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The Strange Case of Mortimer Fenley
"There's no sense in our quarreling about the chap anyhow," he said with a gruff attempt to smooth away difficulties. "Of course, I sh'an't let on I followed you. Just spotted you in the distance and joined you by chance, don't you know."
Sylvia did not answer. She was comparing Robert Fenley's conversational style with John Trenholme's, and the comparison was unflattering to Robert.
So he, too, came and leaned on the wall.
"I'm sorry if I annoyed you just now, Syl," he said. "That dashed little detective is to blame. He does put things in such a beastly unpleasant way."
"What things?"
"Why, about you and me and all of us. Gave me a regular lecture because I went back to town this morning. I couldn't help it, old girl. I really couldn't. I had to settle some urgent business, but that's all ended now. The pater's death has steadied me. No more gallivanting off to London for me. Settle down in Roxton, Board of Guardians on Saturdays, church on Sunday, tea and tennis at the vicarage, and 'you-come-to-our-place-tomorrow.' You know the sort of thing – old-fashioned, respectable and comfy. I'll sell my motor bike and start a car. Motor bikes make a fellow a bit of a vagabond – eh, what? They will go the pace. You can't stop 'em. Fifty per, and be hanged to the police, that's their motto."
"It sounds idyllic," the girl forced herself to say lightly, but her teeth met with a snap, and her fingers gripped the rough surface of the stones, for she remembered how Trenholme had said of her that she "reveled in the sunlight, in the golden air, in the scents of trees and shrubs and flowering grasses."
There was a musical cadence in her voice that restored Robert's surly good humor; he was of that peculiar type of spoiled youth whose laugh is a guffaw and whose mirth ever holds a snarl.
"Here comes your paint slinger," he said. "Wonder if he really can stage a decent picture. If so, when the present fuss is ended we'll get him to do a group. You and me and the keepers and dogs in front of the Warren Covert, next October, after a big drive. How would that be?"
"I'm sure Mr. Trenholme will feel flattered."
When Trenholme approached he was not too well pleased to find Miss Manning in charge of a new cavalier.
From items gathered earlier in the village he guessed the newcomer's identity. Perhaps he expected that the girl would offer an introduction, but she only smiled pleasantly and said:
"You must have hurried. I do hope I haven't put you to any inconvenience?"
"Eliza informed me that she had just popped my chicken in the oven, so there is plenty of time," he said. "I suppose it makes one hot to be constantly popping things into ovens. In the course of years one should become a sort of salamander. Have you ever read the autobiography of that great artist and very complete rascal, Benvenuto Cellini? He is the last person reputed to have seen a real salamander in the fire, and he only remembered the fact because his father beat him lest he should forget it."
"Ben who?" broke in Robert cheerfully.
"Benvenuto Cellini."
"Never heard of him… Well, let's have a peep-o. Miss Manning and I dine at a quarter to eight. You've been taking some snapshots in the park, I'm told. If they've got any ginger in them – "
"Probably you will describe them as hot stuff," said Trenholme, laying a portfolio on the wall in front of Sylvia and opening it.
"This is a pencil drawing of the great gates," he went on, ignoring Fenley. "Of course, they're Wren's, and therefore beautiful. Roxton Park holds a real treasure in those gates, Miss Manning. Here is a water-color sketch of the house and grounds. Do you like it?"
"Oh, it is exquisite! Why, you have caught the very glint of sunshine on the walls and roofs, and it is shimmering in the leaves of that copper beech. Ah me! It looks so easy."
Robert peered over her shoulder. Sylvia's gasp of admiration annoyed him; but he looked and said nothing.
"This," continued Trenholme, "is an unfinished study of the lake. I was so busily occupied that I was not aware of your presence until you were quite near at hand. Then when you dived into the water I grabbed a canvas and some tubes of paint. Here is the result – completed, to a large extent, in my room at the inn."
He took a picture out of a compartment of the portfolio specially constructed to protect an undried surface, and placed it at an angle that suited the light. His tone was unconcerned, for he had steeled himself against this crucial moment. Would she be angered? Would those limpid blue eyes, violet now in shadow, be raised to his in protest and vexed dismay? During the brief walk to and from the inn he had recollected the girl's age, her surroundings, the cramping influences of existence in a society of middle-class City folk. He felt like a prisoner awaiting a verdict when the issue was doubtful, and a wave of impulse might sway the jury one way or the other.
But he held his head high, and his face flushed slightly, for there could be no gainsaying the message glowing from that cunning brush work. There were two goddesses, one in marble and one palpitating with life. The likeness, too, was undeniable. If one was a replica of Greek art at its zenith, the other was unmistakably Sylvia Manning.
The girl gazed long and earnestly. Her pale cheeks had reddened for an instant, but the flood of surprise and emotion ebbed as quickly as it flowed, and left her wan, with parted lips.
At last she looked at Trenholme and spoke.
"Thank you!" she said, and their eyes met.
The artist understood; and he in turn, blanched somewhat. Rather hastily he replaced the picture in its receptacle.
Robert Fenley coughed and grinned, and the spell was broken.
"You said I'd call it hot stuff," he said. "Well, you sized my opinion up to a T. Of course, it's jolly clever – any fellow can see that – "
"Good night, Mr. Trenholme," said Sylvia, and she made off at a rapid pace. Robert grinned again.
"No young lady would stand that sort of thing," he chuckled. "You didn't really think she would – eh, what? But look here, I'll buy it. Send me a line later."
He hurried after Sylvia, running to overtake her. Trenholme stood there a long time; in fact, until the two were hidden by the distant line of trees. Then he smiled.
"So you are Robert Fenley," he communed, packing the portfolio leisurely. "Well, if Sylvia Manning marries you, I'll be a bachelor all my days, for I'll never dare imagine I know anything about a woman's soul; though I'm prepared at this hour of grace to stake my career that that girl's soul is worthy of her very perfect body."
Puffing a good deal, Fenley contrived to overhaul his "cousin."
"By jing, Sylvia, you can step out a bit," he said. "And you change your mind mighty quick. Five minutes ago you were ready to wait any length of time till that Johnny turned up, and now you're doing more than five per. What's the rush? It's only half past seven, and we don't dress tonight."
"I'm not dining downstairs," she answered.
"Oh, I say, I can't stand Hilton all alone."
"Nor can I stand either of you," she was tempted to retort, but contented herself by saying that she had arranged for a meal to be served in her aunt's room. Grumble and growl as he might, Robert could not shake her resolve; he was in a vile temper when he reached the dining-room.
His brother had not arrived, so he braced himself for an ordeal by drinking a stiff whisky and soda. When Hilton came in the pair nodded to each other but ate in silence. At last Robert glanced up at Tomlinson.
"Just shove the stuff on the table and clear out," he said. "We'll help ourselves. Mr. Hilton and I want to have a quiet talk."
Hilton gave him a quick underlook but did not interfere. Perhaps purposely, when the servants had left the room he opened the battle with a sneer.
"I hope you didn't make a fool of yourself this evening," he said.
"As how?" queried Robert, wondrously subdued to all appearance, though aching to give the other what he called "a bit of his mind."
"I understand you made after Sylvia and the artist, meaning to chastise somebody."
"You were wrong," said Robert slowly. "You nearly always are. I make mistakes myself, but I own up handsomely. You don't. That's where we differ, see?"
"I see differences," and Hilton helped himself to a glass of claret.
"Trenholme, the artist Johnny, is a clever chap – slightly cracked, as they all are, but dashed clever. By gad, you ought to see the picture he's painted of Sylvia. Anyhow, you will see it. I've bought it."
"Really?"
"I said I'd buy it – same thing. He'll jump at the offer. It'll hang in my dressing-room. I don't suppose Sylvia will kick about a trifle like that when we're married."
Hilton was holding the glass of wine to his lips. His hand shook, and he spilled a little, but he drank the remainder.
"When did you decide to marry Sylvia?" he inquired, after a pause which might have been needed to gain control of his voice.
"It's been decided for a long time," said Robert doggedly, himself showing some signs of enforced restraint. "It was the pater's wish, as you know. I'm sorry now I didn't fix matters before he died; but 'better late than never.' I asked Sylvia today, and we've arranged to get married quite soon."
"Are you by any chance telling the truth?"
"What the blazes do you mean?" and Robert's fist pounded the table heavily.
"Exactly what I say. You say that you and Sylvia have arranged to get married quite soon. Those were your words. Is that true?"
"Confound you, of course it is."
"Sylvia has actually agreed to that?"
"I asked her. What more do you want?"
"I am merely inquiring civilly what she said."
"Dash it, you know what girls are like. You ought to. Isn't Eileen Garth a bit coy at times?"
"One might remark that Mrs. Lisle also was coy."
"Look here – " began the other furiously, but the other checked him.
"Let us stop bickering like a couple of counter jumpers," he said, and a shrewder man than Robert might have been warned by the slow, incisive utterance. "You make an astonishing announcement on an occasion when it might least be expected, yet resent any doubt being thrown on its accuracy. Did or did not Sylvia accept you?"
"Well, she said something about not wishing to talk of marriage so soon after the old man's death, but that was just her way of putting it. I mean to marry her; and when a fellow has made up his mind on a thing like that it's best to say so and have done with it. Sylvia's a jolly nice girl, and has plenty of tin. I'm first in the field, so I'm warning off any other candidates. See?"
"Yes, I see," said Hilton, pouring out another glass of wine. This time his hand was quite steady, and he drank without mishap.
"Ain't you going to wish me luck?" said Robert, eying him viciously.
"I agree with Sylvia. The day we have lost our father is hardly a fitting time for such a discussion; or shall I say ceremony?"
"You can say what the devil you like. And you can do what you like. Only keep off my corns and I won't tread on yours."
Having, as he fancied, struck a decisive blow in the struggle for that rare prize, Sylvia, Robert Fenley pushed back his chair, arose, waited a second for an answer which came not, and strode out, muttering something about being "fed up."
Hilton's face was lowered, and one nervous hand shaded his brows. Robert thought he had scored, but he could not see the inhuman rage blazing in those hidden eyes. The discovery, had he made it, might not have distressed him, but he would surely have been puzzled by the strange smile which wrinkled Hilton's sallow cheeks when the door closed and the Eurasian was left alone in the dining-room.
CHAPTER XII
Wherein Scotland Yard is Dined and Wined
Three dinners for two were in progress in The Towers at one and the same hour. One feast had been shortened by the ill-concealed hatred of each brother for the other. At the second, brooding care found unwonted lodging in the charming personality of Sylvia Manning – care, almost foreboding, heightened by the demented mutterings of her "aunt." At the third, with the detectives, sat responsibility; but light-heartedly withal, since these seasoned man-hunters could cast off their day's work like a garment.
The first and second meals were of the high quality associated with English country houses of a superior class; the third was a spread for epicures. Tomlinson saw to that. He was catering for a gourmet in Furneaux, and rose to the requisite height.
The little man sighed as he tasted the soup.
"What is it now?" inquired Winter, whose glance was dwelling appreciatively on a dusty bottle labeled "Clos Vosgeot, 1879."
"I hate eating the food of a man whom I mean to produce as a star turn at the Old Bailey," was the despondent answer.
"So do I, if it comes to that," said Winter briskly. "But this appetizing menu comes out of another larder. I shall be vastly mistaken if we're not actually the guests of a certain pretty young lady. Finance of the Fenley order is not in good odor in the City.
"Have no scruples, my boy. We may be vultures at the feast; but before we see the end of the Fenley case there'll be a smash in Bishopsgate Street, and Miss Sylvia Manning will be lucky if some sharp lawyer is able to grab some part of the wreckage for her benefit."
"Clear logic, at any rate." And Furneaux brightened visibly.
"I'll tell you what it's based on. Our swarthy friend was examining lists of securities in the train. He didn't lift his head quickly enough – took me for a ticket puncher, I expect – so I had time to twig what he was doing. I'd like to run my eye over the papers in that leather portfolio."
"You may manage it. You're the luckiest fellow breathing. Such opportunities come your way. I have to make them."
After an interlude played by sole Colbert, Winter shot an amused question at his companion.
"What's at the back of your head with regard to the artist and Miss Sylvia?" he said.
"It's high time she spoke to a real man. These Fenleys are animals, all of 'em. John Trenholme is a genius, and a good-looking one."
"I met the girl in a corridor a while ago, and she was rather disconsolate, I thought."
"And with good reason. You've noticed how each brother eyes her. They'll fight like jackals before this night is out. I hope Sylvia will indulge in what women call a good cry. That will be Trenholme's golden hour. Some Frenchman – of course he was clever, being French – says that a man should beware when a woman smiles but he may dare all when she weeps."
"Are we marriage brokers, then?"
"We must set the Fenleys at each other's throats."
"Yes," mused Winter aloud, when a ris de veau bonne maman had passed like a dream, "this affair is becoming decidedly interesting. But every why hath a wherefore, according to Shakespeare. Tell me" – and his voice sank to a whisper – "tell me why you believe Hilton Fenley killed his father."
"You nosed your way into that problem this afternoon. Between his mother and that girl, Eileen Garth, he was in a tight place. He stole those bonds. I fancied it at the time, but I know it now. They were negotiated in Paris by a woman who occupied a room in the Hotel d'Italie, Rue Caumartin, Paris, and one of her registered boxes bore the rail number, 517."
"You little devil!" blazed out Winter. "And you never said a word when I told you!"
"Astonishment has rendered you incoherent. You mean, of course, when you told me you had seen in Gloucester Mansions a box labeled in accordance with the facts I have just retailed. But I yield that minor point. It is a purist's, at the best. I have supplied a motive, one motive, for the crime; the plotter feared discovery. But there are dozens of others. He was impatient of the old man's rigid control. Hilton is sharp and shrewd, and he guessed things were going wrong financially. He knew that his father's methods were out of date, and believed he could straighten the tangle if the reins of power were not withheld too long.
"He saw that Sylvia Manning's gold was in the melting-pot, and appreciated precisely the cause of the elder Fenley's anxiety that she should marry Robert. Once in the family, you know, her fortunes were bound up with theirs; while any 'cute lawyer could dish her in the marriage settlements if sufficiently well paid for a nasty job. When Sylvia was Mrs. Robert Fenley, and perhaps mother of a squalling Fenley, the head of the business could face the future if not with confidence, at least with safety. But where would Hilton be then? The girl lost, the money in jeopardy, and he himself steadily elbowed out. 'Cré nom! I've known men murdered for less convincing reasons."
"Men, yes; not fathers."
"Some sons are the offspring of Beelzebub. Consider the parentage in this instance. Fenley, a groom and horse coper on the one hand, and the dark daughter of a Calcutta merchant on the other. If the progeny of such a union escaped a hereditary taint it would be a miracle. Cremate Hilton Fenley and his very dust will contain evil germs."
"You're strong in theory but weak in proof."
That style of argument invariably nettled Furneaux.
"You must butt into a few more mysterious suites of apartments in London and elsewhere, and you'll supply proof in bucketfuls," he snapped.
"But was there an accomplice? Squirm as you like, you can't get over the fact that Hilton was in his room when the bullet that killed his father came from the wood."
"He is not the sort of person likely to trust his liberty, his life even, to the keeping of any other human being. I start from the hypothesis that he alone planned and carried out the crime, so I do not lift my hand and cry 'Impossible,' but I ask myself, 'How was it done?' Well, there are several methods worthy of consideration – clockwork, electricity, even a time fuse attached to the proper mechanism. I haven't really bothered myself yet to determine the means, because when that knowledge becomes indispensable we must have our man under lock and key."
"Of course, the rifle is securely fixed in that – "
The door opened. Tomlinson came in, smiling blandly.
"I hope you are enjoying your dinner, gentlemen both?" he said.
"You have made your cook an artist," said Furneaux.
"I suppose you are happier here than in a big London restaurant," said Winter.
The butler appreciated such subtle compliments, and beamed on them.
"With a little encouragement and advice, our chef can prepare a very eatable dinner," he said. "As for my own ambitions, I have had them, like every man worth his salt; but I fill a comfortable chair here – no worry, no grumbling, not a soul to say nem or con, so long as things go smoothly."
"It must have been nem all the time," giggled Furneaux, and Winter was so afflicted by a desire to sneeze that he buried his face in a napkin.
"And how was the wine?" went on Tomlinson, with an eye on the little man. Furneaux's features were crinkled in a Japanese smile. He wanted to kick Winter, who was quivering with suppressed laughter.
"I never expected to find such vintages in a house of the mauvais riches," he said. "Perhaps you don't speak French, Mr. Tomlinson, so allow me to explain that I am alluding to men of wealth not born in the purple."
"Precisely – self-made. Well sir, poor Mr. Fenley left the stocking of his cellar entirely to me. I gave the matter much thought. When my knowledge was at fault I consulted experts, and the result – "
"That is the result," cried Furneaux, seizing the empty claret bottle, and planting it so firmly on the table that the cutlery danced.
A shoulder of lamb, served à la Soubise, appeared; and Tomlinson, announcing that his presence in the dining-room had been dispensed with, thought he would join them in a snack. Being a hospitable creature, he opened another bottle of the Clos Vosgeot, but his guests were not to be tempted.
"Well, then," he said, "in a few minutes you must try our port. It is not Alto Douro, Mr. Furneaux, but it has body and bowket."
Winter was better prepared this time. Moreover he was carving, and aware of a master's criticism, and there are occult problems connected with even such a simple joint as a shoulder of lamb. Furneaux, too, was momentarily subdued. He seemed to be reflecting sadly that statues of gold, silver and bronze may have feet of clay.
"I have often thought, gentlemen," said the butler, "that yours must be a most interesting profession. You meet all sorts and conditions of men and women."
"We consort with the noblest malefactors," agreed Furneaux.
"Dear me, sir, you do use the queerest words. Now, I should never dream of describing a criminal as noble."
"Not in the generally accepted sense, perhaps. But you, I take it, have not had the opportunity of attending a really remarkable trial, when, say, some intellectual giant among murderers is fighting for his life. Believe me, no drama of the stage can rival that tragedy.
"The chief actor, remote, solitary, fenced away from the world he is hoping to reënter, sits there in state. Every eye is on him, yet he faces judge, jury, counsel, witnesses and audience with a calm dignity worthy of an emperor. He listens imperturbably to facts which may hang him, to lies which may lend color to the facts, to well-meaning guesses which are wide of the mark. Truthful and false evidence is equally prone to err when guilt or innocence must be determined by circumstances alone.
"But the prisoner knows. He is the one man able to discriminate between truth and falsity, yet he must not reveal the cruel stab of fact or the harmless buffet of fiction by so much as a flicker of an eyelid. He surveys the honest blunderer and the perjured ruffian – I mean the counsel for the defense and the prosecution respectively – with impartial scrutiny. If he is a sublime villain, he will call on Heaven to testify that he is innocent with a solemnity not surpassed by the judge who sentences him to death… Yes, please, a bit off the knuckle end."
The concluding words were addressed to Winter, and Tomlinson started, for he was wrapped up in the scene Furneaux was depicting.
"That point of view had not occurred to me," he admitted.
"You'll appreciate it fully when you see Mr. Fenley's murderer in the dock," said Furneaux.
"Ah, sir. That brings your illustration home, indeed. But shall we ever know who killed him?"
"Certainly. Look at that high dome of intelligence glistening at you across the table. But that it is forbid to tell the secrets of the prison house, it could a tale unfold whose slightest word would harrow up thy soul – "
Harris, the footman, entered, carrying a decanter.
"Mr. Hilton Fenley's compliments, gentlemen, and will you try this port? He says Mr. Tomlinson will recommend it, because Mr. Fenley himself seldom takes wine. Mr. Fenley will not trouble you to meet him again this evening. Mr. Tomlinson, Mr. Fenley wants you for a moment."
The butler rose.
"That is the very wine I spoke of," he said. "If Mr. Hilton did not touch it, Mr. Robert evidently appreciated it."
He glanced at Harris, but the footman did not even suspect that his character was at stake. The decanter was nearly full when placed on the sideboard; now it was half empty.
Singularly enough, both Winter and Furneaux had intercepted that questioning glance, and had acquitted Harris simultaneously.
"Are the gentlemen still in the dining-room?" inquired Winter.
"Mr. Hilton is there, sir, but Mr. Robert went out some time since."
"Please convey our thanks to Mr. Hilton. I'm sure we shall enjoy the wine."
When Tomlinson and Harris had gone, the eyes of the two detectives met. They said nothing at first, and it may be remembered that they were reputedly most dangerous to a pursued criminal when working together silently. Winter took the decanter, poured out a small quantity into two glasses, and gave Furneaux one. Then they smelled, and tasted, and examined the wine critically. The rich red liquid might have been a poisonous decoction for the care they devoted to its analysis.
Furneaux began.
"I have so many sleepless nights that I recognize bromide, no matter how it is disguised," he murmured.