infernal autem-bawler; it will be so cursedly regular. If you had done the job, Balty, it would not have signified a brass farden. Luckily there will be no vitnesses to snitch upon us. There will be no one in the vault besides ourselves."

"There will be a silent and a solemn witness," returned Balthazar, "and one whom you expect not."

"Eh! Vot's that you say? a spy?"

But the patrico was gone.

"Make way there—make way, pals, for the bride and bridegroom," cried the knight of Malta, drawing Excalibur, and preparing to lead the way to the vault.

The train began to move. Eleanor leaned upon the arm of her mother. Beside them stalked Barbara, with an aspect of triumph. Luke followed with the priest. One by one the assemblage quitted the apartment.

The sexton alone lingered. "The moment is at hand," said he, musingly, "when all shall be consummated."

A few steps brought him into the court. The crowd was there still. A brief delay had taken place. The knight of Malta then entered the mouth of the vault. He held his torch so as to reveal a broken flight of steps, conducting, it would seem, to regions of perpetual night. So thought Eleanor, as she shudderingly gazed into the abyss. She hesitated; she trembled; she refused. But her mother's entreaties, and Barbara's threatening looks, induced, in the end, reluctant compliance. At length the place was empty. Peter was about to follow, when the sound of a horse's hoofs broke upon his ear. He tarried for an instant, and the mounted figure of the highwayman burst within the limits of the court.

"Ha, ha! old earthworm," cried Dick, "my Nestor of the churchyard, alone! Where the devil are all the folks gone? Where's Sir Luke and his new-found cousin, eh?"

Peter hastily explained.

"A wedding under ground? famous! the thing of all others I should like to see. I'll hang Bess to this ivy tod, and grub my way with you thither, old mole."

"You must stay here, and keep guard," returned Peter.

"May I be hanged if I do, when such fun is going on."

"Hanged, in all probability, you will be," returned Peter; "but I should not, were I you, desire to anticipate my destiny. Stay here you must, and shall—that's peremptory. You will be the gainer by it. Sir Luke will reward you nobly. I will answer for him. You can serve him most effectually. Ranulph Rookwood and Major Mowbray are expected here."

"The devil they are. But how, or why–"

"I have not time to explain. In case of a surprise, discharge a pistol; they must not enter the vault. Have you a whistle? for you must play a double part, and we may need your assistance below."

"Sir Luke may command me. Here's a pipe as shrill as the devil's own cat-call."

"If it will summon you to our assistance below, 'tis all I need. May we rely on you?"

"When did Dick Turpin desert his friends? Anywhere on this side the Styx the sound of that whistle will reach me. I'll ride about the court, and stand sentry."

"Enough," replied the sexton, as he dived under ground.

"Take care of your shins," shouted Dick. "That's a cursed ugly turn, but he's used to the dark. A surprise, eh! I'll just give a look to my snappers—flints all safe. Now I'm ready for them, come when they like." And, having made the circuit of the place, he halted near the mouth of the subterranean chapel, to be within hearing of Peter's whistle, and, throwing his right leg lazily over his saddle, proceeded coolly to light a short pipe—the luxury of the cigar being then unknown,—humming the while snatches of a ballad, the theme of which was his own calling.

THE SCAMPSMAN

Quis verè rex?

Seneca.There is not a king, should you search the world round,So blithe as the king of the road to be found;His pistol's his sceptre, his saddle's his throne,Whence he levies supplies, or enforces a loan.Derry down.To this monarch the highway presents a wide field,Where each passing subject a tribute must yield;His palace—the tavern!—receives him at night,Where sweet lips and sound liquor crown all with delight.Derry down.The soldier and sailor, both robbers by trade,Full soon on the shelf, if disabled, are laid;The one gets a patch, and the other a peg,But, while luck lasts, the highwayman shakes a loose leg!Derry down.Most fowl rise at dawn, but the owl wakes at e'en,And a jollier bird can there nowhere be seen;Like the owl, our snug scampsman his snooze takes by day,And, when night draws her curtain, scuds after his prey!Derry down.As the highwayman's life is the fullest of zest,So the highwayman's death is the briefest and best;He dies not as other men die, by degrees!But at once! without wincing, and quite at his ease!Derry down.

And thus, for the present, we leave him. O rare Dick Turpin!

CHAPTER X

SAINT CYPRIAN'S CELL

Lasciate ogni speranza voi ch' entrate.

Dante.

Cyprian de Mulverton, fifth prior of the monastery of Saint Francis, a prelate of singular sanctity, being afflicted, in his latter days, with a despondency so deep that neither penance nor fasting could remove it, vowed never again to behold, with earthly eyes, the blessed light of heaven, nor to dwell longer with his fellowmen; but, relinquishing his spiritual dignity, "the world forgetting, by the world forgot," to immure himself, while living, within the tomb.

He kept his vow. Out of the living rock that sustained the saintly structure, beneath the chapel of the monastery, was another chapel wrought, and thither, after bidding an eternal farewell to the world, and bestowing his benediction upon his flock, whom he committed to the care of his successor, the holy man retired.

Never, save at midnight, and then only during the performance of masses for his soul's repose, did he ascend from his cell: and as the sole light allowed within the dismal dungeon of his choice was that of a sepulchral lamp, as none spoke with him when in his retreat, save in muttered syllables, what effect must the lustre emanating from a thousand tapers, the warm and pungent odors of the incense-breathing shrine, contrasted with the earthy vapors of his prison-house, and the solemn swell of the Sanctus, have had upon his excited senses? Surely they must have seemed like a foretaste of the heaven he sought to gain!

Ascetic to the severest point to which nature's endurance could be stretched, Cyprian even denied himself repose. He sought not sleep, and knew it only when it stole on him unawares. His couch was the flinty rock; and long afterwards, when the zealous resorted to the sainted prior's cell, and were shown those sharp and jagged stones, they marvelled how one like unto themselves could rest, or even recline upon their points without anguish, until it was explained to them that, doubtless, He who tempereth the wind to the shorn lamb had made that flinty couch soft to the holy sufferer as a bed of down. His limbs were clothed in a garb of horsehair of the coarsest fabric; his drink was the dank drops that oozed from the porous walls of his cell; and his sustenance, such morsels as were bestowed upon him by the poor—the only strangers permitted to approach him. No fire was suffered, where perpetual winter reigned. None were admitted to his nightly vigils; none witnessed any act of penance; nor were any groans heard to issue from that dreary cave; but the knotted, blood-stained thong, discovered near his couch, too plainly betrayed in what manner those long lone nights were spent. Thus did a year roll on. Traces of his sufferings were visible in his failing strength. He could scarcely crawl; but he meekly declined assistance. He appeared not, as had been his wont, at the midnight mass; the door of his cell was thrown open at that hour; the light streamed down like a glory upon his reverend head; he heard the distant reverberations of the deep Miserere; and breathed odors as if wafted from Paradise.

One morn it chanced that they who sought his cell found him with his head upon his bosom, kneeling before the image of the virgin patroness of his shrine. Fearing to disturb his devotions, they stood reverently looking on; and thus silently did they tarry for an hour; but, as in that space he had shown no signs of motion, fearing the worst, they ventured to approach him. He was cold as the marble before which he knelt. In the act of humblest intercession—it may be, in the hope of grace—had Cyprian's spirit fled.

"Blessed are they who die in the Lord," exclaimed his brethren, regarding his remains with deepest awe. On being touched, the body fell to the ground. It was little more than a skeleton.

Under the cloisters of the holy pile were his bones interred, with a degree of pomp and ostentation that little accorded with the lowliness and self-abasement of this man of many sorrows.

This chapel, at the time of which we treat, was pretty much in the same condition as it existed in the days of its holy inmate. Hewn out of the entrails of the rock, the roof, the vaults, the floor, were of solid granite. Three huge cylindrical pillars, carved out of the native rock, rough as the stems of gnarled oak-trees, lent support to the ceiling. Support, however, was unneeded; an earthquake would scarce have shaken down those solid rafters. Only in one corner, where the water welled through a crevice of the rock, in drops that fell like tears, was decay manifest. Here the stone, worn by the constant dripping, had, in some places, given way. In shape, the vault was circular. The integral between each massive pillar formed a pointed arch. Again, from each pillar sprang other arches, which, crossed by diagonal, ogive branches, weaving one into the other, and radiating from the centre, formed those beautifully intricate combinations upon which the eye of the architectural enthusiast loves to linger. Within the ring formed by these triple columns, in which again the pillars had their own web of arches, was placed an altar of stone, and beside it a crucifix of the same rude material. Here also stood the sainted image of her who had filled the prior with holy aspirations, now a shapeless stone. The dim lamp, that, like a star struggling with the thick gloom of a wintry cell, had shed its slender radiance over the brow of the Virgin Thecla, was gone. But around the keystone of the central arches, whence a chain had once depended, might be traced in ancient characters, half effaced by time, the inscription:

STA. THECLA ORA PRO NOBIS

One outlet only was there from the chapel—that which led by winding steps to the monastery; one only recess—the prior's cell. The former faced the altar; the latter yawned like the mouth of a tomb at its back. Altogether it was a dreary place. Dumb were its walls as when they refused to return the murmured orisons of the anchorite. One uniform sad coloring prevailed throughout. The gray granite was grown hoar with age, and had a ghostly look; the columns were ponderous, and projected heavy shadows. Sorrow and superstition had their tale, and a moral gloom deepened the darkness of the spot. Despair, which had inspired its construction, seemed to brood therein. Hope shunned its inexorable recesses.

Alone, within this dismal sanctuary, with hands outstretched towards the desecrated image of its tutelar saint, knelt Sybil. All was darkness. Neither the heavy vapors that surrounded her, nor the shrine before which she bent, were visible; but, familiar with the dreary spot, she knew that she had placed herself aright. Her touch had satisfied her that she bowed before the altar of stone; that her benighted vision was turned towards the broken image of the saint, though now involved in gloom the most profound; and with clasped hands and streaming eyes, in low and mournful tones, she addressed herself in the following hymn to the tutelar saint of the spot:

HYMN TO SAINT THECLAIn my trouble, in my anguish,In the depths of my despair,As in grief and pain I languish,Unto thee I raise my prayer.Sainted virgin! martyr'd maiden!Let thy countenance inclineUpon one with woes o'erladen,Kneeling lowly at thy shrine;That in agony, in terror,In her blind perplexity,Wandering weak in doubt and error,Calleth feebly upon thee.Sinful thoughts, sweet saint, oppress me,Thoughts that will not be dismissed;Temptations dark possess me,Which my strength may not resist.I am full of pain, and wearyOf my life; I fain would die:Unto me the world is dreary;To the grave for rest I fly.For rest!—oh! could I borrowThy bright wings, celestial dove!They should waft me from my sorrow,Where peace dwells in bowers above.Upon one with woes o'erladen,Kneeling lowly at thy shrine;Sainted virgin! martyr'd maiden!Let thy countenance incline!Mei miserere Virgo,Requiem æternam dona!By thy loveliness, thy purity,Unpolluted, undefiled,That in serene securityUpon earth's temptations smiled;—By the fetters that constrain'd thee,By thy flame-attested faith,By the fervor that sustain'd thee,By thine angel-ushered death;—By thy soul's divine elation,'Mid thine agonies assuringOf thy sanctified translationTo beatitude enduring;—By the mystic interfusionOf thy spirit with the rays,That in ever bright profusionRound the Throne Eternal blaze;—By thy portion now partaken,With the pain-perfected just;Look on one of hope forsaken,From the gates, of mercy thrust.Upon one with woes o'erladen,Kneeling lowly at thy shrine,Sainted virgin! martyr'd maiden!Let thy countenance incline!Ora pro me mortis horâ!Sancta Virgo, oro te!Kyrie Eleison!

The sweet, sad voice of the singer died faintly away. The sharpness of her sorrow was assuaged. Seldom, indeed, is it that fervent supplication fails to call down solace to the afflicted. Sybil became more composed. She still, however, trembled at the thoughts of what remained to be done.