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The Essays of Arthur Schopenhauer; the Art of Controversy
The genius, then, always participates to some degree in the characteristics of the saint, as he is a man of the same qualification; and, contrarily, the saint always participates to some degree in the characteristics of the genius.
The good-natured character, which is common, is to be distinguished from the saintly by the fact that it consists in a weakness of will, with a somewhat less marked weakness of intellect. A lower degree of the knowledge of the world as revealed in ideas here suffices to check and control a will that is weak in itself. Genius and sanctity are far removed from good-nature, which is essentially weak in all its manifestations.
Apart from all that I have said, so much at least is clear. What appears under the forms of time, space, and casuality, and vanishes again, and in reality is nothing, and reveals its nothingness by death – this vicious and fatal appearance is the will. But what does not appear, and is no phenomenon, but rather the noumenon; what makes appearance possible; what is not subject to the principle of causation, and therefore has no vain or vanishing existence, but abides for ever unchanged in the midst of a world full of suffering, like a ray of light in a storm, – free, therefore, from all pain and fatality, – this, I say, is the intelligence. The man who is more intelligence than will, is thereby delivered, in respect of the greatest part of him, from nothingness and death; and such a man is in his nature a genius.
By the very fact that he lives and works, the man who is endowed with genius makes an entire sacrifice of himself in the interests of everyone. Accordingly, he is free from the obligation to make a particular sacrifice for individuals; and thus he can refuse many demands which others are rightly required to meet. He suffers and achieves more than all the others.
The spring which moves the genius to elaborate his works is not fame, for that is too uncertain a quality, and when it is seen at close quarters, of little worth. No amount of fame will make up for the labour of attaining it:
Nulla est fama tuum par oequiparare laborem.
Nor is it the delight that a man has in his work; for that too is outweighed by the effort which he has to make. It is, rather, an instinct sui generis; in virtue of which the genius is driven to express what he sees and feels in some permanent shape, without being conscious of any further motive.
It is manifest that in so far as it leads an individual to sacrifice himself for his species, and to live more in the species than in himself, this impulse is possessed of a certain resemblance with such modifications of the sexual impulse as are peculiar to man. The modifications to which I refer are those that confine this impulse to certain individuals of the other sex, whereby the interests of the species are attained. The individuals who are actively affected by this impulse may be said to sacrifice themselves for the species, by their passion for each other, and the disadvantageous conditions thereby imposed upon them, – in a word, by the institution of marriage. They may be said to be serving the interests of the species rather than the interests of the individual.
The instinct of the genius does, in a higher fashion, for the idea, what passionate love does for the will. In both cases there are peculiar pleasures and peculiar pains reserved for the individuals who in this way serve the interests of the species; and they live in a state of enhanced power.
The genius who decides once for all to live for the interests of the species in the way which he chooses is neither fitted nor called upon to do it in the other. It is a curious fact that the perpetuation of a man's name is effected in both ways.
In music the finest compositions are the most difficult to understand. They are only for the trained intelligence. They consist of long movements, where it is only after a labyrinthine maze that the fundamental note is recovered. It is just so with genius; it is only after a course of struggle, and doubt, and error, and much reflection and vacillation, that great minds attain their equilibrium. It is the longest pendulum that makes the greatest swing. Little minds soon come to terms with themselves and the world, and then fossilise; but the others flourish, and are always alive and in motion.
The essence of genius is a measure of intellectual power far beyond that which is required to serve the individual's will. But it is a measure of a merely relative character, and it may be reached by lowering the degree of the will, as well as by raising that of the intellect. There are men whose intellect predominates over their will, and are yet not possessed of genius in any proper sense. Their intellectual powers do, indeed, exceed the ordinary, though not to any great extent, but their will is weak. They have no violent desires; and therefore they are more concerned with mere knowledge than with the satisfaction of any aims. Such men possess talent; they are intelligent, and at the same time very contented and cheerful.
A clear, cheerful and reasonable mind, such as brings a man happiness, is dependent on the relation established between his intellect and his will – a relation in which the intellect is predominant. But genius and a great mind depend on the relation between a man's intellect and that of other people – a relation in which his intellect must exceed theirs, and at the same time his will may also be proportionately stronger. That is the reason why genius and happiness need not necessarily exist together.
When the individual is distraught by cares or pleasantry, or tortured by the violence of his wishes and desires, the genius in him is enchained and cannot move. It is only when care and desire are silent that the air is free enough for genius to live in it. It is then that the bonds of matter are cast aside, and the pure spirit – the pure, knowing subject – remains. Hence, if a man has any genius, let him guard himself from pain, keep care at a distance, and limit his desires; but those of them which he cannot suppress let him satisfy to the full. This is the only way in which he will make the best use of his rare existence, to his own pleasure and the world's profit.
To fight with need and care or desires, the satisfaction of which is refused and forbidden, is good enough work for those who, were they free of would have to fight with boredom, and so take to bad practices; but not for the man whose time, if well used, will bear fruit for centuries to come. As Diderot says, he is not merely a moral being.
Mechanical laws do not apply in the sphere of chemistry, nor do chemical laws in the sphere in which organic life is kindled. In the same way, the rules which avail for ordinary men will not do for the exceptions, nor will their pleasures either.
It is a persistent, uninterrupted activity that constitutes the superior mind. The object to which this activity is directed is a matter of subordinate importance; it has no essential bearing on the superiority in question, but only on the individual who possesses it. All that education can do is to determine the direction which this activity shall take; and that is the reason why a man's nature is so much more important than his education. For education is to natural faculty what a wax nose is to a real one; or what the moon and the planets are to the sun. In virtue of his education a man says, not what he thinks himself, but what others have thought and he has learned as a matter of training; and what he does is not what he wants, but what he has been accustomed to do.
The lower animals perform many intelligent functions much better than man; for instance, the finding of their way back to the place from which they came, the recognition of individuals, and so on. In the same way, there are many occasions in real life to which the genius is incomparably less equal and fitted than the ordinary man. Nay more: just as animals never commit a folly in the strict sense of the word, so the average man is not exposed to folly in the same degree as the genius.
The average man is wholly relegated to the sphere of being; the genius, on the other hand, lives and moves chiefly in the sphere of knowledge. This gives rise to a twofold distinction. In the first place, a man can be one thing only, but he may know countless things, and thereby, to some extent, identify himself with them, by participating in what Spinoza calls their esse objectivum. In the second place, the world, as I have elsewhere observed, is fine enough in appearance, but in reality dreadful; for torment is the condition of all life.
It follows from the first of these distinctions that the life of the average man is essentially one of the greatest boredom; and thus we see the rich warring against boredom with as much effort and as little respite as fall to the poor in their struggle with need and adversity. And from the second of them it follows that the life of the average man is overspread with a dull, turbid, uniform gravity; whilst the brow of genius glows with mirth of a unique character, which, although he has sorrows of his own more poignant than those of the average man, nevertheless breaks out afresh, like the sun through clouds. It is when the genius is overtaken by an affliction which affects others as well as himself, that this quality in him is most in evidence; for then he is seen to be like man, who alone can laugh, in comparison with the beast of the field, which lives out its life grave and dull.
It is the curse of the genius that in the same measure in which others think him great and worthy of admiration, he thinks them small and miserable creatures. His whole life long he has to suppress this opinion; and, as a rule, they suppress theirs as well. Meanwhile, he is condemned to live in a bleak world, where he meets no equal, as it were an island where there are no inhabitants but monkeys and parrots. Moreover, he is always troubled by the illusion that from a distance a monkey looks like a man.
Vulgar people take a huge delight in the faults and follies of great men; and great men are equally annoyed at being thus reminded of their kinship with them.
The real dignity of a man of genius or great intellect, the trait which raises him over others and makes him worthy of respect, is at bottom the fact, that the only unsullied and innocent part of human nature, namely, the intellect, has the upper hand in him? and prevails; whereas, in the other there is nothing but sinful will, and just as much intellect as is requisite for guiding his steps, – rarely any more, very often somewhat less, – and of what use is it?
It seems to me that genius might have its root in a certain perfection and vividness of the memory as it stretches back over the events of past life. For it is only by dint of memory, which makes our life in the strict sense a complete whole, that we attain a more profound and comprehensive understanding of it.
1
He speaks of [Greek: dyscherelai logicai], that is, "difficult points," [Greek: protasis logicae aporia logicae]
2
Cic. in Lucullo: Dialecticam inventam esse, veri et falsi quasi disceptatricem. Topica, c. 2: Stoici enim judicandi vias diligenter persecuti sunt, ea scientia, quam Dialecticen appellant. Quint., lib. ii., 12: Itaque haec pars dialecticae, sive illam disputatricem dicere malimus; and with him this latter word appears to be the Latin equivalent for Dialectic. (So far according to "Petri Rami dialectica, Audomari Talaei praelectionibus illustrata." 1569.)
3
According to Diogenes Laertius, v., 28, Aristotle put Rhetoric and Dialectic together, as aiming at persuasion, [Greek: to pithanon]; and Analytic and Philosophy as aiming at truth. Aristotle does, indeed, distinguish between (1) Logic, or Analytic, as the theory or method of arriving at true or apodeictic conclusions; and (2) Dialectic as the method of arriving at conclusions that are accepted or pass current as true, [Greek: endoxa] probabilia; conclusions in regard to which it is not taken for granted that they are false, and also not taken for granted that they are true in themselves, since that is not the point. What is this but the art of being in the right, whether one has any reason for being so or not, in other words, the art of attaining the appearance of truth, regardless of its substance? That is, then, as I put it above.
Aristotle divides all conclusions into logical and dialectical, in the manner described, and then into eristical. (3) Eristic is the method by which the form of the conclusion is correct, but the premisses, the materials from which it is drawn, are not true, but only appear to be true. Finally (4) Sophistic is the method in which the form of the conclusion is false, although it seems correct. These three last properly belong to the art of Controversial Dialectic, as they have no objective truth in view, but only the appearance of it, and pay no regard to truth itself; that is to say, they aim at victory. Aristotle's book on Sophistic Conclusions was edited apart from the others, and at a later date. It was the last book of his Dialectic.
4
Machiavelli recommends his Prince to make use of every moment that his neighbour is weak, in order to attack him; as otherwise his neighbour may do the same. If honour and fidelity prevailed in the world, it would be a different matter; but as these are qualities not to be expected, a man must not practise them himself, because he will meet with a bad return. It is just the same in a dispute: if I allow that my opponent is right as soon as he seems to be so, it is scarcely probable that he will do the same when the position is reversed; and as he acts wrongly, I am compelled to act wrongly too. It is easy to say that we must yield to truth, without any prepossession in favour of our own statements; but we cannot assume that our opponent will do it, and therefore we cannot do it either. Nay, if I were to abandon the position on which I had previously bestowed much thought, as soon as it appeared that he was right, it might easily happen that I might be misled by a momentary impression, and give up the truth in order to accept an error.
5
Topica, bk. i., 2.
6
Ib., 12.
7
On the other hand, in his book De Sophisticis Elenchis, he takes too much trouble to separate Dialectic from Sophistic and Eristic, where the distinction is said to consist in this, that dialectical conclusions are true in their form and their contents, while sophistical and eristical conclusions are false.
Eristic so far differs from Sophistic that, while the master of Eristic aims at mere victory, the Sophist looks to the reputation, and with it, the monetary rewards which he will gain. But whether a proposition is true in respect of its contents is far too uncertain a matter to form the foundation of the distinction in question; and it is a matter on which the disputant least of all can arrive at certainty; nor is it disclosed in any very sure form even by the result of the disputation. Therefore, when Aristotle speaks of Dialectic, we must include in it Sophistic, Eristic, and Peirastic, and define it as "the art of getting the best of it in a dispute," in which, unquestionably, the safest plan is to be in the right to begin with; but this in itself is not enough in the existing disposition of mankind, and, on the other hand, with the weakness of the human intellect, it is not altogether necessary. Other expedients are required, which, just because they are unnecessary to the attainment of objective truth, may also be used when a man is objectively in the wrong; and whether or not this is the case, is hardly ever a matter of complete certainty.
I am of opinion, therefore, that a sharper distinction should be drawn between Dialectic and Logic than Aristotle has given us; that to Logic we should assign objective truth as far as it is merely formal, and that Dialectic should be confined to the art of gaining one's point, and contrarily, that Sophistic and Eristic should not be distinguished from Dialectic in Aristotle's fashion, since the difference which he draws rests on objective and material truth; and in regard to what this is, we cannot attain any clear certainty before discussion; but we are compelled, with Pilate, to ask, What is truth? For truth is in the depths, [Greek: en butho hae halaetheia] (a saying of Democritus, Diog. Laert., ix., 72). Two men often engage in a warm dispute, and then return to their homes each of the other's opinion, which he has exchanged for his own. It is easy to say that in every dispute we should have no other aim than the advancement of truth; but before dispute no one knows where it is, and through his opponent's arguments and his own a man is misled.
8
Diogenes Laertes tells us that among the numerous writings on Rhetoric by Theophrastus, all of which have been lost, there was one entitled [Greek: Agonistikon taes peri tous eristikous gogous theorias.] That would have been just what we want.
9
If it is in direct contradiction with a perfectly undoubted, truth, we have reduced our opponent's position ad absurdum.
10
Socrates, in Hippia Maj. et alias.
11
Aristotle, Topica bk. viii., chap. 2.
12
Idem, chap. 11. The last chapter of this work contains some good rules for the practice of Dialectics.
13
They are all a free version of chap. 15 of Aristotle's De Sophistici Elenchis.
14
The truth from which I draw my proof may he either (1) of an objective and universally valid character; in that case my proof is veracious, secundum veritatem; and it is such proof alone that has any genuine validity. Or (2) it may be valid only for the person to whom I wish to prove my proposition, and with whom I am disputing. He has, that is to say, either taken up some position once for all as a prejudice, or hastily admitted it in the course of the dispute; and on this I ground my proof. In that case, it is a proof valid only for this particular man, ad kominem. I compel my opponent to grant my proposition, but I fail to establish it as a truth of universal validity. My proof avails for my opponent alone, but for no one else. For example, if my opponent is a devotee of Kant's, and I ground my proof on some utterance of that philosopher, it is a proof which in itself is only ad hominem. If he is a Mohammedan, I may prove my point by reference to a passage in the Koran, and that is sufficient for him; but here it is only a proof ad hominem,
15
See § xviii.
16
See Bayle's Pensées sur les Comètes, i., p. 10.
17
Elementa philosophica de Cive.
18
Translator's Note. – This observation is in Schopenhauer's own English.
19
See Porphyry, de Vita Pythagorae.
20
All this is very euphemistically expressed in the Sophoclean verse:
(Greek: charis charin gar estin ha tiktous aei)
21
Audacter licet profitearis, summum bonum esse anímí concordian. – Seneca.
22
Translator's Note. – Schopenhauer, for some reason that is not apparent, wrote this remark in French.
23
Translator's Note. – Also in French.
24
Translator's Note. – This, again, is Schopenhauer's own English.
25
Translator's Note. – In the original this also is in French.