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Harper's New Monthly Magazine, Vol. V, No. XXV, June, 1852
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Harper's New Monthly Magazine, Vol. V, No. XXV, June, 1852

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Harper's New Monthly Magazine, Vol. V, No. XXV, June, 1852

This proper name, so used by Mr. Snagsby, has before now sharpened the wit of the Cook's-Courtiers to remark that it ought to be the name of Mrs. Snagsby; seeing that she might with great force and expression be termed a Guster, in compliment to her stormy character. It is, however, the possession, and the only possession, except fifty shillings per annum and a very small box indifferently filled with clothing, of a lean young woman from a workhouse (by some supposed to have been christened Augusta); who, although she was farmed or contracted for, during her growing time, by an amiable benefactor of his species resident at Tooting, and can not fail to have been developed under the most favorable circumstances, "has fits" – which the parish can't account for.

Guster, really aged three or four and twenty, but looking a round ten years older, goes cheap with this unaccountable drawback of fits; and is so apprehensive of being returned on the hands of her patron Saint, that except when she is found with her head in the pail, or the sink, or the copper, or the dinner, or any thing else that happens to be near her at the time of her seizure, she is always at work. She is a satisfaction to the parents and guardians of the 'Prentices, who feel that there is little danger of her inspiring tender emotions in the breast of youth; she is a satisfaction to Mrs. Snagsby, who can always find fault with her; she is a satisfaction to Mr. Snagsby, who thinks it a charity to keep her. The Law-stationer's establishment is, in Guster's eyes, a temple of plenty and splendor. She believes the little drawing-room up-stairs, always kept, as one may say, with its hair in papers and its pinafore on, to be the most elegant apartment in Christendom. The view it commands of Cook's Court, at one end (not to mention a squint into Cursitor Street), and of Coavins's the Sheriff's Officer's backyard at the other, she regards as a prospect of unequaled beauty. The portraits it displays in oil – and plenty of it too – of Mr. Snagsby looking at Mrs. Snagsby, and of Mrs. Snagsby looking at Mr. Snagsby, are in her eyes as achievements of Raphael or Titian. Guster has some recompense for her many privations.

Mr. Snagsby refers every thing not in the practical mysteries of the business, to Mrs. Snagsby. She manages the money, reproaches the Tax-gatherers, appoints the times and places of devotion on Sundays, licenses Mr. Snagsby's entertainments, and acknowledges no responsibility as to what she thinks fit to provide for dinner; insomuch that she is the high standard of comparison among the neighboring wives, a long way down Chancery Lane on both sides, and even out in Holborn, who, in any domestic passages of arms, habitually call upon their husbands to look at the difference between their (the wives') position and Mrs. Snagsby's, and their (the husbands') behavior and Mr. Snagsby's. Rumor, always flying, bat-like, about Cook's Court, and skimming in and out at every body's windows, does say that Mrs. Snagsby is jealous and inquisitive; and that Mr. Snagsby is sometimes worried out of house and home, and if he had the spirit of a mouse he wouldn't stand it. It is even observed that the wives who quote him to their self-willed husbands as a shining example, in reality look down upon him; and that nobody does so with greater superciliousness than one particular lady, whose lord is more than suspected of laying his umbrella on her as an instrument of correction. But these vague whisperings may arise from Mr. Snagsby's being, in his way, rather a meditative and poetical man; loving to walk in Staple Inn in the summer time, and to observe how countrified the sparrows and the leaves are: also to lounge about the Rolls Yard of a Sunday afternoon, and to remark (if in good spirits) that there were old times once, and that you'd find a stone coffin or two, now under that chapel, he'll be bound, if you was to dig for it. He solaces his imagination, too, by thinking of the many Chancellors and Vices and Masters of the Rolls, who are deceased, and he gets such a flavor of the country out of telling the two 'Prentices how he has heard say that a brook "as clear as crystal" once ran down the middle of Holborn, when Turnstile really was a turnstile leading slap away into the meadows – gets such a flavor of the country out of this, that he never wants to go there.

The day is closing in and the gas is lighted, but is not yet fully effective, for it is not quite dark. Mr. Snagsby, standing at his shop-door, looking up at the clouds, sees a crow, who is out late, skim westward over the leaden slice of sky belonging to Cook's Court. The crow flies straight across Chancery Lane and Lincoln's Inn Garden, into Lincoln's Inn Fields.

Here, in a large house, formerly a house of state, lives Mr. Tulkinghorn. It is let off in sets of chambers now; and in those shrunken fragment of its greatness, lawyers lie like maggots in nuts. But its roomy staircases, passages, and ante-chambers still remain; and even its painted ceilings, where Allegory, in Roman helmet and celestial linen, sprawls among balustrades and pillars, flowers, clouds, and big-legged boys, and makes the head ache – as would seem to be Allegory's object always, more or less. Here, among his many boxes labeled with transcendent names, lives Mr. Tulkinghorn, when not speechlessly at home in country-houses where the great ones of the earth are bored to death. Here he is to-day, quiet at his table. An Oyster of the old school, whom nobody can open.

Like as he is to look at, so is his apartment in the dusk of the present afternoon. Rusty, out of date, withdrawing from attention, able to afford it. Heavy, broad-backed, old-fashioned mahogany and horse-hair chairs, not easily lifted, obsolete tables with spindle-legs and dusty baize covers, presentation prints of the holders of great titles in the last generation, or the last but one, environ him. A thick and dingy Turkey-carpet muffles the floor where he sits, attended by two candles in old-fashioned silver candlesticks, that give a very insufficient light to his large room. The titles on the backs of his books have retired into the binding; every thing that can have a lock has got one; no key is visible. Very few loose papers are about. He has some manuscript near him, but is not referring to it. With the round top of an inkstand, and two broken bits of sealing-wax, he is silently and slowly working out whatever train of indecision is in his mind. Now, the inkstand top is in the middle: now, the red bit of sealing-wax, now the black bit. That's not it. Mr. Tulkinghorn must gather them all up, and begin again.

Here, beneath the painted ceiling, with foreshortened Allegory staring down at his intrusion as if it meant to swoop upon him, and he cutting it dead, Mr. Tulkinghorn has at once his house and office. He keeps no staff; only one middle-aged man usually a little out at elbows, who sits in a high Pew in the hall, and is rarely overburdened with business. Mr. Tulkinghorn is not in a common way. He wants no clerks. He is a great reservoir of confidences, not to be so tapped. His clients want him; he is all in all. Drafts that he requires to be drawn, are drawn by special pleaders in the Temple on mysterious instructions; fair copies that he requires to be made, are made at the stationer's, expense being no consideration. The middle-aged man in the Pew knows scarcely more of the affairs of the Peerage, than any crossing-sweeper in Holborn.

The red bit, the black bit, the inkstand top, the other inkstand top, the little sand-box. So! You to the middle, you to the right, you to the left. This train of indecision must surely be worked out now or never. Now! Mr. Tulkinghorn gets up, adjusts his spectacles, puts on his hat, puts the manuscript in his pocket, goes out, tells the middle-aged man out at elbows, "I shall be back presently." Very rarely tells him any thing more explicit.

Mr. Tulkinghorn goes, as the crow came – not quite so straight, but nearly – to Cook's Court, Cursitor Street. To Snagsby's, Law Stationer's, Deeds engrossed and copied, Law-Writing executed in all its branches, &c., &c., &c.

It is somewhere about five or six o'clock in the afternoon, and a balmy fragrance of warm tea hovers in Cook's Court. It hovers about Snagsby's door. The hours are early there; dinner at half-past one, and supper at half past nine. Mr Snagsby was about to descend into the subterranean regions to take tea, when he looked out of his door just now, and saw the crow who was out late.

"Master at home?"

Guster is minding the shop, for the 'Prentices take tea in the kitchen, with Mr. and Mrs. Snagsby; consequently, the robe-maker's two daughters, combing their curls at the two glasses in the two second-floor windows of the opposite house are not driving the two 'Prentices to distraction, as they fondly suppose, but are merely awakening the unprofitable admiration of Guster, whose hair won't grow and never would, and, it is confidently thought, never will.

"Master at home?" says Mr. Tulkinghorn.

Master is at home, and Guster will fetch him. Guster disappears, glad to get out of the shop, which she regards with mingled dread and veneration, as a storehouse of awful implements of the great torture of the law: a place not to be entered after the gas is turned off.

Mr. Snagsby appears: greasy, warm, herbaceous, and chewing. Bolts a bit of bread and butter. Says, "Bless my soul, sir! Mr. Tulkinghorn!"

"I want half a word with you, Snagsby."

"Certainly, sir! Dear me, sir, why didn't you send your young man round for me? Pray walk into the back shop, sir!" Snagsby has brightened in a moment.

The confined room, strong of parchment-grease is warehouse, counting-house, and copying-office. Mr. Tulkinghorn sits, facing round, on a stool at the desk.

"Jarndyce and Jarndyce, Snagsby."

"Yes, sir." Mr. Snagsby turns up the gas, and coughs behind his hand, modestly anticipating profit. Mr. Snagsby, as a timid man, is accustomed to cough with a variety of expressions, and so to save words.

"You copied some affidavits in that cause for me lately."

"Yes sir, we did."

"There was one of them," says Mr. Tulkinghorn, carelessly feeling – tight, unopenable oyster of the old school! – in the wrong coat-pocket, "the handwriting of which is peculiar, and I rather like. As I happened to be passing, and thought I had it about me, I looked in to ask you – but I haven't got it. No matter, any other time will do – Ah! here it is! – I looked in to ask you who copied this?"

"Who copied this, sir?" says Mr. Snagsby, taking it, laying it flat on the desk, and separating all the sheets at once with a twirl and a twist of the left hand peculiar to law-stationers. "We gave this out, sir. We were giving out rather a large quantity of work just at that time. I can tell you in a moment who copied it, sir, by referring to my book."

Mr. Snagsby takes his book down from the safe, makes another bolt of the bit of bread and butter which seems to have stopped short, eyes the affidavit aside, and brings his right forefinger traveling down a page of the book. "Jewby – Packer – Jarndyce."

"Jarndyce! Here we are, sir," says Mr. Snagsby. "To be sure! I might have remembered it. This was given out, sir, to a writer who lodges just over on the opposite side of the lane."

Mr. Tulkinghorn has seen the entry, found it before the law-stationer, read it while the forefinger was coming down the hill.

"What do you call him? Nemo?" says Mr. Tulkinghorn.

"Nemo, sir. Here it is. Forty-two folio. Given out on the Wednesday night, at eight o'clock; brought in on the Thursday morning, at half after nine."

"Nemo!" repeats Mr. Tulkinghorn. "Nemo is Latin for no one."

"It must be English for some one, sir, I think," Mr. Snagsby submits, with his deferential cough. "It is a person's name. Here it is, you see, sir! Forty-two folio. Given out, Wednesday night, eight o'clock; brought in, Thursday morning, half after nine."

The tail of Mr. Snagsby's eye becomes conscious of the head of Mrs. Snagsby looking in at the shop-door to know what he means by deserting his tea. Mr. Snagsby addresses an explanatory cough to Mrs. Snagsby, as who should say, "My dear, a customer!"

"Half after nine, sir," repeats Mr. Snagsby. "Our law-writers, who live by job-work, are a queer lot; and this may not be his name, but it's the name he goes by. I remember now, sir, that he gives it in a written advertisement he sticks up down at the Rule Office, and the King's Bench Office, and the Judges' Chambers, and so forth. You know the kind of document, sir – wanting employ?"

Mr. Tulkinghorn glances through the little window at the back of Coavins's, the sheriff's officer's, where lights shine into Coavins's windows. Coavins's coffee-room is at the back, and the shadows of several gentlemen under a cloud loom cloudily upon the blinds. Mr. Snagsby takes the opportunity of slightly turning his head, to glance over his shoulder at his little woman, and to make apologetic motions with his mouth to this effect: "Tul-king-horn – rich – in-flu-en-tial!"

"Have you given this man work before?" asks Mr. Tulkinghorn.

"O dear, yes, sir! Work of yours."

"Thinking of more important matters, I forget where you said he lived!"

"Across the lane, sir. In fact, he lodges at a – " Mr. Snagsby makes another bolt, as if the bit of bread and butter were insurmountable – "at a rag and bottle shop."

"Can you show me the place as I go back?"

"With the greatest pleasure, sir!"

Mr. Snagsby pulls off his sleeves and his gray coat, pulls on his black coat, takes his hat from its peg. "Oh! here is my little woman!" he says aloud. "My dear, will you be so kind as to tell one of the lads to look after the shop, while I step across the lane with Mr. Tulkinghorn? Mrs. Snagsby, sir – I shan't be two minutes, my love!"

Mrs. Snagsby bends to the lawyer, retires behind the counter, peeps at them through the window-blind, goes softly into the back office, refers to the entries in the book still lying open. Is evidently curious.

"You will find that the place is rough, sir," says Mr. Snagsby, walking deferentially in the road, and leaving the narrow pavement to the lawyer; "and the party is very rough. But they're a wild lot in general, sir. The advantage of this particular man is, that he never wants sleep. He'll go it right on end, if you want him to, as long as ever you like."

It is quite dark now, and the gas-lamps have acquired their full effect. Jostling against clerks going to post the day's letters, and against counsel and attorneys going home to dinner, and against plaintiffs and defendants, and suitors of all sorts, and against the general crowd, in whose way the forensic wisdom of ages has interposed a million of obstacles to the transaction of the commonest business of life – diving through law and equity, and through that kindred mystery, the street mud, which is made of nobody knows what, and collects about us nobody knows whence or how: we only knowing in general that when there is too much of it, we find it necessary to shovel it away – the lawyer and the law-stationer come to a Rag and Bottle Shop, and general emporium of much disregarded merchandise, lying and being in the shadow of the wall of Lincoln's Inn, and kept, as is announced in paint to all whom it may concern, by one Krook.

"This is where he lives, sir," says the law-stationer.

"This is where he lives, is it?" says the lawyer unconcernedly. "Thank you."

"Are you not going in, sir?"

"No, thank you, no; I am going on to the Fields at present. Good evening. Thank you!" Mr. Snagsby lifts his hat, and returns to his little woman and his tea.

But, Mr. Tulkinghorn does not go on to the Fields at present. He goes a short way, turns back, comes again to the shop of Mr. Krook, and enters it straight. It is dim enough, with a blot-headed candle or so in the windows, and an old man and a cat sitting in the back part by a fire. The old man rises and comes forward, with another blot-headed candle in his hand.

"Pray, is your lodger within?"

"Male or female, sir?" says Mr. Krook.

"Male. The person who does copying."

Mr. Krook has eyed his man narrowly. Knows him by sight. Has an indistinct impression of his aristocratic repute.

"Did you wish to see him, sir?"

"Yes."

"It's what I seldom do myself," says Mr. Krook with a grin. "Shall I call him down? But it's a weak chance if he'd come, sir!"

"I'll go up to him, then," says Mr. Tulkinghorn.

"Second floor, sir. Take the candle. Up there!" Mr. Krook, with his cat beside him, stands at the bottom of the staircase, looking after Mr. Tulkinghorn. "Hi – hi!" he says, when Mr. Tulkinghorn has nearly disappeared. The lawyer looks down over the hand-rail. The cat expands her wicked mouth, and snarls at him.

"Order, Lady Jane! Behave yourself to visitors, my lady! You know what they say of my lodger?" whispers Krook, going up a step or two.

"What do they say of him?"

"They say he has sold himself to the Enemy; but you and I know better – he don't buy. I'll tell you what, though; my lodger is so black-humored and gloomy, that I believe he'd as soon make that bargain as any other. Don't put him out, sir. That's my advice!"

Mr. Tulkinghorn with a nod goes on his way. He comes to the dark door on the second floor. He knocks, receives no answer, opens it, and accidentally extinguishes his candle in doing so.

The air of the room is almost bad enough to have extinguished it, if he had not. It is a small room, nearly black with soot, and grease, and dirt. In the rusty skeleton of a grate, pinched at the middle as if Poverty had griped it, a red coke fire burns low. In the corner, by the chimney, stand a deal table and a broken desk: a wilderness marked with a rain of ink. In another corner, a ragged old portmanteau on one of the two chairs, serves for cabinet or wardrobe; no larger one is needed, for it collapses like the cheeks of a starved man. The floor is bare; except that one old mat, trodden to shreds of rope-yarn, lies perishing upon the hearth. No curtain vails the darkness of the night, but the discolored shutters are drawn together; and through the two gaunt holes pierced in them, famine might be staring in – the Banshee of the man upon the bed.

For, on a low bed opposite the fire, a confusion of dirty patchwork, lean-ribbed ticking, and coarse sacking, the lawyer, hesitating just within the doorway sees a man. He lies there, dressed in shirt and trowsers, with bare feet. He has a yellow look, in the spectral darkness of a candle that has guttered down, until the whole length of its wick (still burning) has doubled over, and left a tower of winding-sheet above it. His hair is ragged, mingling with his whiskers and his beard – the latter, ragged too, and grown, like the scum and mist around him, in neglect. Foul and filthy as the room is, foul and filthy as the air, it is not easy to perceive what fumes those are which most oppress the senses in it; but through the general sickliness and faintness, and the odor of stale tobacco, there comes into the lawyer's mouth the bitter, vapid taste of opium.

"Hallo, my friend!" he cries, and strikes his iron candlestick against the door.

He thinks he has awakened his friend. He lies a little turned away, but his eyes are surely open.

"Hallo, my friend!" he cries again. "Hallo! Hallo!"

As he rattles on the door, the candle which has drooped so long, goes out, and leaves him in the dark; with the gaunt eyes in the shutters staring down upon the bed.

THE GHOST-RAISER

My Uncle Beagley, who commenced his commercial career very early in the present century as a bagman, will tell stories. Among them, he tells his Single Ghost story so often, that I am heartily tired of it. In self-defense, therefore, I publish the tale, in order that when next the good, kind old gentleman offers to bore us with it, every body may say they know it. I remember every word of it.

One fine autumn evening, about forty years ago, I was traveling on horseback from Shrewsbury to Chester. I felt tolerably tired, and was beginning to look out for some snug wayside inn, where I might pass the night, when a sudden and violent thunder-storm came on. My horse, terrified by the lightning, fairly took the bridle between his teeth, and started off with me at full gallop through lanes and cross-roads, until at length I managed to pull him up just near the door of a neat-looking country inn.

"Well," thought I, "there was wit in your madness, old boy, since it brought us to this comfortable refuge." And alighting, I gave him in charge to the stout farmer's boy who acted as hostler. The inn-kitchen, which was also the guest-room, was large, clean, neat, and comfortable, very like the pleasant hostelry described by Izaak Walton. There were several travelers already in the room – probably, like myself, driven there for shelter – and they were all warming themselves by the blazing fire while waiting for supper. I joined the party. Presently, being summoned by the hostess, we all sat down, twelve in number, to a smoking repast of bacon and eggs, corned beef and carrots, and stewed hare.

The conversation naturally turned on the mishaps occasioned by the storm, of which every one seemed to have had his full share. One had been thrown off his horse; another, driving in a gig, had been upset into a muddy dyke; all had got a thorough wetting, and agreed unanimously that it was dreadful weather – a regular witches' sabbath!

"Witches and ghosts prefer for their sabbath a fine moonlight night to such weather as this!"

These words were uttered in a solemn tone, and with strange emphasis, by one of the company. He was a tall, dark-looking man, and I had set him down in my own mind as a traveling merchant or peddler. My next neighbor was a gay, well-looking, fashionably-dressed young man, who, bursting into a peal of laughter, said:

"You must know the manners and customs of ghosts very well, to be able to tell that they dislike getting wet or muddy."

The first speaker, giving him a dark fierce look, said:

"Young man, speak not so lightly of things above your comprehension."

"Do you mean to imply that there are such things as ghosts?"

"Perhaps there are, if you had courage to look at them."

The young man stood up, flushed with anger. But presently resuming his seat, he said, calmly:

"That taunt should cost you dear, if it were not such a foolish one."

"A foolish one!" exclaimed the merchant, throwing on the table a heavy leathern purse. "There are fifty guineas. I am content to lose them, if, before the hour is ended, I do not succeed in showing you, who are so obstinately prejudiced, the form of any one of your deceased friends; and if, after you have recognized him, you allow him to kiss your lips."

We all looked at each other, but my young neighbor, still in the same mocking manner, replied:

"You will do that, will you?"

"Yes," said the other – "I will stake these fifty guineas, on condition that you will pay a similar sum if you lose."

After a short silence, the young man said, gayly:

"Fifty guineas, my worthy sorcerer, are more than a poor college sizar ever possessed; but here are five, which, if you are satisfied, I shall be most willing to wager."

The other took up his purse, saying, in a contemptuous tone:

"Young gentleman, you wish to draw back?"

"I draw back!" exclaimed the student. – "Well! if I had the fifty guineas, you should see whether I wish to draw back!"

"Here," said I, "are four guineas, which I will stake on your wager."

No sooner had I made this proposition than the rest of the company, attracted by the singularity of the affair, came forward to lay down their money; and in a minute or two the fifty guineas were subscribed. The merchant appeared so sure of winning, that he placed all the stakes in the student's hands, and prepared for his experiment. We selected for the purpose a small summer-house in the garden, perfectly isolated, and having no means of exit but a window and a door, which we carefully fastened, after placing the young man within. We put writing materials on a small table in the summer-house, and took away the candles. We remained outside, with the peddler among us. In a low solemn voice he began to chant the following lines:

"What riseth slow from the ocean cavesAnd the stormy surf?The phantom pale sets his blackened footOn the fresh green turf."

Then, raising his voice solemnly, he said:

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