
Полная версия:
Boon, The Mind of the Race, The Wild Asses of the Devil, and The Last Trump;
He laid his hand on a daily newspaper beside him.
“Oh, you’re not the only one. I will make you ashamed of yourself, Wilkins. Here’s the superlative to your positive. Here’s the sort of man I should like to hold for five minutes head downwards in the bilge of a trench, writing on the Heroic Spirit in the Morning Post. He’s one of your gentlemen who sit in a room full of books and promise themselves much moral benefit from the bloodshed in France. Coleridge, he says, Coleridge – the heroic, self-controlled Spartan Coleridge was of his opinion and very hard on Pacificism – Coleridge complained of peace-time in such words as these: ‘All individual dignity and power, engulfed in courts, committees, institutions… One benefit-club for mutual flattery.’… And then, I suppose, the old loafer went off to sponge on somebody… And here’s the stuff the heroic, spirited Osborn, the Morning Post gentleman – unhappily not a German, and unhappily too old for trench work – quotes with delight now —now!– after Belgium! —
“‘My spear, my sword, my shaggy shield!With these I till, with these I sow,With these I reap my harvest field —No other wealth the gods bestow:With these I plant the fertile vine,With these I press the luscious wine.My spear, my sword, my shaggy shield!They make me lord of all below —For those who dread my spear to wield,Before my shaggy shield must bow.Their fields, their vineyards, they resign,And all that cowards have is mine.’“He goes on to this —
“‘It is in vain that the Pacificist rages at such staunch braggadocio. It blares out a political truth of timeless validity in words that are by no means politic. Sparta was the working model in ancient times of the State that lives by and for warfare, though never despising the rewards of an astute diplomacy; she was the Prussia of antiquity…
“‘Spartan ideal of duty and discipline.’…
“You see the spirit of him! You see what has got loose! It is a real and potent spirit; you have to reckon with it through all this business. To this sort of mind the ‘Pacificist’ is a hateful fool. The Pacificist prefers making vineyards, painting pictures, building Gothic cathedrals, thinking clear thoughts to bawling “Bruteland, Bruteland, over all!” and killing people and smashing things up. He is a maker. That is what is intended here by a ‘coward.’ All real creative activity is hateful to a certain ugly, influential, aggressive type of mind, to this type of mind that expresses itself here in England through the Morning Post and Spectator. Both these papers are soaked through and through with a genuine detestation of all fine creation, all beauty, all novelty, all frank, generous, and pleasant things. In peace-time they maintain an attitude of dyspeptic hostility to free art, to free literature, to fresh thought. They stand uncompromisingly for ugliness, dullness, and restriction – as ends in themselves. When you talk, Wilkins, of the intellectual good of the war, I ask you to note the new exultation that has come into these evil papers. When they speak of the ‘moral benefits’ of war they mean the smashing up of everything that they hate and we care for. They mean reaction. This good man Osborn, whom I have never seen or heard of before, seems to be quintessential of all that side. I can imagine him. I believe I could reconstruct him from this article I have here, just as anatomists have reconstructed extinct monsters from a single bone. He is, I am certain, a don. The emotional note suggests Oxford. He is a classical scholar. And that is the extent of his knowledge. Something in this way.”
He began to sketch rapidly.
“You have to realize that while the Pacificists talk of the horrible ugliness of war and the necessity of establishing an everlasting world-peace, whiskered old ladies in hydropaths, dons on the Morning Post, chattering district visitors and blustering, bellowing parsons, people who are ever so much more representative of general humanity than we literary oddities – all that sort of people tucked away somewhere safe, are in a state of belligerent lustfulness and prepared – oh, prepared to give the very eyes of everybody else in this country, prepared to sacrifice the lives of all their servants and see the poor taxed to the devil, first for a victory over Germany and then for the closest, silliest, loudest imitation of Prussian swagger on our part (with them, of course, on the very top of it all) that we can contrive. That spirit is loose, Wilkins. All the dowagers are mewing for blood, all the male old women who teach classics and dream of re-action at Oxford and Cambridge, are having the time of their lives. They trust to panic, to loud accusations, to that fear of complexity that comes with fatigue. They trust to the exhaustion of delicate purposes and sensitive nerves. And this force-loving, bullying silliness is far more likely to come out on top, after the distresses of this war, after the decent men are dead in the trenches and the wise ones shouted to silence, than any finely intellectual, necessarily difficult plan to put an end for ever to all such senseless brutalities.”
“I think you underrate the power of – well, modern sanity,” said Wilkins.
“Time will show,” said Boon. “I hope I do.”
“This man Osborn, whoever he may be, must be just a fantastic extremist… I do not see that he is an answer to my suggestion that for the whole mass of people this war means graver thought, steadier thought, a firmer collective purpose. It isn’t only by books and formal literature that people think. There is the tremendous effect of realized and accumulated facts – ”
“Wilkins,” said Boon, “do not cuddle such illusions. It is only in books and writings that facts get assembled. People are not grasping any comprehensive effects at all at the present time. One day one monstrous thing batters on our minds – a battleship is blown up or a hundred villagers murdered – and next day it is another. We do not so much think about it as get mentally scarred… You can see in this spy hunt that is going on and in the increasing denunciations and wrangling of the papers how the strain is telling… Attention is overstrained and warms into violence. People are reading no books. They are following out no conclusions. No intellectual force whatever is evident dominating the situation. No organization is at work for a sane peace. Where is any power for Pacificism? Where is any strength on its side? America is far too superior to do anything but trade, the liberals here sniff at each other and quarrel gently but firmly on minor points, Mr. Norman Angell advertises himself in a small magazine and resents any other work for peace as though it were an infringement of his copyright. Read the daily papers; go and listen to the talk of people! Don’t theorize, but watch. The mind you will meet is not in the least like a mind doing something slowly but steadfastly; far more is it like a mind being cruelly smashed about and worried and sticking to its immediate purpose with a narrower and narrower intensity. Until at last it is a pointed intensity. It is like a dying man strangling a robber in his death-grip… We shall beat them, but we shall be dead beat doing it… You see, Wilkins, I have tried to think as you do. In a sort of way this war has inverted our relations. I say these things now because they force themselves upon me…”
Wilkins considered for some moments.
“Even if nothing new appears,” he said at last, “the mere beating down and discrediting of the militarist system leaves a world released…”
“But will it be broken down?” said Boon. “Think of the Osborns.”
And then he cried in a voice of infinite despair: “No! War is just the killing of things and the smashing of things. And when it is all over, then literature and civilization will have to begin all over again. They will have to begin lower down and against a heavier load, and the days of our jesting are done. The Wild Asses of the Devil are loose and there is no restraining them. What is the good, Wilkins, of pretending that the Wild Asses are the instruments of Providence kicking better than we know? It is all evil. Evil. An evil year. And I lie here helpless, spitting and spluttering, with this chill upon my chest… I cannot say or write what I would… And in the days of my sunshine there were things I should have written, things I should have understood…”
§ 6Afterwards Boon consoled himself very much for a time by making further speculative sketches of Mr. Osborn, as the embodiment of the Heroic Spirit. I append one or two of the least offensive of these drawings.
§ 7Boon’s pessimistic outlook on the war had a profoundly depressing effect upon me. I do all in my power to believe that Wilkins is right, and that the hopelessness that darkened Boon’s last days was due to the overshadowing of his mind by his illness. It was not simply that he despaired of the world at large; so far as I am concerned, he pointed and barbed his opinion by showing how inevitable it was that the existing publishing and book trade would be shattered to fragments. Adapted as I am now to the necessities of that trade, incapable as I am of the fresh exertions needed to bring me into a successful relationship to the unknown exigencies of the future, the sense of complete personal ruin mingled with and intensified the vision he imposed upon me of a world laid waste. I lay awake through long stretches of the night contemplating now my own life, no longer in its first vigour, pinched by harsh necessities and the fiercer competition of a young and needy generation, and now all life with its habits and traditions strained and broken. My daily fatigues at drill and the universal heavy cold in the head that has oppressed all Britain this winter almost more than the war, have added their quota to my nightly discomfort. And when at last I have slept I have been oppressed with peculiar and melancholy dreams.
One is so vividly in my mind that I am obliged to tell it here, although I am doubtful whether, except by a very extreme stretching of the meaning of words, we can really consider it among the Remains of George Boon.
It was one of those dreams of which the scenery is not so much a desolate place as desolation itself, and I was there toiling up great steepnesses with a little box of something in my hand. And I knew, in that queer confused way that is peculiar to dreams, that I was not myself but that I was the Author who is the hero of the Wild Asses of the Devil, and also that I was neither he nor I, but all sorts of authors, the spirit of authorship, no Author in particular but the Author at large, and that, since the melancholy devil had deserted me – he had sneaked off Heaven knows whither – it rested with me and with me alone to discover and catch and send out of this tormented world those same Wild Asses of the Devil of which you have read. And so I had salt in my box, Attic Salt, a precious trust, the one thing in all the universe with which I could subdue them.
And then suddenly there I was amidst all those very asses of which I have told you. There they were all about me, and they were more wild and horrible than I can describe to you. It was not that they were horrible in any particular way, they were just horrible, and they kicked up far over head, and leapt and did not even seem to trouble to elude my poor ineffectual efforts to get within salting distance of them. I toiled and I pursued amidst mad mountains that were suddenly marble flights of stairs that sloped and slid me down to precipices over which I floated; and then we were in soft places knee-deep in blood-red mud; and then they were close to my face, eye to eye, enormous revolving eyes, like the lanterns of lighthouses; and then they swept away, and always I grew smaller and feebler and more breathless, and always they grew larger, until only their vast legs danced about me on the sward, and all the rest was hidden. And all the while I was tugging at my box of Attic Salt, to get it open, to get a pinch. Suddenly I saw they were all coming down upon me, and all the magic salt I had was in the box that would not open…
I saw the sward they trampled, and it was not sward, it was living beings, men hurt by dreadful wounds, and poor people who ran in streaming multitudes under the beating hoofs, and a lichenous growth of tender things and beautiful and sweet and right things on which they beat, splashing it all to blood and dirt. I could not open my box. I could not open my box. And a voice said: “Your box! Your box! Laugh at them for the fools they are, and at the salt sting of laughter back they will fly to hell!”
But I could not open my box, for I thought of my friend’s sons and dear friends of my own, and there was no more spirit in me. “We cannot laugh!” I cried. “We cannot laugh! Another generation! Another generation may have the heart to do what we cannot do.”
And the voice said: “Courage! Only your poor courage can save us!”
But in my dream I could do no more than weep pitifully and weep, and when I woke up my eyes were wet with tears.
CHAPTER THE TENTH
The Story of the Last Trump
§ 1“After this war,” said Wilkins, “after its revelation of horrors and waste and destruction, it is impossible that people will tolerate any longer that system of diplomacy and armaments and national aggression that has brought this catastrophe upon mankind. This is the war that will end war.”
“Osborn,” said Boon, “Osborn.”
“But after all the world has seen – !”
“The world doesn’t see,” said Boon…
Boon’s story of the Last Trump may well come after this to terminate my book. It has been by no means an easy task to assemble the various portions of this manuscript. It is written almost entirely in pencil, and sometimes the writing is so bad as to be almost illegible. But here at last it is, as complete, I think, as Boon meant it to be. It is his epitaph upon his dream of the Mind of the Race.
§ 2The Story of the Last TrumpThe story of the Last Trump begins in Heaven and it ends in all sorts of places round about the world…
Heaven, you must know, is a kindly place, and the blessed ones do not go on for ever singing Alleluia, whatever you may have been told. For they too are finite creatures, and must be fed with their eternity in little bits, as one feeds a chick or a child. So that there are mornings and changes and freshness, there is time to condition their lives. And the children are still children, gravely eager about their playing and ready always for new things; just children they are, but blessèd as you see them in the pictures beneath the careless feet of the Lord God. And one of these blessèd children routing about in an attic – for Heaven is, of course, full of the most heavenly attics, seeing that it has children – came upon a number of instruments stored away, and laid its little chubby hands upon them…
Now indeed I cannot tell what these instruments were, for to do so would be to invade mysteries… But one I may tell of, and that was a great brazen trumpet which the Lord God had made when He made the world – for the Lord God finishes all His jobs – to blow when the time for our Judgement came round. And He had made it and left it; there it was, and everything was settled exactly as the Doctrine of Predestination declares. And this blessèd child conceived one of those unaccountable passions of childhood for its smoothness and brassiness, and he played with it and tried to blow it, and trailed it about with him out of the attic into the gay and golden streets, and, after many fitful wanderings, to those celestial battlements of crystal of which you have doubtless read. And there the blessed child fell to counting the stars, and forgot all about the Trumpet beside him until a flourish of his elbow sent it over…
Down fell the trump, spinning as it fell, and for a day or so, which seemed but moments in heaven, the blessed child watched its fall until it was a glittering little speck of brightness…
When it looked a second time the trump was gone…
I do not know what happened to that child when at last it was time for Judgement Day and that shining trumpet was missed. I know that Judgement Day is long overpassed, because of the wickedness of the world; I think perhaps it was in A.D. 1000 when the expected Day should have dawned that never came, but no other heavenly particulars do I know at all, because now my scene changes to the narrow ways of this Earth…
And the Prologue in Heaven ends.
§ 3And now the scene is a dingy little shop in Caledonian Market, where things of an incredible worthlessness lie in wait for such as seek after an impossible cheapness. In the window, as though it had always been there and never anywhere else, lies a long, battered, discoloured trumpet of brass that no prospective purchaser has ever been able to sound. In it mice shelter, and dust and fluff have gathered after the fashion of this world. The keeper of the shop is a very old man, and he bought the shop long ago, but already this trumpet was there; he has no idea whence it came, nor its country or origin, nor anything about it. But once in a moment of enterprise that led to nothing he decided to call it an Ancient Ceremonial Shawm, though he ought to have known that whatever a shawm may be the last thing it was likely to be is a trumpet, seeing that they are always mentioned together. And above it hung concertinas and melodeons and cornets and tin whistles and mouth-organs and all that rubbish of musical instruments which delight the hearts of the poor. Until one day two blackened young men from the big motor works in the Pansophist Road stood outside the window and argued.
They argued about these instruments in stock and how you made these instruments sound, because they were fond of argument, and one asserted and the other denied that he could make every instrument in the place sound a note. And the argument rose high, and led to a bet.
“Supposing, of course, that the instrument is in order,” said Hoskin, who was betting he could.
“That’s understood,” said Briggs.
And then they called as witnesses certain other young and black and greasy men in the same employment, and after much argument and discussion that lasted through the afternoon, they went in to the little old dealer about teatime, just as he was putting a blear-eyed, stinking paraffin-lamp to throw an unfavourable light upon his always very unattractive window. And after great difficulty they arranged that for the sum of one shilling, paid in advance, Hoskin should have a try at every instrument in the shop that Briggs chose to indicate.
And the trial began.
The third instrument that was pitched upon by Briggs for the trial was the strange trumpet that lay at the bottom of the window, the trumpet that you, who have read the Introduction, know was the trumpet for the Last Trump. And Hoskin tried and tried again, and then, blowing desperately, hurt his ears. But he could get no sound from the trumpet. Then he examined the trumpet more carefully and discovered the mice and fluff and other things in it, and demanded that it should be cleaned; and the old dealer, nothing loth, knowing they were used to automobile-horns and such-like instruments, agreed to let them clean it on condition that they left it shiney. So the young men, after making a suitable deposit (which, as you shall hear, was presently confiscated), went off with the trumpet, proposing to clean it next day at the works and polish it with the peculiarly excellent brass polish employed upon the honk-honk horns of the firm. And this they did, and Hoskin tried again.
But he tried in vain. Whereupon there arose a great argument about the trumpet, whether it was in order or not, whether it was possible for any one to sound it. For if not, then clearly it was outside the condition of the bet.
Others among the young men tried it, including two who played wind instruments in a band and were musically knowing men. After their own failure they were strongly on the side of Hoskin and strongly against Briggs, and most of the other young men were of the same opinion.
“Not a bit of it,” said Briggs, who was a man of resource. “I’ll show you that it can be sounded.”
And taking the instrument in his hand, he went towards a peculiarly powerful foot blow-pipe that stood at the far end of the toolshed. “Good old Briggs!” said one of the other young men, and opinion veered about.
Briggs removed the blow-pipe from its bellows and tube, and then adjusted the tube very carefully to the mouthpiece of the trumpet. Then with great deliberation he produced a piece of bees-waxed string from a number of other strange and filthy contents in his pocket and tied the tube to the mouthpiece. And then he began to work the treadle of the bellows.
“Good old Briggs!” said the one who had previously admired him.
And then something incomprehensible happened.
It was a flash. Whatever else it was, it was a flash. And a sound that seemed to coincide exactly with the flash.
Afterwards the young men agreed to it that the trumpet blew to bits. It blew to bits and vanished, and they were all flung upon their faces – not backward, be it noted, but on their faces – and Briggs was stunned and scared. The toolshed windows were broken and the various apparatus and cars around were much displaced, and no traces of the trumpet were ever discovered.
That last particular puzzled and perplexed poor Briggs very much. It puzzled and perplexed him the more because he had had an impression, so extraordinary, so incredible, that he was never able to describe it to any other living person. But his impression was this: that the flash that came with the sound came, not from the trumpet but to it, that it smote down to it and took it, and that its shape was in the exact likeness of a hand and arm of fire.
§ 4And that was not all, that was not the only strange thing about the disappearance of that battered trumpet. There was something else, even more difficult to describe, an effect as though for one instant something opened…
The young men who worked with Hoskin and Briggs had that clearness of mind which comes of dealing with machinery, and they all felt this indescribable something else, as if for an instant the world wasn’t the world, but something lit and wonderful, larger —
This is what one of them said of it.
“I felt,” he said, “just for a minute – as though I was blown to Kingdom Come.”
“It is just how it took me,” said another. “‘Lord,’ I says, ‘here’s Judgement Day!’ and then there I was sprawling among the flies…”
But none of the others felt that they could say anything more definite than that.
§ 5Moreover, there was a storm. All over the world there was a storm that puzzled meteorology, a moment’s gale that left the atmosphere in a state of wild swaygog, rains, tornadoes, depressions, irregularities for weeks. News came of it from all the quarters of the earth.
All over China, for example, that land of cherished graves, there was a dust-storm, dust leaped into the air. A kind of earthquake shook Europe – an earthquake that seemed to have at heart the peculiar interests of Mr. Algernon Ashton; everywhere it cracked mausoleums and shivered the pavements of cathedrals, swished the flower-beds of cemeteries, and tossed tombstones aside. A crematorium in Texas blew up. The sea was greatly agitated, and the beautiful harbour of Sydney, in Australia, was seen to be littered with sharks floating upside down in manifest distress…
And all about the world a sound was heard like the sound of a trumpet instantly cut short.
§ 6But this much is only the superficial dressing of the story. The reality is something different. It is this: that in an instant, and for an instant, the dead lived, and all that are alive in the world did for a moment see the Lord God and all His powers, His hosts of angels, and all His array looking down upon them. They saw Him as one sees by a flash of lightning in the darkness, and then instantly the world was opaque again, limited, petty, habitual. That is the tremendous reality of this story. Such glimpses have happened in individual cases before. The Lives of the saints abound in them. Such a glimpse it was that came to Devindranath Tagore upon the burning ghat at Benares. But this was not an individual but a world experience; the flash came to every one. Not always was it quite the same, and thereby the doubter found his denials, when presently a sort of discussion broke out in the obscurer Press. For this one testified that it seemed that “One stood very near to me,” and another saw “all the hosts of heaven flame up towards the Throne.”