The Complete Stories of Edgar Allan Poe

“You will say now, of course, that I dreamed; but not so. What I saw – what I heard – what I felt – what I thought – had about it nothing of the unmistakable idiosyncrasy of the dream. All was rigorously self-consistent. At first, doubting that I was really awake, I entered into a series of tests, which soon convinced me that I really was. Now, when one dreams, and, in the dream, suspects that he dreams, the suspicion never fails to confirm itself, and the sleeper is almost immediately aroused. Thus Novalis errs not in saying that ‘we are near waking when we dream that we dream.’ Had the vision occurred to me as I describe it, without my suspecting it as a dream, then a dream it might absolutely have been, but, occurring as it did, and suspected and tested as it was, I am forced to class it among other phenomena.”

“In this I am not sure that you are wrong,” observed Dr. Templeton, “but proceed. You arose and descended into the city.”

“I arose,” continued Bedloe, regarding the Doctor with an air of profound astonishment, “I arose, as you say, and descended into the city. On my way, I fell in with an immense populace, crowding through every avenue, all in the same direction, and exhibiting in every action the wildest excitement. Very suddenly, and by some inconceivable impulse, I became intensely imbued with personal interest in what was going on. I seemed to feel that I had an important part to play, without exactly understanding what it was. Against the crowd which environed me, however, I experienced a deep sentiment of animosity. I shrank from amid them, and, swiftly, by a circuitous path, reached and entered the city. Here all was the wildest tumult and contention. A small party of men, clad in garments half-Indian, half-European, and officered by gentlemen in a uniform partly British, were engaged, at great odds, with the swarming rabble of the alleys. I joined the weaker party, arming myself with the weapons of a fallen officer, and fighting I knew not whom with the nervous ferocity of despair. We were soon overpowered by numbers, and driven to seek refuge in a species of kiosk. Here we barricaded ourselves, and, for the present, were secure. From a loop-hole near the summit of the kiosk, I perceived a vast crowd, in furious agitation, surrounding and assaulting a gay palace that overhung the river. Presently, from an upper window of this palace, there descended an effeminate-looking person, by means of a string made of the turbans of his attendants. A boat was at hand, in which he escaped to the opposite bank of the river.

“And now a new object took possession of my soul. I spoke a few hurried but energetic words to my companions, and, having succeeded in gaining over a few of them to my purpose, made a frantic sally from the kiosk. We rushed amid the crowd that surrounded it. They retreated, at first, before us. They rallied, fought madly, and retreated again. In the meantime we were borne far from the kiosk, and became bewildered and entangled among the narrow streets of tall overhanging houses, into the recesses of which the sun had never been able to shine. The rabble pressed impetuously upon us, harrassing us with their spears, and overwhelming us with flights of arrows. These latter were very remarkable, and resembled in some respects the writhing creese of the Malay. They were made to imitate the body of a creeping serpent, and were long and black, with a poisoned barb. One of them struck me upon the right temple. I reeled and fell. An instantaneous and deadly sickness seized me. I struggled – I gasped – I died.”

“You will hardly persist now,” said I, smiling, “that the whole of your adventure was not a dream. You are not prepared to maintain that you are dead?”

When I said these words, I of course expected some lively sally from Bedloe in reply; but, to my astonishment, he hesitated, trembled, became fearfully pallid, and remained silent. I looked towards Templeton. He sat erect and rigid in his chair – his teeth chattered, and his eyes were starting from their sockets. “Proceed!” he at length said hoarsely to Bedloe.

“For many minutes,” continued the latter, “my sole sentiment – my sole feeling – was that of darkness and nonentity, with the consciousness of death. At length, there seemed to pass a violent and sudden shock through my soul, as if of electricity. With it came the sense of elasticity and of light. This latter I felt – not saw. In an instant I seemed to rise from the ground. But I had no bodily, no visible, audible, or palpable presence. The crowd had departed. The tumult had ceased. The city was in comparative repose. Beneath me lay my corpse, with the arrow in my temple, the whole head greatly swollen and disfigured. But all these things I felt – not saw. I took interest in nothing. Even the corpse seemed a matter in which I had no concern. Volition I had none, but appeared to be impelled into motion, and flitted buoyantly out of the city, retracing the circuitous path by which I had entered it. When I had attained that point of the ravine in the mountains, at which I had encountered the hyena, I again experienced a shock as of a galvanic battery; the sense of weight, of volition, of substance, returned. I became my original self, and bent my steps eagerly homewards – but the past had not lost the vividness of the real – and not now, even for an instant, can I compel my understanding to regard it as a dream.”

“Nor was it,” said Templeton, with an air of deep solemnity, “yet it would be difficult to say how otherwise it should be termed. Let us suppose only, that the soul of the man of to-day is upon the verge of some stupendous psychal discoveries. Let us content ourselves with this supposition. For the rest I have some explanation to make. Here is a water-color drawing, which I should have shown you before, but which an unaccountable sentiment of horror has hitherto prevented me from showing.”

We looked at the picture which he presented. I saw nothing in it of an extraordinary character; but its effect upon Bedloe was prodigious. He nearly fainted as he gazed. And yet it was but a miniature portrait – a miraculously accurate one, to be sure – of his own very remarkable features. At least this was my thought as I regarded it.

“You will perceive,” said Templeton, “the date of this picture – it is here, scarcely visible, in this corner – 1780. In this year was the portrait taken. It is the likeness of a dead friend – a Mr. Oldeb – to whom I became much attached at Calcutta, during the administration of Warren Hastings. I was then only twenty years old. When I first saw you, Mr. Bedloe, at Saratoga, it was the miraculous similarity which existed between yourself and the painting, which induced me to accost you, to seek your friendship, and to bring about those arrangements which resulted in my becoming your constant companion. In accomplishing this point, I was urged partly, and perhaps principally, by a regretful memory of the deceased, but also, in part, by an uneasy, and not altogether horrorless curiosity respecting yourself.

“In your detail of the vision which presented itself to you amid the hills, you have described, with the minutest accuracy, the Indian city of Benares, upon the Holy River. The riots, the combats, the massacre, were the actual events of the insurrection of Cheyte Sing, which took place in 1780, when Hastings was put in imminent peril of his life. The man escaping by the string of turbans, was Cheyte Sing himself. The party in the kiosk were sepoys and British officers, headed by Hastings. Of this party I was one, and did all I could to prevent the rash and fatal sally of the officer who fell, in the crowded alleys, by the poisoned arrow of a Bengalee. That officer was my dearest friend. It was Oldeb. You will perceive by these manuscripts,” (here the speaker produced a note-book in which several pages appeared to have been freshly written) “that at the very period in which you fancied these things amid the hills, I was engaged in detailing them upon paper here at home.”

In about a week after this conversation, the following paragraphs appeared in a Charlottesville paper:

“We have the painful duty of announcing the death of Mr. AUGUSTUS BEDLO, a gentleman whose amiable manners and many virtues have long endeared him to the citizens of Charlottesville.

“Mr. B., for some years past, has been subject to neuralgia, which has often threatened to terminate fatally; but this can be regarded only as the mediate cause of his decease. The proximate cause was one of especial singularity. In an excursion to the Ragged Mountains, a few days since, a slight cold and fever were contracted, attended with great determination of blood to the head. To relieve this, Dr. Templeton resorted to topical bleeding. Leeches were applied to the temples. In a fearfully brief period the patient died, when it appeared that, in the jar containing the leeches, had been introduced, by accident, one of the venomous vermicular sangsues which are now and then found in the neighboring ponds. This creature fastened itself upon a small artery in the right temple. Its close resemblance to the medicinal leech caused the mistake to be overlooked until too late.

“N. B. The poisonous sangsue of Charlottesville may always be distinguished from the medicinal leech by its blackness, and especially by its writhing or vermicular motions, which very nearly resemble those of a snake.”

I was speaking with the editor of the paper in question, upon the topic of this remarkable accident, when it occurred to me to ask how it happened that the name of the deceased had been given as Bedlo.

“I presume,” I said, “you have authority for this spelling, but I have always supposed the name to be written with an e at the end.”

“Authority? – no,” he replied. “It is a mere typographical error. The name is Bedloe with an e, all the world over, and I never knew it to be spelt otherwise in my life.”

“Then,” said I mutteringly, as I turned upon my heel, “then indeed has it come to pass that one truth is stranger than any fiction – for Bedlo, without the e, what is it but Oldeb conversed? And this man tells me it is a typographical error.”

THE END

The Spectacles (1844)

Many years ago, it was the fashion to ridicule the idea of “love at first sight;” but those who think, not less than those who feel deeply, have always advocated its existence. Modern discoveries, indeed, in what may be termed ethical magnetism or magnetœsthetics, render it probable that the most natural, and, consequently, the truest and most intense of the human affections, are those which arise in the heart as if by electric sympathy – in a word, that the brightest and most enduring of the psychal fetters are those which are riveted by a glance. The confession I am about to make, will add another to the already almost innumerable instances of the truth of the position.

My story requires that I should be somewhat minute. I am still a very young man – not yet twenty-two years of age. My name, at present, is a very usual and rather plebeian one – Simpson. I say “at present;” for it is only lately that I have been so called – having legislatively adopted this surname within the last year, in order to receive a large inheritance left me by a distant male relative, Adolphus Simpson, Esq. The bequest was conditioned upon my taking the name of the testator; – the family, not the Christian name; my Christian name is Napoleon Buonaparte – or, more properly, these are my first and middle appellations.

I assumed the name, Simpson, with some reluctance, as in my true patronym, Froissart, I felt a very pardonable pride – believing that I could trace a descent from the immortal author of the “Chronicles.” While on the subject of names, by the by, I may mention a singular coincidence of sound attending the names of some of my immediate predecessors. My father was a Monsieur Froissart, of Paris. His wife – my mother, whom he married at fifteen – was a Mademoiselle Croissart, eldest daughter of Croissart the banker; whose wife, again, being only sixteen when married, was the eldest daughter of one Victor Voissart. Monsieur Voissart, very singularly, had married a lady of similar name – a Mademoiselle Moissart. She, too, was quite a child when married; and her mother, also, Madame Moissart, was only fourteen when led to the altar. These early marriages are usual in France. Here, however, are Moissart, Voissart, Croissart, and Froissart, all in the direct line of descent. My own name, though, as I say, became Simpson, by act of Legislature, and with so much repugnance on my part, that, at one period, I actually hesitated about accepting the legacy with the useless and annoying proviso attached.

As to personal endowments I am by no means deficient. On the contrary, I believe that I am well made, and possess what nine-tenths of the world would call a handsome face. In height I am five feet eleven. My hair is black and curling. My nose is sufficiently good. My eyes are large and gray; and although, in fact, they are weak to a very inconvenient degree, still no defect in this regard would be suspected from their appearance. The weakness itself, however, has always much annoyed me, and I have resorted to every remedy – short of wearing glasses. Being youthful and good-looking, I naturally dislike these, and have resolutely refused to employ them. I know nothing, indeed, which so disfigures the countenance of a young person, or so impresses every feature with an air of demureness, if not altogether of sanctimoniousness and of age. An eye-glass, on the other hand, has a savor of downright foppery and affectation. I have hitherto managed as well as I could without either. But something too much of these merely personal details, which, after all, are of little importance. I will content myself with saying, in addition, that my temperament is sanguine, rash, ardent, enthusiastic – and that all my life I have been a devoted admirer of the women.

One night last winter, I entered a box at the P– Theatre, in company with a friend, Mr. Talbot. It was an opera night, and the bills presented a very rare attraction, so that the house was excessively crowded. We were in time, however, to obtain the front seats which had been reserved for us, and into which, with some little difficulty, we elbowed our way.

For two hours my companion, who was a musical fanatico, gave his undivided attention to the stage; and, in the meantime, I amused myself by observing the audience, which consisted, in chief part, of the very élite of the city. Having satisfied myself upon this point, I was about turning my eyes to the prima donna, when they were arrested and riveted by a figure in one of the private boxes which had escaped my observation.

If I live a thousand years, I can never forget the intense emotion with which I regarded this figure. It was that of a female, the most exquisite I had ever beheld. The face was so far turned toward the stage, that, for some minutes, I could not obtain a view of it – but the form was divine; no other word can sufficiently express its magnificent proportion – and even the term “divine,” seems ridiculously feeble as I write it.

The magic of a lovely form in woman – the necromancy of female gracefulness – was always a power which I had found it impossible to resist; but here was grace personified, incarnate, the beau idéal of my wildest and most enthusiastic visions. The figure, almost all of which the construction of the box permitted to be seen, was somewhat above the medium height, and nearly approached, without positively reaching, the majestic. Its perfect fulness and tournure were delicious. The head, of which only the back was visible, rivalled in outline that of the Greek Psyche, and was rather displayed than concealed by an elegant cap of gaze äerienne, which put me in mind of the ventum textilem of Apuleius. The right arm hung over the balustrade of the box, and thrilled every nerve of my frame with its exquisite symmetry. Its upper portion was draperied by one of the loose open sleeves now in fashion. This extended but little below the elbow. Beneath it was worn an under one of some frail material, close-fitting, and terminated by a cuff of rich lace which fell gracefully over the top of the hand, revealing only the delicate fingers, upon one of which sparkled a diamond ring, which I at once saw was of extraordinary value. The admirable roundness of the wrist was well set off by a bracelet which encircled it, and which also was ornamented and clasped by a magnificent aigrette of jewels – telling, in words that could not be mistaken, at once of the wealth and fastidious taste of the wearer.

I gazed at this queenly apparition for at least half an hour, as if I had been suddenly converted to stone; and, during this period, I felt the full force and truth of all that has been said or sung concerning “love at first sight.” My feelings were totally different from any which I had hitherto experienced, in the presence of even the most celebrated specimens of female loveliness. An unaccountable, and what I am compelled to consider a magnetic sympathy of soul for soul, seemed to rivet, not only my vision, but my whole powers of thought and feeling upon the admirable object before me. I saw – I felt – I knew that I was deeply, madly, irrevocably in love – and this even before seeing the face of the person beloved. So intense, indeed, was the passion that consumed me, that I really believe it would have received little if any abatement had the features, yet unseen, proved of merely ordinary character; so anomalous is the nature of the only true love – of the love at first sight – and so little really dependent is it upon the external conditions which only seem to create and control it.

While I was thus wrapped in admiration of this lovely vision, a sudden disturbance among the audience caused her to turn her head partially towards me, so that I beheld the entire profile of the face. Its beauty even exceeded my anticipations – and yet there was something about it which disappointed me without my being able to tell exactly what it was. I said “disappointed,” but this is not altogether the word. My sentiments were at once quieted and exalted. They partook less of transport and more of calm enthusiasm – of enthusiastic repose. This state of feeling arose, perhaps, from the Madonna-like and matronly air of the face; and yet I at once understood that it could not have arisen entirely from this. There was something else – some mystery which I could not develope – some expression about the countenance which slightly disturbed me while it greatly heightened my interest. In fact, I was just in that condition of mind which prepares a young and susceptible man for any act of extravagance. Had the lady been alone, I should undoubtedly have entered her box and accosted her at all hazards; but, fortunately, she was attended by two companions – a gentleman, and a strikingly beautiful woman, to all appearance a few years younger than herself.

I revolved in my mind a thousand schemes by which I might obtain, hereafter, an introduction to the elder lady, or, for the present, at all events, a more distinct view of her beauty. I would have removed my position to one nearer her own, but the crowded state of the theatre rendered this impossible; and the stern decrees of Fashion had, of late, imperatively prohibited the use of the opera-glass, in a case such as this, even had I been so fortunate as to have one with me – but I had not – and was thus in despair.

At length I bethought me of applying to my companion.

“Talbot,” I said, “you have an opera-glass. Let me have it.”

“An opera-glass! – no! – what do you suppose I would be doing with an opera-glass?” Here he turned impatiently towards the stage.

“But, Talbot,” I continued, pulling him by the shoulder, “listen to me, will you? Do you see the stage-box? – there! – no, the next – did you ever behold as lovely a woman?”

“She is very beautiful, no doubt,” he said.

“I wonder who she can be?”

“Why, in the name of all that is angelic, don’t you know who she is? ‘Not to know her, argues yourself unknown.’ She is the celebrated Madame Lalande – the beauty of the day par excellence, and the talk of the whole town. Immensely wealthy, too – a widow – and a great match – has just arrived from Paris.”

“Do you know her?”

“Yes – I have the honor.”

“Will you introduce me?”

“Assuredly – with the greatest pleasure; when shall it be?”

“To-morrow, at one, I will call upon you at B—‘s.”

“Very good; and now do hold your tongue, if you can.”

In this latter respect I was forced to take Talbot’s advice; for he remained obstinately deaf to every further question or suggestion, and occupied himself exclusively for the rest of the evening with what was transacting upon the stage.

In the mean time I kept my eyes riveted on Madame Lalande, and at length had the good fortune to obtain a full front view of her face. It was exquisitely lovely: this, of course, my heart had told me before, even had not Talbot fully satisfied me upon the point – but still the unintelligible something disturbed me. I finally concluded that my senses were impressed by a certain air of gravity, sadness, or, still more properly, of weariness, which took something from the youth and freshness of the countenance, only to endow it with a seraphic tenderness and majesty, and thus, of course, to my enthusiastic and romantic temperament, with an interest tenfold.

While I thus feasted my eyes, I perceived, at last, to my great trepidation, by an almost imperceptible start on the part of the lady, that she had become suddenly aware of the intensity of my gaze. Still, I was absolutely fascinated, and could not withdraw it, even for an instant. She turned aside her face, and again I saw only the chiselled contour of the back portion of the head. After some minutes, as if urged by curiosity to see if I was still looking, she gradually brought her face again around and again encountered my burning gaze. Her large dark eyes fell instantly, and a deep blush mantled her cheek. But what was my astonishment at perceiving that she not only did not a second time avert her head, but that she actually took from her girdle a double eye-glass – elevated it – adjusted it – and then regarded me through it, intently and deliberately, for the space of several minutes.

Had a thunderbolt fallen at my feet I could not have been more thoroughly astounded – astounded only – not offended or disgusted in the slightest degree; although an action so bold in any other woman, would have been likely to offend or disgust. But the whole thing was done with so much quietude – so much nonchalance – so much repose – with so evident an air of the highest breeding, in short – that nothing of mere effrontery was perceptible, and my sole sentiments were those of admiration and surprise.

I observed that, upon her first elevation of the glass, she had seemed satisfied with a momentary inspection of my person, and was withdrawing the instrument, when, as if struck by a second thought, she resumed it, and so continued to regard me with fixed attention for the space of several minutes – for five minutes, at the very least, I am sure.

This action, so remarkable in an American theatre, attracted very general observation, and gave rise to an indefinite movement, or buzz, among the audience, which for a moment filled me with confusion, but produced no visible effect upon the countenance of Madame Lalande.

Having satisfied her curiosity – if such it was – she dropped the glass, and quietly gave her attention again to the stage; her profile now being turned toward myself, as before. I continued to watch her unremittingly, although I was fully conscious of my rudeness in so doing. Presently I saw the head slowly and slightly change its position; and soon I became convinced that the lady, while pretending to look at the stage was, in fact, attentively regarding myself. It is needless to say what effect this conduct, on the part of so fascinating a woman, had upon my excitable mind.

Having thus scrutinized me for perhaps a quarter of an hour, the fair object of my passion addressed the gentleman who attended her, and, while she spoke, I saw distinctly, by the glances of both, that the conversation had reference to myself.

Upon its conclusion, Madame Lalande again turned towards the stage, and, for a few minutes, seemed absorbed in the performances. At the expiration of this period, however, I was thrown into an extremity of agitation by seeing her unfold, for the second time, the eye-glass which hung at her side, fully confront me as before, and, disregarding the renewed buzz of the audience, survey me, from head to foot, with the same miraculous composure which had previously so delighted and confounded my soul.