Emile

Emile has not forgotten that we have something to return. As soon as the things are ready, we take horse and set off at a great pace, for on this occasion he is anxious to get there. When the heart opens the door to passion, it becomes conscious of the slow flight of time. If my time has not been wasted he will not spend his life like this.

Unluckily the road is intricate and the country difficult. We lose our way; he is the first to notice it, and without losing his temper, and without grumbling, he devotes his whole attention to discovering the path; he wanders for a long time before he knows where he is and always with the same self-control. You think nothing of that; but I think it a matter of great importance, for I know how eager he is; I see the results of the care I have taken from his infancy to harden him to endure the blows of necessity.

We are there at last! Our reception is much simpler and more friendly than on the previous occasion; we are already old acquaintances. Emile and Sophy bow shyly and say nothing; what can they say in our presence? What they wish to say requires no spectators. We walk in the garden; a well-kept kitchen-garden takes the place of flower-beds, the park is an orchard full of fine tall fruit trees of every kind, divided by pretty streams and borders full of flowers. "What a lovely place!" exclaims Emile, still thinking of his Homer, and still full of enthusiasm, "I could fancy myself in the garden of Alcinous." The daughter wishes she knew who Alcinous was; her mother asks. "Alcinous," I tell them, "was a king of Coreyra. Homer describes his garden and the critics think it too simple and unadorned. [Footnote: "'When you leave the palace you enter a vast garden, four acres in extent, walled in on every side, planted with tall trees in blossom, and yielding pears, pomegranates, and other goodly fruits, fig-trees with their luscious burden and green olives. All the year round these fair trees are heavy with fruit; summer and winter the soft breath of the west wind sways the trees and ripens the fruit. Pears and apples wither on the branches, the fig on the fig-tree, and the clusters of grapes on the vine. The inexhaustible stock bears fresh grapes, some are baked, some are spread out on the threshing floor to dry, others are made into wine, while flowers, sour grapes, and those which are beginning to wither are left upon the tree. At either end is a square garden filled with flowers which bloom throughout the year, these gardens are adorned by two fountains, one of these streams waters the garden, the other passes through the palace and is then taken to a lofty tower in the town to provide drinking water for its citizens.' Such is the description of the royal garden of Alcinous in the 7th book of the Odyssey, a garden in which, to the lasting disgrace of that old dreamer Homer and the princes of his day, there were neither trellises, statues, cascades, nor bowling-greens."] This Alcinous had a charming daughter who dreamed the night before her father received a stranger at his board that she would soon have a husband." Sophy, taken unawares, blushed, hung her head, and bit her lips; no one could be more confused. Her father, who was enjoying her confusion, added that the young princess bent herself to wash the linen in the river. "Do you think," said he, "she would have scorned to touch the dirty clothes, saying, that they smelt of grease?" Sophy, touched to the quick, forgot her natural timidity and defended herself eagerly. Her papa knew very well all the smaller things would have had no other laundress if she had been allowed to wash them, and she would gladly have done more had she been set to do it. [Footnote: I own I feel grateful to Sophy's mother for not letting her spoil such pretty hands with soap, hands which Emile will kiss so often.] Meanwhile she watched me secretly with such anxiety that I could not suppress a smile, while I read the terrors of her simple heart which urged her to speak. Her father was cruel enough to continue this foolish sport, by asking her, in jest, why she spoke on her own behalf and what had she in common with the daughter of Alcinous. Trembling and ashamed she dared hardly breathe or look at us. Charming girl! This is no time for feigning, you have shown your true feelings in spite of yourself.

To all appearance this little scene is soon forgotten; luckily for Sophy, Emile, at least, is unaware of it. We continue our walk, the young people at first keeping close beside us; but they find it hard to adapt themselves to our slower pace, and presently they are a little in front of us, they are walking side by side, they begin to talk, and before long they are a good way ahead. Sophy seems to be listening quietly, Emile is talking and gesticulating vigorously; they seem to find their conversation interesting. When we turn homewards a full hour later, we call them to us and they return slowly enough now, and we can see they are making good use of their time. Their conversation ceases suddenly before they come within earshot, and they hurry up to us. Emile meets us with a frank affectionate expression; his eyes are sparkling with joy; yet he looks anxiously at Sophy's mother to see how she takes it. Sophy is not nearly so much at her ease; as she approaches us she seems covered with confusion at finding herself tete-a-tete with a young man, though she has met so many other young men frankly enough, and without being found fault with for it. She runs up to her mother, somewhat out of breath, and makes some trivial remark, as if to pretend she had been with her for some time.

From the happy expression of these dear children we see that this conversation has taken a load off their hearts. They are no less reticent in their intercourse, but their reticence is less embarrassing, it is only due to Emile's reverence and Sophy's modesty, to the goodness of both. Emile ventures to say a few words to her, she ventures to reply, but she always looks at her mother before she dares to answer. The most remarkable change is in her attitude towards me. She shows me the greatest respect, she watches me with interest, she takes pains to please me; I see that I am honoured with her esteem, and that she is not indifferent to mine. I understand that Emile has been talking to her about me; you might say they have been scheming to win me over to their side; yet it is not so, and Sophy herself is not so easily won. Perhaps Emile will have more need of my influence with her than of hers with me. What a charming pair! When I consider that the tender love of my young friend has brought my name so prominently into his first conversation with his lady-love, I enjoy the reward of all my trouble; his affection is a sufficient recompense.

Our visit is repeated. There are frequent conversations between the young people. Emile is madly in love and thinks that his happiness is within his grasp. Yet he does not succeed in winning any formal avowal from Sophy; she listens to what he says and answers nothing. Emile knows how modest she is, and is not surprised at her reticence; he feels sure that she likes him; he knows that parents decide whom their daughters shall marry; he supposes that Sophy is awaiting her parents' commands; he asks her permission to speak to them, and she makes no objection. He talks to me and I speak on his behalf and in his presence. He is immensely surprised to hear that Sophy is her own mistress, that his happiness depends on her alone. He begins to be puzzled by her conduct. He is less self-confident, he takes alarm, he sees that he has not made so much progress as he expected, and then it is that his love appeals to her in the tenderest and most moving language.

Emile is not the sort of man to guess what is the matter; if no one told him he would never discover it as long as he lived, and Sophy is too proud to tell him. What she considers obstacles, others would call advantages. She has not forgotten her parents' teaching. She is poor; Emile is rich; so much she knows. He must win her esteem; his deserts must be great indeed to remove this inequality. But how should he perceive these obstacles? Is Emile aware that he is rich? Has he ever condescended to inquire? Thank heaven, he has no need of riches, he can do good without their aid. The good he does comes from his heart, not his purse. He gives the wretched his time, his care, his affection, himself; and when he reckons up what he has done, he hardly dares to mention the money spent on the poor.

As he does not know what to make of his disgrace, he thinks it is his own fault; for who would venture to accuse the adored one of caprice. The shame of humiliation adds to the pangs of disappointed love. He no longer approaches Sophy with that pleasant confidence of his own worth; he is shy and timid in her presence. He no longer hopes to win her affections, but to gain her pity. Sometimes he loses patience and is almost angry with her. Sophy seems to guess his angry feelings and she looks at him. Her glance is enough to disarm and terrify him; he is more submissive than he used to be.

Disturbed by this stubborn resistance, this invincible silence, he pours out his heart to his friend. He shares with him the pangs of a heart devoured by sorrow; he implores his help and counsel. "How mysterious it is, how hard to understand! She takes an interest in me, that I am sure; far from avoiding me she is pleased to see me; when I come she shows signs of pleasure, when I go she shows regret; she receives my attentions kindly, my services seem to give her pleasure, she condescends to give me her advice and even her commands. Yet she rejects my requests and my prayers. When I venture to speak of marriage, she bids me be silent; if I say a word, she leaves me at once. Why on earth should she wish me to be hers but refuse to be mine? She respects and loves you, and she will not dare to refuse to listen to you. Speak to her, make her answer. Come to your friend's help, and put the coping stone to all you have done for him; do not let him fall a victim to your care! If you fail to secure his happiness, your own teaching will have been the cause of his misery."

I speak to Sophy, and have no difficulty in getting her to confide her secret to me, a secret which was known to me already. It is not so easy to get permission to tell Emile; but at last she gives me leave and I tell him what is the matter. He cannot get over his surprise at this explanation. He cannot understand this delicacy; he cannot see how a few pounds more or less can affect his character or his deserts. When I get him to see their effect on people's prejudices he begins to laugh; he is so wild with delight that he wants to be off at once to tear up his title deeds and renounce his money, so as to have the honour of being as poor as Sophy, and to return worthy to be her husband.

"Why," said I, trying to check him, and laughing in my turn at his impetuosity, "will this young head never grow any older? Having dabbled all your life in philosophy, will you never learn to reason? Do not you see that your wild scheme would only make things worse, and Sophy more obstinate? It is a small superiority to be rather richer than she, but to give up all for her would be a very great superiority; if her pride cannot bear to be under the small obligation, how will she make up her mind to the greater? If she cannot bear to think that her husband might taunt her with the fact that he has enriched her, would she permit him to blame her for having brought him to poverty? Wretched boy, beware lest she suspects you of such a plan! On the contrary, be careful and economical for her sake, lest she should accuse you of trying to gain her by cunning, by sacrificing of your own free will what you are really wasting through carelessness.

"Do you really think that she is afraid of wealth, and that she is opposed to great possessions in themselves? No, dear Emile; there are more serious and substantial grounds for her opinion, in the effect produced by wealth on its possessor. She knows that those who are possessed of fortune's gifts are apt to place them first. The rich always put wealth before merit. When services are reckoned against silver, the latter always outweighs the former, and those who have spent their life in their master's service are considered his debtors for the very bread they eat. What must you do, Emile, to calm her fears? Let her get to know you better; that is not done in a day. Show her the treasures of your heart, to counterbalance the wealth which is unfortunately yours. Time and constancy will overcome her resistance; let your great and noble feelings make her forget your wealth. Love her, serve her, serve her worthy parents. Convince her that these attentions are not the result of a foolish fleeting passion, but of settled principles engraved upon your heart. Show them the honour deserved by worth when exposed to the buffets of Fortune; that is the only way to reconcile it with that worth which basks in her smiles."

The transports of joy experienced by the young man at these words may easily be imagined; they restore confidence and hope, his good heart rejoices to do something to please Sophy, which he would have done if there had been no such person, or if he had not been in love with her. However little his character has been understood, anybody can see how he would behave under such circumstances.

Here am I, the confidant of these two young people and the mediator of their affection. What a fine task for a tutor! So fine that never in all my life have I stood so high in my own eyes, nor felt so pleased with myself. Moreover, this duty is not without its charms. I am not unwelcome in the home; it is my business to see that the lovers behave themselves; Emile, ever afraid of offending me, was never so docile. The little lady herself overwhelms me with a kindness which does not deceive me, and of which I only take my proper share. This is her way of making up for her severity towards Emile. For his sake she bestows on me a hundred tender caresses, though she would die rather than bestow them on him; and he, knowing that I would never stand in his way, is delighted that I should get on so well with her. If she refuses his arm when we are out walking, he consoles himself with the thought that she has taken mine. He makes way for me without a murmur, he clasps my hand, and voice and look alike whisper, "My friend, plead for me!" and his eyes follow us with interest; he tries to read our feelings in our faces, and to interpret our conversation by our gestures; he knows that everything we are saying concerns him. Dear Sophy, how frank and easy you are when you can talk to Mentor without being overheard by Telemachus. How freely and delightfully you permit him to read what is passing in your tender little heart! How delighted you are to show him how you esteem his pupil! How cunningly and appealingly you allow him to divine still tenderer sentiments. With what a pretence of anger you dismiss Emile when his impatience leads him to interrupt you? With what pretty vexation you reproach his indiscretion when he comes and prevents you saying something to his credit, or listening to what I say about him, or finding in my words some new excuse to love him!

Having got so far as to be tolerated as an acknowledged lover, Emile takes full advantage of his position; he speaks, he urges, he implores, he demands. Hard words or ill treatment make no difference, provided he gets a hearing. At length Sophy is persuaded, though with some difficulty, to assume the authority of a betrothed, to decide what he shall do, to command instead of to ask, to accept instead of to thank, to control the frequency and the hours of his visits, to forbid him to come till such a day or to stay beyond such an hour. This is not done in play, but in earnest, and if it was hard to induce her to accept these rights, she uses them so sternly that Emile is often ready to regret that he gave them to her. But whatever her commands, they are obeyed without question, and often when at her bidding he is about to leave her, he glances at me his eyes full of delight, as if to say, "You see she has taken possession of me." Yet unknown to him, Sophy, with all her pride, is observing him closely, and she is smiling to herself at the pride of her slave.

Oh that I had the brush of an Alban or a Raphael to paint their bliss, or the pen of the divine Milton to describe the pleasures of love and innocence! Not so; let such hollow arts shrink back before the sacred truth of nature. In tenderness and pureness of heart let your imagination freely trace the raptures of these young lovers, who under the eyes of parents and tutor, abandon themselves to their blissful illusions; in the intoxication of passion they are advancing step by step to its consummation; with flowers and garlands they are weaving the bonds which are to bind them till death do part. I am carried away by this succession of pictures, I am so happy that I cannot group them in any sort of order or scheme; any one with a heart in his breast can paint the charming picture for himself and realise the different experiences of father, mother, daughter, tutor, and pupil, and the part played by each and all in the union of the most delightful couple whom love and virtue have ever led to happiness.

Now that he is really eager to please, Emile begins to feel the value of the accomplishments he has acquired. Sophy is fond of singing, he sings with her; he does more, he teaches her music. She is lively and light of foot, she loves skipping; he dances with her, he perfects and develops her untrained movements into the steps of the dance. These lessons, enlivened by the gayest mirth, are quite delightful, they melt the timid respect of love; a lover may enjoy teaching his betrothed—he has a right to be her teacher.

There is an old spinet quite out of order. Emile mends and tunes it; he is a maker and mender of musical instruments as well as a carpenter; it has always been his rule to learn to do everything he can for himself. The house is picturesquely situated and he makes several sketches of it, in some of which Sophy does her share, and she hangs them in her father's study. The frames are not gilded, nor do they require gilding. When she sees Emile drawing, she draws too, and improves her own drawing; she cultivates all her talents, and her grace gives a charm to all she does. Her father and mother recall the days of their wealth, when they find themselves surrounded by the works of art which alone gave value to wealth; the whole house is adorned by love; love alone has enthroned among them, without cost or effort, the very same pleasures which were gathered together in former days by dint of toil and money.

As the idolater gives what he loves best to the shrine of the object of his worship, so the lover is not content to see perfection in his mistress, he must be ever trying to add to her adornment. She does not need it for his pleasure, it is he who needs the pleasure of giving, it is a fresh homage to be rendered to her, a fresh pleasure in the joy of beholding her. Everything of beauty seems to find its place only as an accessory to the supreme beauty. It is both touching and amusing to see Emile eager to teach Sophy everything he knows, without asking whether she wants to learn it or whether it is suitable for her. He talks about all sorts of things and explains them to her with boyish eagerness; he thinks he has only to speak and she will understand; he looks forward to arguing, and discussing philosophy with her; everything he cannot display before her is so much useless learning; he is quite ashamed of knowing more than she.

So he gives her lessons in philosophy, physics, mathematics, history, and everything else. Sophy is delighted to share his enthusiasm and to try and profit by it. How pleased Emile is when he can get leave to give these lessons on his knees before her! He thinks the heavens are open. Yet this position, more trying to pupil than to teacher, is hardly favourable to study. It is not easy to know where to look, to avoid meeting the eyes which follow our own, and if they meet so much the worse for the lesson.

Women are no strangers to the art of thinking, but they should only skim the surface of logic and metaphysics. Sophy understands readily, but she soon forgets. She makes most progress in the moral sciences and aesthetics; as to physical science she retains some vague idea of the general laws and order of this world. Sometimes in the course of their walks, the spectacle of the wonders of nature bids them not fear to raise their pure and innocent hearts to nature's God; they are not afraid of His presence, and they pour out their hearts before him.

What! Two young lovers spending their time together talking of religion! Have they nothing better to do than to say their catechism! What profit is there in the attempt to degrade what is noble? Yes, no doubt they are saying their catechism in their delightful land of romance; they are perfect in each other's eyes; they love one another, they talk eagerly of all that makes virtue worth having. Their sacrifices to virtue make her all the dearer to them. Their struggles after self-control draw from them tears purer than the dew of heaven, and these sweet tears are the joy of life; no human heart has ever experienced a sweeter intoxication. Their very renunciation adds to their happiness, and their sacrifices increase their self-respect. Sensual men, bodies without souls, some day they will know your pleasures, and all their life long they will recall with regret the happy days when they refused the cup of pleasure.

In spite of this good understanding, differences and even quarrels occur from time to time; the lady has her whims, the lover has a hot temper; but these passing showers are soon over and only serve to strengthen their union. Emile learns by experience not to attach too much importance to them, he always gains more by the reconciliation than he lost by the quarrel. The results of the first difference made him expect a like result from all; he was mistaken, but even if he does not make any appreciable step forward, he has always the satisfaction of finding Sophy's genuine concern for his affection more firmly established. "What advantage is this to him?" you would ask. I will gladly tell you; all the more gladly because it will give me an opportunity to establish clearly a very important principle, and to combat a very deadly one.

Emile is in love, but he is not presuming; and you will easily understand that the dignified Sophy is not the sort of girl to allow any kind of familiarity. Yet virtue has its bounds like everything else, and she is rather to be blamed for her severity than for indulgence; even her father himself is sometimes afraid lest her lofty pride should degenerate into a haughty spirit. When most alone, Emile dare not ask for the slightest favour, he must not even seem to desire it; and if she is gracious enough to take his arm when they are out walking, a favour which she will never permit him to claim as a right, it is only occasionally that he dare venture with a sigh to press her hand to his heart. However, after a long period of self-restraint, he ventured secretly to kiss the hem of her dress, and several times he was lucky enough to find her willing at least to pretend she was not aware of it. One day he attempts to take the same privilege rather more openly, and Sophy takes it into her head to be greatly offended. He persists, she gets angry and speaks sharply to him; Emile will not put up with this without reply; the rest of the day is given over to sulks, and they part in a very ill temper.

Sophy is ill at ease; her mother is her confidant in all things, how can she keep this from her? It is their first misunderstanding, and the misunderstanding of an hour is such a serious business. She is sorry for what she has done, she has her mother's permission and her father's commands to make reparation.

The next day Emile returns somewhat earlier than usual and in a state of some anxiety. Sophy is in her mother's dressing-room and her father is also present. Emile enters respectfully but gloomily. Scarcely have her parents greeted him than Sophy turns round and holding out her hand asks him in an affectionate tone how he is. That pretty hand is clearly held out to be kissed; he takes it but does not kiss it. Sophy, rather ashamed of herself, withdraws her hand as best she may. Emile, who is not used to a woman's whims, and does not know how far caprice may be carried, does not forget so easily or make friends again all at once. Sophy's father, seeing her confusion, completes her discomfiture by his jokes. The poor girl, confused and ashamed, does not know what to do with herself and would gladly have a good cry. The more she tries to control herself the worse she feels; at last a tear escapes in spite of all she can do to prevent it. Emile, seeing this tear, rushes towards her, falls on his knees, takes her hand and kisses it again and again with the greatest devotion. "My word, you are too kind to her," says her father, laughing; "if I were you, I should deal more severely with these follies, I should punish the mouth that wronged me." Emboldened by these words, Emile turns a suppliant eye towards her mother, and thinking she is not unwilling, he tremblingly approaches Sophy's face; she turns away her head, and to save her mouth she exposes a blushing cheek. The daring young man is not content with this; there is no great resistance. What a kiss, if it were not taken under her mother's eyes. Have a care, Sophy, in your severity; he will be ready enough to try to kiss your dress if only you will sometimes say "No."