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The Atlantic Monthly, Volume 17, No. 104, June, 1866
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The Atlantic Monthly, Volume 17, No. 104, June, 1866

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The Atlantic Monthly, Volume 17, No. 104, June, 1866

"Ah, you are kind," replied the gratified author. "You always find out the best bits in my books."

I have never seen anything of its kind so chivalric as the deference paid by Robert Browning to Walter Savage Landor. It was loyal homage rendered by a poet in all the glow of power and impulsive magnetism to an "old master."

Landor often berated the custom of dinner-parties. "I dislike large dinners exceedingly. This herding together of men and women for the purpose of eating, this clatter of knives and forks, is barbarous. What can be more horrible than to see and hear a person talking with his mouth full? But Landor has strange notions, has he not, Giallo? In fact Padrone is a fool if we may believe what folks say. Once, while walking near my villa at Fiesole, I overheard quite a flattering remark about myself, made by one contadino to another. My beloved countrymen had evidently been the subject of conversation, and, as the two fellows approached my grounds, one of them pointed towards the villa and exclaimed: 'Tutti gli Inglesi sono pazzi, ma questo poi!' (All the English are mad,—but this one!) Words were too feeble to express the extent of my lunacy, and so both men shrugged their shoulders as only Italians can. Yes, Giallo, those contadini pitied your old master, and I dare say they were quite right."

While talking one day about Franklin, Landor said: "Ah, Franklin was a great man; and I can tell you an anecdote of him that has never been in print, and which I had directly from a personal friend of Franklin's, who was acting as private secretary to Lord Auckland, the English ambassador at Paris during Franklin's visit to the French Court. On one occasion, when Franklin presented himself before Louis, he was most cavalierly treated by the king, whereupon Lord Auckland took it upon himself to make impertinent speeches, and, notwithstanding Franklin's habitually courteous manners, sneered at his appearing in court dress. Upon Franklin's return home, he was met by –, who, being much attached to him,—a bit of a republican, too,—was anxious to learn the issue of the visit. 'I was received badly enough,' said Franklin. 'Your master, Lord Auckland, was very insolent. I am not quite sure that, among other things, he did not call me a rebel.' Then, taking off his court coat, which, after carefully folding and laying upon the sofa, he stroked, he muttered, 'Lie there now; you'll see better days yet.'"

Being asked if he had ever seen Daniel Webster, Landor replied, "I once met Mr. Webster at a dinner-party. We sat next each other, and had a most agreeable conversation. Finally Mr. Webster asked me if I would have taken him for an American; and I answered, 'Yes, for the best of Americans!'"

Landor had met Talma, "who spoke English most perfectly,"—had been in the society of Mrs. Siddons, "who was not at all clever in private,"—had conversed with Mrs. Jordan, "and a most handsome and agreeable woman she was; but that scoundrel, William IV., treated her shamefully. He even went so far as to appropriate the money she received on her benefit nights." Malibran, too, Landor described as being most fascinating off the stage.

"I never studied German," he remarked at another time. "I was once in Germany four months, but conversed with the professors in Latin. Their Latin was grammatical, but very like dog-Latin for all that. What an offence to dogs, if they only knew it!" Then, lowering his voice, he laughingly added, "I hope Giallo did not hear me. I would not offend him for the world. A German Baroness attempted to induce me to learn her language, and read aloud German poetry for my benefit; but the noise was intolerable to me. It sounded like a great wagon banging over a pavement of boulders. It was very ungrateful in me not to learn, for my fair teacher paid me many pretty compliments. Yes, Giallo, Padrone has had pleasant things said to him in his day. But the greatest compliment I ever received was from Lord Dudley. Being confined to his bed by illness at Bologna, a friend read aloud to him my imaginary conversation between the two Ciceros. Upon its conclusion, the reader exclaimed, 'Is not that exactly what Cicero would have said?' 'Yes, if he could!' was Lord Dudley's answer. Now was not that a compliment worth having?"

One day when I was sitting with Landor, and he, as usual, was discoursing of "lang syne," he rose, saying, "Stop a bit; I've something to show you,"—and, leaving the room for a moment, returned with a small writing-desk, looking as old as himself. "Now I want you to look at something I have here," he continued, seating himself and opening the desk. "There, what do you think of that?" he asked, handing me a miniature of a very lovely woman.

"I think the original must have been exceedingly handsome."

"Ah, yes, she was," he replied, with a sigh, leaning back in his chair. "That is the 'Ianthe' of my poems."

"I can well understand why she inspired your muse, Mr. Landor."

"Ah, she was far more beautiful than her picture, but much she cared for my poetry! It couldn't be said that she liked me for my books. She, too, has gone,—gone before me."

It is to "Ianthe" that the first seventy-five of his verses marked "Miscellaneous" are addressed, and it is of her he has written,—

"It often comes into my headThat we may dream when we are dead,But I am far from sure we do.O that it were so! then my restWould be indeed among the blest;I should forever dream of you."

In the "Heroic Idyls," also, there are lines

"ON THE DEATH OF IANTHE"I dare not trust my pen, it trembles so;It seems to feel a portion of my woe,And makes me credulous that trees and stonesAt mournful fates have uttered mournful tones.While I look back again on days long past,How gladly would I yours might be my last!Sad our first severance was, but sadder this,When death forbids one hour of mutual bliss."

"Ianthe's portrait is not the only treasure this old desk contains," Landor said, as he replaced it and took up a small package, very carefully tied, which he undid with great precaution, as though the treasure had wings and might escape, if not well guarded. "There!" he said, holding up a pen-wiper made of red and gold stuff in the shape of a bell with an ivory handle,—"that pen-wiper was given to me by –, Rose's sister, forty years ago. Would you believe it? Have I not kept it well?" The pen-wiper looked as though it had been made the day before, so fresh was it. "Now," continued Landor, "I intend to give that to you."

"But, Mr. Landor—"

"Tut! tut! there are to be no buts about it. My passage for another world is already engaged, and I know you'll take good care of my keepsake. There, now, put it in your pocket, and only use it on grand occasions."

Into my pocket the pen-wiper went, and, wrapped in the same old paper, it lies in another desk, as free from ink as it was four years ago.

Who Rose was no reader of Landor need be told,—she to whom "Andrea of Hungary" was dedicated, and of whom Lady Blessington, in one of her letters to Landor, wrote: "The tuneful bird, inspired of old by the Persian rose, warbled not more harmoniously its praise than you do that of the English Rose, whom posterity will know through your beautiful verses." Many and many a time the gray-bearded poet related incidents of which this English Rose was the heroine, and for the moment seemed to live over again an interesting episode of his mature years.

"Dear! dear! what is the old creature to do for reading-matter?" Landor exclaimed after having exhausted his own small stock and my still smaller one. "Shakespeare and Milton are my daily food, but at times, you know, we require side-dishes."

"Why not subscribe to Vieusseux's Library, Mr. Landor?"

"That would be the best thing to do, would it not? Very well, you shall secure me a six months' subscription to-morrow. And now what shall I read? When Mr. Anthony Trollope was here, he called on me with his brother, and a clever man he appeared to be. I have never read anything of his. Suppose I begin with his novels?"

And so it happened that Landor read all of Anthony Trollope's works with zest, admiring them for their unaffected honesty of purpose and truth to nature. He next read Hood's works, and when this writer's poems were returned to me there came with them a scrap of paper on which were named the poems that had most pleased their reader.

"Song of a Shirt.

"To my Daughter.

"A Child embracing.

"My Heart is sick.

"False Poets and True.

"The Forsaken.

"The last stanza of Inez is beautiful."

Of the poem which heads the list, he wrote:—

"'Song of the Shirt' Strange! very strange,This shirt will never want a change,Nor ever will wear out so longAs Britain has a heart or tongue."

Hood commanded great love and respect from Landor. Soon the reign of G. P. R. James set in, and when I left Florence he was still in power. I cannot but think that a strong personal friendship had much to do with Landor's enthusiasm for this novelist.

We took many drives with Landor during the spring and summer of 1861, and made very delightful jaunts into the country. Not forgetful in the least of things, the old man, in spite of his age, would always insist upon taking the front seat, and was more active than many a younger man in assisting us in and out of the carriage. "You are the most genuinely polite man I know," once wrote Lady Blessington to him. The verdict of 1840 could not have been overruled twenty-one years later. Once we drove up to "aerial Fiesole," and never can I forget Landor's manner while in the neighborhood of his former home. It had been proposed that we should turn back when only half-way up the hill. "Ah, go a little farther," Landor said nervously; "I should like to see my villa." Of course his wish was our pleasure, and so the drive was continued. Landor sat immovable, with head turned in the direction of the Villa Gherardesca. At first sight of it he gave a sudden start, and genuine tears filled his eyes and coursed down his cheeks. "There's where I lived," he said, breaking a long silence and pointing to his old estate. Still we mounted the hill, and when at a turn in the road the villa stood out before us clearly and distinctly, Landor said, "Let us give the horses a rest here!" We stopped, and for several minutes Landor's gaze was fixed upon the villa. "There now, we can return to Florence, if you like," he murmured, finally, with a deep sigh. "I have seen it probably for the last time." Hardly a word was spoken during the drive home. Landor seemed to be absent-minded. A sadder, more pathetic picture than he made during this memorable drive is rarely seen. "With me life has been a failure," was the expression of that wretched, worn face. Those who believe Landor to have been devoid of heart should have seen him then.

During another drive he stopped the horses at the corner of a dirty little old street, and, getting out of the carriage, hurriedly disappeared round a corner, leaving us without explanation and consequently in amazement. We had not long to wait, however, as he soon appeared carrying a large roll of canvas. "There!" he exclaimed, as he again seated himself, "I've made a capital bargain. I've long wanted these paintings, but the man asked more than I could give. To-day he relented. They are very clever, and I shall have them framed." Alas! they were not clever, and Landor in his last days had queer notions concerning art. That he was excessively fond of pictures is undoubtedly true; he surrounded himself with them, but there was far more quantity than quality about them. He frequently attributed very bad paintings to very good masters; and it by no means followed because he called a battle-piece a "Salvator Rosa," that it was painted by Salvator. But the old man was tenacious of his art opinions, and it was unwise to argue the point.

The notes which I possess in Landor's handwriting are numerous, but they are of too personal a character to interest the public. Sometimes he signs himself "The Old Creature," at another, "The Restless Old Man," and once, "Your Beardless Old Friend." This was after the painting of his portrait, when he had himself shorn of half his patriarchal grandeur. The day previous to the fatal deed, he entered our room saying, "I've just made an arrangement with my barber to shear me to-morrow. I must have a clean face during the summer."

"I wish you had somewhat of the Oriental reverence for beards, Mr. Landor, for then there would be no shaving. Why, think of it! if you've no beard, how can you swear?"

"Ah, Padrone can swear tolerably well without it, can he not, Giallo? he will have no difficulty on that score. Now I'll wager, were I a young man, you would ask me for a lock of my hair. See what it is to be old and gray."

"Why, Mr. Landor, I've long wanted just that same, but have not dared to ask for it. May I cut off a few stray hairs?" I asked, going toward him with a pair of scissors.

"Ah no," he replied, quizzically, "there can be but one 'Rape of the Lock!' Let me be my own barber." Taking the scissors, he cut off the longest curl of his snow-white beard, enclosed it in an envelope with a Greek superscription, and, presenting it, said, "One of these days, when I have gone to my long sleep, this bit of an old pagan may interest some very good Christians."

The following note is worthy to be transcribed, showing, as it does, the generosity of his nature at a time when he had nothing to give away but ideas.

"My dear Friend,—Will you think it worth your while to transcribe the enclosed? These pages I have corrected and enlarged. Some of them you have never seen. They have occupied more of my time and trouble, and are now more complete, than anything you have favored me by reading. I hope you will be pleased. I care less about others.... I hope you will get something for these articles, and keep it. I am richer by several crowns than you suspect, and I must scramble to the kingdom of Heaven, to which a full pocket, we learn, is an impediment.

"Ever truly yours,W. S. L."

The manuscripts contained the two conversations between Homer and Laertes which two years ago were published in the "Heroic Idyls." I did not put them to the use desired by their author. Though my copies differ somewhat from the printed ones, it is natural to conclude that Landor most approved of what was last submitted to his inspection, and would not desire to be seen in any other guise. The publicity of a note prefixed to one of these conversations, however, is warranted.

"It will be thought audacious, and most so by those who know the least of Homer, to represent him as talking so familiarly. He must often have done it, as Milton and Shakespeare did. There is homely talk in the 'Odyssey.'

"Fashion turns round like Fortune. Twenty years hence, perhaps, this conversation of Homer and Laertes, in which for the first time Greek domestic manners have been represented by any modern poet, may be recognized and approved.

"Our sculptors and painters frequently take their subjects from antiquity; are our poets never to pass beyond the mediæval? At our own doors we listen to the affecting 'Song of the Shirt'; but some few of us, at the end of it, turn back to catch the 'Song of the Sirens.'

"Poetry is not tied to chronology. The Roman poet brings Dido and Æneas together,—the historian parts them far asunder. Homer may or may not have been the contemporary of Laertes. Nothing is idler or more dangerous than to enter a labyrinth without a clew."

At last the time came when there were to be no more conversations, no more drives, with Walter Savage Landor. Summoned suddenly to America, we called upon him three or four days before our departure to say good by.

"What? going to America?" Landor exclaimed in a sorrowful voice. "Is it really true? Must the old creature lose his young friends as well as his old? Ah me! ah me! what will become of Giallo and me? And America in the condition that it is too! But this is not the last time that I am to see you. Tut! tut! now no excuses. We must have one more drive, one more cup of tea together before you leave."

Pressed as we were for time, it was still arranged that we should drive with Landor the evening previous to our departure. On the morning of this day came the following note:—

"I am so stupid that everything puzzles me. Is not this the day I was to expect your visit? At all events you will have the carriage at your door at six this evening.

To drive or not to drive,That is the question.

You shall not be detained one half-hour,—but tea will be ready on your arrival.

"I fell asleep after the jolting, and felt no bad effect. See what it is to be so young.

"Ever yours affectionately,"W. S. L."

There was little to cheer any of us in that last drive, and few words were spoken. Stopping at his house on our way home, we sipped a final cup of tea in almost complete silence. I tried to say merry things and look forward a few years to another meeting, but the old man shook his head sadly, saying: "I shall never see you again. I cannot live through another winter, nor do I desire to. Life to me is but a counterpart of Dead Sea fruit; and now that you are going away, there is one less link to the chain that binds me."

Landor, in the flood-tide of intellect and fortune, could command attention; Landor, tottering with an empty purse towards his ninth decade, could count his Florentine friends in one breath; thus it happened that the loss of the least of these made the old man sad.

At last the hour of leave-taking arrived. Culling a flower from the little garden, taking a final turn through those three little rooms, patting Giallo on the head, who, sober through sympathy, looked as though he wondered what it all meant, we turned to Landor, who entered the front room dragging an immense album after him. It was the same that he had bought years before of Barker, the English artist, for fifty guineas, and about which previous mention has been made. "You are not to get rid of me yet," said Landor, bearing the album toward the stairs. "I shall see you home, and bid you good by at your own door."

"But, dear Mr. Landor, what are you doing with that big book? You will surely injure yourself by attempting to carry it."

"This album is intended for you, and you must take it with you to-night."

Astonished at this munificent present, I hardly knew how to refuse it without offending the generous giver. Stopping him at the door, I endeavored to dissuade him from giving away so valuable an album; and, finding him resolute in his determination, begged him to compromise by leaving it to me in his will.

"No, my dear," he replied, "I at least have lived long enough to know that a bird in the hand is worth two in the bush." Whereupon he carried the book down stairs and deposited it in the carriage, deaf to our entreaties, and obstinately refusing assistance. "Now I am sure that you will have the album," he continued, after we were all seated in the carriage. "A will is an uncanny thing, and I'd rather remember my friends out of one than in one. I shall never see you again, and I want you to think of the foolish old creature occasionally."

The carriage stopped at our door, and "the good by" came. "May God bless you!" murmured the lonely old man, and in a moment Walter Savage Landor was out of sight.

He was right. We were never to meet again. Distance did not entirely sever the friendly link, however, for soon there came to me, across the sea, the following letters:—

August 28, 1861.

"By this time, my dear friend, you will be far on your way over the Atlantic, and before you receive the scribble now before you, half your friends will have offered you their congratulations on your return home.

"People, I hear, are flocking fast into Florence for the exhibition. This evening I received another kind note from the Countess, who tells me that she shall return to Florence on Saturday, and invites me to accompany her there. But I abhor all crowds, and am not fascinated by the eye of kings. I never saw him of Italy when he was here before, and shall not now.

"I am about to remove my terrace, and to place it under the window of the small bedroom, substituting a glass door for the present window. On this terrace I shall spend all my October days, and—and—all my money! The landlord will not allow one shilling toward the expense, which will make his lower rooms lighter and healthier. To him the advantage will be permanent,—to me (God knows) it must be very temporary. In another summer I shall not sit so high, nor, indeed, sit anywhere, but take instead the easiest and laziest of all positions.

"I am continuing to read the noble romances of my friend James. I find in them thoughts as profound as any in Charron, or Montaigne, or Bacon,—I had almost added, or Shakespeare himself,—the wisest of men, as the greatest of poets. On the morning after your departure I finished the 'Philip Augustus.' In the thirty-eighth chapter is this sentence: 'O Isidore! 't is not the present, I believe, that ever makes our misery; 't is its contrast with the past; 't is the loss of some hope, or the crushing of some joy; the disappointment of expectation, or the regrets of memory. The present is nothing, nothing, nothing, but in its relation to the future or the past.' James is inferior to Scott in wit and humor, but more than his equal in many other respects; but then Scott wrote excellent poetry, in which James, when he attempted it, failed.

"Let me hear how affairs are going on in America. I believe we have truer accounts from England than your papers are disposed to publish. Louis Napoleon is increasing his naval force to a degree it never reached before. We must have war with him before a twelvemonth is over. He will also make disturbances in Louisiana, claiming it on the dolorous cry of France for her lost children. They will invite him, as the poor Savoyards were invited by him to do. So long as this perfidious scoundrel exists there will be no peace of quiet in any quarter of the globe. The Pope is heartily sick of intervention; but nothing can goad his fat sides into a move.

"Are you not tired? My wrist is. So adieu.

"Ever affectionately,"W. S. L."

With this letter came a slip of paper, on which were these lines:—

"TO GIALLO,"Faithfullest of a faithful race,Plainly I read it in thy face,Thou wishest me to mount the stairs,And leave behind me all my cares.No: I shall never see again,Her who now sails across the main,Nor wilt thou ever as beforeRear two white feet against her door.""Written opposite Palazzo Pitti,September, 1861.""February 15, 1862.

".... The affairs of your country interest me painfully. The Northern States had acknowledged the right of the Southern to hold slaves, and had even been so iniquitous as to surrender a fugitive from his thraldom. I would propose an accommodation:—

"1. That every slave should be free after ten years' labor.

"2. That none should be imported, or sold, or separated from wife and children.

"3. That an adequate portion of land should be granted in perpetuity to the liberated.

"The proprietor would be fully indemnified for his purchase by ten years' labor. France and England will not permit their commerce with the Southern States to be interrupted much longer. It has caused great discontent in Manchester and Leeds, where the artificers suffer grievously from want of employment.

".... May you continue to improve in health as the warmer weather advances. Mine will not allow me to hope for many more months of life, but I shall always remember you, and desire that you also will remember

"W. S. Landor.""January, 1863.

".... Your account of your improved health is very satisfactory and delightful to me. Hardly can I expect to receive many such. This month I enter on my eighty-ninth year, and am growing blind and deaf.... I hope you may live long enough to see the end of your disastrous civil war. Remember, the Southrons are fighting for their acknowledged rights, as established by the laws of the United States. Horrible is the idea that one man should be lord and master of another. But Washington had slaves, so had the President his successor. If your government had been contented to decree that no slave henceforth should be imported, none sold, none disunited from his family, your Northern cause would be more popular in England and throughout Europe than it is. You are about to see detached from the Union a third of the white population. Is it not better that the blacks should be contented slaves than exasperated murderers or drunken vagabonds? Your blacks were generally more happy than they were in Africa, or than they are likely to be in America. Your taxes will soon excite a general insurrection. In a war of five years they will be vastly heavier than their amount in all the continent of Europe. And what enormous armies must be kept stationary to keep down not only those who are now refractory, but also those whom (by courtesy and fiction) we call free.

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