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A Philosophical Dictionary, Volume 04
The precepts always follow the art. Tisias was the first who collected the laws of eloquence, of which nature gives the first rules. Plato afterwards said, in his "Gorgias," that an orator should have the subtlety of the logician, the science of the philosopher, almost the diction of the poet, and the voice and gesture of the greatest actors.
Aristotle, also, showed that true philosophy is the secret guide to perfection in all the arts. He discovered the sources of eloquence in his "Book of Rhetoric." He showed that logic is the foundation of the art of persuasion, and that to be eloquent is to know how to demonstrate.
He distinguished three kinds of eloquence: the deliberative, the demonstrative, and the judiciary. The deliberative is employed to exhort those who deliberate in taking a part in war, in peace, etc.; the demonstrative, to show that which is worthy of praise or blame; the judiciary, to persuade, absolve, condemn, etc.
He afterwards treats of the manners and passions with which all orators should be acquainted.
He examines the proofs which should be employed in these three species of eloquence, and finally he treats of elocution, without which all would languish. He recommends metaphors, provided they are just and noble; and, above all, he requires consistency and decorum.
All these precepts breathe the enlightened precision of a philosopher, and the politeness of an Athenian; and, in giving the rules of eloquence, he is eloquent with simplicity.
It is to be remarked, that Greece was the only country in the world in which the laws of eloquence were then known, because it was the only one in which true eloquence existed.
The grosser art was known to all men; sublime traits have everywhere escaped from nature at all times; but to rouse the minds of the whole of a polished nation – to please, convince, and affect at the same time, belonged only to the Greeks.
The Orientals were almost all slaves; and it is one of the characteristics of servitude to exaggerate everything. Thus the Asiatic eloquence was monstrous. The West was barbarous in the time of Aristotle.
True eloquence began to show itself in the time of the Gracchi, and was not perfected until the time of Cicero. Mark Antony, the orator Hortensius, Curion, Cæsar, and several others, were eloquent men.
This eloquence perished with the republic, like that of Athens. Sublime eloquence, it is said, belongs only to liberty; it consists in telling bold truths, in displaying strong reasons and representations. A man often dislikes truth, fears reason, and likes a well-turned compliment better than the sublimest eloquence.
Cicero, after having given the examples in his harangues, gave the precepts in his "Book of the Orator"; he followed almost all the methods of Aristotle, and explained himself in the style of Plato.
It distinguishes the simple species, the temperate, and the sublime.
Rollin has followed this division in his "Treatise on Study"; and he pretends that which Cicero does not, that the "temperate" is a beautiful river, shaded with green forests on both sides; the "simple," a properly-served table, of which all the meats are of excellent flavor, and from which all refinement is banished; that the "sublime" thunders forth, and is an impetuous current which overthrows all that resists it.
Without sitting down to this table, without following this thunderbolt, this current, or this river, every man of sense must see that simple eloquence is that which has simple things to expose, and that clearness and elegance are all that are necessary to it.
There is no occasion to read Aristotle, Cicero, and Quintilian, to feel that an advocate who begins by a pompous exordium on the subject of a partition wall is ridiculous; it was, however, the fault of the bar until the middle of the seventeenth century; they spoke with emphasis of the most trivial things. Volumes of these examples may be compiled; but all might be reduced to this speech of a witty advocate, who, observing that his adversary was speaking of the Trojan war and of Scamander, interrupted him by saying, "The court will observe that my client is not called Scamander, but Michaut." The sublime species can only regard powerful interests, treated of in a great assembly.
There may still be seen lively traces of it in the Parliament of England': several harangues partook of it which were pronounced there in 1739, when they debated about declaring war against Spain. The spirits of Cicero and Demosthenes seem to have dictated several passages in their speeches; but they will not descend to posterity like those of the Greeks and Romans, because they want the art and charm of diction, which place the seal of immortality on good works.
The temperate species is that of those preparatory discourses, of those public speeches, and of those studied compliments, in which the deficiency of matter must be concealed with flowers.
These three species are often mingled, as also the three objects of eloquence, according to Aristotle: the great merit of the orator consists in uniting them with judgment.
Great eloquence can scarcely be known to the bar in France, because it does not conduct to honors, as in Athens, Rome, and at present in London; neither has it great public interests for its object; it is confined to funeral orations, in which it borders a little upon poetry.
Bossuet, and after him Fléchier, seem to have obeyed that precept of Plato, which teaches us that the elocution of an orator may sometimes be the same as that of a poet.
Pulpit oratory had been almost barbarous until P. Bourdaloue; he was one of the first who caused reason to be spoken there.
The English did not arrive at that art until a later date, as is avowed by Burnet, bishop of Salisbury. They knew not the funeral oration; they avoided, in their sermons, all those vehement turns which appeared not to them consistent with the simplicity of the Gospel; and they were diffident of using those far-fetched divisions which are condemned by Arch-bishop Fénelon, in his dialogues "Sur l'Éloquence."
Though our sermons turn on the most important subjects to man, they supply few of those striking parts which, like the fine passages of Cicero and Demosthenes, are fit to become the models of all the western nations. The reader will therefore be glad to learn the effect produced by M. Massillon, since bishop of Clermont, the first time that he preached his famous sermon on the small number of the elect. A kind of transport seized all the audience; they rose involuntarily; the murmurs of acclamation and surprise were so great as to disturb the orator; and this confusion only served to augment the pathos of his discourse. The following is the passage:
"I will suppose that this is our last hour, that the heavens open over our heads, that time is past, and that eternity commences; that Jesus Christ is going to appear to judge us according to our works, and that we are all here to receive from Him the sentence of eternal life or death: I ask you, overwhelmed with terror like yourselves, without separating my lot from your own, and putting myself in the same situation in which we must all one day appear before God our judge – if Jesus Christ were now to make the terrible separation of the just from the unjust, do you believe that the greater part would be saved? Do you believe that the number of the righteous would be in the least degree equal to the number of the sinners? Do you believe that, if He now discussed the works of the great number who are in this church, He would find ten righteous souls among us? Would He find a single one?"
There are several different editions of this discourse, but the substance is the same in all of them.
This figure, the boldest which was ever employed, and the best timed, is one of the finest turns of eloquence which can be read either among the ancients or moderns; and the rest of the discourse is not unworthy of this brilliant appeal.
Preachers who cannot imitate these fine models would do well to learn them by heart, and deliver them to their congregations – supposing that they have the rare talent of declamation – instead of preaching to them, in a languishing style, things as common-place as they are useless.
It is asked, if eloquence be permitted to historians? That which belongs to them consists in the art of arranging events, in being always elegant in their expositions, sometimes lively and impressive, sometimes elaborate and florid; in being strong and true in their pictures of general manners and principal personages, and in the reflections naturally incorporated with the narrative, so that they should not appear to be obtruded. The eloquence of Demosthenes belongs not to Thucydides; a studied harangue, put into the mouth of a hero who never pronounced it is, in the opinion of many enlightened minds, nothing more than a splendid defect.
If, however, these licences be permitted, the following is an occasion in which Mézeray, in his great history, may obtain grace for a boldness so approved by the ancients, to whom he is equal, at least on this occasion. It is at the commencement of the reign of Henry IV., when that prince, with very few troops, was opposed near Dieppe by an army of thirty thousand men, and was advised to retire into England, Mézeray excels himself in making a speech for Marshal Biron, who really was a man of genius, and might have said a part of that which the historian attributes to him:
"What, sire, are you advised to cross the sea, as if there was no other way of preserving your kingdom than by quitting it? If you were not in France, your friends would have you run all hazards and surmount all obstacles to get there; and now you are here, they would have you depart – would have you voluntarily do that to which the greatest efforts of your enemies ought not to constrain you! In your present state, to go out of France only for four-and-twenty hours would be to banish yourself from it forever. As to the danger, it is not so great as represented; those who think to overcome us are either the same whom we shut up so easily in Paris, or people who are not much better, and will rapidly have more subjects of dispute among themselves than against us. In short, sire, we are in France, and we must remain here; we must show ourselves worthy of it; we must either conquer it or die for it; and even when there is no other safety for your sacred person than in flight, I well know that you would a thousand times rather die planted in the soil, than save yourself by such means. Your majesty would never suffer it to be said that a younger brother of the house of Lorraine had made you retire, and, still less, that you had been seen to beg at the door of a foreign prince. No, no, sire – there is neither crown nor honor for you across the sea; if you thus demand the succor of England, it will not be granted; if you present yourself at the port of Rochelle, as a man anxious to save himself, you will only meet with reproaches and contempt. I cannot believe that you would rather trust your person to the inconstancy of the waves, or the mercy of a stranger, than to so many brave gentlemen and old soldiers, who are ready to serve you as ramparts and bucklers; and I am too much devoted to your majesty to conceal from you, that if you seek your safety elsewhere than in their virtue, they will be obliged to seek theirs in a different party from your own."
This fine speech which Mézeray puts into the mouth of Marshal Biron is no doubt what Henry IV. felt in his heart.
Much more might be said upon the subject; but the books treating of eloquence have already said too much; and in an enlightened age, genius, aided by examples, knows more of it than can be taught by all the masters in the world.
EMBLEMS
FIGURES, ALLEGORIES, SYMBOLS, ETCIn Antiquity, everything is emblematical and figurative. The Chaldæans began with placing a ram, two kids, and a bull among the constellations, to indicate the productions of the earth in spring. In Persia, fire is the emblem of the divinity; the celestial dog gives notice to the Egyptians of the inundations of the Nile; the serpent, concealing its tail in its head, becomes the image of eternity. All nature is painted and disguised.
There are still to be found in India many of those gigantic and terrific statues which we have already mentioned, representing virtue furnished with ten arms, with which it may successfully contend against the vices, and which our poor missionaries mistook for representations of the devil; taking it for granted, that all those who did not speak French or Italian were worshippers of the devil.
Show all these symbols devised by antiquity to a man of clear sense, but who has never heard them at all mentioned or alluded to, and he will not have the slightest idea of their meaning. It would be to him a perfectly new language.
The ancient poetical theologians were under the necessity of ascribing to the deity eyes, hands, and feet; of describing him under the figure of a man.
St. Clement of Alexandria quotes verses from Xenophanes the Colophonian, which state that every species of animal supplies metaphor to aid the imagination in its ideas of the deity – the wings of the bird, the speed of the horse, and the strength of the lion. It is evident, from these verses of Xenophanes, that it is by no means a practice of recent date for men to represent God after their own image. The ancient Thracian Orpheus, the first theologian among the Greeks, who lived long before Homer, according to the same Clement of Alexandria, describes God as seated upon the clouds, and tranquilly ruling the whirlwind and the storm. His feet reach the earth, and His hands extend from one ocean to the other. He is the beginning, middle, and end of all things.
Everything being thus represented by figure and emblem, philosophers, and particularly those among them who travelled to India, employed the same method; their precepts were emblems, were enigmas.
"Stir not the fire with a sword: " that is, aggravate not men who are angry.
"Place not a lamp under a bushel: " conceal not the truth from men.
"Abstain from beans: " frequent not popular assemblies, in which votes were given by white or black beans.
"Have no swallows about your house: " keep away babblers.
"During a tempest, worship the echo: " while civil broils endure, withdraw into retirement.
"Never write on snow: " throw not away instruction upon weak and imbecile minds.
"Never devour either your heart or your brains: " never give yourself up to useless anxiety or intense study.
Such are the maxims of Pythagoras, the meaning of which is sufficiently obvious.
The most beautiful of all emblems is that of God, whom Timæus of Locris describes under the image of "A circle whose centre is everywhere and circumference nowhere." Plato adopted this emblem, and Pascal inserted it among his materials for future use, which he entitled his "Thoughts."
In metaphysics and in morals, the ancients have said everything. We always encounter or repeat them. All modern books of this description are merely repetitions.
The farther we advance eastward, the more prevalent and established we find the employment of emblems and figures: but, at the same time, the images in use are more remote from our own manners and customs.
The emblems which appear most singular to us are those which were in frequent if not in sacred use among the Indians, Egyptians, and Syrians. These people bore aloft in their solemn processions, and with the most profound respect, the appropriate organs for the perpetuation of the species – the symbols of life. We smile at such practices, and consider these people as simple barbarians. What would they have said on seeing us enter our temples wearing at our sides the weapons of destruction?
At Thebes, the sins of the people were represented by a goat. On the coast of Phœnicia, a naked woman with the lower part of her body like that of a fish was the emblem of nature.
We cannot be at all surprised if this employment of symbols extended to the Hebrews, as they constituted a people near the Desert of Syria.
Of Some Emblems Used by the Jewish Nation.
One of the most beautiful emblems in the Jewish books, is the following exquisite passage in Ecclesiastes:
"When the grinders shall cease because they are few; when those that look out of the windows shall be darkened; when the almond tree shall flourish; when the grasshopper shall become a burden; when desire shall fail; the silver cord be loosed; the golden bowl be fractured: and the pitcher broken at the fountain."
The meaning is, that the aged lose their teeth; that their sight becomes impaired; that their hair becomes white, like the blossom of the almond tree; that their feet become like the grasshopper; that their hair drops off like the leaves of the fir tree; that they have lost the power of communicating life; and that it is time for them to prepare for their long journey.
The "Song of Songs," as is well known, is a continued emblem of the marriage of Jesus Christ with the church.
"Let him kiss me with a kiss of his mouth, for thy breasts are better than wine. Let him put his left hand under my head, and embrace me with his right hand. How beautiful art thou, my love: thy eyes are like those of the dove; thy hair is as a flock of goats; thy lips are like a ribbon of scarlet, and thy cheeks like pomegranates; how beautiful is thy neck! how thy lips drop honey! my beloved put in his hand by the hole of the door, and my bowels were moved for him; thy navel is like a round goblet; thy belly is like a heap of wheat set about with lilies; thy two breasts are like two young roes that are twins; thy neck is like a tower of ivory; thy nose is as the tower of Lebanon; thy head is like Mount Carmel; thy stature is that of a palm tree. I said, I will ascend the palm tree and will gather of its fruits. What shall we do for our little sister? she has no breasts. If she be a wall, we will build upon her a tower of silver; if she be a door, we will enclose her with boards of cedar."
It would be necessary to translate the whole canticle, in order to see that it is an emblem from beginning to end. The ingenious Calmet, in particular, demonstrates that the palm tree which the lover ascended is the cross to which our Lord Jesus Christ was condemned. It must however be confessed, that sound and pure moral doctrine is preferable to these allegories.
We find in the books of this people a great number of emblems and types which shock at the present day, and excite at once our incredulity and ridicule, but which, to the Asiatics, appear clear, natural, and unexceptionable.
God appeared to Isaiah, the son of Amos, and said to him, "Go take thy girdle from thy loins and thy shoes from thy feet," and he did so, walking naked and barefoot. And the Lord said, "Like as my servant Isaiah hath walked naked and barefoot for three years for a sign upon Egypt and Ethiopia, so shall the king of Assyria lead away the Egyptian and Ethiopian prisoners, young and old, naked and barefoot, with their hind parts uncovered, to the shame of Egypt."
This appears to us exceedingly strange: but let us inform ourselves a little about what is passing in our own times among Turks, and Africans, and in India, where we go to trade with so much avidity and so little success. We shall learn that it is by no means unusual to see the santons there absolutely naked, and not only in that state preaching to women, but permitting them to salute particular parts of their body, yet neither indulging or inspiring the slightest portion of licentious or unchaste feeling. We shall see on the banks of the Ganges an innumerable company both of men and women naked from head to foot, extending their arms towards heaven, and waiting for the moment of an eclipse to plunge into the river. The citizens of Paris and Rome should not be too ready to think all the rest of the world bound down to the same modes of living and thinking as themselves.
Jeremiah, who prophesied in the reign of Jehoiakim, king of Jerusalem, in favor of the king of Babylon, puts chains and cords about his neck, by order of the Lord, and sends them to the kings of Edom, Ammon, Tyre and Sidon, by their ambassadors who had been sent to Zedekiah at Jerusalem. He commands them to address their master in these words:
"Thus saith the Lord of Hosts the God of Israel, thus shall ye say unto your masters: I have made the earth, the men, and the beasts of burden which are upon the ground, by my great power and by my outstretched arm, and have given it unto whom it seemed good unto me. And now have I given all these lands into the hands of Nebuchadnezzar, the king of Babylon, my servant, and all the beasts of the field have I given him besides, that they may serve him. I spake also all these words to Zedekiah, king of Judah, saying unto him, submit your neck to the yoke of the king of Babylon, serve him, him and his people, and you shall live," etc.
Accordingly, Jeremiah was accused of betraying his king, and of prophesying in favor of the enemy for the sake of money. It has even been asserted that he was stoned. It is clear that the cords and chains were the emblem of that servitude to which Jeremiah was desirous that the nation should submit.
In a similar manner we are told by Herodotus, that one of the kings of Scythia sent Darius a present of a bird, a mouse, a frog, and five arrows. This emblem implied that, if Darius did not fly as fast as a bird, a mouse, or a frog, he would be pierced by the arrows of the Scythians. The allegory of Jeremiah was that of weakness; the emblem of the Scythians was that of courage.
Thus, also, when Sextus Tarquinius consulted his father, whom we call Tarquinius Superbus, about the policy he should adopt to the Gabii, Tarquin, who was walking in his garden, answered only by striking off the heads of the tallest poppies. His son caught his meaning, and put to death the principal citizens among them. This was the emblem of tyranny.
Many learned men have been of opinion that the history of Daniel, of the dragon, of the den of seven lions who devoured every day two sheep and two men, and the history of the angel who transported Habakkuk by the hair of his head to dine with Daniel in the lion's den, are nothing more than a visible allegory, an emblem of the continual vigilance with which God watches over his servants. But it seems to us a proof of greater piety to believe that it is a real history, like many we find in the Sacred Scriptures, displaying without figure and type the divine power, and which profane minds are not permitted to explore. Let us consider those only as genuine emblems and allegories, which are indicated to us as such by Holy Scripture itself.
"In the thirteenth year and the fifteenth day of the fourth month, as I was in the midst of the captives on the banks of the river Chobar, the heavens were opened, and I saw the visions of God," etc. "The word of the Lord came to Ezekiel the priest, the son of Buzi, in the land of the Chaldæans by the river Chobar, and the hand of the Lord was upon him."
It is thus that Ezekiel begins his prophecy; and, after having seen a fire and a whirlwind, and in the midst of the fire four living animals resembling a man, having four faces and four wings with feet resembling those of calves, and a wheel which was upon the earth, and which had four parts, the four parts of the wheel going at the same time, etc.
He goes on to say, "The spirit entered into me, and placed me firm upon my feet… Then the Lord said unto me: 'Son of man, eat that thou findest; eat this book, and go and speak to the children of Israel.' So I opened my mouth, and He caused me to eat that book. And the spirit entered into me and made me stand upon my feet. And he said unto me: 'Go and shut thyself up in the midst of thy house. Son of man, these are the chains with which thou shalt set thy face firm against it; thou shalt be bound,'" etc. "'And thou, son of man, take a tile and place it before thee and portray thereon the city of Jerusalem.'"
"'Take also a pan of iron, and thou shalt place it as a wall of iron between thee and the city; thou shalt be before Jerusalem as if thou didst besiege it; it is a sign to the house of Israel.'"
After this command God orders him to sleep three hundred and ninety days on his left side, on account of the iniquities of the house of Judah.