International Weekly Miscellany of Literature, Art and Science - Volume 1, No. 6, August 5, 1850

She determined to retire. "You," she said to Anielka, "shall now assert your claim to the first rank in the vocal art. You will maintain it. You surpass me. Often, on hearing you sing, I have scarcely been able to stifle a feeling of jealousy."

Anielka placed her hand on Teresina's shoulder, and kissed her.

"Yes," continued Teresina, regardless of everything but the bright future she was shaping for her friend. "We will go to Vienna—there you will be understood and appreciated. You shall sing at the Italian Opera, and I will be by your side—unknown, no longer sought, worshiped—but will glory in your triumphs. They will be a repetition of my own; for have I not taught you? Will they not be the result of my work!"

Though Anielka's ambition was fired, her heart was softened, and she wept violently.

Five months had scarcely elapsed, when a furore was created in Vienna by the first appearance, at the Italian Opera, of the Signora Giovanna. Her enormous salary at once afforded her the means of even extravagant expenditure. Her haughty treatment of male admirers only attracted new ones; but in the midst of her triumphs she thought often of the time when the poor orphan of Pobereze was cared for by nobody. This remembrance made her receive the flatteries of the crowd with an ironical smile; their fine speeches fell coldly on her ear, their eloquent looks made no impression on her heart: that, no change could alter, no temptation win.

In the flood of unexpected success a new misfortune overwhelmed her. Since their arrival at Vienna, Teresina's health rapidly declined, and in the sixth month of Anielka's operatic reign she expired, leaving all her wealth, which was considerable, to her friend.

Once more Anielka was alone in the world. Despite all the honors and blandishments of her position, the old feeling of desolateness came upon her. The new shock destroyed her health. She was unable to appear on the stage. To sing was a painful effort; she grew indifferent to what passed around her. Her greatest consolation was in succoring the poor and friendless, and her generosity was most conspicuous to all young orphan girls without fortune. She had never ceased to love her native land, and seldom appeared in society, unless it was to meet her countrymen. If ever she sang, it was in Polish.

A year had elapsed since the death of the Signora Teresina, when the Count Selka, a rich noble of Volkynia, at that time in Vienna, solicited her presence at a party. It was impossible to refuse the Count and his lady, from whom she had received great kindness. She went. When in their saloons, filled with all the fashion and aristocracy in Vienna, the name of Giovanna was announced, a general murmur was heard. She entered, pale and languid, and proceeded between the two rows made for her by the admiring assembly, to the seat of honor beside the mistress of the house.

Shortly after, the Count Selka led her to the piano. She sat down before it, and thinking what she should sing, glanced round upon the assembly. She could not help feeling that the admiration which beamed from the faces around her was the work of her own merit, for had she neglected the great gift of nature—her voice, she could not have excited it. With a blushing cheek, and eyes sparkling with honest pride, she struck the piano with a firm hand, and from her seemingly weak and delicate chest poured forth a touching Polish melody, with a voice pure, sonorous, and plaintive. Tears were in many eyes, and the beating of every heart was quickened.

The song was finished, but the wondering silence was unbroken. Giovanna leaned exhausted on the arm of the chair, and cast down her eyes. On again raising them, she perceived a gentleman who gazed fixedly at her, as if he still listened to echoes which had not yet died within him. The master of the house, to dissipate his thoughtfulness, led him toward Giovanna. "Let me present to you, Signora," he said, "a countryman, the Count Leon Roszynski."

The lady trembled; she silently bowed, fixed her eyes on the ground, and dared not raise them. Pleading indisposition, which was fully justified by her pallid features, she soon after withdrew.

When on the following day Giovanna'a servant announced the Counts Selka and Roszynski, a peculiar smile played on her lips, and when they entered, she received the latter with the cold and formal politeness of a stranger. Controlling the feelings of her heart, she schooled her features to an expression of indifference. It was manifest from Leon's manner, that without the remotest recognition, an indefinable presentiment regarding her possessed him. The Counts had called to know if Giovanna had recovered from her indisposition. Leon begged to be permitted to call again.

Where was his wife? why did he never mention her? Giovanna continually asked herself these questions when they had departed.

A few nights after, the Count Leon arrived sad and thoughtful. He prevailed on Giovanna to sing one of her Polish melodies; which she told him had been taught, when a child, by her muse. Roszynski, unable to restrain the expression of an intense admiration he had long felt, frantically seized her hand, and exclaimed, "I love you!"

She withdrew it from his grasp, remained silent for a few minutes, and then said slowly, distinctly, and ironically, "But I do not love you, Count Roszynski."

Leon rose from his seat. He pressed his hands to his brow, and was silent. Giovanna remained calm and tranquil. "It is a penalty from Heaven," continued Leon, as if speaking to himself, "for not having fulfilled my duty as a husband toward one whom I chose voluntarily, but without reflection. I wronged her, and am punished."

Giovanna turned her eyes upon him. Leon continued, "Young, and with a heart untouched, I married a princess about ten years older than myself, of eccentric habits and bad temper. She treated me as an inferior. She dissipated the fortune hoarded up with so much care by my parents, and yet was ashamed on account of my origin to be called by my name. Happily for me, she was fond of visiting and amusements. Otherwise, to escape from her, I might have become a gambler, or worse; but, to avoid meeting her, I remained at home—for there she seldom was. At first from ennui, but afterward from real delight in the occupation, I gave myself up to study. Reading formed my mind and heart. I became a changed being. Some months ago my father died, my sister went to Lithuania, whilst my mother, in her old age, and with her ideas, was quite incapable of understanding my sorrow. So when my wife went to the baths for the benefit of her ruined health, I came here in the hope of meeting with some of my former friends—I saw you—"

Giovanna blushed like one detected; but speedily recovering herself, asked with calm pleasantry, "Surely you do not number me among your former friends?"

"I know not. I have been bewildered. It is strange; but from the moment that I saw you at Count Selka's, a powerful instinct of love overcame me; not a new feeling; but as if some latent, long-hid, undeveloped sentiment had suddenly burst forth into an uncontrollable passion. I love, I adore you. I—"

The Prima Donna interrupted him—not with speech, but with a look which awed, which chilled him. Pride, scorn, irony sat in her smile. Satire darted from her eyes. After a pause, she repeated slowly and pointedly, "Love me, Count Roszynski?"

"Such is my destiny," he replied. "Nor, despite your scorn, will I struggle against it. I feel it is my fate ever to love you; I fear it is my fate never to be loved by you. It is dreadful."

Giovanna witnessed the Count's emotion with sadness. "To have," she said mournfully, "one's first, pure, ardent, passionate affection unrequited, scorned, made a jest of, is indeed a bitterness, almost equal to that of death."

She made a strong effort to conceal her emotion. Indeed she controlled it so well as to speak the rest with a sort of gayety.

"You have at least been candid, Count Roszynski; I will imitate you by telling a little history that occurred in your country. There was a poor girl born and bred a serf to her wealthy lord and master. When scarcely fifteen years old, she was torn from a state of happy rustic freedom—the freedom of humility and content—to be one of the courtly slaves of the Palace. Those who did not laugh at her, scolded her. One kind word was vouchsafed to her, and that came from the lord's son. She nursed it and treasured it; till, from long concealing and restraining her feelings, she at last found that gratitude had changed into a sincere affection. But what does a man of the world care for the love of a serf? It does not even flatter his vanity. The young nobleman did not understand the source of her tears and her grief, and he made a present of her, as he would have done of some animal, to his betrothed."

Leon, agitated and somewhat enlightened, would have interrupted her; but Giovanna said, "Allow me to finish my tale. Providence did not abandon this poor orphan, but permitted her to rise to distinction by the talent with which she was endowed by nature. The wretched serf of Pobereze became a celebrated Italian cantatrice. Then her former lord meeting her in society, and seeing her admired and courted by all the world, without knowing who she really was, was afflicted, as if by the dictates of Heaven, with a love for this same girl,—with a guilty love"—

And Giovanna rose, as she said this, to remove herself further from her admirer.

"No, no!" he replied earnestly; "with a pure and holy passion."

"Impossible!" returned Giovanna. "Are you not married?"

Roszynski vehemently tore a letter from his vest, and handed it to Giovanna. It was sealed with black, for it announced the death of his wife at the baths. It had only arrived that morning.

"You have lost no time," said the cantatrice, endeavoring to conceal her feelings under an iron mask of reproach.

There was a pause. Each dared not speak. The Count knew—but without actually and practically believing what seemed incredible—that Anielka and Giovanna were the same person—his slave. That terrible relationship checked him. Anielka, too, had played her part to the end of endurance. The long cherished tenderness, the faithful love of her life could not longer be wholly mastered. Hitherto they had spoken in Italian. She now said, in Polish,

"You have a right, my Lord Roszynski, to that poor Anielka who escaped from the service of your wife in Florence; you can force her back to your palace, to its meanest work; but"—

"Have mercy on me!" cried Leon.

"But," continued the serf of Pobereze, firmly, "you cannot force me to love you."

"Do not mock—do not torture me more; you are sufficiently revenged. I will not offend you by importunity. You must indeed hate me! But remember that we Poles wished to give freedom to our serfs; and for that very reason our country was invaded and dismembered by despotic powers. We must therefore continue to suffer slavery as it exists in Russia; but, soul and body, we are averse to it; and when our country once more becomes free, be assured no shadow of slavery will remain in the land. Curse then our enemies, and pity us that we stand in such a desperate position between Russian bayonets and Siberia, and the hatred of our serfs."

So saying, and without waiting for a reply, Leon rushed from the room. The door was closed. Giovanna listened to the sounds of his rapid footsteps till they died in the street. She would have followed, but dared not. She ran to the window. Roszynski's carriage was rolling rapidly away, and she exclaimed vainly, "I love you, Leon; I loved you always!"

Her tortures were unendurable. To relieve them she hastened to her desk, and wrote these words:

"Dearest Leon, forgive me; let the past be forever forgotten. Return to your Anielka. She always has been, ever will be, yours!"

She dispatched the missive. Was it too late, or would it bring him back? In the latter hope she retired to her chamber, to execute a little project.

Leon was in despair. He saw he had been premature in so soon declaring his passion after the news of his wife's death, and vowed he would not see Anielka again for several months. To calm his agitation, he had ridden some miles into the country. When he returned to his hotel after some hours, he found her note. With the wild delight it had darted into his soul, he flew back to her.

On regaining her saloon a new and terrible vicissitude seemed to sport with his passion—she was nowhere to be seen. Had the Italian cantatrice fled? Again he was in despair-stupefied with disappointment. As he stood uncertain how to act, in the midst of the floor, he heard, as from a distance, an Ave Maria poured forth in tones he half recognized. The sounds brought back to him a host of recollections: a weeping serf—the garden of his own palace. In a state of new rapture he followed the voice. He traced it to an inner chamber, and he there beheld the lovely singer kneeling in the costume of a Polish serf. She rose, greeted Leon with a touching smile, and stepped forward with serious bashfulness. Leon extended his arms; she sank into them; and in that fond embrace all past wrongs and sorrows were forgotten! Anielka drew from her bosom a little purse, and took from it a piece of silver, It was the rouble. Now, Leon did not smile at it. He comprehended the sacredness of this little gift, and some tears of repentance fell on Anielka's hand.

A few months after, Leon wrote to the steward of Olgogrod to prepare everything splendidly for the reception of his second wife. He concluded his letter with these words:

"I understand that in the dungeon beneath my palace there are some unfortunate men, who were imprisoned during my father's lifetime. Let them be instantly liberated. This is my first act of gratitude to God, who has so infinitely blessed me!"

Anielka longed ardently to behold her native land. They left Vienna immediately after the wedding, although it was in the middle of January.

It was already quite dark when the carriage, with its four horses, stopped in front of the portico of the palace of Olgogrod. Whilst the footman was opening the door on one side, a beggar soliciting alms appeared at the other, where Anielka was seated. Happy to perform a good action as she crossed the threshold of her new home, she gave him some money; but the man, instead of thanking her, returned her bounty with a savage laugh, at the same time scowling at her in the fiercest manner from beneath his thick and shaggy brows. The strangeness of this circumstance sensibly affected Anielka, and clouded her happiness. Leon soothed and reassured her. In the arms of her beloved husband she forgot all but the happiness of being the idol of his affections.

Fatigue and excitement made the night most welcome. All was dark and silent around the palace, and some hours of the night had passed, when suddenly flames burst forth from several parts of the building at once. The palace was enveloped in fire; it raged furiously. The flames mounted higher and higher; the windows cracked with a fearful sound, and the smoke penetrated into the most remote apartments.

A single figure of a man was seen stealing over the snow, which lay like a winding-sheet on the solitary waste; his cautious steps were heard on the frozen snow as it crisped beneath his tread. It was the beggar who had accosted Anielka. On a rising ground he turned to gaze on the terrible scene.

"No more unfortunate creatures will now be doomed to pass their lives in your dungeons," he exclaimed. "What was my crime? Reminding my master of the lowness of his birth. For this they tore me from my only child—my darling little Anielka; they had no pity even for her orphan state; let them perish all!"

Suddenly a young and beautiful creature rushes wildly to one of the principal windows: she makes a violent effort to escape. For a moment her lovely form, clothed in white, shines in terrible relief against the background of blazing curtains and walls of fire, and as instantly sinks back into the blazing element. Behind her is another figure, vainly endeavoring to aid her—he perishes also: neither of them are ever seen again!

This appalling tragedy horrified even the perpetrator of the crime. He rushed from the place, and as he heard the crash of the falling walls, he closed his ears with his hands, and darted on faster and faster.

The next day some peasants discovered the body of a man frozen to death, lying on a heap of snow—it was that of the wretched incendiary. Providence, mindful of his long, of his cruel imprisonment and sufferings, spared him the anguish of knowing that the mistress of the palace he had destroyed, and who perished in the flames, was his own beloved daughter—the Serf of Pobereze!

A TRUE POET never takes a "poetic license."

From the Dublin University Magazine

THE MYSTERIOUS COMPACT

IN TWO PARTS.—PART I

In the latter years of the last century, two youths, Ferdinand Von Hallberg and Edward Von Wensleben were receiving their education in the military academy of Mariensheim. Among their schoolfellows they were called Orestes and Pylades, or Damon and Pythias, on account of their tender friendship, which constantly recalled to their schoolfellows' minds the history of these ancient worthies. Both were sons of officers who had long served the state with honor, both were destined for their father's profession, both accomplished and endowed by nature with no mean talents. But fortune had not been so impartial in the distribution of her favors—Hallberg's father lived on a small pension, by means of which he defrayed the expenses of his son's schooling at the cost of the government; while Wensleben's parents willingly paid the handsomest salary in order to insure to their only child the best education which the establishment afforded. This disparity in circumstances at first produced a species of proud reserve, amounting to coldness, in Ferdinand's deportment, which yielded by degrees to the cordial affection that Edward manifested toward him on every occasion. Two years older than Edward, of a thoughtful and almost melancholy turn of mind, Ferdinand soon gained a considerable influence over his weaker friend, who clung to him with almost girlish dependence.

Their companionship had now lasted with satisfaction and happiness to both, for several years, and the youths had formed for themselves the most delightful plans—how they were never to separate, how they were to enter the service in the same regiment, and if a war broke out, how they were to fight side by side, and conquer or die together. But destiny, or rather Providence—whose plans are usually opposed to the designs of mortals—had ordained otherwise.

Earlier than was expected, Hallberg's father found an opportunity to have his son appointed to an infantry regiment, and he was ordered immediately to join the staff in a small provincial town, in an out-of-the-way mountainous district. This announcement fell like a thunderbolt on the two friends; but Ferdinand considered himself by far the more unhappy, since it was ordained that he should be the one to sever the happy bond that bound them, and to inflict a deep wound on his loved companion. His schoolfellows vainly endeavored to console him by calling his attention to his new commission, and the preference which had been shown him above so many others. He only thought of the approaching separation; he only saw his friend's grief, and passed the few remaining days that were allowed him at the academy by Edward's side, who husbanded every moment of his Ferdinand's society with jealous care, and could not bear to lose sight of him for an instant. In one of their most melancholy hours, excited by sorrow and youthful enthusiasm, they bound themselves by a mysterious vow, namely, that the one whom God should think fit to call first from this world, should bind himself (if conformable to the Divine will) to give some sign of his remembrance and affection to the survivor.

The place where this vow was made was a solitary spot in the garden, by a monument of gray marble, overshadowed by dark firs, which the former director of the institution had caused to be erected to the memory of his son, whose premature death was recorded on the stone.

Here the friends met at night, and by the fitful light of the moon they pledged themselves to the rash and fanciful contract, and confirmed and consecrated it the next morning by a religious ceremony. After this they were able to look the approaching separation in the face more manfully, and Edward strove hard to quell the melancholy feeling which had lately arisen in his mind on account of the constant foreboding that Ferdinand expressed of his own early death. "No," thought Edward, "his pensive turn of mind and his wild imagination cause him to reproach himself without a cause for my sorrow and his own departure. Oh, no, Ferdinand will not die early—he will not die before me. Providence will not leave me alone in the world."

The lonely Edward strove hard to console himself, for after Ferdinand's departure, the house, the world itself, seemed a desert; and absorbed by his own memories, he now recalled to mind many a dark speech which had fallen from his absent friend, particularly in the latter days of their intercourse, and which betokened but too plainly a presentiment of early death. But time and youth exercised, even over these sorrows, their irresistible influence. Edward's spirits gradually recovered their tone, and as the traveler always has the advantage over the one who remains behind, in respect of new objects to occupy his mind, so was Ferdinand even sooner calmed and cheered, and by degrees he became engrossed by his new duties and new acquaintances, not to the exclusion, indeed, of his friend's memory, but greatly to the alienation of his own sorrow. It was natural, in such circumstances, that the young officer should console himself sooner than poor Edward. The country in which Hallberg found himself was wild and mountainous, but possessed all the charms and peculiarities of "far off" districts—simple, hospitable manners, old-fashioned customs, many tales and legends which arise from the credulity of the mountaineers, who invariably lean toward the marvelous, and love to people the wild solitudes with invisible beings.

Ferdinand had soon, without seeking for it, made acquaintance with several respectable families in the town; and as it generally happens in such cases, he had become quite domesticated in the best country-houses in the neighborhood; and the well-mannered, handsome, and agreeable youth was welcomed everywhere. The simple, patriarchal life in these old mansions and castles—the cordiality of the people, the wild, picturesque scenery, nay, the very legends themselves, were entirely to Hallberg's taste. He adapted himself easily to his new mode of life, but his heart remained tranquil. This could not last. Before half a year had passed, the battalion to which he belonged was ordered to another station, and he had to part with many friends. The first letter which he wrote after this change bore the impression of impatience at the breaking up of a happy time. Edward found this natural enough; but he was surprised in the following letters to detect signs of a disturbed and desultory state of mind, wholly foreign to his friend's nature. The riddle was soon solved. Ferdinand's heart was touched for the first time, and perhaps because the impression had been made late, it was all the deeper. Unfavorable circumstances opposed themselves to his hopes: the young lady was of an ancient family, rich, and betrothed since her childhood to a relation, who was expected shortly to arrive in order to claim her promised hand. Notwithstanding this engagement, Ferdinand and the young girl had become sincerely attached to each other, and had both resolved to dare everything with the hope of being united. They pledged their troth in secret; the darkest mystery enveloped not only their plans, but their affections; and as secrecy was necessary to the advancement of their projects, Ferdinand entreated his friend to forgive him if he did not intrust his whole secret to a sheet of paper that had at least sixty miles to travel, and which must pass through so many hands. It was impossible from his letter to guess the name of the person or the place in question. "You know that I love," he wrote, "therefore you know that the object of my secret passion is worthy of any sacrifice; for you know your friend too well to believe him capable of any blind infatuation, and this must suffice for the present. No one must suspect what we are to each other; no one here or round the neighborhood must have the slightest clew to our plans. An awful personage will soon make his appearance among us. His violent temper, his inveterate obstinacy, (according to all that one hears of him,) are well calculated to confirm in her a well-founded aversion. But family arrangements and legal contracts exist, the fulfillment of which the opposing party are bent on enforcing. The struggle will be hard—perhaps unsuccessful; notwithstanding, I will strain every nerve. Should I fail, you must console yourself, my dear Edward, with the thought, that it will be no misfortune to your friend to be deprived of an existence rendered miserable by the failure of his dearest hopes, and separation from his dearest friend. Then may all the happiness which Heaven has denied me be vouchsafed to you and her, so that my spirit may look down contentedly from the realms of light, and bless and protect you both."