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Chambers's Journal of Popular Literature, Science, and Art, No. 688
'Exactly.'
'Then sometimes I think that one you loved – Mary, is he dead?'
Dead! Philip dead! I laughed in spirit. If he were dead, should I be alive – in this way? I did not reflect that my silence and the few tears which stole down my cheeks might seem to bear out her theory as to my having something to regret. But I presently shook myself free of sentiment, smilingly observing that we could not afford the luxury of analysing our feelings just then. Sentiment would be only a stumbling-block in our way, when we needed all the nerve, courage, and steady self-control we could muster.
'To begin with: would you like me to make matters smooth and pleasant with Mrs Tipper before dinner, Lilian? You would then perhaps find less difficulty in broaching the subject to Mr Trafford, if, as I fancy, you prefer doing so in our presence?'
'Yes; I do prefer that, ever so much; and I shall be glad if you will tell auntie, Mary.'
As I had anticipated, we found no difficulty in bringing the dear little lady to our way of thinking. As soon as she had in some degree recovered her astonishment at the revelation, she expressed her entire approval of what had been done. She was not a little shocked and distressed to find her brother had been less perfect than she had imagined him to be; but it appeared to her a natural and right thing that Marian Reed should be asked to come to reside at Fairview. Even my little 'aside,' which I thought necessary, lest her expectations should be unduly raised, to the effect that we did not as yet feel quite sure Marian would be a desirable person to live with, had no weight with Mrs Tipper. She could only look at the question from one point of view – whether it was right to do as Lilian had done. Whether the other would be more or less pleasant to get on with, was, in her estimation, beside the matter. There were no more complications in Mrs Tipper's estimate of right and wrong, than there were in her niece's.
Our real difficulty was to come; and although she said no word about it, I knew Lilian felt that it was. Arthur Trafford was dining with us; he very rarely missed coming since Mr Farrar's death. But it was not until after dinner, when we had returned to the morning-room (we all preferred its cosiness to the drawing-room splendour, now), that the subject was approached. In reply to her lover's question, which had been asked more than once during dinner, and was now repeated, as to how she had got through the day, Lilian drew nearer to me and murmured: 'Mary and I went to town, Arthur.'
'To town! What for? Why in the world did you not tell me you were going? It was not like you, Lilian, to say no word to me about your intention last night;' with, I fancied, a rather suspicious glance towards me as he went on: 'I do not like the idea of your running about like a mere' —
She looked very pale, seeking, I think, in her mind for the best way of commencing.
'I was obliged to go; and you must try not to blame me for having said nothing about it to you first, Arthur,' she said, in a low tremulous tone, which I saw flattered his vanity, as proof of his power, and the timid yielding spirit, which he was pleased to think so characteristic of her. Not that he wished her to be timid and yielding to any one but himself; or was ready to make sufficient allowance for her acting according to her nature, upon all occasions.
'Blame you, darling! I am only anxious that you should be properly protected' – with an emphasis and glance in my direction, which would have given me some reason to quake, had Mr Trafford's friendship been of great moment to me. But I was quite aware that little as I had been in favour before, I had been steadily and surely declining in his estimation since Mr Farrar's death; and being, therefore, quite prepared for what was to come, I took no offence at the 'properly.'
Lilian slipped her hand into mine. 'We were quite safe, Arthur; it is not that' – She hesitated a moment; then added, crimsoning to her temples: 'There is something to tell you. Poor papa made a – communication to Mary and me, the night – at the last, Arthur.'
'A communication!' I saw he was now really disturbed; too much so to make objection to the 'Mary and me.' 'What do you mean, Lilian? The – will' —
'The property was to have been shared' (she again carelessly used the word 'shared,' in her indifference to the monetary part of the question) 'between me and – another, if papa had lived to sign his will, Arthur.'
'But he did not live to sign it!' he ejaculated, heaving a great sigh of relief, and, somewhat to my amusement, glancing triumphantly towards me.
I saw now that he had jumped to the conclusion that I was the 'other' alluded to.
'No; but his last wishes would be binding to me, Arthur; even if I had not given a promise,' said Lilian.
To spare her – I could see that he was on the verge of giving expression to what was in his thoughts, which would have unnecessarily pained as well as astonished her – I came to her assistance.
'Mr Farrar made a revelation to Lilian and me during his last moments, Mr Trafford. There is another daughter living; and he begged Lilian to do the justice which he himself was not spared to do; though the will was prepared in which Marian was provided for.'
'Another daughter! Share!'
In his first astonishment and dismay, he was only able to compass those two facts. But he presently added: 'He must have been raving. It would be the height of folly to take such a statement as that seriously; of course he did not know what he was saying.'
'It has been proved to be true, Mr Trafford. There is another daughter; and Lilian and I have seen her.'
He had had a few moments for reflection, and something of the truth, I think, began to dawn upon him. Looking towards me, he said: 'I never heard that Mr Farrar was married more than once, and I know Lilian was her mother's only child.'
'Lilian's sister is three or four years older than she is, Mr Trafford,' I explained.
He understood now, and said: 'In that case, Mr Farrar could never seriously have contemplated allowing her to share his property with his lawful child, Miss Haddon. – And it is all the more to be regretted that you did not take me into your confidence at once, Lilian;' turning reproachfully towards her. 'Such matters are generally, and very properly, left to the management of gentlemen; and the lawyer and I could have spared you being brought into contact with' —
'Papa left it to me to do, Arthur,' said Lilian, in a low voice.
'Because he was not at the time capable of judging what was best to be done, and he had no male friend at hand. I can never sufficiently regret happening to be out of the way that night. But you will learn in time to understand the matter rightly. It would be wrong to his wife and child – altogether false sentiment – to talk about doing more than is customary in such cases. Proper provision should, of course, be made; but I entirely set my face against raising a person of that kind above the station to which she doubtlessly belongs.'
'Papa begged me to be good to her, and I must obey his last wishes. – A moment, Arthur? It is indeed too late to draw back now. I have already seen my – sister, and have asked her to come to live at Fairview.'
'To live! Here – with you? Lilian, have you taken leave of your senses?'
'I have told you – I promised papa to be good to her,' repeated Lilian with a gentle persistence, for which I think he was entirely unprepared.
'Nonsense, Lilian!' he replied, with an angry glance in my direction. 'You have been badly advised, I fear. You may be good to the girl without going to such unnecessary lengths as you seem to contemplate doing. Besides, something is surely due to me in the matter. Considering our relation towards each other, I have just grounds for thinking myself very unfairly treated in not being informed of all this before, and allowed some voice in the matter.'
Had he been anyway different from himself, I might have agreed with him; but then Lilian would have acted very differently. Though she knew it not, she had acted as she had done because he was what he was, and not from any other reason. She had intuitively shrunk from telling him until it was too late for interference; and he himself had been to blame for that. And though she was now rather uncomfortably conscious that, in her anxiety to carry out her father's wishes, she had overstepped the limits of prudence, it was not because Arthur Trafford pointed it out to her that she was conscious of it.
'I was so desirous to do what is right,' she murmured.
'And that was the best thing you could desire, my dear,' cheerily put in Mrs Tipper. 'Never fear but good will come of it; and I really can't see why we shouldn't all be comfortable together.' 'A sort of happy family, cats, bats, and owls!' angrily ejaculated Arthur Trafford. 'I am afraid I should not be found sufficiently tame for such a dove-cot, Mrs Tipper!'
Lilian laid her hand upon his arm, looking with a pained expression into his face: 'Are you really angry with me, Arthur? Do you give me credit for wishing to vex you?'
'I am hurt at your want of confidence in me, Lilian. I do not see how you could expect me to be otherwise.'
These were better tactics. He saw that they were, and kept up the injured tone. Presently he asked her to go out into the grounds. I believe he fancied that he had now found the way to influence her, and that it only needed to get her away from our vicinity, to bring her entirely round to his own way of thinking. He did not know Lilian Farrar.
An hour later, she came in looking more wearied and sad, but not worsted. Moreover, by her absolute silence respecting what had taken place between them, I knew that she had had me as well as herself to defend. But, as I had expected, he had not succeeded in inducing her to alter her plans; and the first shadow of the truth had fallen upon both. They knew that they were each something different from what the other had supposed.
During the intervening ten days, the subject of Marian Reed's expected arrival was touched upon as little as possible between us; though I believe we could none of us think of anything else, we avoided anything like discussion upon it. The only words which passed between Lilian and me on the subject were with reference to the room which was to be prepared for her, and one hesitating remark to the effect that Marian might perhaps prefer the relationship not being made known, since she could only be called Miss Reed.
Arthur Trafford had had time for reflection; and had, I think, come to the conclusion that his wisest course was to make no more objections for the present, but to quietly await the issue. Dear old Mrs Tipper looked anxious and nervous, though she made one or two attempts to smooth matters, amiably opining that the new-comer might prove an agreeable acquisition to our circle, and so forth. But it was evident that she dreaded the arrival of Marian Reed as much as the rest of us. As to the financial part of the question, she judged that in her own unconventional fashion, Lilian would be none the less happy for some diminution being made in her large fortune. Her brother had never been quite so happy in affluence as when he was working his way to it; and as to herself, she had more than once confided to me that existence at Fairview was not to be compared to the old times, when she had been busy from morning to night keeping her little cottage-home in order. In truth, such society as she had seen at Fairview had no attraction for her; and her sympathies were entirely on the side of a modest competence.
Lilian grew at length so restless and anxious, that for her sake I was quite relieved when the day fixed for Marian Reed to make her appearance amongst us arrived. Anything was better than the suspense we were all in, or rather I thought so then. Lilian had received a note from Miss Reed, saying that we might expect her the following day by the mid-day train, and reminding the former of her promise about sending the carriage. It was written in the orthodox boarding-school, pointed, illegible style; signed 'Your Affectionate Sister,' and evidently meant to be an elegant specimen of Miss Reed's epistolary powers. It must, I think, have cost her no little trouble to join together so many fine words to convey the intelligence that we might expect her.
Lilian tried hard to overcome the dread, not to say antipathy, she felt; honestly tried; but it was no use; first impressions had been terribly against Marian Reed. The poorest cottager's child seemed a more desirable inmate for Fairview than the elegant Miss Reed. The nervous way with which Lilian reminded me: 'You have promised not to forsake me, Mary,' when the time at length arrived, would have told me how much she dreaded what was to come, had I not already known. I made no profession – none was needed between us. She understood, and was satisfied with my quiet way now.
We nevertheless found it necessary to clasp hands, and look for a moment into each other's eyes, as a tacit reassurance that whatever might come to pass we two were to hold together, when the carriage drew up before the railway station.
We had no difficulty in recognising Miss Reed. The young lady in deep mourning, her dress trailing half a yard behind her on the ground, haughtily giving directions to the porter to see to her luggage, was unmistakable.
'And, look after the carriage; I expect a carriage is' – She turned, and caught sight of us advancing towards her. 'Oh, here is my sister! I thought you would be waiting, dear' (kissing Lilian very demonstratively; I was uncharitable enough to suspect, more for the edification of the people standing about the platform, than from exuberance of feeling). 'Did you come in the carriage?'
'Yes; we drove over.'
This I fancy suggested the idea of a small chaise to Miss Reed; and she expressed her fear that her boxes 'and all that' would be more than we could take. Lilian explained that a luggage-cart was in waiting for that purpose.
'Oh, of course!' And with a negligent air Miss Reed went through the booking-office with us. But the first sight of 'the carriage' was almost too much for her philosophy. She uttered an involuntary ejaculation of astonishment when she saw the barouche with a couple of spirited horses, and men-servants. She, however, very quickly recovered her self-possession, sinking back into her seat with a graceful languor, which seemed to indicate that if she had not gone through the process before, she had watched others doing it. She was quite at ease; and as she proceeded to make talk about the weather, the country we were passing through, and so forth, I saw that Lilian was much less self-possessed than was Marian Reed, gladly leaving me to answer for her.
Much as she desired to do right, it would take Lilian some time yet to feel that this was a sister. Her very anxiety lest she should not be kind and considerate enough, made her appear nervous and ill at ease. At the outset Marian Reed had placed us awkwardly, by shewing that she meant to force the sistership upon every one's notice. I know now that she herself experienced no sort of shame or delicacy respecting the relationship; whilst Lilian by her very nature felt so much, and could not in the least perceive the true cause of the other's attitude. Indeed the very self-assertion seemed to Lilian but assumed as a sort of self-defence against people's want of charity in such cases.
CURIOSITIES OF THE RAILWAY-TICKET MANUFACTURE
In an article on 'Railway Tickets' in this Journal for September 23, 1876, it was stated that all the railway tickets for the whole world, except North America, are made in one establishment in the north of England. This statement we have since found requires correction, and in the correcting we gladly avail ourselves of an opportunity for noticing a celebrated factory in London, which by the courtesy of the proprietors, Messrs Waterlow and Sons (now a Company, 'Limited'), we are enabled to do.
Like many other great establishments, Messrs Waterlow's has grown from a small affair to gigantic proportions. Beginning with law-stationery, then advancing to account-book manufacture, then to various kinds of commercial printing, it has gone on step by step, until at present it gives employment to between three and four thousand persons. Where the several factories and commercial offices are situated would be hardly intelligible save to Londoners; suffice it to say that most of them are near Finsbury Square.
One of the factories, consisting of lofty buildings surrounding an open quadrangle, is devoted to ticket making and printing, chiefly railway tickets; and to the process as carried on there, we will now direct our readers' attention.
The cardboard for tickets is made of a slightly spongy texture, well fitted to take paste. It is known technically as 'middles,' and is the foundation for two external surfaces of paper, white or coloured as the case may be. The primitive paste-brush has long been discarded. A cleverly constructed machine pours out a stream of paste on two rollers, under or over which pass two sheets of paper, each of which becomes thoroughly pasted on one side. These are then quickly applied to the surfaces of the 'middle.' The paste-caldrons, in a compartment by themselves, have a vigorous appetite for flour, alum, and water, and pour forth volumes of steam. To shew what a 'bit of paste' may become when multiplied by millions, it will suffice to say that thirteen sacks of flour per week are used in this one factory! After the pasting, each sheet of cardboard, large enough for one hundred and twenty-five railway tickets, is, with others of the same kind, subjected to flat-pressure, rolling-pressure, and heat, until the surface-papers are firmly and smoothly attached to the 'middle;' exposure to a high temperature in heated chambers thoroughly dries them. Cutting-machines sever the sheets into single tickets, the well-known railway-ticket size, all precisely alike in dimensions.
Next comes the printing. Messrs Waterlow adopt four different commercial systems in the supply of these tickets. In the first system they manufacture the tickets throughout for the railway Companies, who issue them ready for use to the booking-clerks at the several stations. In the second, they partially print the tickets, leaving the Companies to finish them according to the varying exigences of the traffic. In the third, they sell the blank tickets, properly prepared and cut, to the Companies; the printing in this case being wholly carried on by the Companies. And in the fourth, they sell the machines to the Companies, with a license to use them. To specify the railway Companies that adopt one or other of these systems would be tedious detail. The principal machine is a beautiful contrivance invented and patented many years ago by Mr Lewthwaite, of Halifax, Yorkshire; and various improvements and new adaptations have been made in it from time to time by Messrs Waterlow.
A pile of about five hundred blank tickets is placed in an upright tube or hopper, with just room to sink down readily. The bottom of the tube is open, allowing the lowermost blank to rest upon a flat metal plate. A slider, with a rapid reciprocating horizontal motion, strikes the lowermost blank dexterously aside to a spot where it can be printed on the back with those cautions, instructions, and references to by-laws which most of the Companies deem proper to communicate to the public. Another sharp stroke drives the blank farther on, where the printing and numbering of the front or principal surface are effected. When the blank is printed on both surfaces it is struck onward again, and comes underneath an exit or delivery-tube, just the same height and dimensions as the hopper or feeding-tube. Up this it is driven by a series of jerks, until a pile of (say) five hundred is finished. In travelling horizontally from tube to tube, and vertically up the delivery-tube, each ticket acts as a kind of cardboard policeman, saying to its predecessor: 'Move on, if you please.' And they do move on, all undergoing some process or other at each stage of the movement. As the pile in one tube lessens, so does that in the other increase in height, like the two columns of liquid in a syphon. The whole pile can be removed from the delivery-tube at once by a dexterous hand; but woe betide the luckless wight who 'makes pie' (as the printers call the dropping and disordering of types in 'composing' or 'distributing'); for if a single ticket be disarranged, extra trouble is given in the after checking and correction.
As to the various colours displayed on railway tickets, some depend on the use of coloured sheets of paper in the first instance; some on the production of stripes of colour in a way bearing a resemblance to the making of coloured stripes on earthenware or stoneware in the pottery district; and some by a process more nearly resembling ordinary printing. One of the Companies adopts a particular diagonal red line on all tickets, distinguishing them from other tickets which have to pass through the railway clearing-house.
The automatic action of the machine or machines is very beautiful. For numbering each ticket, a peculiarly constructed wheel is used, which changes its particular digit every time a new blank is presented to it; and thus the consecutive numbers are produced on a series of tickets with unerring accuracy. A tell-tale index and a tell-tale bell, both automatically worked, give information as to the number of tickets printed, and the readiness of the machine to take in more food; but it is a matter of practical detail whether and when these tell-tales shall be deemed necessary. To give the reader an idea of how nicely this mechanism is adjusted, it refuses to work unless all the tickets are exactly of equal size, nicely squared, and in perfect order. It strikes one as being almost like a thing of life to see the machine detect a ticket from which a piece has purposely been torn off one end; its language is virtually, 'Thus far shalt thou go, and no farther,' for it prints as far as the defective ticket, and there stops.
As neither human fingers nor automatic machines are absolutely infallible, errors in numbering may occur in spite of all precautions. These are detected in a singular way. All the tickets in one series are made to pass through a machine with a velocity which the eye can scarcely follow. When stopped, the numbers are tested by two little index plates or wheels; if the same number is denoted on both indexes, all is well; but if any error has crept in, the index notifications differ, and afford means for determining at what part of the series the mishap has occurred.
A sheet of cardboard is certainly not a ponderous substance; but it is surprising how weighty the packages become when large quantities have to be dealt with. The tickets are tied up into small compact rows (string and tying being peculiar), and then packed into cubical masses in tin-lined boxes or cases – so firmly and closely pressed as to be as dense as a mass of wood. About fifty thousand tickets weigh one and a quarter hundredweight. The factory turns out two and a half millions of printed tickets (railway, steamboat, refreshment, &c.) per week, and ten millions of smoothly prepared but unprinted tickets; these numbers, multiplied by the fifty-two weeks in a year, give a total annual production of something like six hundred and fifty millions, weighing upwards of sixteen thousand hundredweight! If these tickets be taken at two inches in length, and if they were laid flat end to end, they would reach – But we will leave our junior readers to exercise their arithmetical skill in solving this problem: merely hinting that it would require many voyages from England to America, and back again, to cover a distance equal to the length of this cardboard ribbon. From such small beginnings do great results ensue.
FISHING EXTRAORDINARY
There are extraordinary ways of fishing practised by people of uncivilised countries, which are not the result of ignorance, but of that ingenuity which is always rendered fruitful by dire necessity and the instincts of self-support. The Chinese, amongst their many original ideas, have some curious ones on the subject, and doubtless fish now as they did a thousand years ago; and though on the coasts they may have adopted the generally accepted system of working nets, on the waters in the interior of the country they adhere to the methods peculiar to their own nation – methods quaint and curious. The lakes and rivers of China, and especially of the north, are so abundantly stocked with fish, that in some places the men called fish-catchers make their living by actually seizing and drawing them out with their hands. The man goes into the water, and proceeds half walking half swimming, raising his arms above his head, and letting them drop, striking the surface with his hands. Meanwhile his feet are moving on the muddy bottom. Presently he stoops with a rapid dive and brings up a fish in his hand. The striking of the surface was intended to frighten the fish, which when alarmed, sink to the bottom; then the naked feet feel them among the mud, and once felt, the practised hand secures them in a moment. Catching fish in this manner is of course a trade in itself, and the plentiful supply it implies is somewhat explained by the fact that even the little ponds of Northern China swarm with scaly life.