The Atlantic Monthly, Volume 04, No. 26, December, 1859

And as our wild way leads us onward, it shall open up visions, new and wondrous, or beautiful as new, to those who try it for the first time. See now, at the outset, stepping into the footprints of old Sir John Mandeville, what do we behold?—"In that kingdom of Abcay is a great marvel; for a province of the country, that hath in circuit three days' journeys, that men call Hanyson, is all covered with darkness, without any brightness or light,—so that no man may see nor hear, nor no man dare enter into it. And nevertheless, they of that country say that sometimes men hear voices of folks, and horses neighing, and cocks crowing; and they know well that men live there, but they know not what men. And they say that the darkness befell by miracle of God; for an accursed emperor of Persia, that was named Saures, pursued all Christian men for to destroy them, and to compel them to make sacrifice to his idols; and rode with a great host, all that ever he could, for to confound the Christian men. And then in that country dwelled many good Christian men, the which left their goods, and would have fled into Greece; and when they were in a plain called Megon, anon this cursed emperor met with them, with his host, for to have slain them and hewn them in pieces. And anon the Christian men did kneel to the ground, and make their prayers to God to succor them. Then a great thick cloud came and covered the emperor and all his host; and so they remain in that manner, that no more may they get out on any side; and so shall they evermore abide in darkness, till the day of doom, by the miracle of God. And then the Christian men went whither they liked best, at their own pleasure, without hindrance of any creature, and their enemies were inclosed and confounded in darkness without a blow. And that was a great miracle that God made for them; wherefore methinks that Christian men should be more devout to serve our Lord God than any other men of any other belief."

Thus doth the simple, willing faith of the childlike traveller of 1350 draw from his strange old story a moral which may serve to light the way for you and me when we wend through the soul's land of darkness.

"Through the shadow of the globe we sweep into the younger day;Better fifty years of Europe than a cycle of Cathay."—

So sings Tennyson; and what's a cycle of Cathay? Let us ask Mandeville.

"Cathay is a great country, and a fair, noble, and rich, and full of merchants. Thither go merchants, every year, for to seek spices, and all manner of merchandises, more commonly than in any other part.

"In Cathay is the great city of Xanadu; and in this city is the seat of the great Khan, in a full great palace, and the most passing fair in all the world, of the which the walls be in circuit more than two miles; and within the walls it is all full of other palaces. And in the garden of the great palace there is a great hill, upon the which there is another palace; and it is the most fair and the most rich that any man may devise. And there is the great garden, full of wild beasts; so that when the great Khan would have any sport, to take any of the wild beasts, or of the fowls, he will cause them to be chased, and take them at his windows, without going out of his chamber. The palace where the seat is is both great and passing fair; and within the palace, in the hall, there be twenty-four pillars of fine gold; and all the walls are covered within with red skins of beasts, that men call panthers, that be fair beasts, and well smelling; so that for the sweet odor of the skins no evil air may enter into the palace. And in the midst of this palace is the mountour (high seat) for the great Khan, that is all wrought of gold and of precious stones and great pearls; and at the four corners of the mountour be four serpents of gold, and all about there is made large nets of silk and gold and great pearls hanging all about the mountour. And the hall of the palace is full nobly arrayed, and full marvellously attired on all parts, in all things that men apparel any hall with. And at the chief end of the hall is the emperor's throne, full high, where he sitteth at his meat; and that is of fine precious stones, bound all about with purified gold and precious stones and great pearls; and the steps that he goeth up to the table be of precious stones mixed with gold. Under the firmament is not so great a lord, nor so mighty, nor so rich, as the great Khan. Neither Prester John, that is emperor of the high India, nor the Sultan of Babylonia, nor the Emperor of Persia. All these be not in comparison to the great Khan, neither of might, nor of nobleness, nor of royalty, nor of riches; for in all these he passeth all earthly princes. Wherefore it is great harm that he believeth not faithfully in God."

And here we naturally recall that wondrous vision which Coleridge conjured up, when, opium-rapt, he dreamed in his study-chair of Kubla's enchanted ground.

"In Xanadu did Kubla KhanA stately pleasure-dome decree,Where Alph, the sacred river, ran,Through caverns measureless to man,Down to a sunless sea.So twice five miles of fertile groundWith walls and towers were girded round;And here were gardens bright with sinuous rills,Where blossomed many an incense-bearing tree;And here were forests ancient as the hills,Enfolding sunny spots of greenery."Five miles, meandering with a mazy motion,Through wood and dale the sacred river ran,Then reached the caverns measureless to man,And sank in tumult to a lifeless ocean;And 'mid this tumult Kubla heard from farAncestral voices prophesying war!"A damsel with a dulcimerIn a vision once I saw;It was an Abyssinian maid,And on her dulcimer she played,Singing of Mount Abora.Could I revive within meHer symphony and song,To such a deep delight 'twould win me,That with music loud and longI would build that dome in air,That sunny dome! those caves of ice!And all who heard should see them there,And all should cry, Beware! bewareHis flashing eyes, his floating hair!Weave a circle round him thrice,And close your lips with holy dread,For he on honey-dew hath fed,And drunk the milk of Paradise!"

The account which Herodotus gives of the gifts that Croesus sent to the Oracle at Delphi is a splendid example of barbaric magnificence. First, the King offered up three thousand of every kind of sacrificial beast, and burned upon a huge pile couches coated with silver and gold, and golden goblets, and robes and vests of purple. Next he issued a command to all the people of the land to offer up a sacrifice according to their means. And when this sacrifice was consumed, he melted down a vast quantity of gold, and ran it into one hundred and seventeen ingots, each six palms long, three palms broad, and one palm in thickness. He also caused the statue of a lion to be made of refined gold, in weight ten talents. When these great works were completed, Croesus sent them away to Delphi, and with them two bowls of enormous size, one of gold, the other of silver. These two bowls, Herodotus affirms, were removed when the temple of Delphi was burned to the ground; and now the golden one is in the Clazomenian treasury, and weighs eight talents and forty-two minae; the silver one stands in a corner of the ante-chapel and holds six hundred amphorae (over five thousand gallons);—this is known, because the Delphians fill it at the time of the Theophania. Croesus sent also four silver casks, which are in the Corinthian treasury; and two lustral vases, a golden and a silver one. Beside these various offerings, he sent to Delphi many others of less account, among the rest a number of round silver basins. He also dedicated a female figure in gold, three cubits high, which the Delphians declared was the statue of his baking woman; and lastly, he presented the necklace and the girdles of his wife.

When Croesus sent his Lydian messengers to the Oracle, one Alcmaeon, who seems to have been a shrewd fellow, with a sharp eye to the main chance, entertained them with generous hospitality; which so pleased Croesus, when he was told of it, that he immediately invited Alcmaeon to visit him at Sardis. When he arrived, the King told him that he was at liberty to enter his treasury and help himself to as much gold as he could carry off on his person at once. No sooner said than done. Alcmaeon, without bashfulness, arrayed himself in a tunic that bagged abominably at the waist, drew on the biggest buskins in Sardis, dressed his hair loose, and, marching into the treasure-house, (imagine what the treasury of Croesus must have been,) waded into a desert of gold dust. He crammed the bosom of his tunic, crammed his bombastian buskins, filled his hair full, and finally stuffed his mouth, so that, as he passed out, he could only wink his fat red eyes and bob to Croesus, who, when he had laughed till his sides ached, repaid his funny, but voracious guest for the amusement he had afforded him by not only confirming the gift of gold, but conferring an equal amount in jewels and rich raiment.

But we must not remain to marvel among the overwhelming displays of barbaric profusion. Akbhar, the imperial Mogul, who on his birthday caused himself to be weighed in golden scales three times,—first against gold pieces, then against silver, and lastly against fine perfumes,—who scattered among his courtiers showers of gold and silver nuts, for which even his gravest ministers were not too dignified to scramble,—even Akbhar must not detain us. Nor Aurengzebe, who made his marches, seated on a throne flashing with gold and rich brocades, and borne on the shoulders of men; while his princesses and favorite begums followed in all the pomp and glory of the seraglio, nestled in delicious pavilions curtained with massy silk, and mounted on the backs of stately elephants of Pegu and Martaban.

We must get away from these; for the realm of the Supernatural and the Marvellous lies open before us, and on the very threshold, over which Sir John Mandeville conducts us, broods in his fiery nest that wondrous fowl, the Phoenix.

"In Egypt is the city of Eliopolis, that is to say, the City of the Sun. In that city there is a temple made round, after the shape of the temple of Jerusalem. The priests of that temple have all their writing dated by the fowl that is called Phoenix; and there is none but one in all the world. And he cometh to burn himself upon the altar of the temple at the end of five hundred years; for so long he liveth. And at the end of the five hundred years, they array their altar carefully, and put thereon spices and live sulphur, and other things that will burn lightly. And then the bird Phoenix cometh and burneth himself to ashes. And the first day next after, men find in the ashes a worm; and the second day next after, men find a bird, quick and perfect; and the third day next after, he flieth away. And so there is no more birds of that kind in all the world but that alone. And, truly, that is a great miracle of God. And men may well liken that bird unto God, because there is no God but one, and also that our Lord arose from death the third day. This bird men see often flying in those countries; and he is not much more than an eagle. And he hath a crest of feathers upon his head greater than the peacock hath. And his neck is yellow, after the color of an orial, that is a stone well shining. And his beak is colored blue, and his wings are of purple color, and his tail is yellow and red. And he is a full fair bird to look upon against the sun; for he shineth full gloriously and nobly."

Let us pray that our Phoenix may not fall into the clutches of the De Sautys, to be made goose-meat of; rather may they themselves be utterly cast out,—into the land of giants that are hideous to look upon, and have but one eye, and that in the middle of the forehead,—into the land of folk of foul stature and of cursed kind, that have no heads, and whose eyes be in their shoulders,—into the isle of those that go upon their hands and feet, like beasts, and that are all furred and feathered,—or into the country of the people who have but one leg, the foot of which is so large that it shades all the rest of the body from the sun, when they lie down on their backs to rest at noonday. But not into the Land of Women, where all are wise, noble, and worthy. For once there was a king in that country, and men married; but presently befell a war with the Scythians, and the king was slain in battle, and with him all of the best blood of his realm. So when the queen, and the other noble ladies, saw that they were all widows, and all the royal blood was spilled, they armed themselves, and, like mad creatures, slew all the men that were left in the country; for they wished that all the women might be widows, as the queen and they were. And thenceforward they never would suffer men to dwell among them, especially men of the De Sauty sort, who, as Hans Christian Andersen says, ask questions and never dream.

The town of Lop, says Marco Polo, is situated near the commencement of the great desert called the Desert of Lop. It is asserted as a well-known fact, that this desert is the abode of many evil spirits, which entice travellers to destruction with extraordinary delusions. If, during the daytime, any persons remain behind on the road until the caravan has passed a hill and is no longer in sight, they unexpectedly hear themselves called by their names, in a tone of voice to which they are accustomed. Supposing the call to proceed from their companions, they are led away by it from the direct road, and, not knowing in what direction to advance, are left to perish. In the night-time they are persuaded they hear the march of a great cavalcade, and concluding the noise to be the tramp of their own party, they make the best of their way in the direction of the quarter whence it seems to come; but when the day breaks, they find they have been misled and drawn into a situation of danger. Sometimes, during the day, these spirits assume the appearance of their travelling-companions, who address them by name, and endeavor to draw them out of the proper road. It is said, also, that some travellers, in their way across the desert, have seen what appeared to them to be a body of armed men advancing toward them, and, fearful of being attacked and plundered, have taken to flight. Thus, losing the right path, and ignorant of the direction they should take to regain it, they have miserably perished of hunger.

Marvellous, indeed, and almost passing belief, are the stories related of these spirits of the desert, which are said to fill the air at times with the sounds of all kinds of musical instruments, of drama, and the clash of arms. When the journey across this dreadful waste is completed, the trembling traveller arrives at the city of the Great Khan.5

In this rich chapter of horrors how finished an allegory for old John Bunyan! With what religious unction he would have led his Christian traveller from that unknown city on the edge of the sands, across the Soul's Desert of Lop, with its

"Voices calling in the dead of night,And airy tongues that syllable men's names,"

safe into the City of the Great Khan!

Leigh Hunt declares that he has read, in some other account, of a dreadful, unendurable face that used to stare at people as they went by.

The Barbaric has also its features of solemnity and grandeur, filling the mind with exalted contemplations, and the imagination with inspiring and ennobling apparitions. Surroundings that contribute a quality of awfulness embrace in such scenes the soul of the traveller, and hold him in their tremendous thrall. Mean or flippant ideas may not enter here; but the man puts off the smaller part of him, as the Asiatic puts off his sandals on entering the porches of his god. Of such is the Eternal Sphinx, as Eothen Kinglake beheld her. We cannot feel her aspect more grandly than by the aid of his inspiration.

"And near the Pyramids, more wondrous and more awful than all else in the land of Egypt, there sits the lonely Sphinx. Comely the creature is; but the comeliness is not of this world; the once worshipped beast is a deformity and a monster to this generation; and yet you can see that those lips, so thick and heavy, were fashioned according to some ancient mould of beauty, now forgotten,—forgotten because that Greece drew forth Cytherea from the flashing foam of the Aegean, and in her image created new forms of beauty, and made it a law among men that the short and proudly wreathed lip should stand for the sign and main condition of loveliness through all generations to come. Yet still lives on the race of those who were beautiful in the fashion of the elder world; and Christian girls of Coptic blood will look on you with the sad, serious gaze, and kiss you your charitable hand with the big, pouting lips of the very Sphinx.

"Laugh and mock, if you will, at the worship of stone idols; but mark ye this, ye breakers of images, that in one regard the stone idol bears awful semblance of Deity,—unchangefulness in the midst of change,—the same seeming will and intent, forever and forever inexorable. Upon ancient dynasties of Ethiopian and Egyptian kings,—upon Greek and Roman, upon Arab and Ottoman conquerors,—upon Napoleon dreaming of an Eastern empire,—upon battle and pestilence,—upon the ceaseless misery of the Egyptian race,—upon keen-eyed travellers,—Herodotus yesterday, Warbarton to-day,—upon all, and more, this unworldly Sphinx has watched and watched like a Providence, with the same earnest eyes, and the same sad, tranquil mien. And we, we shall die; and Islam will wither away; and the Englishman, leaning far over to hold his loved India, will plant a firm foot on the banks of the Nile, and sit in the seats of the Faithful; and still that sleepless rock will lie watching and watching the works of the new, busy race, with those same sad, earnest eyes, and that same tranquil mien, everlasting. You dare not mock at the Sphinx!"

Not less stupendously placid than the Sphinx, and even grimmer in his remoteness from the places that have heard Messiah's name, is the Boodh, throned in trance, and multitudinously worshipped. Shall I tell you how I first beheld him in his glory?

We were approaching some sacred caves in Burmah. Lighting our torches, and each man taking one, we mounted the steep, tortuous, and slippery foot-path of damp, green stones, through the thorny shrubs that beset it, to the low entrance to the outer cavern. Stooping uncomfortably, we passed into a small, vacant antechamber, having a low, dripping roof, perpendicular walls, clammy and green, and a rocky floor, sloping inward through a narrow arch to a long, double, transverse gallery, divided in the direction of its length, partly by a face of rock, partly by a row of pillars. Here were innumerable images of Guadma, the counterfeit presentment of the Fourth Boodh, whose successor is to see the end of all things,—innumerable, and of every stature, from Hop-o'-my-thumbs to Hurlo-thrombos, but all of the identical orthodox pattern,—with pendulous ears, one hand planted squarely on the knee, the other sleeping in the lap, an eternity of front face, and a smooth stagnancy of expression, typical of an unfathomable calm,—the Guadma of a span as grim as he of ten cubits, and he of ten cubits as vacant as the Guadma of a span,—of stone, of lead, of wood, of clay, of earthenware and alabaster,—on their bottoms, on their heads, on their backs, on their sides, on their faces,—black, white, red, yellow,—an eye gone, a nose gone, an ear gone, a head gone,—an arm off at the shoulder, a leg at the knee,—a back split, a bosom burst,—Guadma, imperturbable, eternal, calm,—in the midst of time, timeless! It is not annihilation which the Boodh has promised, as the blessed crown of a myriad of progressive transmigrations; it is not Death; it is not Sleep,—it is this.

Our entrance awoke a pandemonium. Myriads of bats and owls, and all manner of fowls of darkness and bad omen, crazed by the glare of twenty torches, startled the echoes with infernal clangor. Screaming and huddling together, some fled under the wide skirts of sable, which Darkness, climbing to the roof in fear, drew up after her; some hid with lesser shadows between columns of great girth, or in the remotest murky niches, or down in the black profound of resounding chasms; some, bewildered or quite blinded by the flashes of the co-eternal beam, dashed themselves against the stony walls, and fell crippled, gasping, staring, at our feet. And when, at last, our guides and servants, mounting to pinnacles and jutting points, and many a frieze and coigne of vantage, placed blue lights on them all, and at the word illuminated all together, there was redoubled bedlam in that abode of Hecate, and the eternal calm of the Boodh became awful. For what deeds of outer darkness, done long ago in that black hole of superstition, so many damned souls shrieked from their night-fowl transmigrations, 'twere vain to question there were no disclosures in that trance of stone.

For an experience of the oppressive awfulness of solitude, and all the weary monotony of waste, come now, with Kinglake, into mid-desert.

"As long as you are journeying in the interior of the desert, you have no particular point to make for as your resting-place. The endless sands yield nothing but small stunted shrubs; even these fail after the first two or three days; and from that time you pass over broad plains, you pass over newly reared hills, you pass through valleys that the storm of the last week has dug; and the hills and the valleys are sand, sand, sand, still sand and only sand, and sand and sand again. The earth is so samely, that your eyes turn toward heaven,—toward heaven, I mean, in the sense of sky. You look to the sun, for he is your task-master, and by him you know the measure of the work that you have done, the measure of the work that remains for you to do. He comes when you strike your tent in the early morning, and then, for the first hour of the day, as you move forward on your camel, he stands at your near side, and makes you know that the whole day's toil is before you. Then, for a while, and a long while, you see him no more; for you are veiled and shrouded, and dare not look upon the greatness of his glory; but you know where he strides over your head by the touch of his flaming sword. No words are spoken; but your Arabs moan, your camels sigh, your skin glows, your shoulders ache; and, for sights, you see the pattern and the web of the silk that veils your eyes, and the glare of the outer light.

"Time labors on,—your skin glows, and your shoulders ache, your Arabs moan, your camels sigh, and you see the same pattern on the silk, and the same glare beyond; but conquering Time marches on, and by-and-by the descending sun has compassed the heaven, and now softly touches your right arm, and throws your lank shadow over the sand, right along on the way to Persia. Then again you look upon his face, for his power is all veiled in his beauty, and the redness of flames has become the redness of roses; the fair, wavy cloud that fled in the morning now comes to his sight once more,—comes blushing, but still comes on,—comes burning with blushes, yet hastens, and clings to his side."

When one has been sufficiently dis-Europized by remote travel, to become, as to his imagination, a child again, and receive a child's impressions from the strangeness that surrounds him, the grotesque and fantastic aspects of his situation afford him the same emotions, of unquestioning wonder and romantic sympathy, that he derived in the old time from the adventures of Sinbad the Sailor, the exploits of Jack the Giant-Killer, what Gulliver saw, or Munchausen did. Behold Belzoni in the necropolis of Thebes, crawling on his very face among the dusty rubbish of unnumbered mummies, to steal papyri from their bosoms. Fatigued with the exertion of squirming through a mummy-choked passage of five hundred yards, he sought a resting-place; but when he would have sat down, his weight bore on the body of an Egyptian, and crushed it like a bandbox. He naturally had recourse to his hands to sustain his weight; but they found no better support, and he sunk altogether in a crash of broken bones, rags, and wooden cases, that raised such a dust as kept him motionless for a quarter of an hour, waiting for it to subside. He could not move from the place, however, without increasing it, and every step he took smashed a mummy. Once, in forcing his way through a steeply inclined passage, about twenty feet in length, and no wider than his body could be squeezed through, he was overwhelmed with an avalanche of bones, legs, arms, and hands, rolling from above; and every forward move brought his face in contact with the abhorred features of some decayed Egyptian.6