Читать книгу The Argosy. Vol. 51, No. 3, March, 1891 ( Various) онлайн бесплатно на Bookz (6-ая страница книги)
bannerbanner
The Argosy. Vol. 51, No. 3, March, 1891
The Argosy. Vol. 51, No. 3, March, 1891Полная версия
Оценить:
The Argosy. Vol. 51, No. 3, March, 1891

5

Полная версия:

The Argosy. Vol. 51, No. 3, March, 1891

"Where are you staying?" broke in Mr. Hamlyn, as if something were frightening him.

"At some lodgings over yonder, where they fleece me," replied the Major. "You should see the bill they've brought me in for last week. They've made me eat four pounds of butter and five joints of meat, besides poultry and pickles and a fruit pie! Why, I live mostly upon dry toast; hardly dare touch an ounce of meat in a day. When I had 'em up before me, the harpies, they laid it upon my servant's appetite—old Saul, you know. He answered them."

Mrs. Hamlyn laughed. "There are two articles that are very convenient, as I have heard, to some of the lodging-house keepers: their lodgers' servant, and their own cat."

"By Jove, ma'am, yes!" said the Major. "But I've given warning to this lot where I am."

Saying au revoir to Major Pratt, Mr. Hamlyn walked down the pier again with his wife. "Who is he, Philip?" she asked. "You seem to know him well."

"Very well. He is a sort of connection of mine, I believe," laughed Mr. Hamlyn, "and I saw a good deal of him in India a few years back. He is greatly changed. I hardly think I should have known him had he not spoken. It's his liver, I suppose."

Leaving his wife at the hotel, Mr. Hamlyn went back again to Major Pratt, much to the lonely Major's satisfaction, who was still leaning on his substantial stick as he gazed at the water.

"The sight of you has brought back to my mind all that unhappy business, Hamlyn," was his salutation. "I shall have a fit of the jaundice now, I suppose! Here—let's sit down a bit."

"And the sight of you has brought it to mine," said Mr. Hamlyn, as he complied. "I have been striving to drive it out of my remembrance."

"I know little about it," observed the Major. "She never wrote to me at all afterwards, and you wrote me but two letters: the one announcing the fact of her disgrace; the other, the calamity and the deaths."

"That is quite enough to know; don't ask me to go over the details to you personally," said Mr. Hamlyn in a tone of passionate discomfort. "So utterly repugnant to me is the remembrance altogether, that I have never spoken of it—even to my present wife."

"Do you mean you've not told her you were once a married man?" cried Major Pratt.

"No, I have not."

"Then you've shown a lack of judgment which I wouldn't have given you credit for, my friend," declared the Major. "A man may whisper to his girl any untoward news he pleases of his past life, and she'll forgive and forget; aye, and worship him all the more for it, though it were the having set fire to a church: but if he keeps it as a bonne bouchée to drop out after marriage, when she has him fast and tight, she'll curry-comb his hair for him in style. Believe that."

Mr. Hamlyn laughed.

"There never was a hidden skeleton between man and wife yet but it came to light sooner or later," went on the Major. "If you are wise, you will tell her at once, before somebody else does."

"What 'somebody?' Who is there here that knows it?"

"Why, as to 'here,' I know it, and nearly spoke of it before her, as you must have heard; and my servant knows it. That's nothing, you'll say; we can be quiet, now I have the cue: but you are always liable to meet with people who knew you in those days, and who knew her. Take my advice, Philip Hamlyn, and tell your wife. Go and do it now."

"I daresay you are right," said the younger man, awaking out of a reverie. "Of the two evils it may be the lesser." And with lagging steps, and eyes that seemed to have weights to them, he set out to walk back to the Old Ship Hotel.

Johnny Ludlow.

THE BRETONS AT HOME

By Charles W. Wood, F.R.G.S., Author of "Through Holland," "Letters from Majorca," etc. etc

The English courage and constitution, for which Madame Hellard of the Hôtel d'Europe professed so much admiration, carried us through the ordeal of a sound drenching. Perhaps our escape was partly due to firmness of will, which goes for much; perhaps in part to the dose of strong waters added to the black coffee our loquacious but interesting hostess at the little auberge by the river-side had brewed for us.

"Had we been to Roscoff?" she had asked us on that memorable afternoon, when the clouds opened all their waterspouts and threatened the world with a second deluge. And we had replied that we had not seen Roscoff, but hoped to do so the following day, wind and weather permitting. Not that we had to reach Roscoff by water; but the elements can make themselves quite as disagreeable on land as at sea: and like the Marines might take for their motto, Per Mare, Per Terram.

The next day wind and weather were not permitting. Madame Hellard clasped her hands with a favourite and pathetic gesture that would melt the hardest heart and dispose it to grant the most outrageous request. She bemoaned our fate and the uncertainty of the Breton climate.

"Enfin!" she concluded, "the climate of la Petite Bretagne is very much the same as that of la Grande Bretagne, from all I have heard. You must be accustomed to these variations. When the Saxons came over and settled here centuries and centuries ago, and peopled our little country, they brought their weather with them. It has never changed. Like the Breton temperament, it is founded upon a rock—though I often wish it were a little more pliable and responsive. Changes are good sometimes. I am not of those who think what is must always be best. If I were in your Parliament—but you don't have ladies in your Parliament, though they seem to have a footing everywhere else—I should be a Liberal; without going too far, bien-intendu; I am all for progress, but with moderation."

To-day there seemed no prospect of even moderately fine weather, and we could only improve our time by cultivating the beauties of Morlaix under weeping skies.

Its quaint old streets certainly have an unmistakable, an undying charm, which seems to be in touch with all seasons. Blue skies will light them up and cause them to stand out with almost a joyous air; the declining sun will illumine their latticed panes with a fire and flame mysterious with the weight of generations; strong lights and shadows will be thrown by gables and deep recesses, and sculptured porches; by the "aprons" that protect the carven beams, and the eaves that stand out so strongly in outline against the background of the far-off sky. And if those skies are sad and sorrowful, immediately the quaint houses put on all the dignity of age: from every gable end, from every lattice, every niche and grotesque, the rain trickles and falls, and they, too, you would say, are weeping for their lost youth.

But they are too old to do that. It is not the very aged who weep for their early days; they have forgotten what is now too far off to be realised. They weep who stand upon the boundary line separating youth from age; who at once look behind and beyond: look back with longing upon the glow and romance which have not yet died out of the heart, and forward into the future where romance can have no place, and nothing is visible excepting what has been called the calmness and repose of old age.

"There's not a joy the world can give like that it takes away,           When the glow of early thought declines in feeling's dull decay;'Tis not on youth's smooth cheek the blush alone which fades so fast,           But the bloom of early youth is gone ere youth itself be past."

The reader will probably quote the remainder for himself; Byron never wrote truer or sadder lines. And we all know of a great man in history who, at eighty years old, turned to his friend and, pointing to a young chimney-sweeper, exclaimed: "I would give my wealth, fame, coronet—all, to be once more that boy's age, even if I must take his place!" One of the saddest sentences, perhaps, that one of eighty could utter.

To-day every house was weeping. Even the women who kept the stalls in the covered market-place dispensed their butter and poultry, their fruit and flowers, with a melancholy air, and looked as if they had not the courage to keep up the prices. Ladies and housekeepers wandered from stall to stall followed by their maids, a few of whom wore picturesque caps, conspicuous in their rarity: for even Breton stubbornness has yielded very much, where, for once, it should have been firm as a rock, and it is only in the remoter districts that costume is still general. We were invited to many purchases as we looked around, and had we yielded to all might have stocked Madame Hellard's larder to overflowing: a very unnecessary attention, for the table is kept on the most liberal principles.

It was really alarming to see the quantity that some of the Bretons managed to appropriate in an incredibly short space of time at the table d'hôte. H.C., who was accustomed to the æsthetic table of his aunt, Lady Maria, more than once had to retire to his room, and recover his composure, and wonder whether his own appetite would ever return to him. And once or twice when I unfeelingly drew attention to an opposite neighbour and wondered what Lady Maria would say to it, he could only reply by a dismal groan which caused the opposite neighbour for a moment to arrest his mission of destruction and stare.

On the second occasion that it happened he called up the head waitress—they were all women who served in the room—and asked her if the "Monsieur Anglais vis-à-vis" was not ill.

"He looks pale and thin," he added, feelingly, and might well think so, placed in juxtaposition with himself, for he was large and round, with cheeks, as Tony Lumpkin would have said, broad and red as a pulpit cushion. It was simply cause and effect.

In his case, too, the cause was not confined to eating. Two bottles of the white wine, supplied gratis in unlimited quantities at the table d'hôte disappeared during the repast; and we began to think of Mr. Weller senior, the tea-party, and the effect of the unlimited cups upon Mr. Stiggins. "I come from Quimper," we heard the Breton say on one occasion to his next-door neighbour, "and I think it the best town in France, not excepting Paris. Where do you come from?"

"From Rouen," replied the neighbour, a far more refined specimen of humanity, who spoke in quiet tones. "I am not a Breton."

"So much the worse for you," returned our modern Daniel Lambert unceremoniously. "The French would beat the world, and the Bretons would beat the French. Then I suppose you don't deal in horses?"

"No," with an amused smile. "I am only a humble architect." But we discovered afterwards that he was celebrated all over France. Travelling, no less than adversity, makes us acquainted with strange bedfellows.

The head waitress was a very interesting character, much older than the other waitresses, whom she took under her wing with a species of hen-like protection, keeping them well up to their duties, and rating them soundly where they failed. She was a Bretonne, but of the better type, with sharp, clearly-cut features, and eyes full of vivacity, that seemed in all places at once. She wore list shoes, and would flit like a phantom from one end of the room to the other, her cap-strings flying behind her, directing, surveying all. Very independent, too, was she, and evidently held certain of her guests in sovereign contempt.

"This terrible fair!" she would say, "which lasts three days, and gives us no rest and no peace; and one or two of those terrible dealers, who have a greater appetite than their own cattle, and would eat from six o'clock until midnight, if one only let them! Monsieur Hellard loses pretty well by some of them; I am sure of it!"

The lift which brought things up from the kitchen was at the end of the room, and every now and then she would go to it, and in a shrill voice, which seemed to penetrate to very far-off regions—Halls of Eblis or caverns measureless to man—cry out "Lâ Suite!" the a very much circumflexed with true Breton pronunciation.

It was amusing, occasionally, when a certain dish was sent up that in some way or other did not please her, to hear it sent down again in the return lift accompanied by a reprimand that was very much to the point, and was audible to the assembled room. The whole table on those occasions would break into laughter, for her reprimand was always spiced with inimitable humour, which penetrated even the impervious Breton intellect.

Then she would fly down the room with the dish returned to her satisfaction, a suppressed smile lurking about the corners of her mouth, and, addressing the table at large with a freedom that only the French can assume without familiarity, exclaim: "It is not because some of you give the chef too much to do, with your enormous capacities, that I am going to allow him to neglect his work." And the table would laugh again and applaud Catherine, the head waitress. For she was very capable and therefore very popular, as ministering well to their wants. And the Breton temperament is seldom sensitive.

She had her favourites, to whom she was devoted, making no secret of her preference. We were amongst the fortunate, and soon fell into her good graces. Woe betide anyone who attempted to appropriate our seats before we entered; or a waitress who brought us the last remnants of a dish—for nothing seemed to escape her observation. She was most concerned about H.C.'s want of appetite and ethereal appearance—certainly a startling contrast to some of her experiences.

"Monsieur hasn't the appetite of a lark," she complained to me one morning. "Tell him that the Breton climate is as difficult to fight as the Breton soldier; and if he does not eat, he will be washed away by the rains. What Eyes!" she exclaimed; "quite the eyes of a poet. I am sure monsieur is a poet. Have I not reason?"

Thus proving herself even more that an excellent waitress—a woman of penetration.

We have said that the day after our aquatic adventure at the little inn by the river-side, "Au retour de la Pêche," the rain came down with vengeance. There was no doubt about its energy; and this, at least, was consoling. Nothing is more annoying than your uncertain morning, when you don't know whether to start or stay at home. On these occasions, whichever you do turns out a mistake.

But the following day our patience was rewarded by bright sunshine and blue skies. "The very day for Roscoff," said Madame Hellard; "though I cannot think why you are determined to pay it a visit. There is absolutely nothing to see. It is a sad town, and its streets are given over to melancholy. Of course, you will take St. Pol de Léon on your way. It is equally quiet, and even less picturesque."

This was not very encouraging, but we have learned to beware of other people's opinions: they often praise what is worthless, and pass over delights and treasures in absolute silence.

So, remembering this, we entered the hotel omnibus with our sketching materials and small cameras, and struggled up the hill to the railway station and the level of the huge viaduct.

On our way we passed the abode of our refined and interesting antiquarian. He was standing at his door, the same patient look upon his beautiful face, the same resigned attitude. He caught sight of us and woke up out of a reverie. His spirit always seemed taking some far-off flight.

"Ces messieurs are not leaving?" he cried, for we passed slowly and close to him. There was evidence of slight anxiety or disappointment in his tone; the crucifix yet hung on his walls, and H.C.'s mind still hovered in the balance.

"No," we replied. "We are going to Roscoff, and shall be back to-night."

"Roscoff? It is lovely," he said. "I know you will like it. But it is very quiet, and only appeals to the artistic temperament. You will see few shops there; no antiquarians; and the people are stupid. Still, the place is remarkable."

The omnibus passed on and we were soon steaming away from Morlaix.

It was a desperately slow train. The surrounding country was not very interesting, but the journey, fortunately, was short. As we passed the celebrated St. Pol de Léon on the way, we decided to take it first. Roscoff was the terminus, and appeared like the ends of the earth at the very extreme point of land, jutting into the sea and looking out upon the English Channel. If vision could have reached so far, we might have seen the opposite English coast, and peered right into Plymouth Sound; where, the last time that we climbed its heights straight from the hospitality of a delightful cruise in a man-of-war, the band of the Marine Artillery was ravishing all ears and discoursing sweet music in a manner that few bands could rival.

We approached St. Pol de Léon, which may be described as an ecclesiastical, almost a dead city. But how glorious and interesting some of these dead cities are, with their silent streets and their remnants of the past! The shadow of death seems upon them, and they impress you with a mute eloquence more thrilling and effective than the greatest oration ever listened to.

As we approached St. Pol, which lay half a mile or so from the railway, its churches and towers were so disposed that the place looked like one huge ecclesiastical building. These stood out with wonderful effect and clearness against the background of the sky.

We left the station, and thought we might as well use the omnibus in waiting. It was small and held about four passengers. As soon as we had taken our seats two fat priests came up and entered. We felt rather crowded, and, like the moping owl, resented the intrusion; but when three stout ladies immediately followed, and looked appealingly at the state of affairs, it was too much. We gave up our seats and walked; and presently the omnibus passed us, one of the ladies having wedged herself in by a miracle between the priests. It would take a yet greater miracle to unpack them again. The driver looked round with a smile—he had admitted us into the omnibus and released us—and, pointing to the roof with his whip, humorously exclaimed: "Complêt!"

The towers and steeples of St. Pol de Léon raised themselves mightily in front of us as we walked, beautiful and imposing. The town dates back to the sixth century, and though once important, is now almost deserted. Pol, or Paul, a monk, who, according to one tradition was Welsh, according to another Cornish, went over to a neighbouring island about the year 530 and there established a monastery. He became so famous for his piety that a Breton king founded a bishopric at Léon, and presented him with the mitre. The name of the town was then changed to St. Pol de Léon. His successors were men distinguished for their goodness, and St. Pol became one of the most famous ecclesiastical towns in Brittany. Churches were built, monasteries and convents were founded.

In course of time its reputation for wealth excited the envy of the Counts of Léon, and in 875 the Normans came down upon it, pillaged the town and devastated the cathedral. It was one of those Counts of Léon who so vigorously claimed his rights "de bris et d'épaves"—the laws of flotsam and jetsam—esteeming priceless as diamonds certain rocks upon which vessels were frequently wrecked. This law, rigorously enforced through long ages, has now almost died out.

In the fourteenth century du Guesclin took possession of the town in the name of Charles V., but the French garrison was put to the sword by the barbarous Duke John IV. of Brittany in the year 1374. In 1590 the inhabitants of the town joined a plot formed for their emancipation, and the neighbouring villages rose up in insurrection against an army of three hundred thousand men raised by the Convention. The rebels were conquered after two disastrous battles—one within, the other without the town—when an immense number of the peasants were slain.

Seeing it to-day, no one would imagine that it had once passed such stirring times: had once been a place of importance, wealth, and envy. Its streets are deserted, its houses grey and sad-looking. The place seems lifeless. The shadows cast by the sun fall athwart the silent, grass-grown streets, and have it all their own way. During our short visit I do not think we met six people. Yet the town has seven thousand inhabitants. Some we saw within their houses; and here and there the sound of the loom broke the deadly silence, and in small cottages pale-faced men bent laboriously over their shuttles. The looms were large and seemed to take up two-thirds of the room, which was evidently the living-room also. Many were furnished with large open cabinets or wardrobes carved in Breton work, rough but genuine.

Passing up the long narrow street leading to the open and deserted market-place, the Chapelle de Creisker rises before you with its wonderful clock-tower that is still the pride of the town. The original chapel, according to tradition, was founded by a young girl whom St. Kirec, Archdeacon of Léon in the sixth century, had miraculously cured of paralysis; but the greater part of the present chapel, including the tower and spire, was built towards the end of the fourteenth century, by John IV., Duke of Brittany. The porches are fifteenth century; the north porch, in the Flamboyant style, being richly decorated with figures and foliage deeply and elaborately carved. On the south side are six magnificent windows, unfortunately not filled in with magnificent glass. The interior possesses nothing remarkable, excepting its fine rose window and the opposite east window, distinguished for their size and tracery.

The tower is its glory. It is richly ornamented, and surmounted by a cornice so projecting that, until the eye becomes accustomed to it, the slender tower beneath seems overweighted: an impression not quite lost at a first visit. The light and graceful tower, two hundred and sixty-three feet high, rises between the nave and the choir, upon four arches sustained by four quadrangular pillars four yards wide, composed of innumerable small columns almost resembling bundles of rods, in which the arms of Jean Prégent, Chancellor of Brittany and Bishop of Léon in 1436, may be seen on the keystone of each arch. The upper tower, like those of the cathedral, is pierced by narrow bays, supported on either side by false bays. From the upper platform, with its four-leaved balustrade, rises the beautiful open-work spire, somewhat resembling that of St. Peter's at Caen, and flanked by four turrets. This tower is said to have been built by an English architect, but there is no authority for the tradition.

Proceeding onwards to the market-place, there rises the cathedral, far better placed than many of the cathedrals abroad. It is one of the remarkable buildings of Brittany, possessing certain distinguishing features peculiar to the Breton churches.

The cathedral dates from three periods. A portion of the north transept is Romanesque; the nave, west front, and towers date from the thirteenth century and the commencement of the fourteenth; the interior, almost entirely Gothic, and very striking, lost much of its beauty when restored in 1866. It is two hundred and sixty feet long and fifty-two feet high to the vaulting, the latter being attributed to William of Rochefort, who was Bishop of Léon in 1349. The towers are very fine, with central storeys pierced by lancet windows, like those of the Creisker. The south transept has a fine circular window, with tracery cut in granite.

The stalls, the chief beauty of the choir, are magnificently carved, and date from 1512. The choir, completely surrounded by a stone screen, is larger and more ornamented than the nave, and is surrounded by double aisles, ending in a Lady Chapel possessing some good carved woodwork of the sixteenth century.

The towers are almost equal in dimension but somewhat different in design. One of them—the south tower—possesses a small lancet doorway on the west side, called the Lepers' Doorway, where probably lepers entered to attend mass in days gone by, remaining unseen and isolated from the rest of the congregation. The south wall possesses a magnificent rose window, above which is another window, called the Window of Excommunication. The rose window is unfortunately filled with modern glass, but one or two of the side windows are good. The basin for holy-water, dating from the twelfth century, is said to have been the tomb of Conan Mériadec, first of the Breton kings.

A small bell, said to have belonged to St. Pol, is kept in the church, and on the day of the Pardon of Léon (the chief fête of the year) is carried up and down the nave and rung vigorously over the heads of the faithful to preserve them from headache and ear-ache.

bannerbanner