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An Abridgment of the Architecture of Vitruvius
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An Abridgment of the Architecture of Vitruvius

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An Abridgment of the Architecture of Vitruvius

To make those Floors that are upon the Ground, you must first make the Earth smooth and plain, if it be firm and solid, if not, it must be beaten with a Rammer with which they ram down their Piles; and after having cover'd the Earth with the first Lay or Bed, call'd Statumen by the Ancients, which was of Flinty Stones about the bigness of ones Fist, among which was mixed Mortar made of Lime and Sand. Then they laid the second Bed, which they call'd Rudus, which was made of lesser Stones, of which there were three Parts for one of Stone if they were new, for if they were taken out of old Buildings, five parts of Stones or Pibbles would be required for two of Lime.

The Greeks had a way of making their Lib. 7.

Cap. 4. Floors in those low places where cold and humidity ordinarily reign, which freed them from these Inconveniences. They digged the Earth two Foot deep, and after having beaten it well, they laid a Bed of Mortar or Cement a little sloping from either side to the Channel, which convey'd the Water under Ground; they laid a Bed of Coal upon the first Mortar, and having beaten them well, they cover'd them with another Cement or Mortar made of Lime, Sand and Ashes, which they made smooth when it was dry with a Polishing-Stone. These Floors presently drank up the Water that fell upon them, that one might walk barefoot without being incommoded by the Cold.

For the Floors which are between two Stories, there must be a particular care taken, that if there be any Partition below it, that it may not touch the Flooring for fear lest if the Flooring came to sink a little, it might be broke upon the Partition which remains firm.

To make these Floorings, the Boards must be nailed at each end upon every Joist, to the end they may not warp; these Boards or Planks being cover'd with Straw, to hinder the Lime from wasting the Timber, the first Bed must be laid, made of a mixture of Mortar and little Stones a hand breadth, which must be beaten a long time with Iron-Levers, and so it must make a solid Crust which must be nine Inches thick; upon it shall be laid the Noyau or Ame, which must be at least six inches thick: It must be made of Cement, with which must be mix'd one part Lime for two parts Lib. 7.

Cap. 4. of Cement. Upon the Ame or Noyau is placed the Parement made with the Rule, afterwards it must be scrap'd and all the Eminences and Inequality taken away: After that must be laid a Composition of Lime, Sand and beaten Marble, to fill equally all the Seams or Joints.

If a Flooring be to be made in the open Air, as upon Terrasses, that may endure Rain or Frost without any Damage; you must nail upon the Joists two Ranks of Boards across, one above the other; and having laid the first Bed, as is said before, it must be Paved with great Square Bricks two Foot Square, which must be hollow'd in the Ends in the Form of a half-Channel, the breadth of an Inch, which must be fill'd with Lime mixed with Oil. These Square Bricks must be higher in the middle, sloping two Inches for every six Foot; that is to say, a Forty-eighth Part. Upon these Square Bricks must be laid the Ame; upon which, after it has been well beaten, as well as the rest, must be put great Square Stones; and to hinder the Moisture from hurting the Boards, it is good to pour as much of the Lees of Oil as they will soak up.

The under part of the Flooring, and the Plat-Fonds, must be made also with great Care. To make the Plat-Fonds or Flat-roofs, in the Form of a Vault, you must nail to the Joists of the Boards, or to the Lib. 5.

Chap. 10. Rafters of the Roof, from two Foot to two Foot pieces of crooked Timber, and Choice must be made of Timber that is not apt to rot; such as, viz. Cypress, Box, Juniper, and Olive; no Oke must be made use of, because it will warp and crack the Work. The Joists being fastened to the Suntmers, you must fix to them Spanish-Broom with Greek-Reeds well beaten. These Reeds are in stead of Laths, which at present are made use of to make the Eaves of Houses; over these Reeds must be laid a Plaster of Mortar, made of Sand, to hinder the Drops of Water which may fall from above from endamaging these Plat-Fonds. After which, the under part must be Plaster'd pretty thick, making all Places equal with Mortar made of Lime and Sand, that it may be afterwards Polished with Mortar made with Lime and Marble.

The Ancients sometimes made double Lib. 5.

Chap. 10. Vaults, when they were afraid that the Humidity which is engender'd, might rot the Wood which is upon by the Vapours which mount up the Vaults. This Method they principally made use of in their Baths.

The Corniches which are made use of under the Plat-Fonds, ought to be little, lest their great Jetting out, or Projecture should make them heavy, and apt to fall. For this Reason they ought to be made of pure Stuck of Marble, without any Plaster, that all the Work drying at the same time, may be less apt to break.

ART. VIOf Plastering

TO make Plaster that it may continue a long time, and not crack; you must take Care to lay it on Walls that are very Dry; for if the Walls be Moist, the Plastering being expos'd to the Air, and drying faster than the Walls, will crack.

To do this Methodically, it must be laid, Bed after Bed, or Lay after Lay, having a great Care not to lay one Bed till the other be almost dry. The Ancients put six Lays, three of Mortar made of Lime and Sand, and three of Stuck. The first Lays or Beds were always thicker than the last, and they were very careful to make use of no Mortar made either of Sand or Stuck in their Plastring, that had not been a long time beaten and mix'd together; especially the Stuck, which must be beaten and mix'd till it will not stick to the Trowel.

They took likewise a great deal of Pains to run several times over and beat the Plaster, which gave it a Hardness, a Whiteness, and Polish'd it so well, that it shin'd like a Mirror.

These Plasterings so made, serve to Paint in Fresco upon; for the Colours being laid upon the Mortar before it was dry, pierced it, and Embodied with it; so that the Painting could not be defaced though it were wash'd; which would easily be wash'd off if the Mortar were dry.

They likewise laid these Plasterings upon Partitions of Wood filled with fat Earth, nailing Reeds to them, as we do Laths, and daubing it over with Clay, and then putting on another row of Reeds across upon the former, and another Bed of fat Earth or Clay, upon which they laid Beds of Mortar and Stuck, as we have said before.

For the Plastering of low and moist places, they had a great many other Lib. 7.

Chap. 4. Precautions, especially within the House; for as what belonged to the Out-part of the House, they contented themselves to Plaster from the Bottom of the Wall to the height of three Feet, with Cement.

But as to the Inward-parts of the House, when the Ground without was higher than the lowermost Flooring; they run up a little narrow Wall against the great one, leaving betwixt the two Walls only the distance of a Channel or Sewer, which they made lower than the Flooring, to receive the Water which might be gather'd against the Walls, and let it run out; and to the End they might hinder the gathering of much Water, by the Vapours which might be enclosed between these two Walls, they made towards the top of the little Wall Vents to let it out, and this little Wall was Plastered on the Out-side with Mortar and Stuck, as we have said before.

When the Place was too narrow to permit those Counter-Walls to be made within, they put hollow Tiles one upon another against the Wall, and placed and plaster'd them over with Mortar and Stuck. These Tiles which were Pitch'd over within, and were Demi-Channels, let the Water fall down into the Sewer, which sweat from the great Wall, and so let all the Vapours, which were engendred by Humidity, go out at the Vents.

CHAP. III

Of the Conveniente of Fabricks

ARTICLE I

Lib. 2.

Præs. ONE of the Principal Things the Architect ought to consider, is the Convenience of the place where he would Build the Fabrick. This is the reason that Dinocrates was blamed by Alexander, for having propos'd him an Excellent Design for Building a City in a Barren place, and incapable of Nourishing those who were to Inhabit it.

We must then choose a place that is fertile, and hath abundance of every thing; and which hath likewise Rivers and Ports capable of furnishing it with all the Product and Commodities of the adjacent Countries.

The Third thing to be considered is, whether the Air be wholesome; and for this End, we must choose a high situated place, that it may be less Subject to Fogs and Mists; it must be likewise far from all Morasses, because the Corruption that may be caused by the infectious Breath of Venomous Beasts which commonly are ingendred there, makes the place very unwholsom, unless these Morasses be near the Sea, and situated high, that the Water may fall easily from them into the Sea, and that the Sea may likewise sometimes overflow them, and by its Saltness kill all the Venomous Beasts.

It is likewise to be remark'd, That a City situated upon the Sea, must needs have an unwholsom Air, if it be towards the South or the West; for generally the Heat weakens Bodies, and the Cold strengthens them; and so we see by Experience, that those who go out of a Cold Country into an Hot, have great difficulty to keep themselves in Health; whereas on the contrary, the Inhabitants of Hot Countries who go into Colder, have generally good Health.

The Ancients were accustomed to judge of the Quality of the Air, Water and Fruits, which might render a place wholsome by the Constitution of the Bodies of those Beasts which were nourished there, and to this End they consulted their Entrails; for if the Liver was Corrupted, they conjectured that the same thing must happen to Men that should Inhabit in that place.

ART. IIOf the Form and Situation of the Building

AFter having chosen a wholsome place, the Streets must be laid out according to the most Advantageous Aspect of the Heavens, and the Lib. 1.

Chap. 6. best way will be to lay the Streets out so, that the Wind may not come directly into them, especially where the Winds are great and cold.

The Prospect of Private Mens Houses is made more or less Commodious, by the Openings which are differently made, to receive the Air and the Light according to the Quality of the Parts that are in the Fabrick.

For the Cellars, Granaries, and generally all places that we wou'd Lib. 6.

Chap. 9. Lock up, or keep any thing in, should be exposed to the North, and receive very few Rays of the Sun.

The different Use of the Parts which Compose the Buildings, do likewise require different Situations; for the Dining-Rooms in Winter, and the Baths among the Ancients, were always turned to the West, for that Situation made them warmer, because the Sun then shone upon them, about Lib. 6.

Chap. 7. the time they were wont to make use of those Apartments.

The Libraries ought to be turned to the rising Sun, because they are generally made use of in the Morning; besides, the Books are not so much damnified in Libraries so situated, as in those which are turned to the South and West, which are subject to Worms and a certain Humidity which engenders Moldiness, and consequently destroys the Books.

The Dining-Rooms for the Spring and Autumn, should be turned towards the East, to the end, that being covered from the great force the Sun hath when it is near Setting, they may be cooler about the time they are to be made use of.

The Summer Apartments must be turned to the North, that they may be fresher and cooler.

This Situation is likewise very proper for Closets, which are adorn'd with Pictures for the Light which is always equal, represents the Colours always alike.

There must likewise great respect be had to the difference of Climates, for the Excess of Heat and Cold, require different Situations and Structures; for the Houses in the Northern parts of the World, ought to be Vaulted, and have few Openings, and turn'd to the South; On the contrary in Hot Countries there must be great Openings and turn to the North; to the End that Art and Industry may remedy the Defects of the place.

ART. IIIOF the Disposition of Fabricks

THE Disposition or Distribution of Fabricks contributes much to their Convenience, when each thing is so plac'd, that it is in a Proper place for the Use for which the Fabrick is Design'd; and for this reason the Town-House and the Market-Place Lib. 6.

Chap. 6. ought to be in the Middle of the City, unless it happen that there be a Port or a River; for the Market ought not to be far distant from those places where the Merchandize is.

The Houses of Private Men, ought to be differently disposed, according to the divers Conditions of those that Dwell in them: For in the Houses of Great Men, the Apartments of the Lord, must not be at the Entry, where ought to be nothing but Portico’s, Courts, Peristyles, Halls, and Gardens to receive the great Number of those who have Business with them, and make their Court to them.

The Houses of Merchants ought to have at the Entry their Shops and Magazines, and all other places where Strangers are to come about their Business.

Lib. 6.

Chap. 9. The Country Houses ought to have a different Order and Disposition from those of the City.

For the Kitchen ought to be near the Ox-house, so that from their Cratches they may see the Chimney and the rising Sun; for this makes the Oxen more Beautiful, and makes their Hair lie better.

The Baths ought likewise to be near the Kitchen, that the Water may be more conveniently heated.

The Press ought not to be far from the Kitchen, for that will much facilitate the Service that is necessary for the Preparation of Olives. If the Press be made of Wooden Beams, it ought to have at least for 16 Foot Breadth, 40 Foot of Length, if there be but one; or 24, if there be 2.

Not far from the Press, must the Cellar be plac'd, whose Windows must be turned to the North, because the heat spoils the Wine.

On the contrary, the Place where the Oil is kept, ought to be turned to the South; to the End, the gentle heat of the Sun may keep the Oil from freezing.

The Houses for Sheep and Goats ought to be so large, that each of them may at least have 4 Foot for his place.

The Stables must likewise be Built near the House in a warm place, but not turned towards the Chimney; for Horses that often see the Fire, are generally ill Coated.

The Barns and Granaries, as likewise the Mills, ought to be at a pretty distance from the House, because of the Danger of Fire.

In all sorts of Fabricks, a particular Care must be taken that they be well lighted; but the Light is principally necessary in the Stair-Cases, Passages, and Dining-Rooms.

ART. IVOf the Convenient Form of Buildings

WHEN we are assur'd of the Convenience of the place where the City is to be Built, by the Knowledge we have of the goodness of the Air, of its Fertility, Rivers and Ports, care must be taken to make Fortifications, which do not only consist in the Solidity of the Walls and Ramparts, but principally in their Form.

The Figure or Form of a place ought neither to be Square, nor Composed of Angles too far advanc'd, but it must have a great number of Corners, to the end the Enemy may be seen from all Parts; for the Angles that are so far advanc'd, are ill to be defended, and more favourable to the Besiegers than the Besieged. The Approach to the Walls must be made as difficult as possible.

The most Convenient Form of Publick Places, is to have in their Breadth 2 Thirds of their Length; The Greeks made about their Publick places Double Portico’s, with Pillars near together, which Supported the Galleries above.

But the Romans finding this great number of Pillars to be inconvenient, placed them at a greater distance one from another, that they might have Shops well lighted.

The Stair-Cases of all Publick Buildings, ought to be large and streight, and to have many Entrances, to the End the People may come in and out conveniently; but we shall Lib. 5.

Chap. 3. speak of this more largely in another place.

The Halls where great Assemblies are to meet, ought to have their Ceiling very high, and to give them Lib. 5.

Chap. 2.

Lib. 6.

Chap. 6. their true Proportion, we must unite the Length and Breadth, and give the half of the whole for the height of the Ceiling. The Halls where the Ceiling is not so high, must have only their breadth, and half of their length for their height.

In vast and high places, to remedy the Inconvenience of the noisy Echo, about the middle of the height of the Wall, must be made a Cornish round about to break the course of the Voice; which without that, beating Lib. 5.

Chap. 2. against the Walls, would beat a Second time against the Ceiling, and cause a troublesom double Echo.

CHAP. IV

Of the Beauty of Buildings

ARTICLE IIn what the Beauty of Building Consists

BUildings may have two sorts of Beauty, the one Positive, and the other Arbitrary. Positive Beauty, is that which necessarily pleaseth of her self; Arbitrary, is that which doth not necessarily please of her self, but her agreeableness depends upon the Circumstances that accompany her.

Positive Beauty, consists in Three principal Things; viz. In the Equality of the Relation that the Parts have one to another, which is called Symmetry, in the Richness of the Materials, in the Properness, Neatness, and Exactness of the Performance.

As to what regards the Relation of the Parts of the Fabrick one to another, Vitruvius hath not spoke of it, but only where he prefers the Netway Lib. 2.

Chap. 8.

Lib. 1.

Chap. 2.

Lib. 6.

Chap. 11. of Walling before all other sorts of Masonry, because of the Uniformity that is in that Figure, and the laying of the Stones; As to the Richness of the Materials, he leaves the Disposition to him that is at the Expences of the Building; and he acknowledges that the Beauty of the Performance depends wholly upon the Dexterousness and Industry of the Workmen.

The second sort of Beauty, which only pleases by the Circumstances that accompany it, is of two sorts; The one is called Wisdom, and the other Regularity. Wisdom consists in the reasonable use of Positive Beauties, which result from the use and convenient ranking of the Parts; for the Perfection of which, to a rich and precious Material, is given an Equal and Uniform Figure, with all the Property and Correctness possible.

Vitruvius gives us two Examples of this sort of Beauty; The first is, When Bosses or Relievo’s are made to hide the Joynts, putting them directly under the Bosses which hide them by their jetting or projecture, for this gives them great Beauty and an agreeable Aspect.

The second is, When we consider the Winter-Appartments, that we have a care, that upon the Ceiling there be little or no Carving, and that the Ornaments be not made of Stuck, because it hath a shining whiteness, which will not endure the least nastiness; for it is impossible to hinder the smoak of the Fire and Candles which are lighted in the Winter, from tarnishing the beautiful Colour of the Work to which the Filth will stick, and enter into the Crevises of the Carving, which cannot be wiped out.

The Regularity depends upon the Observation of the Laws which are Established for the Proportions of all the Parts of Architecture, the Observation of these Laws extreamly pleases those that understand Architecture, who love these Proportions for two Reasons.

The First is, That they are for the most part founded upon Reason; which requires, for example, that the parts that support and are under, be stronger than those above; as we see in Pedestalls, which are broader than the Pillars they support, and they are broader at the bottom than the top.

The other Motive is Prevention, which is one of the most usual Foundations of the Beauty of all things, for even as we love the Fashion of the Cloaths which the Courtiers wear, although this mode have no Positive Beauty, but only for the Positive Merit of the Persons that wear them; so we are accustomed to love the Proportions of the Members of Architecture, rather because of the great Opinion that we have of them that Invented them, than for any Positive Beauty which is found in the Works of the Ancients, where these Proportions are observ'd; for often these Proportions are against Reason; as we may see in the Thorus of the Ionick Base, in the Faces of Architraves and Chambranles, or Door-Cases, with their Mouldings, where the Strong is supported by the Weak, and many other things, which Custom only hath made supportable.

These Proportions appertain to Three principal Members, which are Pillars, Piedements, Chambranles; the Pillars taken Generically, and as opposite to Piedements, and Chambranles or Door-Cases, have Three parts, viz. The Pedestal, the Pillar, and the Ornaments. Every one of these Parts is likewise divided into Three other Parts, for the Pedestal is composed of the Basis, its Die and its Cornish; the Pillar Comprehends its Base, Shaft and Capital. The Ornaments consist in the Architrave, Frise, and Corniche.

The Piedement or Fronton, has likewise Three Parts, viz. The Tympan, the Corniches, and the Acroteres. The Chambranle or Door-Case is composed of two Pieds-droits, or Piers, and the Lintel which also supports a Frise, which has likewise its Cornich.

The Disposition, Form, and different Proportions of all the Parts make two things, to which all that is Beautiful in Building hath a Relation, which is Gender and Order.

Gender depends of the Proportion, which is between the thickness of the Pillars and the space betwixt them.

Order, doth likewise depend in part upon the Proportion which is between the thickness of the Pillars, and their height; but we must likewise joyn to this Proportion many other things that appertain to the principal Parts of the Pillars, and other Parts which accompany it, such as are the Gates, the Chambranles, or Door-Cases; and other things which are different in different Orders.

ART. IIOF the Five sorts of Fabricks

THERE are Five sorts of Fabricks; The First is called Pycnostyle, viz. where the Pillars are very close one to another, in such a Proportion that there is but from one Pillar to another, the space of a Diameter and half of the Pillar. See the Fig. AA. Tab. 2.

The Second is called Systile, viz. where the Pillars seem to be joyned together, are notwithstanding a little more distant one from another than in the Pycnostile; for the intercolumniation is two Diameters of the Pillars.

The Defect that is observ'd in the Systile as well as in the Pycnostile is, that the Entrance of the Fabricks which are placed in that distance are very narrow: So that Vitruvius remarks that the Ladies as they walk to the Temple hand in hand, were forced when they came thither to quit Lib. 2.

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