The Works of Robert Louis Stevenson – Swanston Edition. Volume 18

Kaahumanu was a woman of the chiefly stature and of celebrated beauty; Bingham admits she was “beautiful for a Polynesian”; and her husband cherished her exceedingly. He had the indelicacy to frame and publish an especial law declaring death against the man who should approach her, and yet no penalty against herself. And in 1809, after thirty-four years of marriage, and when she must have been nearing fifty, an island Chastelard, of the name of Kanihonui, was found to be her lover, and paid the penalty of life; she cynically surviving. Some twenty years later, one of the missionaries had written home denouncing the misconduct of an English whaler. The whaler got word of the denunciation and, with the complicity of the English consul, sought to make a crime of it against the mission. Party spirit ran very violent in the islands; tears were shed, threats flying; and Kaahumanu called a council of the chiefs. In that day stood forth the native historian, David Malo (though his name should rather have been Nathan), and pressed the regent with historic instances. Who was to be punished? – the whaler guilty of the act, the missionary whose denunciation had provoked the scandal? “O you, the wife of Kamehameha,” said he, “Kanihonui came and slept with you Luheluhe declared to Kamehameha the sleeping together of you two. I ask you, which of these two persons was slain by Kamehameha? Was it Luheluhe?” And she answered: “It was Kanihonui!” Shakespeare never imagined such a character; and it would require none less than he to represent her sublimities and contradictions.

After this heroine, the stone in the precinct of Honaunau had been named. Here is the reason, and the tale completes her portrait. Kamehameha was, of course, polygamous; the number of his wives rose at last to twenty-five; and out of these no less than two were the sisters of Kaahumanu. The favourite was of a jealous habit; and when it came to a sister for a rival, her jealousy overflowed. She fled by night, plunged in the sea, came swimming to Honaunau, entered the precinct by the sea-gate, and hid herself behind the stone. There she lay naked and refused food. The flight was discovered; as she had come swimming, none had seen her pass; the priests of the temple were bound, it seems, to silence; and Kona was filled with the messengers of the dismayed Kamehameha, vainly seeking the favourite. Now, Kaahumanu had a dog who was much attached to her, who had accompanied her in her long swim, and lay by her side behind the stone; and it chanced, as the messengers ran past the City of Refuge, that the dog (perhaps recognising them) began to bark. “Ah, there is the dog of Kaahumanu!” said the messengers, and returned and told the king she was at the Hale O Keawe. Thence Kamehameha fetched or sent for her, and the breach in their relations was restored.

A king preferred this woman out of a kingdom; Kanihonui died for her, when she was fifty; even her dog adored her; even Bingham, who did not see her until 1820, thought her “beautiful for a Polynesian,” and while she was thus in person an emblem of womanly charm, she made her life illustrious with the manly virtues. There are some who give to Mary Queen of Scots the place of saint and muse in their historic meditations; I recommend to them instead the wife and widow of the island conqueror. The Hawaiian was the nobler woman, with the nobler story; and no disenchanting portrait will be found to shatter an ideal.

CHAPTER V

THE LEPERS OF KONA

A step beyond Hookena, a wooden house with two doors stands isolated in a field of broken lava, like ploughed land. I had approached it on the night of my arrival, and found it black and silent; yet even then it had inmates. A man and a woman sat there captive, and the man had a knife, brought to him in secret by his family. Not long, perhaps, after I was by, the man, silencing by threats his fellow-prisoner, cut through the floor and escaped to the mountain. It was known he had a comrade there, hunted on the same account; and their friends kept them supplied with food and ammunition. Upon the mountains, in most islands of the group, similar outlaws rove in bands or dwell alone, unsightly hermits; and but the other day an officer was wounded while attempting an arrest. Some are desperate fellows; some mournful women – mothers and wives; some stripling girls. A day or two, for instance, after the man had escaped, the police got word of another old offender, made a forced march, and took the quarry sitting: this time with little peril to themselves. For the outlaw was a girl of nineteen, who had been two years under the rains in the high forest, with her mother for comrade and accomplice. How does their own poet sing?

In the land of distressMy dwelling was on the mountain height,My talking companions were the birds,The decaying leaves of the Ki my clothing.

It is for no crime this law-abiding race flee to the woods; it is no fear of the gallows or the dungeon that nerves themselves to resist and their friends to aid and to applaud them. Their liability is for disease; they are lepers; and what they combine to combat is not punishment but segregation. While China, and England, and France, in their tropical possessions, either attempt nothing or effect little, Hawaii has honourably faced the problem of this ancient and apparently reviving malady. Her small extent is an advantage; but the ruggedness of the physical characters, the desert woods and mountains, and the habit of the native mind, oppose success. To the native mind, our medical opinions seem unfounded. We smile to hear of ghosts and gods; they, when they are told to keep warm in fevers or to avoid contagion. Leprosy in particular they cannot be persuaded to avoid. But no mere opinion would exalt them to resist the law and lie in forests did not a question of the family bond embitter and exasperate the opposition. Their family affection is strong, but unerect; it is luxuriously self-indulgent, circumscribed within the passing moment, without providence, without nobility, incapable of healthful rigour. The presence and the approval of the loved one, it matters not how purchased, there is the single demand of the Polynesian. By a natural consequence, when death intervenes, he is consoled the more easily. Against this undignified fervour of attachment, marital and parental, the law of segregation often beats in vain. It is no fear of the lazaretto; they know the dwellers are well used in Molokai; they receive letters from friends already there who praise the place; and could the family be taken in a body, they would go with glee, overjoyed to draw rations from Government. But all cannot become pensioners at once; a proportion of rate-payers must be kept; and the leper must go alone or with a single relative; and the native instinctively resists the separation as a weasel bites. A similar reluctance can be shown in Molokai itself. By a recent law, clean children born within the precinct are taken from their leper parents, sent to an intermediate hospital, and given a chance of life and health and liberty. I have stood by while Mr. Meyer and Mr. Hutchinson, the luna and the sub-luna of the lazaretto, opened the petitions of the settlement. As they sat together on the steps of the guest-house at Kalawao, letter after letter was passed between them with a sneer, and flung upon the ground; till I was at last struck with this cavalier procedure, and inquired the nature of the appeals. They were all the same; all from leper parents, all pleading to have their clean children retained in that abode of sorrow, and all alleging the same reason —aloha nuinui– an extreme affection. Such was the extreme affection of Kaahumanu for Kanihonui; by which she indulged her wantonness in safety and he died. But love has a countenance more severe.

The scenes I am about to describe, moving as they were to witness, have thus an element of something weak and false. Sympathy may flow freely for the leper girl; it may flow for her mother with reserve; it must not betray us into a shadow of injustice for the government whose laws they had attempted to evade. That which is pathetic is not needfully wrong.

I walked in a bright sun, after a grateful rain, upon the shore beyond Hookena. The breeze was of heavenly freshness, the surf was jubilant in all the caves; it was a morning to put a man in thought of the antiquity, the health and cleanness of the earth. And behold! when I came abreast of the little pest-house on the lava, both the doors were open. In front, a circle of some half-a-dozen women and children sat conspicuous in the usual bright raiment; in their midst was a crouching and bowed figure, swathed in a black shawl and motionless; and as I drew more near, I was aware of a continuous and high-pitched drone of song. The figure in the midst was the leper girl; the song was the improvisation of the mother, pouring out her sorrow in the island way. “That was not singing,” explained the schoolmaster’s wife on my return, “that was crying.” And she sketched for me the probable tenor of the lament: “O my daughter, O my child, now you are going away from me, now you are taken away from me at last,” and so on without end.

The thought of the girl so early separated from her fellows – the look of her lying there covered from eyesight, like an untimely birth – perhaps more than all, the penetrating note of the lament – subdued my courage utterly. With the natural impulse, I began to seek some outlet for my pain. It occurred to me that, after two years in the woods, the family affairs might well have suffered, and in view of the transplantation, clothes, furniture, or money might be needful. I believe it was not done wisely, since it was gone about in ignorance; I dare say it flowed from a sentiment no more erect than that of Polynesians; I am sure there were many in England to whom my superfluity had proved more useful; but the next morning saw me at the pest-house, under convoy of the schoolmaster and the policeman.

The doors were again open. A fire was burning and a pot cooking on the lava, under the supervision of an old woman in a grass-green sacque. This dame, who seemed more merry than refined, hailed me, seized me, and tried to seat me in her lap; a jolly and coarse old girl from whom, in my hour of sentiment, I fled with craven shrinking: to whom, upon a retrospect, I do more justice. The two lepers (both women) sat in the midst of their visitors, even the children (to my grief) touching them freely; the elder chatting at intervals – the girl in the same black weed and bowed in the same attitude as yesterday. It was painfully plain she would conceal, if possible, her face. Perhaps she had been beautiful: certainly, poor soul, she had been vain – a gift of equal value. Some consultation followed; I was told that nothing was required for outfit, but a gift in money would be gratefully received; and this (forgetting I was in the South Seas) I was about to make in silence. The confounded expression of the schoolmaster reminded me of where I was. We stood up, accordingly, side by side before the lepers; I made the necessary speech, which the schoolmaster translated sentence by sentence; the money (thus hallowed by oratory) was handed over and received; and the two women each returned a dry “Mahalo,” the girl not even then exhibiting her face.

Between nine and ten of the same morning, the schooner lay-to off Hookena and a whaleboat came ashore. The village clustered on the rocks for the farewell: a grief perhaps – a performance certainly. We miss in our modern life these operatic consolations of the past. The lepers came singly and unattended; the elder first; the girl a little after, tricked out in a red dress and with a fine red feather in her hat. In this bravery, it was the more affecting to see her move apart on the rocks and crouch in her accustomed attitude. But this time I had seen her face; it was scarce horribly affected, but had a haunting look of an unfinished wooden doll, at once expressionless and disproportioned; doubtless a sore spectacle in the mirror of youth. Next there appeared a woman of the middle life, of a swaggering gait, a gallant figure, and a bold, handsome face. She came, swinging her hat, rolling her eyes and shoulders, visibly working herself up; the crowd stirred and murmured on her passage; and I knew, without being told, this was the mother and protagonist. Close by the sea, in the midst of the spectators, she sat down, and raised immediately the notes of the lament. One after another of her friends approached her. To one after the other she reached out an arm, embraced them down, rocked awhile with them embraced, and passionately kissed them in the island fashion, with the pressed face. The leper girl at last, as at some signal, rose from her seat apart, drew near, was inarmed like the rest, and with a small knot (I suppose of the most intimate) held some while in a general clasp. Through all, the wail continued, rising into words and a sort of passionate declamatory recitation as each friend approached, sinking again, as the pair rocked together, into the tremolo drone. At length the scene was over; the performers rose; the lepers and the mother were helped in silence to their places; the whaleboat was urged between the reefs into a bursting surge, and swung next moment without on the smooth swell. Almost every countenance about me streamed with tears.

It was odd, but perhaps natural amongst a ceremonious, oratorical race, that the boat should have waited while a passenger publicly lamented on the beach. It was more odd still that the mother should have been the chief, rather the only, actor. She was leaving indeed; she hoped to be taken as a Kokua, or clean assistant, and thus accompany her daughter to the settlement; but she was far from sure; and it was highly possible she might return to Kona in a month. The lepers, on the other hand, took leave for ever. In so far as regarded their own isle and birthplace, and for their friends and families, it was their day of death.

The soldier from the war returns,The sailor from the main:

but not the sick from the gray island. Yet they went unheeded; and the chief part, and the whole stage and sympathy, was for their travelling companion.

At the time, I was too deeply moved to criticise; mere sympathy oppressed my spirit. It had always been a point with me to visit the station, if I could: on the rocks of Hookena the design was fixed. I had seen the departure of lepers for the place of exile; I must see their arrival, and that place itself.5

PART IV

THE GILBERTS

CHAPTER I

BUTARITARI

At Honolulu we had said farewell to the Casco and to Captain Otis, and our next adventure was made in changed conditions. Passage was taken for myself, my wife, Mr. Osbourne, and my China boy, Ah Fu, on a pigmy trading schooner, the Equator, Captain Dennis Reid; and on a certain bright June day in 1889, adorned in the Hawaiian fashion with the garlands of departure, we drew out of port and bore with a fair wind for Micronesia.

The whole extent of the South Seas is desert of ships, more especially that part where we were now to sail. No post runs in these islands; communication is by accident; where you may have designed to go is one thing, where you shall be able to arrive another. It was my hope, for instance, to have reached the Carolines, and returned to the light of day by way of Manila and the China ports; and it was in Samoa that we were destined to re-appear and be once more refreshed with the sight of mountains. Since the sunset faded from the peaks of Oahu six months had intervened, and we had seen no spot of earth so high as an ordinary cottage. Our path had been still on the flat sea, our dwellings upon unerected coral, our diet from the pickle-tub or out of tins; I had learned to welcome shark’ flesh for a variety; and a mountain, an onion, an Irish potato or a beef-steak, had been long lost to sense and dear to aspiration.

The two chief places of our stay, Butaritari and Apemama, lie near the line; the latter within thirty miles. Both enjoy a superb ocean climate, days of blinding sun and bracing wind, nights of a heavenly brightness. Both are somewhat wider than Fakarava, measuring perhaps (at the widest) a quarter of a mile from beach to beach. In both, a coarse kind of taro thrives; its culture is a chief business of the natives, and the consequent mounds and ditches make miniature scenery and amuse the eye. In all else they show the customary features of an atoll: the low horizon, the expanse of the lagoon, the sedge-like rim of palm-tops, the sameness and smallness of the land, the hugely superior size and interest of sea and sky. Life on such islands is in many points like life on shipboard. The atoll, like the ship, is soon taken for granted; and the islanders, like the ship’s crew, become soon the centre of attention. The isles are populous, independent, seats of kinglets, recently civilised, little visited. In the last decade many changes have crept in: women no longer go unclothed till marriage; the widow no longer sleeps at night and goes abroad by day with the skull of her dead husband; and, fire-arms being introduced, the spear and the shark-tooth sword are sold for curiosities. Ten years ago all these things and practices were to be seen in use; yet ten years more, and the old society will have entirely vanished. We came in a happy moment to see its institutions still erect and (in Apemama) scarce decayed.

Populous and independent – warrens of men, ruled over with some rustic pomp – such was the first and still the recurring impression of these tiny lands. As we stood across the lagoon for the town of Butaritari, a stretch of the low shore was seen to be crowded with the brown roofs of houses; those of the palace and king’s summer parlour (which are of corrugated iron) glittered near one end conspicuously bright; the royal colours flew hard by on a tall flagstaff; in front, on an artificial islet, the gaol played the part of a martello. Even upon this first and distant view, the place had scarce the air of what it truly was, a village; rather of that which it was also, a petty metropolis, a city rustic and yet royal.

The lagoon is shoal. The tide being out, we waded for some quarter of a mile in tepid shallows, and stepped ashore at last into a flagrant stagnancy of sun and heat. The lee side of a line island after noon is indeed a breathless place; on the ocean beach the trade will be still blowing, boisterous and cool; out in the lagoon it will be blowing also, speeding the canoes; but the screen of bush completely intercepts it from the shore, and sleep and silence and companies of mosquitoes brood upon the towns.

We may thus be said to have taken Butaritari by surprise. A few inhabitants were still abroad in the north end, at which we landed. As we advanced, we were soon done with encounter, and seemed to explore a city of the dead. Only, between the posts of open houses, we could see the townsfolk stretched in the siesta, sometimes a family together veiled in a mosquito net, sometimes a single sleeper on a platform like a corpse on a bier.

The houses were of all dimensions, from those of toys to those of churches. Some might hold a battalion, some were so minute they could scarce receive a pair of lovers; only in the playroom, when the toys are mingled, do we meet such incongruities of scale. Many were open sheds; some took the form of roofed stages; others were walled and the walls pierced with little windows. A few were perched on piles in the lagoon; the rest stood at random on a green, through which the roadway made a ribbon of sand, or along the embankments of a sheet of water like a shallow dock. One and all were the creatures of a single tree; palm-tree wood and palm-tree leaf their materials; no nail had been driven, no hammer sounded, in their building, and they were held together by lashings of palm-tree sinnet.

In the midst of the thoroughfare, the church stands like an island, a lofty and dim house with rows of windows; a rich tracery of framing sustains the roof; and through the door at either end the street shows in a vista. The proportions of the place, in such surroundings, and built of such materials, appeared august; and we threaded the nave with a sentiment befitting visitors in a cathedral. Benches run along either side. In the midst, on a crazy dais, two chairs stand ready for the king and queen when they shall choose to worship; over their heads a hoop, apparently from a hogshead, depends by a strip of red cotton; and the hoop (which hangs askew) is dressed with streamers of the same material, red and white.

This was our first advertisement of the royal dignity, and presently we stood before its seat and centre. The palace is built of imported wood upon a European plan; the roof of corrugated iron, the yard enclosed with walls, the gate surmounted by a sort of lych-house. It cannot be called spacious; a labourer in the States is sometimes more commodiously lodged; but when we had the chance to see it within, we found it was enriched (beyond all island expectation) with coloured advertisements and cuts from the illustrated papers. Even before the gate some of the treasures of the crown stand public: a bell of a good magnitude, two pieces of cannon, and a single shell. The bell cannot be rung nor the guns fired; they are curiosities, proofs of wealth, a part of the parade of the royalty, and stand to be admired like statues in a square. A straight gut of water like a canal runs almost to the palace door; the containing quay-walls excellently built of coral; over against the mouth, by what seems an effect of landscape art, the martello-like islet of the gaol breaks the lagoon. Vassal chiefs with tribute, neighbour monarchs come a-roving, might here sail in, view with surprise these extensive public works, and be awed by these mouths of silent cannon. It was impossible to see the place and not to fancy it designed for pageantry. But the elaborate theatre then stood empty; the royal house deserted, its doors and windows gaping; the whole quarter of the town immersed in silence. On the opposite bank of the canal, on a roofed stage, an ancient gentleman slept publicly, sole visible inhabitant; and beyond on the lagoon a canoe spread a striped lateen, the sole thing moving.

The canal is formed on the south by a pier or causeway with a parapet. At the far end the parapet stops, and the quay expands into an oblong peninsula in the lagoon, the breathing-place and summer parlour of the king. The midst is occupied by an open house or permanent marquee – called here a maniapa, or, as the word is now pronounced, a maniap’ – at the lowest estimation forty feet by sixty. The iron roof, lofty but exceedingly low-browed, so that a woman must stoop to enter, is supported externally on pillars of coral, within by a frame of wood. The floor is of broken coral, divided in aisles by the uprights of the frame; the house far enough from shore to catch the breeze, which enters freely and disperses the mosquitoes; and under the low eaves the sun is seen to glitter and the waves to dance on the lagoon.

It was now some while since we had met any but slumberers; and when we had wandered down the pier and stumbled at last into this bright shed, we were surprised to find it occupied by a society of wakeful people, some twenty souls in all, the court and guardsmen of Butaritari. The court ladies were busy making mats; the guardsmen yawned and sprawled. Half a dozen rifles lay on a rock and a cutlass was leaned against a pillar: the armoury of these drowsy musketeers. At the far end, a little closed house of wood displayed some tinsel curtains, and proved upon examination to be a privy on the European model. In front of this, upon some mats, lolled Teburcimoa, the king; behind him, on the panels of the house, two crossed rifles represented fasces. He wore pyjamas which sorrowfully misbecame his bulk; his nose was hooked and cruel, his body overcome with sodden corpulence, his eye timorous and dull; he seemed at once oppressed with drowsiness and held awake by apprehension: a pepper rajah muddled with opium, and listening for the march of the Dutch army, looks perhaps not otherwise. We were to grow better acquainted, and first and last I had the same impression; he seemed always drowsy, yet always to hearken and start; and, whether from remorse or fear, there is no doubt he seeks a refuge in the abuse of drugs.

The rajah displayed no sign of interest in our coming. But the queen, who sat beside him in a purple sacque, was more accessible; and there was present an interpreter so willing that his volubility became at last the cause of our departure. He had greeted us upon our entrance: – “That is the honourable King, and I am his interpreter,” he had said, with more stateliness than truth. For he held no appointment in the court, seemed extremely ill-acquainted with the island language, and was present, like ourselves, upon a visit of civility. Mr. Williams was his name: an American darkey, runaway ship’s cook, and bar-keeper at “The Land we Live in” tavern, Butaritari. I never knew a man who had more words in his command or less truth to communicate; neither the gloom of the monarch, nor my own efforts to be distant, could in the least abash him; and when the scene closed, the darkey was left talking.