Читать книгу Eclectic Magazine of Foreign Literature, Science, and Art, March 1885 ( Various) онлайн бесплатно на Bookz (14-ая страница книги)
bannerbanner
Eclectic Magazine of Foreign Literature, Science, and Art, March 1885
Eclectic Magazine of Foreign Literature, Science, and Art, March 1885Полная версия
Оценить:
Eclectic Magazine of Foreign Literature, Science, and Art, March 1885

5

Полная версия:

Eclectic Magazine of Foreign Literature, Science, and Art, March 1885

Charles Dickens writes to his sister-in-law in the year 1856: – “Kiss the Plorn for me, and expound to him that I am always looking forward to meeting him again, among the birds and flowers in the garden on the side of the hill at Boulogne.” And when he had to part with this son in 1868, he says in a letter to a friend, “Poor Plorn is gone to Australia. It was a hard parting at the last. He seemed to me to become once more my youngest and favorite little child as the day drew near, and I did not think I could have been so shaken.” The housekeeper at his office, who saw him after he had taken leave of the boy, told “how she had never seen the master so upset, and that when she asked him how Mr. Edward went off he burst into tears, and couldn't answer her a word.”

During the years spent at Tavistock House one of his daughters was, for a time, a great invalid, and after a worse attack of illness than usual her father suggested that she should be carried as far as the study, and lie on the sofa there, while he was at work. This was of course considered an immense privilege, and even if she had not felt as weak and ill as she did, she would have been bound to remain as still and quiet as possible. For some time there was no sound to be heard in the room but the rapid working of the pen, when suddenly he jumped up, went to the looking-glass, rushed back to his writing-table and jotted down a few words; back to the glass again, this time talking to his own reflection, or rather to the simulated expression he saw there, and was trying to catch before drawing it in words, then back again to his writing. After a little he got up again, and stood with his back to the glass, talking softly and rapidly for a long time, then looking at his daughter, but certainly never seeing her, then once more back to his table, and to steady writing until luncheon time. It was a curious experience, and a wonderful thing to see him throwing himself so entirely out of himself and into the character he was writing about. His daughter has very seldom mentioned this incident, feeling as if it would be almost a breach of confidence to do so. But in these reminiscences of her father, she considers it only right that this experience should be mentioned, showing as it does his characteristic earnestness and method of work.

Often, after a hard morning's writing, when he has been alone with his family, and no visitors in the house, he has come in to luncheon and gone through the meal without uttering a word, and then has gone back again to the work in which he was so completely absorbed. Then again, there have been times when his nerves have been strung up to such a pitch that any sudden noise, such as the dropping of a spoon, or the clatter of a plate, seemed to cause him real agony. He never could bear the least noise when he was writing, and waged a fierce war against all organ-grinders, bands, etc.

In 1856 the purchase of Gad's Hill was made. Charles Dickens had never been inside the house until it was his own. For once we may hope and believe that a childish dream was realised, for certainly some of the happiest years of his home-life were spent in the house he had so coveted and admired when he was quite a small boy. “It has never been to me like any other house,” were his own words.

For the first three years, Gad's Hill was only used by him as a summer residence, but after the sale of Tavistock House, in 1860, it became his home; and from this time, until the year of his death, his great delight was to make “the little freehold” as comfortable, complete, and pretty as possible. Every year he had some “bright idea,” or some contemplated “wonderful improvement” to propound to us. And it became quite a joke between him and his youngest daughter – who was constantly at Gad's Hill – as to what the next improvement was to be. These additions and alterations gave him endless amusement and delight, and he would watch the growing of each one with the utmost eagerness and impatience. The most important out-door “improvement” he made, was a tunnel to connect the garden with the shrubbery, which lay on the opposite side of the high road, and could only be approached by leaving the garden, crossing the road, and unlocking a gate. The work of excavation began, of course from each side, and on the day when it was supposed that the picks would meet and the light appear, Charles Dickens was so excited that he had to “knock off work,” and stood for hours waiting for this consummation, and when at last it did come to pass, the workmen were all “treated,” and there was a general jubilee. This “improvement” was a great success, for the shrubbery was a nice addition to the garden, and moreover in it, facing the road, grew two very large and beautiful cedar-trees. Some little time after Monsieur Fechter sent his friend a two-roomed châlet, which was placed in the shrubbery. The upper room was prettily furnished, and fitted all round with looking-glasses to reflect the view, and was used by Charles Dickens as a study throughout the summer. He had a passion for light, bright colors, and looking-glass. When he built a new drawing-room he had two mirrors sunk into the wall opposite each other, which, being so placed, gave the effect of an endless corridor. I do not remember how many rooms could thus be counted, but he would often call some of us, and ask if we could make out another room, as he certainly could.

For one “improvement” he had looking-glass put into each panel of the dining-room door, and showing it to his youngest daughter said, with great pride, “Now, what do you say to this, Katie?” She laughed and said, “Well, really, papa, I think when you're an angel your wings will be made of looking-glass, and your crown of scarlet geraniums!”

He loved all flowers, but especially bright flowers, and scarlet geraniums were his favorite of all. There were two large beds of these on the front lawn, and when they were fully out, making one scarlet mass, there was blaze enough to satisfy even him. Even in dress he was fond of a great deal of color, and the dress of a friend who came to his daughter's wedding quite delighted him because it was trimmed with a profusion of cherry-colored ribbon. He used constantly to speak about it afterwards in terms of the highest admiration.

The large dogs at Gad's Hill were quite a feature of the place, and were also rather a subject of dread to outsiders. But this was desirable, as the house really required protection, standing as it did on the high road, which was frequented by tramps of a wild and low order, who, in the hopping season, were sometimes even dangerous; and the dogs, though as gentle as possible to their own people, knew that they were the guardians of the place, and were terribly fierce to all intruders. Linda – a St. Bernard, and a beautiful specimen of that breed – had been as a puppy living in the garden at Tavistock House before she was taken to Gad's Hill. She and Turk, a mastiff, were constant companions in all their master's walks. When he was away from home, and the ladies of the family were out alone with the dogs, Turk would at once feel the responsibility of his position, and guard them with unusual devotion, giving up all play in an instant when he happened to see any suspicious-looking figure approaching; and he never made a mistake in discovering the tramp. He would then keep on the outside of the road, close to his mistresses, with an ominous turning up of the lip, and with anything but the usually mild expression in his beautiful large brown eyes, and he would give many a look back before he thought it safe to be off again on his own account. Of all the large dogs – and there were many at different times – these two were the best loved by their dear master.

Mrs. Bouncer, a little white Pomeranian with black eyes and nose, the very sweetest and most bewitching of her sex, was a present to the eldest daughter, and was brought by her, a puppy of only six weeks old, to Tavistock House. “The boys,” knowing that the little dog was to arrive, were ready to receive their sister at the door, and escorted her, in a tremendous state of excitement, up to the study. But when the little creature was put down on the floor to be exhibited to Charles Dickens, and showed her pretty figure and little bushy tail curling tightly over her back, they could keep quiet no longer, but fairly screamed and danced with delight. From that moment he took to the little dog and made a pet of her, and it was he who gave her the name of Mrs. Bouncer. He delighted to see her out with the large dogs, because she looked “so preposterously small” by the side of them. He had a peculiar voice and way of speaking for her, which she knew perfectly well and would respond to at once, running to him from any part of the house or garden directly she heard the call. To be stroked with a foot had great fascinations for Mrs. Bouncer, and my father would often and often take off his boot of an evening and sit stroking the little creature while he read or smoked for an hour together. And although there were times, I fear, when her sharp bark must have irritated him, there never was an angry word for Bouncer.

Then there was Dick, the eldest daughter's canary, another important member of the household, who came out of his cage every morning at breakfast time and hopped about the table, pecking away at anything he had a fancy for, and perching upon the heads or shoulders of those present. Occasionally he would have naughty fits, when he would actually dare to peck his master's cheek. He took strong likes and dislikes, loving some people and really hating others. But a word from his mistress called him to order at once, and he would come to her when so called from any part of the room. After she had been away from home she always on her return went to the room where Dick lived and put her head just inside the door. At the very sight of her the bird would fly to the corner of his cage and sing as if his little throat would burst. Charles Dickens constantly followed his daughter and peeped into the room behind her, just to see Dick's rapturous reception of his mistress. When this pet bird died he had him buried in the garden, and a rose-tree planted over his grave, and wrote his epitaph: —

This is the grave of

DICK,

The best of birds..

Born at Broadstairs, Midsr. 1851.

Died at Gad's Hill Place, 14th Oct., 1866.

While Dick lived cats were of course tabooed, and were never allowed about the house; but after his death a white kitten called Williamina was given to one of the family, and she and her numerous offspring had a happy home at Gad's Hill.

This cat ingratiated herself into favor with every one in the house, but she was particularly devoted to the master. Once, after a family of kittens had been born, she had a fancy that they should live in the study. So she brought them up, one by one, from the kitchen floor, where a comfortable bed had been provided for them, and deposited them in a corner of the study. They were taken down stairs by order of the master, who said he really could not allow the kittens to be in his room. Williamina tried again, but again with the same result. But when the third time she carried a kitten up the stairs into the hall, and from there to the study window, jumping in with it in her mouth, and laying it at her master's feet, until the whole family were at last before him, and she herself sat down beside them and gave him an imploring look, he could resist no longer, and Williamina carried the day. As the kittens grew up they became very rampagious, and swarmed up the curtains and played on the writing-table, and scampered among the book-shelves, and made such a noise as was never heard in the study before. But the same spirit which influenced the whole house must have been brought to bear upon those noisy little creatures to keep them still and quiet when necessary, for they were never complained of, and they were never turned out of the study until the time came for giving them away and finding good homes for them. One kitten was kept, and, being a very exceptional cat, deserves to be specially mentioned. Being deaf, he had no name given him, but was called by the servants “the master's cat,” in consequence of his devotion to him. He was always with his master, and used to follow him about the garden and sit with him while he was writing. One evening they were left together, the ladies of the house having gone to a ball in the neighborhood. Charles Dickens was reading at a small table on which a lighted candle was placed, when suddenly the candle went out. He was much interested in his book, relighted the candle, gave a pat to the cat, who he noticed was looking up at him with a most pathetic expression, and went on with his reading. A few minutes afterwards, the light getting dim, he looked up and was in time to see Puss deliberately put out the candle with his paw, and then gaze again appealingly at his master. This second appeal was understood, and had the desired effect. The book was shut, and Puss was made a fuss with and amused till bed-time. His master was full of this anecdote when we all met in the morning.

During the summer months there was a constant succession of visitors at Gad's Hill, with picnics, long drives, and much happy holiday-making. At these picnics there was a frequent request to this lover of light and color of “Please let us have the luncheon in the shade at any rate.” He came to his daughter one day and said he had “a capital idea” about picnic luncheons. He wished each person to have his or her own ration neatly done up in one parcel, to consist of a mutton pie, a hard-boiled egg, a roll, a piece of butter, and a packet of salt. Of course this idea was faithfully carried out, but was not always the rule, as when the choice of food was put to the vote, it was found that many people cared neither for mutton-pie nor hard-boiled egg. But “the capital idea” of separate rations was always followed as closely as possible.

Charles Dickens was a most delightful and genial host, had the power of putting the shyest people at ease with him at once, and had a charm in his manner peculiarly his own and quite indescribable. The charm was always there whether he was grave or gay, whether in his very funniest or in his most serious and earnest mood.

He was a strict master in the way of insisting upon everything being done perfectly and exactly as he desired, but, on the other hand, was most kind, just, and considerate.

His punctuality was a remarkable characteristic, and visitors used to wonder how it was that everything was done to the very minute, “almost by clockwork,” as some of them would remark.

It is a common saying now in the family of some dear friends, where punctuality is not quite so well observed, “What would Mr. Dickens have said to this?” or, “Ah! my dear child, I wish you could have been at Gad's Hill to learn what punctuality means!”

Charles Dickens was very fond of music, and not only of classical music. He loved national airs, old tunes, songs, and ballads, and was easily moved by anything pathetic in a song or tune, and was never tired of hearing his special favorites sung or played. He used to like to have music of an evening, and duets used to be played for hours together, while he would read or walk up and down the room. A member of his family was singing a ballad one evening while he was apparently deep in his book, when he suddenly got up, saying, “You don't make enough of that word,” and he sat down by the piano, showed her the way in which he wished it to be emphasized, and did not leave the instrument until it had been sung to his satisfaction. Whenever this song was sung, which it often was, as it became a favorite with him, he would always listen for that word, with his head a little on one side, as much as to say, “I wonder if she will remember.”

There was a large meadow at the back of the garden in which, during the summer-time, many cricket matches were held. Although never playing himself, he delighted in the game, and would sit in his tent, keeping score for one side, the whole day long. He never took to croquet; but had lawn-tennis been played in the Gad's Hill days, he would certainly have enjoyed it. He liked American bowls, at which he used constantly to play with his male guests. For one of his “improvements” he had turned a waste piece of land into a croquet-ground and bowling-green.

In the meadow he used to practice many of his “readings;” and any stranger passing down the lane and seeing him gesticulating and hearing him talking, laughing, and sometimes it may be weeping, must surely have thought him out of his mind! The getting up of these “readings” gave him an immense amount of labor and fatigue, and the sorrowful parts tried him greatly. For instance, in the reading of “Little Dombey,” it was hard work for him so to steel his heart as to be able to read the death without breaking down or displaying too much emotion. He often told how much he suffered over this story, and how it would have been impossible for him to have gone through with it had he not kept constantly before his eyes the picture of his own Plorn alive and strong and well.

His great neatness and tidiness have already been alluded to, as also his wonderful sense of order. The first thing he did every morning, before going to work, was to make a complete circuit of the garden, and then to go over the whole house, to see that everything was in its place. And this was also the first thing he did upon his return home, after long absence. A more thoroughly orderly nature never existed. And it must have been through this gift of order that he was enabled to make time – notwithstanding any amount of work – to give to the minutest household details. Before a dinner-party the menu was always submitted to him for approval, and he always made a neat little plan of the table, with the names of the guests marked in their respective places, and a list of “who was to take in who” to dinner, and had constantly some “bright idea” or other as to the arrangement of the table or the rooms.

Among his many attributes, that of a doctor must not be forgotten. He was invaluable in a sick room, or in any sudden emergency; always quiet, always cheerful, always useful and skilful, always doing the right thing, so that his very presence seemed to bring comfort and help. From his children's earliest days his visits, during any time of sickness, were eagerly longed for and believed in, as doing more good than those even of the doctor himself. He had a curiously magnetic and sympathetic hand, and his touch was wonderfully soothing and quieting. As a mesmerist he possessed great power, which he used, most successfully, in many cases of great pain and distress. He had a strong aversion to saying good-bye, and would do anything he possibly could to avoid going through the ordeal. This feeling must have been natural to him, for as early as the “Old Curiosity Shop” he writes: “Why is it we can better bear to part in spirit than in body, and while we have the fortitude to bid farewell have not the nerve to say it? On the eve of long voyages, or an absence of many years, friends who are tenderly attached will separate with the usual look, the usual pressure of the hand, planning one final interview for the morrow, while each well knows that it is but a feint to save the pain of uttering that one word, and that the meeting will never be! Should possibilities be worse to bear than certainties?” So all who love him, and who know the painful dislike he had to that word, are thankful that he was spared the agony of that last, long Farewell.

Almost the pleasantest times at Gad's Hill were the winter gatherings for Christmas and the New Year, when the house was more than full, and the bachelors of the party had to be “put up” in the village. At these times Charles Dickens was at his gayest and brightest, and the days passed cheerily and merrily away. He was great at games, and many of the evenings were spent in playing at Yes and No, Proverbs, Russian Scandal, Crambo, Dumb Crambo – in this he was most exquisitely funny – and a game of Memory, which he particularly liked.

The New Year was always welcomed with all honors. Just before twelve o'clock everybody would assemble in the hall, and he would open the door and stand in the entrance, watch in hand – how many of his friends must remember him thus, and think lovingly of the picture! – as he waited, with a half-smile on his attentive face, for the bells to chime out the New Year. Then his voice would break the silence with, “A Happy New Year to us all.” For many minutes there would be much embracing, hand-shaking, and good-wishing; and the servants would all come up and get a hearty shake of the hand from the beloved “master.” Then hot spiced wine would be distributed, and good-health drunk all round. Sometimes there would be a country dance, in which the host delighted, and in which he insisted upon every one joining, and he never allowed the dancing – and real dancing it was too – to flag for an instant, but kept it up until even he was tired and out of breath, and had at last to clap his hands, and bring it to an end. His thorough enjoyment was most charming to witness, and seemed to infect every one present.

One New Year's Day at breakfast, he proposed that we should act some charades, in dumb show, that evening. This proposal being met with enthusiasm, the idea was put into train at once. The different parts were assigned, dresses were discussed, “properties” were collected, and rehearsing went on the whole day long. As the home visitors were all to take part in the charades, invitations had to be sent to the more intimate neighbors to make an audience, an impromptu supper had to be arranged for, and the day was one of continual bustle and excitement, and the rehearsals were the greatest fun imaginable. A dear old friend volunteered to undertake the music, and he played delightfully all through the acting. These charades made one of the pleasantest and most successful of New Year's evenings spent at Gad's Hill.

But there were not only grown-up guests invited to the pretty cheerful home. In a letter to a friend Charles Dickens writes: “Another generation begins to peep above the table. I once used to think what a horrible thing it was to be a grandfather. Finding that the calamity falls upon me without my perceiving any other change in myself, I bear it like a man.” But as he so disliked the name of grandfather as applied to himself, those grandchildren were taught by him to call him “Venerables.” And to this day some of them still speak of him by this self-invented name.

Now there is another and younger family who never knew “Venerables,” but have been all taught to know his likeness, and taught to know his books by the pictures in them, as soon as they can be taught anything, and whose baby hands lay bright flowers upon the stone in Westminster Abbey, every June 9 and every Christmas Eve. For in remembrance of his love for all that is gay in color, none but the brightest flowers, and also some of the gorgeous American leaves, sent by a friend for the purpose, are laid upon the grave, making that one spot in the midst of the vast and solemn building bright and beautiful.

In a letter to Plorn before his departure for Australia, Charles Dickens writes: “I hope you will always be able to say in after life, that you had a kind father.” And to this hope, each one of his children can answer with a loving, grateful heart, that so it was. —Cornhill Magazine.

THE SUMMER PALACE, PEKING

BY C. F. GORDON CUMMING

I think the only enjoyable time of the day, during the burning summer in dusty, dirty, dilapidated Peking, is the very early morning, before the sun rises high, and while the air still feels fresh, and one can enjoy sitting in the cool courts which take the place of gardens, and listen to the quaint music of the pigeons as they fly overhead. This is no dove-like cooing, but a low melodious whistle like the sighing of an Eolian harp or the murmur of telegraph wires thrilled by the night wind. It is produced by the action of cylindrical pipes like two finger-ends, side by side, about an inch and a half in length. These are made of very light wood and filled with whistles. Some are globular in form and are constructed from a tiny gourd. These little musical boxes are attached to the tail feathers of the pigeon in such a manner that as he flies the air shall blow through the whistle, producing the most plaintive tones, especially as there are often many pigeons flying at once – some near, some distant, some just overhead, some high in the heavens; so the combined effect is really melodious. I believe the Pekingese are the only people who thus provide themselves with a dove orchestra, though the use of pigeons as message-bearers is common to all parts of the Empire.

bannerbanner