The Three Cities Trilogy: Rome, Volume 3

The fatal collapse, the disaster proved a frightful one. Narcisse explained its causes and recounted its phases so clearly that Pierre fully understood. Naturally enough, numerous financial companies had sprouted up: the Immobiliere, the Society d'Edilizia e Construzione, the Fondaria, the Tiberiana, and the Esquilino. Nearly all of them built, erected huge houses, entire streets of them, for purposes of sale; but they also gambled in land, selling plots at large profit to petty speculators, who also dreamt of making large profits amidst the continuous, fictitious rise brought about by the growing fever of agiotage. And the worst was that the petty speculators, the middle-class people, the inexperienced shop-keepers without capital, were crazy enough to build in their turn by borrowing of the banks or applying to the companies which had sold them the land for sufficient cash to enable them to complete their structures. As a general rule, to avoid the loss of everything, the companies were one day compelled to take back both land and buildings, incomplete though the latter might be, and from the congestion which resulted they were bound to perish. If the expected million of people had arrived to occupy the dwellings prepared for them the gains would have been fabulous, and in ten years Rome might have become one of the most flourishing capitals of the world. But the people did not come, and the dwellings remained empty. Moreover, the buildings erected by the companies were too large and costly for the average investor inclined to put his money into house property. Heredity had acted, the builders had planned things on too huge a scale, raising a series of magnificent piles whose purpose was to dwarf those of all other ages; but, as it happened, they were fated to remain lifeless and deserted, testifying with wondrous eloquence to the impotence of pride.

So there was no private capital that dared or could take the place of that of the companies. Elsewhere, in Paris for instance, new districts have been erected and embellishments have been carried out with the capital of the country – the money saved by dint of thrift. But in Rome all was built on the credit system, either by means of bills of exchange at ninety days, or – and this was chiefly the case – by borrowing money abroad. The huge sum sunk in these enterprises is estimated at a milliard, four-fifths of which was French money. The bankers did everything; the French ones lent to the Italian bankers at 3 1/2 or 4 per cent.; and the Italian bankers accommodated the speculators, the Roman builders, at 6, 7, and even 8 per cent. And thus the disaster was great indeed when France, learning of Italy's alliance with Germany, withdrew her 800,000,000 francs in less than two years. The Italian banks were drained of their specie, and the land and building companies, being likewise compelled to reimburse their loans, were compelled to apply to the banks of issue, those privileged to issue notes. At the same time they intimidated the Government, threatening to stop all work and throw 40,000 artisans and labourers starving on the pavement of Rome if it did not compel the banks of issue to lend them the five or six millions of paper which they needed. And this the Government at last did, appalled by the possibility of universal bankruptcy. Naturally, however, the five or six millions could not be paid back at maturity, as the newly built houses found neither purchasers nor tenants; and so the great fall began, and continued with a rush, heaping ruin upon ruin. The petty speculators fell on the builders, the builders on the land companies, the land companies on the banks of issue, and the latter on the public credit, ruining the nation. And that was how a mere municipal crisis became a frightful disaster: a whole milliard sunk to no purpose, Rome disfigured, littered with the ruins of the gaping and empty dwellings which had been prepared for the five or six hundred thousand inhabitants for whom the city yet waits in vain!

Moreover, in the breeze of glory which swept by, the state itself took a colossal view of things. It was a question of at once making Italy triumphant and perfect, of accomplishing in five and twenty years what other nations have required centuries to effect. So there was feverish activity and a prodigious outlay on canals, ports, roads, railway lines, and improvements in all the great cities. Directly after the alliance with Germany, moreover, the military and naval estimates began to devour millions to no purpose. And the ever growing financial requirements were simply met by the issue of paper, by a fresh loan each succeeding year. In Rome alone, too, the building of the Ministry of War cost ten millions, that of the Ministry of Finances fifteen, whilst a hundred was spent on the yet unfinished quays, and two hundred and fifty were sunk on works of defence around the city. And all this was a flare of the old hereditary pride, springing from that soil whose sap can only blossom in extravagant projects; the determination to dazzle and conquer the world which comes as soon as one has climbed to the Capitol, even though one's feet rest amidst the accumulated dust of all the forms of human power which have there crumbled one above the other.

"And, my dear friend," continued Narcisse, "if I could go into all the stories that are current, that are whispered here and there, you would be stupefied at the insanity which overcame the whole city amidst the terrible fever to which the gambling passion gave rise. Folks of small account, and fools and ignorant people were not the only ones to be ruined; nearly all the Roman nobles lost their ancient fortunes, their gold and their palaces and their galleries of masterpieces, which they owed to the munificence of the popes. The colossal wealth which it had taken centuries of nepotism to pile up in the hands of a few melted away like wax, in less than ten years, in the levelling fire of modern speculation." Then, forgetting that he was speaking to a priest, he went on to relate one of the whispered stories to which he had alluded: "There's our good friend Dario, Prince Boccanera, the last of the name, reduced to live on the crumbs which fall to him from his uncle the Cardinal, who has little beyond his stipend left him. Well, Dario would be a rich man had it not been for that extraordinary affair of the Villa Montefiori. You have heard of it, no doubt; how Prince Onofrio, Dario's father, speculated, sold the villa grounds for ten millions, then bought them back and built on them, and how, at last, not only the ten millions were lost, but also all that remained of the once colossal fortune of the Boccaneras. What you haven't been told, however, is the secret part which Count Prada – our Contessina's husband – played in the affair. He was the lover of Princess Boccanera, the beautiful Flavia Montefiori, who had brought the villa as dowry to the old Prince. She was a very fine woman, much younger than her husband, and it is positively said that it was through her that Prada mastered the Prince – for she held her old doting husband at arm's length whenever he hesitated to give a signature or go farther into the affair of which he scented the danger. And in all this Prada gained the millions which he now spends, while as for the beautiful Flavia, you are aware, no doubt, that she saved a little fortune from the wreck and bought herself a second and much younger husband, whom she turned into a Marquis Montefiori. In the whole affair the only victim is our good friend Dario, who is absolutely ruined, and wishes to marry his cousin, who is as poor as himself. It's true that she's determined to have him, and that it's impossible for him not to reciprocate her love. But for that he would have already married some American girl with a dowry of millions, like so many of the ruined princes, on the verge of starvation, have done; that is, unless the Cardinal and Donna Serafina had opposed such a match, which would not have been surprising, proud and stubborn as they are, anxious to preserve the purity of their old Roman blood. However, let us hope that Dario and the exquisite Benedetta will some day be happy together."

Narcisse paused; but, after taking a few steps in silence, he added in a lower tone: "I've a relative who picked up nearly three millions in that Villa Montefiori affair. Ah! I regret that I wasn't here in those heroic days of speculation. It must have been very amusing; and what strokes there were for a man of self-possession to make!"

However, all at once, as he raised his head, he saw before him the Quartiere dei Prati – the new district of the castle fields; and his face thereupon changed: he again became an artist, indignant with the modern abominations with which old Rome had been disfigured. His eyes paled, and a curl of his lips expressed the bitter disdain of a dreamer whose passion for the vanished centuries was sorely hurt: "Look, look at it all!" he exclaimed. "To think of it, in the city of Augustus, the city of Leo X, the city of eternal power and eternal beauty!"

Pierre himself was thunderstruck. The meadows of the Castle of Sant' Angelo, dotted with a few poplar trees, had here formerly stretched alongside the Tiber as far as the first slopes of Monte Mario, thus supplying, to the satisfaction of artists, a foreground or greenery to the Borgo and the dome of St. Peter's. But now, amidst the white, leprous, overturned plain, there stood a town of huge, massive houses, cubes of stone-work, invariably the same, with broad streets intersecting one another at right angles. From end to end similar facades appeared, suggesting series of convents, barracks, or hospitals. Extraordinary and painful was the impression produced by this town so suddenly immobilised whilst in course of erection. It was as if on some accursed morning a wicked magician had with one touch of his wand stopped the works and emptied the noisy stone-yards, leaving the buildings in mournful abandonment. Here on one side the soil had been banked up; there deep pits dug for foundations had remained gaping, overrun with weeds. There were houses whose halls scarcely rose above the level of the soil; others which had been raised to a second or third floor; others, again, which had been carried as high as was intended, and even roofed in, suggesting skeletons or empty cages. Then there were houses finished excepting that their walls had not been plastered, others which had been left without window frames, shutters, or doors; others, again, which had their doors and shutters, but were nailed up like coffins with not a soul inside them; and yet others which were partly, and in a few cases fully, inhabited – animated by the most unexpected of populations. And no words could describe the fearful mournfulness of that City of the Sleeping Beauty, hushed into mortal slumber before it had even lived, lying annihilated beneath the heavy sun pending an awakening which, likely enough, would never come.

Following his companion, Pierre walked along the broad, deserted streets, where all was still as in a cemetery. Not a vehicle nor a pedestrian passed by. Some streets had no foot ways; weeds were covering the unpaved roads, turning them once more into fields; and yet there were temporary gas lamps, mere leaden pipes bound to poles, which had been there for years. To avoid payment of the door and window tax, the house owners had generally closed all apertures with planks; while some houses, of which little had been built, were surrounded by high palings for fear lest their cellars should become the dens of all the bandits of the district. But the most painful sight of all was that of the young ruins, the proud, lofty structures, which, although unfinished, were already cracking on all sides, and required the support of an intricate arrangement of timbers to prevent them from falling in dust upon the ground. A pang came to one's heart as though one was in a city which some scourge had depopulated – pestilence, war, or bombardment, of which these gaping carcases seem to retain the mark. Then at the thought that this was abortment, not death – that destruction would complete its work before the dreamt-of, vainly awaited denizens would bring life to the still-born houses, one's melancholy deepened to hopeless discouragement. And at each corner, moreover, there was the frightful irony of the magnificent marble slabs which bore the names of the streets, illustrious historical names, Gracchus, Scipio, Pliny, Pompey, Julius Caesar, blazing forth on those unfinished, crumbling walls like a buffet dealt by the Past to modern incompetency.

Then Pierre was once more struck by this truth – that whosoever possesses Rome is consumed by the building frenzy, the passion for marble, the boastful desire to build and leave his monument of glory to future generations. After the Caesars and the Popes had come the Italian Government, which was no sooner master of the city than it wished to reconstruct it, make it more splendid, more huge than it had ever been before. It was the fatal suggestion of the soil itself – the blood of Augustus rushing to the brain of these last-comers and urging them to a mad desire to make the third Rome the queen of the earth. Thence had come all the vast schemes such as the cyclopean quays and the mere ministries struggling to outvie the Colosseum; and thence had come all the new districts of gigantic houses which had sprouted like towns around the ancient city. It was not only on the castle fields, but at the Porta San Giovanni, the Porta San Lorenzo, the Villa Ludovisi, and on the heights of the Viminal and the Esquiline that unfinished, empty districts were already crumbling amidst the weeds of their deserted streets. After two thousand years of prodigious fertility the soil really seemed to be exhausted. Even as in very old fruit gardens newly planted plum and cherry trees wither and die, so the new walls, no doubt, found no life in that old dust of Rome, impoverished by the immemorial growth of so many temples, circuses, arches, basilicas, and churches. And thus the modern houses, which men had sought to render fruitful, the useless, over-huge houses, swollen with hereditary ambition, had been unable to attain maturity, and remained there sterile like dry bushes on a plot of land exhausted by over-cultivation. And the frightful sadness that one felt arose from the fact that so creative and great a past had culminated in such present-day impotency – Rome, who had covered the world with indestructible monuments, now so reduced that she could only generate ruins.

"Oh, they'll be finished some day!" said Pierre.

Narcisse gazed at him in astonishment: "For whom?"

That was the cruel question! Only by dint of patriotic enthusiasm on the morrow of the conquest had one been able to indulge in the hope of a mighty influx of population, and now singular blindness was needed for the belief that such an influx would ever take place. The past experiments seemed decisive; moreover, there was no reason why the population should double: Rome offered neither the attraction of pleasure nor that of gain to be amassed in commerce and industry for those she had not, nor of intensity of social and intellectual life, since of this she seemed no longer capable. In any case, years and years would be requisite. And, meantime, how could one people those houses which were finished; and for whom was one to finish those which had remained mere skeletons, falling to pieces under sun and rain? Must they all remain there indefinitely, some gaunt and open to every blast and others closed and silent like tombs, in the wretched hideousness of their inutility and abandonment? What a terrible proof of error they offered under the radiant sky! The new masters of Rome had made a bad start, and even if they now knew what they ought to have done would they have the courage to undo what they had done? Since the milliard sunk there seemed to be definitely lost and wasted, one actually hoped for the advent of a Nero, endowed with mighty, sovereign will, who would take torch and pick and burn and raze everything in the avenging name of reason and beauty.

"Ah!" resumed Narcisse, "here are the Contessina and the Prince."

Benedetta had told the coachman to pull up in one of the open spaces intersecting the deserted streets, and now along the broad, quiet, grassy road – well fitted for a lovers' stroll – she was approaching on Dario's arm, both of them delighted with their outing, and no longer thinking of the sad things which they had come to see. "What a nice day it is!" the Contessina gaily exclaimed as she reached Pierre and Narcisse. "How pleasant the sunshine is! It's quite a treat to be able to walk about a little as if one were in the country!"

Dario was the first to cease smiling at the blue sky, all the delight of his stroll with his cousin on his arm suddenly departing. "My dear," said he, "we must go to see those people, since you are bent on it, though it will certainly spoil our day. But first I must take my bearings. I'm not particularly clever, you know, in finding my way in places where I don't care to go. Besides, this district is idiotic with all its dead streets and dead houses, and never a face or a shop to serve as a reminder. Still I think the place is over yonder. Follow me; at all events, we shall see."

The four friends then wended their way towards the central part of the district, the part facing the Tiber, where a small nucleus of a population had collected. The landlords turned the few completed houses to the best advantage they could, letting the rooms at very low rentals, and waiting patiently enough for payment. Some needy employees, some poverty-stricken families – had thus installed themselves there, and in the long run contrived to pay a trifle for their accommodation. In consequence, however, of the demolition of the ancient Ghetto and the opening of the new streets by which air had been let into the Trastevere district, perfect hordes of tatterdemalions, famished and homeless, and almost without garments, had swooped upon the unfinished houses, filling them with wretchedness and vermin; and it had been necessary to tolerate this lawless occupation lest all the frightful misery should remain displayed in the public thoroughfares. And so it was to those frightful tenants that had fallen the huge four and five storeyed palaces, entered by monumental doorways flanked by lofty statues and having carved balconies upheld by caryatides all along their fronts. Each family had made its choice, often closing the frameless windows with boards and the gaping doorways with rags, and occupying now an entire princely flat and now a few small rooms, according to its taste. Horrid-looking linen hung drying from the carved balconies, foul stains already degraded the white walls, and from the magnificent porches, intended for sumptuous equipages, there poured a stream of filth which rotted in stagnant pools in the roads, where there was neither pavement nor footpath.

On two occasions already Dario had caused his companions to retrace their steps. He was losing his way and becoming more and more gloomy. "I ought to have taken to the left," said he, "but how is one to know amidst such a set as that!"

Parties of verminous children were now to be seen rolling in the dust; they were wondrously dirty, almost naked, with black skins and tangled locks as coarse as horsehair. There were also women in sordid skirts and with their loose jackets unhooked. Many stood talking together in yelping voices, whilst others, seated on old chairs with their hands on their knees, remained like that idle for hours. Not many men were met; but a few lay on the scorched grass, sleeping heavily in the sunlight. However, the stench was becoming unbearable – a stench of misery as when the human animal eschews all cleanliness to wallow in filth. And matters were made worse by the smell from a small, improvised market – the emanations of the rotting fruit, cooked and sour vegetables, and stale fried fish which a few poor women had set out on the ground amidst a throng of famished, covetous children.

"Ah! well, my dear, I really don't know where it is," all at once exclaimed the Prince, addressing his cousin. "Be reasonable; we've surely seen enough; let's go back to the carriage."

He was really suffering, and, as Benedetta had said, he did not know how to suffer. It seemed to him monstrous that one should sadden one's life by such an excursion as this. Life ought to be buoyant and benign under the clear sky, brightened by pleasant sights, by dance and song. And he, with his naive egotism, had a positive horror of ugliness, poverty, and suffering, the sight of which caused him both mental and physical pain.

Benedetta shuddered even as he did, but in presence of Pierre she desired to be brave. Glancing at him, and seeing how deeply interested and compassionate he looked, she desired to persevere in her effort to sympathise with the humble and the wretched. "No, no, Dario, we must stay. These gentlemen wish to see everything – is it not so?"

"Oh, the Rome of to-day is here," exclaimed Pierre; "this tells one more about it than all the promenades among the ruins and the monuments."

"You exaggerate, my dear Abbe," declared Narcisse. "Still, I will admit that it is very interesting. Some of the old women are particularly expressive."

At this moment Benedetta, seeing a superbly beautiful girl in front of her, could not restrain a cry of enraptured admiration: "/O che bellezza!"

And then Dario, having recognised the girl, exclaimed with the same delight: "Why, it's La Pierina; she'll show us the way."

The girl had been following the party for a moment already without daring to approach. Her eyes, glittering with the joy of a loving slave, had at first darted towards the Prince, and then had hastily scrutinised the Contessina – not, however, with any show of jealous anger, but with an expression of affectionate submission and resigned happiness at seeing that she also was very beautiful. And the girl fully answered to the Prince's description of her – tall, sturdy, with the bust of a goddess, a real antique, a Juno of twenty, her chin somewhat prominent, her mouth and nose perfect in contour, her eyes large and full like a heifer's, and her whole face quite dazzling – gilded, so to say, by a sunflash – beneath her casque of heavy jet-black hair.

"So you will show us the way?" said Benedetta, familiar and smiling, already consoled for all the surrounding ugliness by the thought that there should be such beautiful creatures in the world.

"Oh yes, signora, yes, at once!" And thereupon Pierina ran off before them, her feet in shoes which at any rate had no holes, whilst the old brown woollen dress which she wore appeared to have been recently washed and mended. One seemed to divine in her a certain coquettish care, a desire for cleanliness, which none of the others displayed; unless, indeed, it were simply that her great beauty lent radiance to her humble garments and made her appear a goddess.

"/Che bellezza! the bellezza!/" the Contessina repeated without wearying.

"That girl, Dario /mio/, is a real feast for the eyes!"

"I knew she would please you," he quietly replied, flattered at having discovered such a beauty, and no longer talking of departure, since he could at last rest his eyes on something pleasant.

Behind them came Pierre, likewise full of admiration, whilst Narcisse spoke to him of the scrupulosity of his own tastes, which were for the rare and the subtle. "She's beautiful, no doubt," said he; "but at bottom nothing can be more gross than the Roman style of beauty; there's no soul, none of the infinite in it. These girls simply have blood under their skins without ever a glimpse of heaven."

Meantime Pierina had stopped, and with a wave of the hand directed attention to her mother, who sat on a broken box beside the lofty doorway of an unfinished mansion. She also must have once been very beautiful, but at forty she was already a wreck, with dim eyes, drawn mouth, black teeth, broadly wrinkled countenance, and huge fallen bosom. And she was also fearfully dirty, her grey wavy hair dishevelled and her skirt and jacket soiled and slit, revealing glimpses of grimy flesh. On her knees she held a sleeping infant, her last-born, at whom she gazed like one overwhelmed and courageless, like a beast of burden resigned to her fate.

"/Bene, bene,/" said she, raising her head, "it's the gentleman who came to give me a crown because he saw you crying. And he's come back to see us with some friends. Well, well, there are some good hearts in the world after all."