The King of Schnorrers: Grotesques and Fantasies

The silent, hopeless longing, the chivalrous devotion yearning dumbly within him, did not stop his beer; he drank more to drown his thoughts. Every night he entered into his part gladly, knowing himself elevated in the zoological scale, not degraded, by an assumption that made him only half a beast. It was kind of Providence to hide him wholly away from her vision, so that her bright eyes might not be sullied by the sight of his foulness. None of the grinning audience suspected the tragedy of the hind legs of the Dragon, as blindly following their leader, they went "galumphing" about the stage. The innocent children marvelled at the monster, in wide-eyed excitement, unsuspecting even its humanity, much less its double nature; only Davie knew that in that Dragon there were the ruins of a man and the makings of a great actor!

"Why are ye sae anxious to stand in my shoon?" he would ask, when the hind legs became too obstreperous.

"I don't want to be in your shoes; I only want to see the stage for once."

But Davie would shake his head incredulously, making the Dragon's mask wobble at the wrong cues. At last, once when Sabra was singing, poor Jimmy, driven to extremities, confessed the truth, and had the mortification of feeling the wires vibrate with the Scotchman's silent laughter. He blushed unseen.

But it transpired that Davie's amusement was not so much scornful as sceptical. He still suspected the tail of a sinister intention to wag the Dragon.

"Nae, nae," he said, "ye shallna get me to swallow that. Ye're an unco puir creature, but ye're no sa daft as to want the moon. She's a bonnie lassie, and I willna be surprised if she catches a coronet in the end, when she makes a name in Lunnon; for the swells here, though I see a wheen foolish faces nicht after nicht in the stalls, are but a puir lot. Eh, but it's a gey grand tocher is a pretty face. In the meanwhiles, like a canny girl, she's settin' her cap at the chief."

"Hold your tongue!" hissed the hind legs. "She's as pure as an angel."

"Hoot-toot!" answered the head. "Dinna leebel the angels. It's no an angel that lets her manager give her sly squeezes and saft kisses that are nae in the stage directions."

"Then she can't know he's a married man," said the hind legs hoarsely.

"Dinna fash yoursel' – she kens that full weel and a thocht or two more. Dod! Ye should just see how she and St. George carry on after my death scene, when he's supposit to ha' rescued her and they fall a-cuddlin'."

"You're a liar!" said the hind legs.

Davie roared and breathed burning squibs and capered about, and Jimmy had to prance after him in involuntary pursuit. He felt choking in his stuffy hot black rollicking dungeon. The thought of this bloated sexagenarian faked up as a jeune premier, pawing that sweet little girl, sickened him.

"Dom'd leear yersel!" resumed Davie, coming to a standstill. "I maun believe my own eyes, what they tell me nicht after nicht."

"Then let me see for myself, and I'll believe you."

"Ye dinna catch me like that," said Davie, chuckling.

After that poor Jimmy's anxiety to see the stage became feverish. He even meditated malingering and going in front of the house, but could only have got a distant view, and at the risk of losing his place in an overcrowded profession. His opportunity came at length, but not till the pantomime was half run out and the actor-manager sought to galvanise it by a "second edition," which in sum meant a new lot of the variety entertainers who came on and played copophones before Ptolemy, did card-tricks in the desert, and exhibited trained poodles to the palm-trees. But Davie, determined to rise to the occasion, thought out a fresh conception of his part, involving three new grunts, and was so busy rehearsing them at home that he forgot the flight of the hours and arrived at the theatre only in time to take second place in the Dragon that was just waiting, half-manned, at the wing. He was so flustered that he did not even think of protesting for the first few minutes. When he did protest, Jimmy said, "What are you jawing about? This is a second edition, isn't it?" and caracoled around, dragging the unhappy Davie in his train.

"I'll tell the chief," groaned the hind legs.

"All right, let him know you were late," answered the head cheerfully.

"Eh, but it's pit-mirk, here. I canna see onything."

"You see I'm no liar. Shall I send a squib your way?"

"Nay, nay, nae larking. Mind the business or you'll ruin my reputation."

"Mind my business, I'll mind yours," replied Jimmy joyously, for the lovely Sabra was smiling right in his eyes. A Dragon divided against itself cannot stand, so Davie had to wait till the beast came off. To his horror Jimmy refused to budge from his shell. He begged for just one "keek" at the stage, but Jimmy replied: "You don't catch me like that." Davie said little more, but he matured a crafty plan, and in the next scene he whispered: —

"Jimmy!"

"Shut up, Davie; I'm busy."

"I've got a pin, and if ye shallna promise to restore me my richts after the next exit, ye shall feel the taste of it."

"You'll just stay where you are," came back the peremptory reply.

Deep went the pin in Jimmy's rear, and the Dragon gave such a howl that Davie's blood ran cold. Too late he remembered that it was not the Dragon's cue, and that he was making havoc of his own professional reputation. Through the canvas he felt the stern gaze of the actor-manager. He thought of pricking Jimmy only at the howling cues, but then the howl thus produced was so superior to his own, that if Jimmy chose to claim it, he might be at once engaged to replace him in the part. What a dilemma!

Poor Davie! As if it was not enough to be cut off from all the brilliant spectacle, pent in pitchy gloom and robbed of all his "fat" and his painfully rehearsed "second edition" touches. He felt like one of those fallen archangels of the footlights who live to bear Ophelia's bier on boards where they once played Hamlet.

Far different emotions were felt at the Dragon's head, where Jimmy's joy faded gradually away, replaced by a passion of indignation, as with love-sharpened eyes he ascertained for himself the true relations of the actor-manager with his "principal girl." He saw from his coign of vantage the poor modest little thing shrinking before the cowardly advances of her employer, who took every possible advantage of the stage potentialities, in ways the audience could not discriminate from the acting. Alas! what could the gentle little bread-winner do? But Jimmy's blood was boiling. Davie's great scene arrived: the battle royal between St. George and the Dragon. Sabra, bewitchingly radiant in white Arabian silk, stood under the orange-tree where the pendent fruit was labelled three a penny. Here St. George, in knightly armour clad, retired between the rounds, to be sponged by the fair Sabra, from whose lips he took the opportunity of drinking encouragement. When the umpire cried "Time!" Jimmy uttered inarticulate cries of real rage and malediction, vomiting his squibs straight at the champion's eyes with intent to do him grievous bodily injury. But squibs have their own ways of jumping, and the actor-manager's face was protected by his glittering burgonet.

At last Jimmy and Davie were duly despatched by St. George's trusty sword, Ascalon, which passed right between them and stuck out on the other side amid the frantic applause of the house. The Dragon reeled cumbrously sideways and bit the dust, of which there was plenty. Then Sabra rushed forward from under the orange-tree and encircled her hero's hauberk with a stage embrace, while St. George, lifting up his visor, rained kiss after kiss on Sabra's scarlet face, and the "gods" went hoarse with joy.

"Oh, sir!" Jimmy heard the still small voice of the bread-winner protest feebly again and again amid the thunder, as she tried to withdraw herself from her employer's grasp. This was the last straw. Anger and the foul air of his prison wrought up Jimmy to asphyxiation point. What wonder if the Dragon lost his head completely?

Davie will never forget the horror of that moment when he felt himself dragged upwards as by an irresistible tornado, and knew himself for a ruined actor. Mechanically he essayed to cling to the ground, but in vain. The dead Dragon was on its feet in a moment; in another, Jimmy had thrown off the mask, showing a shock of hair and a blotched crimson face, spotted with great beads of perspiration. Unconscious of this culminating outrage, Davie made desperate prods with his pin, but Jimmy was equally unconscious of the pricks. The thunder died abruptly. A dead silence fell upon the whole house – you could have heard Davie's pin drop. St. George, in amazed consternation, released his hold of Sabra and cowered back before the wild glare of the bloodshot eyes. "How dare you?" rang out in hoarse screaming accents from the protruding head, and with one terrific blow of its right fore-leg the hybrid monster felled Sabra's insulter to the ground.

The astonished St. George lay on his back, staring up vacantly at the flies.

"I'll teach you how to behave to a lady!" roared the Dragon.

Then Davie tugged him frantically backwards, but Jimmy cavorted obstinately in the centre of the stage, which the actor-manager had taken even in his fall, so that the Dragon's hind legs trampled blindly on Davie's prostrate chief, amid the hysterical convulsions of the house.

Next morning the local papers were loud in their praises of the "Second Edition" of St. George and the Dragon, especially of the "genuinely burlesque and topsy-turvy episode in which the Dragon rises from the dead to read St. George a lesson in chivalry; a really side-splitting conception, made funnier by the grotesque revelation of the constituents of the Dragon, just before it retires for the night."

The actor-manager had no option but to adopt this reading, so had to be hoofed and publicly reprimanded every evening during the rest of the season, glad enough to get off so cheaply.

Of course, Jimmy was dismissed, but St. George was painfully polite to Sabra ever after, not knowing but what Jimmy was in the gallery with a brickbat, and perhaps not unimpressed by the lesson in chivalry he was receiving every evening.

Perhaps you think the Dragon deserved to marry Sabra, but that would be really too topsy-turvy, and the sentimental beast himself was quite satisfied to have rescued her from St. George.

But the person who profited most by Jimmy's sacrifice was Davie, who stepped into a real speaking part, emerged from the obscurity of his surroundings, burst his swaddling clothes, and made his appearance on the stage – a thing he could scarcely be said to have done in the Dragon's womb.

And so the world wags.

An Honest Log-Roller

Louis Maunders was writing an anonymous novel, and a large circle of friends and acquaintances expected it to make a big hit. Louis Maunders was so modest that he distrusted his own opinion, and was glad to find his friends sharing it in this matter. It strengthened him. He carried the manuscript unostentatiously about in a long brief bag, while the book was writing, and worked at it during all his spare moments. Even in omnibuses he was to be seen scribbling hard with a stylus, and neglecting to attend to the conductor. The plot of the story was sad and heartrending, for Louis was only twenty-one. Louis refused to give those roseate pictures of life which the conventional novelist turns out to please the public. He objected to "happy endings." In real life, he said, no story ends happily; for the end of everybody's story is Death. In this book he said some bitter things about Life which it would have winced to hear, had it been alive. As for Death, he doubted whether it was worth dying. Towards Nature he took a tone of haughty superiority, and expressed himself disrespectfully on the subject of Fate. He mocked at it through the lips of his hero, and altogether seemed qualifying for the liver complaint, which is the Prometheus myth done into modern English. He taught that the only Peace for man lies in snapping the fingers at Fortune, taking her buffets and her favours with equal contempt, and generally teaching her to know her place. The soul of the Philosopher, he said, would stand grinning cynically though the planetary system were sold off by auction. These lessons were taught with great tragic power in Maunders' novel, and he was looking forward to the time when it should be in print, and on all the carpets of conversation. He was extremely gratified to find his friends thinking so well of its prospects, for it was pleasing to him to discover that he had chosen his circle so well, and had such intelligent friends. It did not seem to him at all unlikely that he would make his fortune with this novel; and he hurried on with it, till the masterpiece needed only a few final touches and a few last insults to Fate. Then he left the bag in a hansom cab. When he remembered his forgetfulness, he was distracted. He raved like a maniac – and like a maniac did not even write his ravings down for after use. He applied at Scotland Yard, but the superintendent said that drivers brought there only articles of value. He sent paragraphs to the papers, asking even of the Echo where his lost novel was. But the Echo answered not. Several spiteful papers insinuated that he was a liar, and a high-class comic paper went out of its way to make a joke, and to call his book "The Mystery of a Hansom Cab." The annoying part of the business was that after getting all this gratuitous advertisement, in itself enough to sell two editions, the book still refused to come up for publication. Maunders was too heart-broken to write another. For months he went about, a changed being. He had put the whole of himself into that book, and it was lost. He mourned for the departed manuscript, and generously extolled its virtues. For years he remained faithful to its memory; and its pages were made less dry with his tears. But the most intemperate grief wears itself out at last; and after a few years of melancholy, Maunders rallied and became a critic.

As a critic he set in with great severity, and by carefully refraining from doing anything himself, gained a great reputation far and wide. In due course he joined the staff of the Acadæum, where his signed contributions came to be looked for with profound respect by the public and with fear and trembling by authors. For Maunders' criticism was so very superior, even for the Acadæum, of which the trade motto was "Stop here for Criticism – superior to anything in the literary market." Maunders flayed and excoriated Marsyas till the world accepted him as Apollo.

What Maunders was most down upon was novel-writing. Not having to follow them himself, he had high ideals of art; and woe to the unfortunate author who thought he had literary and artistic instinct when he had only pen and paper. Maunders was especially severe upon the novels of young authors, with their affected style and jejune ideas. Perhaps the most brilliant criticism he ever wrote was a merciless dissection of a book of this sort, reeking with the insincerity and crudity of youth, full of accumulated ignorance of life, and brazening it out by flashy cynicism.

A week after this notice appeared, his oldest and dearest friend called upon him and asked him for an explanation.

"What do you mean?" said Maunders.

"When I read your slashing notice of 'A Fingersnap for Fate,' I at once got the book."

"What! After I had disembowelled it; after I had shown it was a stale sausage stuffed with old and putrid ideas?"

"Well, to tell the truth," said his friend, a little crestfallen at having to confess, "I always get the books you pitch into. So do lots of people. We are only plain, ordinary, homespun people, you know; so we feel sure that whatever you praise will be too superior for us, while what you condemn will suit us to a t. That is why the great public studies and respects your criticisms. You are our literary pastor and monitor. Your condemnation is our guide-post, and your praise is our Index Expurgatorius. But for you we should be lost in the wilderness of new books."

"And this is all the result of my years of laborious criticism," fumed the Acadæum critic. "Proceed, sir."

"Well, what I came to say was, that if my memory does not play me a trick after all these years, 'A Fingersnap for Fate' is your long-lost novel."

"What!" shrieked the great critic; "my long-lost child! Impossible."

"Yes," persisted his oldest and dearest friend. "I recognised it by the strawberry mark in Cap. II., where the hero compares the younger generation to fresh strawberries smothered in stale cream. I remember your reading it to me!"

"Heavens! The whole thing comes back to me," cried the critic. "Now I know why I damned it so unmercifully for plagiarism! All the while I was reading it, there was a strange, haunting sense of familiarity."

"But, surely you will expose the thief!"

"How can I? It would mean confessing that I wrote the book myself. That I slated it savagely, is nothing. That will pass as a good joke, if not a piece of rare modesty. But confess myself the author of such a wretched failure!"

"Excuse me," said his friend. "It is not a failure. It is a very popular success. It is selling like wildfire. Excuse the inaccurate simile; but you know what I mean. Your notice has sent the sale up tremendously. Ever since your notice appeared, the printing presses have been going day and night and are utterly unable to cope with the demand. Oh, you must not let a rogue make a fortune out of you like this. That would be too sinful."

So the great critic sought out the thief. And they divided the profits. And then the thief, who was a fool as well as a rogue, wrote another book – all out of his own head this time. And the critic slated it. And they divided the profits.

A Tragi-Comedy of Creeds

Not much before midnight in a midland town – a thriving commercial town, whose dingy back streets swarmed with poverty and piety – a man in a soft felt hat and a white tie was hurrying home over a bridge that spanned a dark crowded river. He had missed the tram, and did not care to be seen out late, but he could not afford a cab. Suddenly he felt a tug at his long black coat-tail. Vaguely alarmed and definitely annoyed, he turned round quickly. A breathless, roughly-clad, rugged-featured man loosed his hold of the skirt.

"'Scuse me, sir – I've been running," gasped the stranger, placing his horny hand on his breast and panting.

"What is it? What do you want?" said the gentleman impatiently.

"My wife's dying," jerked the man.

"I'm very sorry," murmured the gentleman incredulously, expecting some conventional street-plea.

"Awful sudden attack – this last of hers – only came on an hour ago."

"I'm not a doctor."

"No, sir, I know. I don't want a doctor. He's there and only gives her ten minutes to live. Come with me at once, please."

"Come with you? Why, what good can I do?"

"You're a clergyman!"

"A clergyman!" repeated the other.

"Yes – aren't you?"

The wearer of the white tie looked embarrassed.

"Ye-es," he stammered. "In a – in a way. But I'm not the sort of clergyman your wife will be wanting."

"No?" said the man, puzzled and pained. Then with a sudden dread in his voice: "You're not a Catholic clergyman?"

"No," was the unhesitating reply.

"Oh, then it's all right!" cried the man, relieved. "Come with me, sir, for God's sake. Don't let us waste time." His face was lit up with anxious appeal.

But still the clergyman hesitated.

"You're making a mistake," he murmured. "I am not a Christian clergyman." He turned to resume his walk.

"Not a Christian clergyman!" exclaimed the man, as who should say "not a black negro!"

"No – I am a Jewish minister."

"That don't matter," broke in the man, almost before he could finish the sentence. "As long as you're not a Catholic. Oh, don't go away now, sir!" His voice broke piteously. "Don't go away after I've been chasing you for five minutes – I saw your rig-out – I beg pardon, your coat and hat – in the distance just as I came out of the house. Walk back with me, anyhow," he pleaded, seeing the Jew's hesitation, "Oh! for pity's sake, walk back with me at once and we can discuss it as we go along. I know I should never get hold of another parson in time at this hour of the night."

The man's accents were so poignant, his anxiety was so apparently sincere, that the minister's humanity could scarcely resist the solicitation to walk back at least. He would still have time to decide whether to enter the house or not – whether the case were genuine or a mere trap concealing robbery or worse. The man took a short cut through evil-looking slums that did not increase the minister's confidence. He wondered what his flock would think if they saw their pastor in such company. He was a young unmarried minister, and the reputation of such in provincial Jewish congregations, overflowing with religion and tittle-tattle, is as a pretty unprotected orphan girl's.

"Why don't you go to your own clergyman?" he asked.

"I've got none," said the man half-apologetically. "I don't believe in nothing myself. But you know what women are!"

The minister sniffed, but did not deny the weakness of the sex.

"Betsy goes to some place or other every Sunday almost; sometimes she's there and back from a service before I'm up, and so long as the breakfast's ready I don't mind. I don't ask her no questions, and in return she don't bother about my soul – leastways, not for these ten years, ever since she's had kids to convert. We get along all right, the missus and me and the kids. Oh, but it's all come to an end now," he concluded, with a sob.

"Yes, but my good fellow," protested the minister, "I told you you were making a mistake. You know nothing about religion; but what your wife wants is some one to talk to her of Jesus, or to give her the Sacrament, or the Confession, or something, for I confess I'm not very clear about the forms of Christianity; and I haven't got any wafers or things of that sort. No, I couldn't do it, even if I had a mind to. It would ruin my position if it were known. But apart from that, I really can't do it. I wouldn't know what to say, and I couldn't bring my tongue to say it if I did."

"Oh, but you believe in something?" persisted the man piteously.

"H'm! Yes, I can't deny that," said the minister; "but it's not the same something that your wife believes in."

"You believe in a God, don't you?"

The minister felt a bit chagrined at being catechised in the elements of his religion.

"Of course!" he said fretfully.

"There! I knew it," cried the man in triumph. "None of us do in our shop; but, of course, clergymen are different. But if you believe in a God, that's enough, ain't it? You're both religious folk."

"No, it isn't enough – at least, not for your wife."

"Oh, well, you needn't let out, sir, need you? So long as you talk of God and keep clear of the Pope. I've heard her going on about a Scarlet Woman to the kids. (God bless their little hearts! I wonder what they'll do without her!) She'll never know, sir, and she'll die happy. I've done my duty. She whispered I wasn't to bring a Roman Catholic, poor thing. I fancy I heard her say once they're even worse than Jews. Oh, I don't mean that, sir. You're sure you're not a Roman Catholic?" he concluded anxiously.

"Quite sure."

"Well, sir, you'll keep the rest dark, won't you? There's no call to let out you don't believe the same other things as her."

"I shall tell no lie," said the minister firmly. "You have called me in to give consolation to your dying wife, and I shall do my duty as best I can. Is this the house?"

"Yes, sir – right at the top."

The minister conquered a last impulse of mistrust, and looked round cautiously to be sure he was unobserved. Charity was not a strong point with his flock, and certainly his proceedings were suspicious. Even if they learnt the truth, he was not at all sure they would not consider his praying with a dying Christian akin to blasphemy. On the whole he must be credited with some courage in mounting that black, ill-smelling, interminable staircase. He found himself in a gloomy garret at last, lighted by an oil-lamp. A haggard woman lay with shut eyes on an iron bed, her chilling hands clasping the hands of the "converted" kids, a boy of ten and a girl of seven, who stood blubbering in their night-attire. The doctor leaned against the head of the bed, the ungainly shadows of the group sprawling across the blank wall. He had done all he could – without hope of payment – to ease the poor woman's last moments. He was a big-brained, large-hearted Irishman, a Roman Catholic, who thought science and religion might be the best of friends. The husband looked at him in frantic interrogation.