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Blackwood's Edinburgh Magazine, No. CCCXXXVI. October, 1843. Vol. LIV.
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Blackwood's Edinburgh Magazine, No. CCCXXXVI. October, 1843. Vol. LIV.

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Blackwood's Edinburgh Magazine, No. CCCXXXVI. October, 1843. Vol. LIV.

Provided science be kept separate from political excitement, we should like to see an English Academy, constituted of men having fair claims to scientific distinction, and not "deserving of that honour because they are attached to science."

It is unnecessary here to touch upon the details of such an Academy. The proposition is by no means new. On the contrary, we believe a wish for some such change pretty generally exists. Iteration is sometimes more useful than originality. The more frequently the point is brought before the public, the more probable is it that steps will be taken by those who are qualified to move in such a matter. The more the present defective state of our scientific organization is commented on, the more likely is it to be remedied; for the patency of error is ever a sure prelude to its extirpation.

CHRONICLES OF PARIS

THE RUE ST DENIS

One of the longest, the narrowest, the highest, the darkest, and the dirtiest streets of Paris, was, and is, and probably will long be, the Rue St Denis. Beginning at the bank of the Seine, and running due north, it spins out its length like a tape-worm, with every now and then a gentle wriggle, right across the capital, till it reaches the furthest barrier, and thence has a kind of suburban tail prolonged into the wide, straight road, a league in length, that stretches to the town of Sainct-Denys-en-France. This was, from time immemorial, the state-road for the monarchs of France to make their formal entries into, and exits from, their capital—whether they came from their coronation at Rheims, or went to their last resting-place beneath the tall spire of St Denis. This has always been the line by which travellers from the northern provinces have entered the good city of Paris; and for many a long year its echoes have never had rest from the cracking of the postilion's whip, the roll of the heavy diligence, and the perpetual jumbling of carts and waggons. It is, as it has ever been, one of the main arteries of the capital; and nowhere does the restless tide of Parisian life run more rapidly or more constantly than over its well-worn stones. In the pages of the venerable historians of the French capital, and in ancient maps, it is always called "La Grande Rue de Sainct Denys," being, no doubt, at one time the ne plus ultra of all that was considered wide and commodious. Now its appellation is curtailed into the Rue St D'nis, and it is avoided by the polite inhabitants of Paris as containing nothing but the bourgeoisie and the canaille. Once it was the Regent Street of Paris—a sort of Rue de la Paix—lounged along by the gallants of the days of Henri IV., and not unvisited by the red-heeled marquises of the Regent d'Orleans's time; now it sees nothing more recherché than the cap of the grisette or the poissarde, as the case may be, nor any thing more august than the casquette of the commis-voyageur, or the indescribable shako and equipments of the National Guard. As its frequenters have been changed in character, so have its houses and public buildings; they have lost much of the picturesque appearance they possessed a hundred years ago—they are forced every year more and more into line, like a regiment of stone and mortar. Instead of showing their projecting, high-peaked gables to the street, they have now turned their fronts, as more polite; the roofs are accommodated with the luxury of pipes, and the midnight sound of "Gare l'eau!" which used to make the late-returning passenger start with all agility from beneath the opened window to avoid the odoriferous shower, is now but seldom heard. A Liliputian footway, some two feet wide, is laid down in flags at either side; the oscillating lamp, that used to hang on a rotten cord thrown across the roadway from house to house, and made darkness visible, has given place to the genius of gas—enfin, la Révolution a passé par là; and the Rue de St Denis is now a ghost only of what it was. Still it retains sufficient peculiarities of dimensions and outline to show that it is a child of the middle ages; and, like so many other children of the same kind, it contributes to make its mother Paris, as compared with the modern-built capitals of Europe, a town of former days. Long may it retain these oddities of appearance—long may it remain narrow, dark, and dirty; we rejoice that such streets still exist—they do one's eye good, if not one's nose. There is more of colour, of light and shade, of picturesque, fantastic outline, in a hundred yards of the Rue St Denis, than in all the line from Piccadilly to Whitechapel; a painter can pick up more food for his easel in this queer, old street—an antiquarian can find there more tales and crusts for his noddle, than in all Regent Street and Portland Place. We love a ramshackle place like this; it does one good to get out of the associations of the present century, and to retrograde a bit; it is pleasant to see how people used to pig together in ancient days, without any of the mathematical formalities of the present day; it keeps one's eye in tone to look back at works of the middle ages; and we may learn the more justly to criticize what we see arising about us, by refreshing our recollections of the mouldering past. Paris is a glorious place for things of this kind. Thank the stars, it never got burned out of its old clothes, as London did. Newfangled streets and quarters of every age have been added to it, but there still remains a mediæval nucleus—there is still an "old Paris"—a gloomy, filthy, old town, irregular and inconvenient as any town ever was yet; and a walk of twenty minutes will take you from the elegant uniformity of the Rue de Rivoli into the original chaos of buildings—into the Quartier des Halles and into the Rue St Denis. How often have we hurried down them on a cold winter's day—say the 31st of December—to buy bons-bons in the Rue des Lombards, once the abode of bankers, now the paradise of confiseurs, against the coming morrow—the grand day of visits and cadeaux—braving the snow some three feet deep in the midst of the street—or, if there happened to be no snow, the mud a foot and a half, splashing through it with our last new pair of boots from Legrand's, and the last pantalon from Blondel's—for cabriolet or omnibus, none might pass that way; and there, amid onion-smelling crowds, in a long, low shop, with lamps lighted at two o'clock, have consummated our purchase, and floundered back triumphant! Away, ye gay, seducing vanities of the Palais Royal or the Boulevards; your light is too garish for our sober eyes—the sugar of your comfitures is too chalky for our discriminating tooth! Our appropriate latitude is that of the Quartier St Denis! One thing, however, we must confess, we never did in the Rue St Denis—we never dined there! Oh non! il ne faut pas faire ça! 'Tis the headquarters of all the sausage-dealers, the charcutiers, and the rotisseurs of Paris. Genuine meat and drink there is none; cats hold the murderous neighbourhood in traditional abhorrence, and the ruddiest wine of Burgundy would turn pale were the aqueous reputation of the street whispered near its cellar-door. Thank Heaven, we have a gastronomic instinct that saved us from acts of suicidal rashness! When in Paris, gentle reader, we always dine at the Trois Frères Provençaux; the little room in blue, remember—time, six p.m.; potage à la Julienne—bifteck au vin de Champagne—poulet à la Marengo—Chambertin, and St Péray rosé. The next time you visit the Palais-Royal, turn in there, and dine with us—we shall be delighted to see you!

There are few gaping Englishmen who have been on the other side of the Channel but have found their way along the Boulevards to the Porte St Denis, and have stared first of all at that dingy monument of Ludovican pride, and then have stared down the Rue St Denis, and then have stared up the Rue du Faubourg St Denis; but very few are ever tempted to turn either to the right hand or to the left, and so they generally poke on to the Porte St Martin, or stroll back to the Madeleine, and rarely make acquaintance with the Dionysian mysteries of Paris. For the benefit, therefore, of such travellers as go to the French capital with their eyes in their pockets, and of such as stay at home and travel by their fireside, but still can relish the recollections and associations of olden times, we are going to rake together some of the many odd notes that pertain to the history of this street and its immediate vicinity.

The readiest way into the Rue St Denis from the Isle de la Cité, the centre of Paris, has always been over the Pont-au-Change. This bridge, now the widest over the Seine, was once a narrow, ill-contrived structure of wood, covered with a row of houses on either side, that formed a dark and dirty street, so that you might pass through it a hundred times without once suspecting that you were crossing a river. These houses, built of stone and wood, overhung the edges of the bridge, and afforded their inhabitants an unsafe abode between the sky and the water. At times the river would rise in one of its periodical furies, and sweep away a pier or two with the superincumbent houses; at others the wooden supporters of the structure would catch fire by some untoward event, and the inhabitants had the choice of being fried or drowned, along with their penates and their supellectile property. Such a catastrophe happened in the reign of Louis XIII., when this and another wooden bridge, situated, oddly enough, close by its side, were set on fire by a squib, which some gamins de Paris were letting off on his Majesty's highway; and in less than three hours 140 houses had disappeared. It was Louis VII., in the twelfth century, who gave it the name it has since borne; for he ordered all the money-changers of Paris to come and live on this bridge—no very secure place for keeping the precious metals; and about two hundred years ago the money-changers, fifty-four in number, occupied the houses on one side, while fifty goldsmiths lived in those on the other. In the open roadway between, was held a kind of market or fair for bird-sellers, who were allowed to keep their standings on the curious tenure of letting off two hundred dozens of small birds whenever a new king should pass over this bridge, on his solemn entry into the capital. The birds fluttered and whistled on these occasions, the gamins clapped their hands and shouted, the good citizens cried "Noel!" and "Vive le Roy!" and the courtiers were delighted at the joyous spectacle. Whether the birds flew away ready roasted to the royal table, history is silent; but it would have been a sensible improvement of this part of the triumphal ceremony, and we recommend it to the serious notice of all occupiers of the French throne.

On arriving at the northern end of the bridge, the passenger had on his right a covered gallery of shops, stretching up the river side to the Pont Notre Dame, and called the Quai de Gesvres; here was a fashionable promenade for the beaux of Paris, for it was filled with the stalls of pretty milliners, like one of our bazars, and boasted of an occasional bookseller's shop or two, where the tender ballads of Ronsard, or the broad jokes of Rabelais, might be purchased and read for a few livres. To the left was a narrow street, known by the curious appellation of Trop-va-qui-dure, the etymology of which has puzzled the brains of all Parisian antiquaries; while just beyond it, and still by the river side, was the Vieille Vallée de Misère—words indicative of the opinion entertained of so ineligible a residence. In front frowned, in all the grim stiffness of a feudal fortress, the Grand Chastelet, once the northern defence of Paris against the Normans and the English, but at last changed into the headquarters of the police—the Bow Street of the French capital. Two large towers, with conical tops over a portcullised gateway, admitted the prisoners into a small square court, round which were ranged the offices of the lieutenant of police, and the chambers of the law-officers of the crown. Part of the building served as a prison for the vulgar crew of offenders—a kind of Newgate, or Tolbooth; another was used as, and was called, the Morgue, where the dead bodies found in the Seine were often carried; there was a room in it called Cæsar's chamber, where the good citizens of Paris firmly believed that the great Julius once sat as provost of Paris, in a red robe and flowing wig; and there was many an out-of-the-way nook and corner full of dust and parchments, and rats and spiders. The lawyers of the Chastelet thought no small beer of themselves, it seems; for they claimed the right of walking in processions before the members of the Parliament, and immediately after the corporation of the capital. The unlucky wight who might chance to be put in durance vile within these walls, was commonly well trounced and fined ere he was allowed to depart; and next to the dreaded Bastile, the Grand Chastelet used to be looked on with peculiar horror. At the Revolution it was one of the first feudal buildings demolished—not a stone of the old pile remains; the Pont-au-Change had long before had its wooden piers changed for noble stone ones, and on the site where this fortress stood is now the Place de Chatelet, with a Napoleonic monument in the midst—a column inscribed with names of bloody battle-fields, on its summit a golden wing-expanding Victory, and at its base four little impudent dolphins, snorting out water into the buckets of the Porteurs d'Eau.

Behind the Chastelet stood the Grande Boucherie—the Leadenhall market of Paris an hundred years ago; and near it, up a dirty street or two, was one of the finest churches of the capital, dedicated to St Jacques. The lofty tower of this latter edifice (its body perished when the Boucherie and the Chastelet disappeared) still rises in gloomy majesty above all the surrounding buildings. It is as high as those of Notre Dame; and from its upper corners, enormous gargouilles—those fantastic water-spouts of the middle ages—gape with wide-stretched jaws, but no longer send down the washings of the roof on the innocent passengers. Hereabouts lived Nicholas Flamel, the old usurer, who made money so fast that it was said he used to sup nightly with his Satanic majesty, and who thereupon built part of the church to save his bacon. He was of opinion that it was well to have the "mens sana in corpore sano"—that it was no joke to be burnt; and so he stuck close to the church, taking care that himself and his wife, Pernelle, should have a comfortable resting-place for their bones within the walls of St Jacques. When this was a fashionable quarter of Paris, the court doctor and accoucheur did not disdain to reside in it; for Jean Fernel, the medical attendant of Catharine de Medicis, lived and died within the shade of this old tower. He was a fortunate fellow, a sort of Astley Cooper or Clarke in his way, and Catharine used to give him 10,000 crowns, or something like L.6000, every time she favoured France with an addition to the royal family. He and numerous other worthies mouldered into dust within the precincts of St Jacques; but their remains have long since been scattered to the winds; and where the church once stood is now an ignoble market for old clothes; the abode of Jews and thieves.

After passing round the Grand Chastelet, and crossing the market-place, you might enter the Rue St Denis, the great street of Paris in the time of the good King Henry, and you might walk along under shelter of its houses, projecting story above story, till they nearly met at top, for more than a mile. Before it was paved, the roadway was an intolerable quagmire, winter and summer; and, after stones had been put down, there murmured along the middle a black gurgling stream, charged with all the outpourings and filth of unnumbered houses. Over, or through this, according as the fluid was low or high, you had to make your way, if you wanted to cross the street and greet a friend; if you lived in the street and wished to converse with your opposite neighbour, you had only to mount to the garret story, open the lattice window, and literally shake hands with him, so near did the gables approach. The fronts of the houses were ornamented with every device which the skilful carpenters of former times could invent: the beam-ends were sculptured into queer little crouching figures of monkeys or angels, and all sorts of diableries decorated the cornices that ran beneath the windows; there were no panes of glass, such as we boast of in these degenerate times, but narrow latticed lights to let in the day, and the wind, and the cold; while the roofs were covered commonly with shingles, or, in the houses of the wealthy, with sheets of lead. Between each gable came forth a long water-spout, and poured down a deluge into the gutter beneath; each gable-top was peaked into a fantastic spiry point or flower, and the chimneys congregated into goodly companies amidst the roofs, removed from the vulgar gaze or fastidious jests of the people below. So large were the fireplaces in those rooms that could own them, and so ample were the chimney flues, that smoky houses were unheard of: the staircases, it is true, enjoyed only a dubious ray, that served to prevent you from breaking your neck in a rapid descent; but the apartments were generally of commodious dimensions, and the tenements possessed many substantial comforts.

Once out of doors, you might proceed in all weather fearless of rain; the projecting upper stories sheltered completely the sides of the street, and a stout cloth cloak was all that was needed to save either sex from the inclemency of the seasons. At frequent intervals there opened into the main street, side streets, and ruelles or alleys, which showed in comparison like Gulliver in Brobdignag: up some of these ways a single horseman might be able to go; but along others—and some of them remain to the present day—two stout citizens could never have walked arm-in-arm. They looked like enormous cracks between a couple of buildings, rather than as ways made for the convenience of locomotion: they were pervious, perhaps, to donkeys, but not to the loaded packhorse—the great street was intended for that animal—coaches did not exist, and the long narrow carts of the French peasantry, whenever they came into the city, did not occupy much more space than the bags or packs of the universal carrier. To many of these streets the most eccentric appellations were given; there was the Rue des Mauvaises Paroles—people of ears polite had no business to go near it; the Rue Tire Chappe—a spot where those who objected to be plucked by the vests, or to have their clothes pulled off their backs by importunate accosters, need not present themselves; another in this quarter was called the Rue Tire-boudin. Marie Stuart, when Queen of France, was riding, it is said, through it one day, and struck, perhaps, by the looks of its inhabitants, asked what the street was called. The original appellation was so indecent that an officer of her guards, with courtly presence of mind, veiled it under its present title. One was known as the Rue Brise-miche, and the cleanliness of its inhabitants might instantly be judged of: a fifth was the Rue Trousse-vache, and one of the shops in it was adorned with an enormous sign of a red cow, with her tail sticking up in the air and her head reared in rampant sauciness. A notorious gambler, Thibault-au-dé, well known for his skill in loading dice, gave his name to one of these narrow veins of the town: Aubry, a wealthy butcher, is still immortalized in another: and the Rue du Petit Hurleur probably commemorated some wicked youngster, whose shouts were a greater nuisance to the neighbours than those of any of his companions.

A wider kind of street was the Rue de la Ferronerie, opening into the Rue St Denis, below the Church of the Innocents: it was the abode of all the tinkers and smiths of Paris, and had not Henri IV. been in a particular hurry that day, when he was posting off to old Sully in the Rue St Antoine, he had never gone this way, and Ravaillac, probably, had never been able to lean into the carriage and stab the king. Just over the spot where the murder was committed, the placid bust of the king still gazes on the busy scene beneath. The Rue de la Grande Truanderie, which was above the Innocents, must have been the rendez-vous of all the thieves and beggars of Paris, if there be any thing in a name: the old chronicles of the city relate, indeed, that it took a long time to respectabilize its neighbourhood; and they add that the herds of rogues and impostors who once lived in it took refuge, after their ejection, in the famous Cour des Miracles, a little higher up the Rue St Denis. We must not venture into this, the choicest preserve of Victor Hugo, whose graphic description of its wonders in his Notre Dame needs hardly to be alluded to; but we may add, that there were several abodes of the same kind, all communicating with the Rue St Denis, and all equally infamous in their day, though now tenanted only by quiet button-makers and furniture-dealers. The real Puits d'Amour stood at the corner of the Rue de la Grande Truanderie, and took its name in sad truth from a crossing of true love. In the days of Philip Augustus, more than six hundred years ago, a beautiful young lady of the court, Agnes Hellebik, whose father held an important post under the king, was inveigled into the toils of love. The object of her affections, whether of noble birth or not, made her but a sorry return for her confidence: he loved her a while, and her dreams of happiness were realized; but by degrees his passion cooled, and at length he abandoned her. Stung with indignation, and broken-hearted at this thwarting of her soul's desire, the unfortunate young creature fled from her father's house, and betaking herself on a dark and stormy night to the brink of the well, commended her spirit to her Maker, and ended her troubles beneath its waters. The name of the Puits d'Amour was then given to the well; and no young maiden ever dared to draw water from it after sunset, for fear of the spirit that dwelt unquietly within. The tradition was always current in people's mouths; and three centuries after, a young man of the neighbourhood, who had been jilted and mocked by an inconstant mistress, determined to bear his ills no longer, so he rushed to the Puits, and took the fatal leap. The result was not what he anticipated: he did not, it is true, jump into a courtly assembly of knights and gallants, but he could not find water enough in it to drown him; while his mistress, on hearing of the mishap, hastened to the well with a cord, and promising to compensate him for his former woes, drew him with her fair hands safely into the upper regions. An inscription, in Gothic letters, was then placed over the well:—

"L'amour m'a refaictEn 1525 tout-à-faict."

The fate of Agnes Hellebik was far preferable to that of another young girl who lived in this quarter, indeed in the Rue Thibault-au-dé. Agnes du Rochier was the only daughter of one of the wealthiest merchants of Paris, and was admired by all the neighbourhood for her beauty and virtue. In 1403 her father died, leaving her the sole possessor of his wealth, and rumour immediately disposed of her hand to all the young gallants of the quarter; but whether it was that grief for the loss of her parent had turned her head, or that the gloomy fanaticism of that time had worked with too fatal effect on her pure and inexperienced imagination, she took not only marriage and the male sex into utter abomination, but resolved to quit the world for ever, and to make herself a perpetual prisoner for religion's sake. She determined, in short, to become what was then called a recluse, and as such to pass the remainder of her days in a narrow cell built within the wall of a church. On the 5th of October, accordingly, when the cell, only a few feet square, was finished in the wall of the church of St Opportune, Agnes entered her final abode, and the ceremony of her reclusion began. The walls and pillars of the sacred edifice had been hung with tapestry and costly cloths, tapers burned on every altar, the clergy of the capital and the several religious communities thronged the church. The Bishop of Paris, attended by his chaplains and the canons of Notre Dame, entered the choir, and celebrated a pontifical mass: he then approached the opening of the cell, sprinkled it with holy water, and after the poor young thing had bidden adieu to her friends and relations, ordered the masons to fill up the aperture. This was done as strongly as stone and mortar could make it; nor was any opening left, save only a small loophole through which Agnes might hear the offices of the church, and receive the aliments given her by the charitable. She was eighteen years old when she entered this living tomb, and she continued within it eighty years, till death terminated her sufferings! Alas, for mistaken piety! Her wealth, which she gave to the church, and her own personal exertions during so long a life, might have made her a blessing to all that quarter of the city, instead of remaining an useless object of compassion to the few, and of idle wonder to the many.

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