Mentone, Cairo, and Corfu

First, there is the long and charming approach, with the snow-capped mountains of Albania, in European Turkey, looming up against the sky at the end; then comes the landlocked harbor; then the picturesque old town, its high stone houses, all of creamy hue, crowded together on the hill-side above the sea-wall, with here and there a bell-tower shooting into the blue. Below is the busy, many-colored port. Above towers the dark double fortress on its rock. And, finally, the dense, grove-like vegetation of the island encircles all, and its own mountain-peaks rise behind, one of them attaining a height of three thousand feet. There are other islands of which all this, or almost all, can be said – Capri, for instance. But at Corfu there are two attributes peculiar to the region; these are: first, the color; second, the transparency. Although the voyage from Brindisi hardly occupies twelve hours, the atmosphere is utterly unlike that of Italy; there is no haze; all is clear. Some of us love the Italian haze (which is not in the least a mist), that soft veil which makes the mountains look as if they were covered with velvet. But a love of this softness need not, I hope, make us hate everything that is different. Greece (and Corfu is a Greek island) seemed to me all light – the lightest country in the world. In other lands, if we climb a high mountain and stand on its bald summit at noon, we feel as if we were taking a bath in light; in Greece we have this feeling everywhere, even in the valleys. Euripides described his countrymen as "forever delicately tripping through the pellucid air," and so their modern descendants trip to this day. This dry atmosphere has an exciting effect upon the nervous energy, and the faces of the people show it. It has also, I believe, the defect of this good quality – namely, an over-stimulation, which sometimes produces neuralgia. In some respects Americans recognize this clearness of the atmosphere, and its influence, good and bad; the air of northern New England in the summer, and of California at the same season, is not unlike it. But in America the transparency is more white, more blank; we have little of the coloring that exists in Greece, tints whose intensity must be seen to be believed. The mountains, the hills, the fields, are sometimes bathed in lilac. Then comes violet for the plains, while the mountains are rose that deepens into crimson. At other times salmon, pink, and purple tinges are seen, and ochre, saffron, and cinnamon brown. This description applies to the whole of Greece, but among the Ionian Islands the effect of the color is doubled by the wonderful tint of the surrounding sea. I promise not to mention this hue again; hereafter it can be taken for granted, for it is always present; but for this once I must say that you may imagine the bluest blue you know – the sky, lapis lazuli, sapphires, the eyes of some children, the Bay of Naples – and the Ionian Sea is bluer than any of these. And nowhere else have I seen such dear, queer little foam sprays. They are so small and so very white on the blue, and they curl over the surface of the water even when the sea is perfectly calm, which makes me call them queer. You meet them miles from land. And all the shores are whitened with their never-ceasing play. It is a pygmy surf.

It was eleven o'clock in the morning when our steamer reached her anchorage before the island town. Immediately she was surrounded by small boats, whose crews were perfectly lawless, demanding from strangers whatever they thought they could get, and obtaining their demands, because there was no way to escape them except by building a raft. Upon reaching land one forgets the extortion, for the windows of the hotel overlook the esplanade, and this open space amiably offers to persons who are interested in first impressions a panoramic history of two thousand five hundred years in a series of striking mementos. Let me premise that as regards any solid knowledge of these islands, only a contemptible smattering can be obtained in a stay so short as mine. Corfu and her sisters have borne a conspicuous part in what we used to call ancient history. Through the Roman days they appear and reappear. In the times of the Crusaders their position made them extremely important. Years of study could not exhaust their records, nor months of research their antiquities. To comprehend them rightfully one must indeed be an historian, an archæologist, and a painter at one and the same time, and one must also be good-natured. Few of us can hope to unite all these. The next best thing, therefore, is to go and see them with whatever eyes and mind we happen to possess. Good-nature will perhaps return after the opening encounter with the boatmen is over.

From our windows, then, we could note, first, the Citadel, high on its rock, three hundred feet above the town. The oldest part of the present fortress was erected in 1550; but the site has always been the stronghold. Corinthians, Athenians, Spartans, Macedonians, and Romans have in turn held the island, and this rock is the obvious keep. Later came four hundred years of Venetian control, and I am ashamed to add that the tokens of this last-named period were to me more delightful than any of the other memorials. I say "ashamed," for why should one be haunted by Venice in Greece? With the Parthenon to look forward to, why should the lion of St. Mark, sculptured on Corfu façades, be a thing to greet with joy? Many of us are familiar with the disconsolate figures of some of our fellow-countrymen and countrywomen in the galleries of Europe, tired and dejected tourists wandering from picture to picture, but finding nothing half so interesting as the memory of No. 4699 Columbus Avenue at home. I am afraid it is equally narrow to be scanning Corfu, Athens, Cairo, and the sands of the desert itself for something that reminds one of another place, even though that place be the enchanting pageant of a town at the head of the Adriatic. History, however, as related by the esplanade, pays no attention to these aberrations of the looker-on; its story goes steadily forward. The lions of St. Mark on the façades, and another memento of the Doges – namely, the statue of Count von der Schulenburg, who commanded the Venetian forces in the great defence of Corfu in 1716 – these memorials have as companions various tokens of the English occupation, which, following that of Venice, continued through forty-nine years – that is, from 1815 to 1863. Before this there had been a short period of French dominion; but the esplanade, so far as I could discover, contains no memorial of it, unless Napoleon's phrase can stand for one – and I think it can. The souvenirs of the British rule are conspicuous. The first is the palace built for the English Governor, a functionary who bore the sonorous official name of Lord High Commissioner, a title which was soon shortened to the odd abbreviation "the Lord High." This palace is an uninteresting construction stretching stiffly across the water-side of the esplanade, and cutting off the view of the harbor. It is now the property of the King of Greece, but at present it is seldom occupied. While we were at Corfu its ghostliness was enlivened for a while; Prince Henry of Prussia was there with his wife. They had left their yacht (if so large a vessel as the Irene can be called a yacht), and were spending a week at the palace. An hour after their departure entrance was again permitted, and an old man, still trembling from the excitement of the royal sojourn, conducted us from room to room. All was ugly. Fading flowers in the vases showed that an attempt had been made to brighten the place; but the visitors must have been endowed with a strong natural cheerfulness to withstand with success such a mixture of the commonplace and the dreary as the palace presents. They had the magnificent view to look at, and there was always the graceful silhouette of the Irene out on the water. She could come up at any time and take them away; it was this, probably, that kept them alive.

If the palace is ordinary, what shall be said of another memento which adorns the esplanade? This is a high, narrow building, so uncouth that it causes a smile. It looks raw, bare, and so primitive that if it had a pulley at the top it might be taken for a warehouse erected on the bank of a canal in one of our Western towns; one sees in imagination canal-boats lying beneath, and bulging sacks going up or down. Yet this is nothing less than that University of the Ionian Islands which was founded by the Earl of Guildford early in this century, the epoch of English enthusiasm for Greece, the days of the Philhellenes. Lord Guildford, who was one of the distinguished North family, gave largely of his fortune and of his time to establish this university. Contemporary records speak of him as "an amiable nobleman." But after seeing his touchingly ugly academy and his bust (which is not ugly) in the hall of the extinct Ionian Senate at the palace, one feels sure that he was more than amiable – he must have been original also.

The English are called cold; but as individuals they are capable sometimes of extraordinary enthusiasms for distant causes and distant people. Adventurous travellers as they are, does the charm lie in the word "distant"? The defunct academy now shelters a school where vigorous young Greeks sit on benches, opposite each other, in narrow, doorless compartments which resemble the interior of a large omnibus; this, at least, was the arrangement of the ground-floor on the day of our visit. Although it was December, the boys looked heated. The teachers, who walked up and down, had a relentless aspect. Even the porter, white-haired and bent, had a will untouched by the least decay; he would not show us the remains of the university library, nor the Roman antiquities which are said to be stored somewhere in a lumber-room, among them "fifty-nine frames of mosaic representing a bustard in various attitudes." He had not the power, apparently, to exhibit these treasures while the school exercises were going on, and as soon as they were ended – instantly, that very minute – he intended to eat his dinner, and nothing could alter this determination; his face grew ferocious at the mere suggestion. So we were obliged to depart without seeing the souvenirs of Lord Guildford's enthusiasm; and owing to the glamour which always hangs over the place one has failed to see, I have been sure ever since that we should have found them the most fascinating objects in Corfu.

At the present school the teaching is done, no doubt, in a tongue which would have made the old university shudder. In a letter written by Sir George Bowen in 1856, from one of the Ionian Islands, there is the following anecdote: "Bishop Wilberforce told me that he recently had, as a candidate at one of his ordinations, Mr. M., the son of an English merchant settled in Greece. 'I examined him myself,' said the bishop, 'when he gave what was to me an unknown pronunciation.' 'Oh, Mr. M.,' I said, 'where did you learn Greek?' 'In Athens, my lord,' replied the trembling man." Classical scholars who visit Greece to-day are not able to ask the simplest questions; or, rather, they may ask, but no one will understand them. Several of these gentlemen have announced to the world that the modern speech of Athens is a barbarous decadence. It is not for an American, I suppose, to pass judgment upon matters of this sort. But when these authorities continue as follows: "And even in pronunciation modern Greek is hopelessly fallen; the ancients never pronounced in this way," may we not ask how they can be so sure? They are not, I take it, inspired, and the phonograph is a modern invention. The voice of Robert Browning is stored for coming generations; the people A.D. 3000 may hear him recite "How They Brought the Good News from Ghent to Aix." Possibly the tones of Lord Salisbury and of Mr. Balfour are already garnered and arranged in cylinders for the future orators of the South Seas. But we cannot know how Pindar spoke any more than we can know the song the Sirens sang; the most learned scholar cannot, alas! summon from the past the articulation of Plato.

In the esplanade the period of English rule is further kept in mind by monuments to the memory of three of the Lords High – a statue, an obelisk, and (of all things in the world) an imitation of a Greek temple. This temple – it is so small that they might call it a templette – was erected in honor of Sir Thomas Maitland, a Governor whose arbitrary rule gained for him the title of King Tom. The three memorials are officially protected, an agreement to that effect having been made between the governments of Great Britain and Greece. They were never in danger, probably, as the English protection was a friendly one. In spite of its friendliness, the Corfiotes voted as follows with enthusiasm when an opportunity was offered to them: "The single and unanimous will of the Ionian people has been and is for their reunion with the Kingdom of Greece." England yielded to this wish and withdrew – a disinterested act which ought to have gained for her universal applause. Since 1864 Corfu and her sister islands, happily freed at last from foreign control, have filled with patriotic pride and contentment their proper place as part of the Hellenic kingdom.

The esplanade also contains the one modern monument erected by the Corfiotes themselves – a statue of Capo d'Istria. John Capo d'Istria, a native of Corfu, was the political leader of Greece when she succeeded in freeing herself from the Turkish yoke. The story of his life is a part of the exciting tale of the Greek revolution. His measures, after he had attained supreme power, were thought to be high-handed, and he was accused also of looking too often towards that great empire in the North whose boundaries are stretching slowly towards Constantinople; he was resisted, disliked; finally he was assassinated. Time has softened the remembrance of his faults, whatever they were, and brought his services to the nation into the proper relief; hence this statue, erected in 1887, fifty-six years after his death, by young Greece. It is a sufficiently imposing figure of white marble, the face turned towards the bay with a musing expression. Capo d'Istria – a name which might have been invented for a Greek patriot! The Eastern question is a complicated one, and I have no knowledge of its intricacies. But a personal observation of the hatred of Turkey which exists in every Greek heart, and a glance at the map of Europe, lead an American mind towards one general idea or fancy – namely, that Capo d'Istria was merely in advance of his time, and that an alliance between Russia and Greece is now one of the probabilities of the near future. It is unexpected – at least, to the non-political observer – that Hellas should be left to turn for help and comfort to the Muscovites, a race to whom, probably, her ancient art and literature appeal less strongly than they do to any other European people. But she has so turned. "Wait till Russia comes down here!" she appears to be saying, with deferred menace, to Turkey to-day.

These various monuments of the esplanade do not, however, make Corfu in the least modern. They are unimportant, they are inconspicuous, when compared with the old streets which meander over the slopes behind them, fringed with a net-work of stone lanes that lead down to the water's edge. It has been said that the general aspect of the place is Italian. It is true that there are arcades like those of Bologna and Padua; that some of the byways have the look of a Venetian calle, without its canal; and that the neighborhood of the gay little port resembles, on a small scale, the streets which border the harbor of Genoa. In spite of this, we have only to look up and see the sky, we have only to breathe and note the quality of the air, to perceive that we are not in Italy. Corfu is Greek, with a coating of Italian manners. And it has also caught a strong tinge from Asia. Many of the houses have the low door and masked entrance which are so characteristic of the East; at the top of the neglected stairway, as far as possible from public view, there may be handsome, richly furnished apartments; but if such rooms exist, the jealous love of privacy keeps them hidden. This inconspicuous entrance is as universal in the Orient as the high wall, shutting off all view of the garden or park, is universal in England.

The town of Corfu has 26,000 inhabitants. Among the population are Dalmatians, Maltese, Levantines, and others; but the Greeks are the dominant race. There is a Jews' quarter, and Jews abound, or did abound at the time of my visit. Since then fanaticism has raised its head again, and there have been wild scenes at Corfu. Face to face with the revival of persecution for religious opinions which is now visible in Russia, and not in Russia alone, are we forced to acknowledge that our century is not so enlightened as we have hoped that it was. I remember when I believed that in no civilized country to-day could there be found, among the educated, a single person who would wish to persecute or coerce his fellow-beings solely on account of their religious opinions; but I am obliged to confess that, without going to Russia or Corfu, I have encountered within the last dozen years individuals not a few whose flashing eyes and crimson cheeks, when they spoke of a mental attitude in such matters which differed from their own, made me realize with a thrill that if it were still the day of the stake and the torch they would come bringing fagots to the pile with their own hands.

In spite of these survivals, ceremonial martyrdom for so-called religion's sake is, we may hope, at an end among the civilized nations; we have only its relics left. Corfu has one of these relics, a martyr who is sincerely honored – St. Spiridion, or, as he is called in loving diminutive, Spiro. Spiro, who died fifteen hundred years ago, was bishop of a see in Cyprus, I believe. He was tortured during the persecution of the Christians under Diocletian. His embalmed body was taken to Constantinople, and afterwards, in 1489, it was brought to Corfu by a man named George Colochieretry. Some authorities say that Colochieretry was a monk; in any case, what is certain is that the heirs of this man still own the saint – surely a strange piece of property – and derive large revenues from him. St. Spiro reposes in a small dim chapel of the church which is called by his name; his superb silver coffin is lighted by the rays from a hanging lamp which is suspended above it. When we paid our visit, people in an unbroken stream were pressing into this chapel, and kissing the sarcophagus repeatedly with passionate fervor. The nave, too, was thronged; families were seated on the pavement in groups, with an air of having been there all day: probably Christmas is one of the seasons set apart for an especial pilgrimage to the martyr. Three times a year the body is taken from its coffin and borne round the esplanade, followed by a long train of Greek clergy, and by the public officers of the town; upon these occasions the sick are brought forth and laid where the shadow of the saint can pass over them. "Yes, he's out to-day, I believe," said a resident, to whom we had mentioned this procession. He spoke in a matter-of-fact tone. After seeing it three times a year for twenty years, the issuing forth of the old bishop into the brilliant sunshine to make a solemn circuit round the esplanade did not, I suppose, seem so remarkable to him as it seemed to us. There is another saint, a woman (her name I have forgotten), who also reposes in a silver coffin in one of the Corfu churches. At first we supposed that this was Spiro. But the absence of worshippers showed us our mistake. This lonely witness to the faith was also a martyr; she suffered decapitation. "They don't think much of her," said the same resident. Then, explanatorily, "You see – she has no head." This practically minded critic, however, was not a native of Corfu. The true Corfiotes are very reverent, and no doubt they honor their second martyr upon her appointed day. But Spiro is the one they love. The country people believe that he visits their fields once a year to bless their olives and grain, and the Corfu sailors are sure that he comes to them, walking on the water in the darkness, when a storm is approaching. Mr. Tuckerman, in his delightful volume, The Greeks of To-Day, says, in connection with this last legend, that it is believed by the devout that seaweed is often found about the legs of the good bishop in his silver coffin, after his return from these marine promenades. There is something charming in this story, and I shall have to hold back my hand to keep myself from alluding (and yet I do allude) to a shrine I know at Venice; it is far out on the lagoon, and its name is Our Lady of the Seaweed. The last time my gondola passed it I saw that by a happy chance the high tide had left seaweed twined about it in long, floating wreaths, like an offering.

The name of the national religion of Greece is the Orthodox Church of the East, or, more briefly, the Orthodox Church. Western nations call it the Greek Church, but they have invented that name themselves. The Orthodox Church has rites and ceremonies which are striking and sometimes magnificent. I have many memories of the churches of Corfu. The temples are so numerous that they seem innumerable; one was always coming upon a fresh one; sometimes there is only a façade visible, and occasionally nothing but a door, the church being behind, masked by other buildings. My impressions are of a series of magnified jewel-boxes. There was not much daylight; no matter how radiant the sunshine outside, within all was richly dim, owing to the dark tints of the stained glass. The ornamentation was never paltry or tawdry. The soft light from the wax candles drew dull gleams from the singular metal-incrusted pictures. These pictures, or icons, are placed in large numbers along the walls and upon the screen which divides the nave from the apse. They are generally representations of the Madonna and Child in repoussé-work of silver, silvered copper, or gilt. Often the face and hands of the Madonna are painted on panel; in that case the portrait rises from metal shoulders, and the head is surrounded by metal hair. The painting is always of the stiff Byzantine school, following an ancient model, for any other style would be considered irreverent, and nothing can exceed the strange effect produced by these long-eyed, small-mouthed, rigid, sourly sweet virgin faces coming out from their silver-gilt necks, while below, painted taper fingers of unearthly length encircle a silver Child, who in His turn has a countenance of panel, often all out of drawing, but hauntingly sweet. These curious pictures have great dignity. The churches have no seats. I generally took my stand in one of the pew-like stalls which project from the wall, and here, unobserved, I could watch the people coming in and kissing the icons. This adoration, commemoration, reverence, or whatever the proper word for it may be, is much more conspicuous in the Greek places of worship than it is in Roman Catholic churches. Those who come in make the round of the walls, kissing every picture, and they do it fervently, not formally. The service is chanted by the priests very rapidly in a peculiar kind of intoning. The Corfu priests did not look as if they were learned men, but their faces have a natural and humane expression which is agreeable. In the street, with their flowing robes, long hair and beards, and high black caps, they are striking figures. The parish priest must be a married man, and he does not live apart from his people, but closely mingles with them upon all occasions. He is the papas, or pope, as it is translated, and a lover of Tourguenieff who meets a pope for the first time at Corfu is haunted anew by those masterpieces of the great Russian – the village tales across whose pages the pope and the popess come and go, and seem, to American readers, such strange figures.

In the suburb of Castrades is the oldest church of the island. It is dedicated to St. Jason, the kinsman of St. Paul. St. Jason's appeared to be deserted. Here, as elsewhere, it is not the church most interesting from the historical point of view which is the favorite of the people, or which they find, apparently, the most friendly. But when I paid my visit, there were so many vines and flowers outside, and such a blue sky above, that the little Byzantine temple had a cheerful, irresponsible air, as if it were saying: "It's not my fault that people won't come here. But if they won't, I'm not unhappy about it; the sunshine, the vines, and I – we do very well together." The interior was bare, flooded also with white daylight – so white that one blinked. And in this whiteness my mind suddenly returned to Hellas. For Hellas had been forgotten for the moment, owing to the haunting icons in the dark churches of the town. Those silver-incrusted images had brought up a vision of the uncounted millions to-day in Turkey, Greece, and Russia who bow before them, the Christians of whom we know and think comparatively so little. But now all these Eastern people vanished as silently as they had come, and the past returned – the past, whose spell summons us to Greece. For conspicuous in the white daylight of St. Jason's were three antique columns, which, with other sculptured fragments set in the walls, had been taken from an earlier pagan temple to build this later church. And the spell does not break again in this part of the island. Not far from St. Jason's is the tomb of Menekrates. This monument was discovered in 1843, when one of the Venetian forts was demolished. Beneath the foundations the workmen came upon funeral vases, and upon digging deeper an ancient Greek cemetery was uncovered, with many graves, various relics, and this tomb. It is circular, formed of large blocks of stone closely joined without cement, and at present one stands and looks down upon it, as though it were in a roofless cellar. It bears round its low dome a metrical inscription in Greek, to the effect that Menekrates, who was the representative at Corcyra (the old name for Corfu) of his native town Eanthus, lost his life accidentally by drowning; that this was a great sorrow to the community, for he was a friend of the people; that his brother came from Eanthus, and, with the aid of the Corcyreans, erected the monument. There is something impressive to us in this simple memorial of grief set up before the days of Æschylus, before the battle of Marathon – the commemoration of a family sorrow in Corfu two thousand five hundred years ago. The following is a Latin translation of the inscription: