Harper's Young People, December 23, 1879

As she entered the church, her mind full of her duties and her heart tender with thoughts of her children, she thought she saw a dusky little object crouching in the angle made by the towers; but she was already late, and had no time to linger. Up she went to the choir, which was full of light, but the body of the church was dark. Without any words, she took up her sheet of music and began to sing. Never had the carols and anthems seemed so sweet to her, and her voice rose clear and pure as a bird's. The organist paused to listen, and her companions turned satisfied glances upon her; but she went on unconsciously, as a bird does until the burden of its theme is finished, and its exultant strains are lost in silence. They went over the whole Church service, the glorious Te Deum, the Benedictus, and the anthem for the day, "Unto us a Child is born, unto us a Son is given," and every delicate chord and fugue had to be repeated until the desired perfection of harmony was attained. It was really a very long and arduous study; but of all days Christmas demands good music, and they were willing to do their best. At last all were satisfied, and somewhat tired; but the organist turned to Mrs. Morton, and asked her if she would sing one hymn for him alone, as he especially desired to hear her voice in this one tune. Of course she could not refuse, and to an exquisitely harmonious air she began,

"Calm on the listening ear of nightCome heaven's melodious strains,Where wild Judæa stretches farHer silver-mantled plains."Light on thy hills, Jerusalem!The Saviour now is born!And bright on Bethlehem's joyous plainsBreaks the first Christmas morn."

Only the first and last verses of that exquisite hymn; but like "angels with their sparkling lyres," her voice seemed to have lost its earthliness, and soared, as if it were winged, up to the very gate of heaven. When she ceased singing, there was a hush upon all, as if they had been carried near to the celestial portals.

One by one they pressed her hand in quiet congratulation, and with a "Merry Christmas" bade her good-night. Mrs. Morton was a little excited with her unusual efforts, and while the old organist was locking up, thought she would run down and warm herself in the church. As she hastened toward the great heater, she tripped over something, which, to her great surprise and alarm, she perceived what appeared to be a great bundle was in reality a sleeping child.

Yes, a child, and a little one—a boy of not more than seven years, with elfish brown locks, and eyelashes which swept the olive tint of his cheek. All curled up in a heap, in clothes which a man might have worn, so big and shapeless were they, with one arm under his head for a pillow, and the other tightly grasping a violin. Far had he wandered in the cold wintry air, until, attracted by the light and warmth of the great church, he had stolen in for shelter, and then as his little ears drank in the melody of the rehearsing choir, and the warmth comforted him, he fell fast asleep. He was dreaming now of the warm sunny land of his birth: olive-trees and orchards, purple clusters of the vineyards, donkeys laden with oranges, and the blue sky of Naples shining over the blue bay. Then, in his dream, an angel came floating down out of the pure ether, wafting sweet perfumes on its white wings, and singing—oh! what heavenly strains!—till his little soul was filled with joy; for the angel seemed to be his mother who had died, and her kind voice again saluted him, and he answered, softly, "Madre mia!"

"Poor child!" said Mrs. Morton, softly, "it seems a pity to waken him, but we must do it; he can not stay here all night." The old organist touched him; but his sleep was too sound for a touch to arouse him, and Mrs. Morton had to again and again lift his head and stroke his little brown hand, before, with amazed and widely fearful looks, he answered them.

"Who are you, child, and what are you doing here?" asked the organist.

"I'm Toni, Toni," was the answer, and he began to cry. "Oh, please let me go: the Padrone will kill me."

"Why will he kill you, and why are you here?"

"He will kill me because I have no money. I have lost, also, my way."

"Have you no home, no mother?" asked Mrs. Morton, gently.

"No, signora, no, madame, no mother. We all live, Baptiste and Vincenzo and I, with the Padrone. We play the harp and the violin; but I was tired, and I could not keep with the others, and they scolded me, oh, so sharply! and I was weary and cold, and crept in here where the angels sing, and it was so beautiful I could not go away."

The organist muttered, "Police," at which the child again sobbed violently. "Yes, to the station-house, of course, he must go."

But Mrs. Morton remembered the three faces asleep on their pillows at home, and as she looked at this tear-stained, dirty little gypsy, she said to the organist, "I will take care of him to-night." So, under the stars, the Christmas stars, gleaming so brightly, she led the little wanderer home.

All was still and safe in the little house. "Not a creature was stirring, not even a mouse." The fire still gleamed in the kitchen and the sitting-room, and it was the work of only a few moments to divest the little musician of his uncouth garments, to pop him into the tub of hot suds, to scrub him well, until his lean little body shone like bronze, to slip him into a night-gown, to give him a slice of bread and butter, and then to tuck him up on the cozy lounge.

The children slept like tops, and the tired little mother was glad to say her prayers, and lie down beside them.

The stars were still shining when she awoke; for Christmas-day would be a busy one, and there were no moments to lose. Already the milkman was at the door, and the hands of the kitchen clock pointed to six.

Hark! what was that?

A long, low, sweet sound, like a voice calling her. She listened, and again it came. "Glory to God in the highest, and on earth peace, good-will toward men," so it seemed to breathe. Then it rose in a gay carol, a sweet gushing thanksgiving, and the children came tumbling down in their night-gowns; they rushed to the door of the sitting-room, and there beside his improvised bed stood the young musician, playing on his violin as if all the world were his audience. His brown eyes flashed now with light, and then grew dark and tender, as he drew the sweet sounds out. The children gazed in wonderment: where had this child come from? had he dropped from the stars? had an angel come among them? He played on and on, until, from sheer fatigue, he put his instrument down. Then Teddie and Clover and Daisy came about him; they touched his hands, his curly locks, his violin, to see if all were real. Then they whirled round the room in a mad dance of delight, for the mother had uncovered the tree, and it was really Christmas morning.

Ah, what a happy day for poor little Toni! How nice he looked in Teddie's clothes! how gentle he was with Daisy! how he frolicked with Clover! and when Mrs. Morton came from church, how softly he played all his pretty melodies for her! It was a day of feast and gladness; and when, to her surprise and pleasure, a committee of church people waited upon Mrs. Morton to give her a purse, through the meshes of which glittered gold pieces, she said then and there that Toni should never go to the harsh and cruel Padrone again.

Perhaps some time as you listen to a sweet voice singing to the accompaniment of a violin you may think of Mrs. Morton and Toni, and be glad that the world bestows its applause and its gifts upon them, and that the vision of his mother and her love which came to Toni on that Christmas-eve has been made to him a reality.

THE HISTORY OF PHOTOGEN AND NYCTERIS

[Begun in No. 5 of Harper's Young People, December 2.]A Day and Night MährchenBY GEORGE MACDONALD

XIV.—THE SUN

There Nycteris sat, and there the youth lay, all night long, in the heart of the great cone-shadow of the earth, like two Pharaohs in one pyramid. Photogen slept, and slept; and Nycteris sat motionless lest she should waken him, and so betray him to his fear.

The moon rode high in the blue eternity; it was a very triumph of glorious Night; the river ran babble-murmuring in deep soft syllables; the fountain kept rushing moonward, and blossoming momently to a great silvery flower, whose petals were forever falling like snow, but with a continuous musical clash, into the bed of its exhaustion beneath; the wind woke, took a run among the trees, went to sleep, and woke again; the daisies slept on their feet at hers, but she did not know they slept; the roses might well seem awake, for their scent filled the air, but in truth they slept also, and the odor was that of their dreams; the oranges hung like gold lamps in the trees, and their silvery flowers were the souls of their yet unembodied children; the scent of the acacia blooms filled the air like the very odor of the moon herself.

At last, unused to the living air, and weary with sitting so still and so long, Nycteris grew drowsy. The air began to grow cool. It was getting near the time when she too was accustomed to sleep. She closed her eyes just a moment, and nodded—opened them suddenly wide, for she had promised to watch.

In that moment a change had come. The moon had got round, and was fronting her from the west, and she saw that her face was altered, that she had grown pale, as if she too were wan with fear, and from her lofty place espied a coming terror. The light seemed to be dissolving out of her; she was dying—she was going out! And yet everything around looked strangely clear—clearer than ever she had seen anything before: how could the lamp be shedding more light when she herself had less? Ah, that was just it! See how faint she looked! It was because the light was forsaking her, and spreading itself over the room, that she grew so thin and pale. She was melting away from the roof like a bit of sugar in water.

Nycteris was fast growing afraid, and sought refuge with the face upon her lap. How beautiful the creature was!—what to call it she could not think, for it had been angry when she called it what Watho called her. And, wonder upon wonder! now, even in the cold change that was passing upon the great room, the color as of a red rose was rising in the wan cheek. What beautiful yellow hair it was that spread over her lap! What great huge breaths the creature took! And what were those curious things it carried? She had seen them on her walls, she was sure.

Thus she talked to herself while the lamp grew paler and paler, and everything kept growing yet clearer. What could it mean? The lamp was dying—going out into the other place of which the creature in her lap had spoken, to be a sun! But why were the things growing clearer before it was yet a sun? That was the point. Was it her growing into a sun that did it? Yes! yes! it was coming death! She knew it, for it was coming upon her also! She felt it coming! What was she about to grow into? Something beautiful, like the creature in her lap? It might be! Anyhow, it must be death; for all her strength was going out of her, while all around her was growing so light she could not bear it!

Photogen woke, lifted his head from her lap, and sprang to his feet. His face was one radiant smile. His heart was full of daring. Nycteris gave a cry, covered her face with her hands, and pressed her eyelids close. Then blindly she stretched out her arms to Photogen, crying, "Oh, I am so frightened! What is this? It must be death! I don't wish to die yet. I love this room and the old lamp. I do not want the other place! This is terrible!"

"What is the matter with you, girl?" said Photogen. "There is no fear of anything now, child. It is day. The sun is all but up. Good-by. Thank you for my night's lodging. I'm off. Don't be a goose. If ever I can do anything for you—and all that, you know—"

"Don't leave me; oh, don't leave me!" cried Nycteris. "I am dying! I can not move. The light sucks all the strength out of me. And oh, I am so frightened!"

But already Photogen had splashed through the river, holding high his bow that it might not get wet. He rushed across the level, and strained up the opposing hill. Hearing no answer, Nycteris removed her hands. Photogen had reached the top, and the same moment the sun-rays alighted upon him: the glory of the king of day crowded blazing upon the golden-haired youth. Radiant as Apollo, he stood in mighty strength, a flashing shape in the midst of flame. He fitted a glowing arrow to a gleaming bow. The arrow parted with a keen musical twang of the bowstring, and Photogen darting after it, vanished with a shout. Up shot Apollo himself, and from his quiver scattered astonishment and exultation. But the brain of poor Nycteris was pierced through and through. She fell down in utter darkness. All around her was a flaming furnace. In despair and feebleness and agony she crept back, feeling her way with doubt and difficulty and enforced persistence to her cell. When at last the friendly darkness of her chamber folded her about with its cooling and consoling arms, she threw herself on her bed and fell fast asleep. And there she slept on, one alive in a tomb, while Photogen, above in the sun-glory, pursued the buffaloes on the lofty plain, thinking not once of her where she lay dark and forsaken, whose presence had been his refuge, her eyes and her hands his guardians through the night. He was in his glory and his pride; and the darkness and its disgrace had vanished for a time.

XV.—THE COWARD HERO

But no sooner had the sun reached the noonstead than Photogen began to remember the past night in the shadow of that which was at hand, and to remember it with shame. He had proved himself—and not to himself only, but to a girl as well—a coward!—one bold in the daylight, while there was nothing to fear, but trembling like any slave when the night arrived. There was, there must be, something unfair in it! A spell had been cast upon him! He had eaten, he had drunk, something that did not agree with courage. In any case he had been taken unprepared. How was he to know what the going down of the sun would be like? It was no wonder he should have been surprised into terror, seeing it was what it was—in its very nature so terrible! Also, one could not see where danger might be coming from! You might be torn in pieces, carried off, or swallowed up, without even seeing where to strike a blow! Every possible excuse he caught at, eager as a self-lover to lighten his self-contempt. That day he astonished the huntsmen—terrified them with his reckless daring—all to prove to himself he was no coward.

But nothing eased his shame. One thing only had hope in it—the resolve to encounter the dark in solemn earnest, now that he knew something of what it was. It was nobler to meet and recognize danger than to rush contemptuously into what seemed nothing—nobler still, to encounter a nameless horror. He could conquer fear and wipe out disgrace together. For a marksman and swordsman like him, he said, one with his strength and courage, there was but danger. Defeat there was not. He knew the darkness now, and when it came he would meet it as fearless and cool as now he felt himself. And again he said, "We shall see!"

He stood under the boughs of a great beech as the sun was going down, far away over the jagged hills: before it was half down, he was trembling like one of the leaves behind him in the first sigh of the night wind. The moment the last of the glowing disk vanished, he bounded away in terror to gain the valley, and his fear grew as he ran. Down the side of the hill, an abject creature, he went bounding and rolling and running; fell rather than plunged into the river, and came to himself, as before, lying on the grassy bank in the garden.

But when he opened his eyes, there were no girl-eyes looking down into his; there were only the stars in the waste of the sunless Night—the awful all-enemy he had again dared, but could not encounter. Perhaps the girl was not yet come out of the water! He would try to sleep, for he dared not move, and perhaps when he woke he would find his head on her lap, and the beautiful dark face, with its deep blue eyes, bending over him. But when he woke he found his head on the grass, and although he sprang up with all his courage, such as it was, restored, he did not set out for the chase with such an élan as the day before; and despite the sun-glory in his heart and veins, his hunting was this day less eager; he ate little, and from the first was thoughtful even to sadness. A second time he was defeated and disgraced! Was his courage nothing more than the play of the sunlight on his brain? Was he a mere ball tossed between the light and the dark? Then what a poor contemptible creature he was! But a third chance lay before him. If he failed the third time, he dared not foreshadow what he must then think of himself! It was bad enough now—but then!

Alas! it went no better. The moment the sun was down, he fled as if from a legion of devils.

Seven times in all he tried to face the coming night in the strength of the past day, and seven times he failed—failed with such increase of failure, with such a growing sense of ignominy, overwhelming at length all the sunny hours and joining night to night, that, what with misery, self-accusation, and loss of confidence, his daylight courage too began to fade, and at length, from exhaustion, from getting wet, and then lying out-of-doors all night, and night after night—worst of all, from the consuming of the deathly fear, and the shame of shame, his sleep forsook him, and on the seventh morning, instead of going to the hunt, he crawled into the castle, and went to bed. The grand health, over which the witch had taken such pains, had yielded, and in an hour or two he was moaning and crying out in delirium.

[to be continued.]

BRINGING CHRISTMAS CHEER.

LITTLE BO-PEEP FELL FAST ASLEEP, AND DREAMT—

THE GIFT OF THE BIRDS

No sweeter child could ever beThan fair-haired, blue-eyed Cecily.She loved all things on earth that grew;The grass, the flowers, the weeds, she knew;The butterflies around her flew,That she might see their rainbowed wings.The very bees and wasps would comeTo greet her with a gentle hum,And ne'er betray that they had stings.But, most of all, the birds in throngs,Where'er she went, with chirps and songsGave her glad welcome. Her first wordsHad been, "I love the pretty birds;"And ever since her baby handCould scatter seed and crumbs of bread,Each day a waiting feathered bandThe darling little maid had fed.The loving, winsome Cecily—No dearer child e'er lived than she—One Christmas-eve (in crimson hoodAnd cloak she'd in her garden stoodThat morn and fed a hungry brood)In her white bed lay fast asleep,The moonlight on her golden hair,Her hands still clasped as in the prayer,"I pray thee, Lord, my soul to keep."She slept, and dreamed of Christmas times,Of Christmas gifts, and Christmas rhymes;But in no vision did she seeThe host that filled the cedar-tree—The cedar-tree that, tall and straight,Rose high above the garden gate,And though the winds were cold and keen,Wore berries blue and branches green.A hundred birds or more were there;Some—from the sunny Southland, whereThe fragrant rose was blooming still,And green grass covered field and hill,And, free as ever, flowed the rill—Had come in answer to the callOf friends who at the North had staid,By stern old Winter undismayed,To see the dainty snow-flakes fall.These kindly greeted, with small headHeld on one side, a sparrow said,"To choose a gift for CecilyWe've met to-night. What shall it be?"A flute-like trill, in graceful pride,A thrush sang sweetly, then replied,"What better than the gift of song?""None better," answered all the throng.And when next dawn sweet Cecily—No sweeter child could ever be—Into the sunlight smiling sprang,In wondrous notes a hymn she sang.Exultant on the air it rang,And waked the echoes all about.Straightway the morning brighter grew,The pale sky turned a deeper blue,The merry Christmas bells pealed out.And, from that day, whoever hearsThe wee maid sing, sheds happy tears(So potent is her power of song),Forgetting pain and care and wrong,Rememb'ring only heaven is nigh,Where dwells the Christ who came to dieOn earth, that we might live alway,And who was born on Christmas-day.

THE FAIR PERSIAN

BY JAMES PAYN

To those young ladies and gentlemen who are acquainted with the Arabian Nights, I foresee that the title of my tale will at once cause to spring up in their recollection the adventure of Nourhadeen and his fair Persian; that a vision will instantly present itself to their gaze of singing trees and dancing fountains, of hanging gardens, and groves of palm, and purses of sequins; and I am sure they will thank me for having recalled to their minds (though I didn't mean to do it) remembrances so charming. To other little folks, on the other hand, who have not read the Arabian Nights, my story will have none the less attraction, since it has no more to do with Nourhadeen than with their excellent grandmother (if they happen to have one), and the fair Persian is not a "young person" at all.

How it all happened was thus: It was papa's birthday, you see, and the children knowing—clever creatures—exactly when it was coming, had prepared a surprise for him. They knew his tastes to a nicety, and had put their money together and bought the present that he would be sure to welcome most. Only he was not to know what it was to be; and yet it being "such fun" to hear him guess, he was allowed three chances, and if he guessed right he was to be told. Only you mightn't say, "You're burning" (which is the same as "you're near it," you know), or anything more to help him than this, namely, that the present was "half alive and half not," and that "one part of it was within the other."

Papa said that he would rather not have been helped in this way, as it did him more harm than good, by putting all probable things—the guesses he would naturally have made—out of the question. The children gave him one minute to guess in, and not till fifty-nine seconds had gone by did he utter a syllable, and then he only said, "I give it up."

They thought it rather stupid of dear papa, but then, you see, they knew, and he didn't, which makes an immense difference in guessing.

Then he asked them to give him "a light"—not a light for his cigar, of course, for all this took place in the drawing-room—but a hint as to what the present was. Then they said, which was a pretty broad one, that it was "a fair Persian;" but even then he couldn't guess. "I have never heard," he said, twiddling his watch chain, "of any fair Persian, except in connection with Nourhadeen, and she was not half alive and half not." "Very good," said Polly, who had given the biggest subscription, and had therefore the best right to speak; "it is plain to us, dear papa, that you want more prompting. When I tell you that Nourhadeen, in this case, is a little basket house, with a lovely red rug in it, that will let the cat out of the bag;" whereupon dear, clever papa guessed it was a Persian cat.

But it wasn't, for it was only a kitten.

It didn't look like a kitten, however, being, when rolled up and asleep, a mere round fluffy black ball, and, when awake, a little black bear, looked at through the wrong end of a telescope. It would have taken about ten thousand of it to have made a real bear, and even then it would have been a small bear, only its tail was by no means small, but a splendid article. Otherwise it was so very tiny that it lay upon its red rug like an ink spot on a piece of blotting-paper. It had a fine house of basket-work, just like what Robinson Crusoe built for himself for a summer residence, with a sloping roof, and a little door that fastened with a pin outside, when he wished to be private; and as every house which has not a number must have a name (so that the postman may know where to leave the letters), it was called Nourhadeen (because of the fair Persian), and the tenant of it was called Fluffy.

Of course, since a gift is a gift, it was papa's own Fluffy, but that did not prevent its being the pet of the whole house, baby included; and to see these two little creatures together was (almost) as good as a play. One was so black, and the other so pink and white, and yet both so soft and warm, and about equal as to talking. For though baby could babble, he couldn't purr, and though Fluffy could purr, she couldn't babble, while neither could stand up on their hind-legs for more than two seconds together.