The Boys' Life of Mark Twain

Clemens found a room for his work in a small house not far from the hotel. On the day of his arrival he had pointed out this house and said he had decided to work there—that his room would be the middle one on the third floor. Mrs. Clemens laughed, and thought the occupants of the house might be surprised when he came over to take possession. They amused themselves by watching "his people" and trying to make out what they were like. One day he went over that way, and, sure enough, there was a sign, "Furnished Rooms," and the one he had pointed out from the hotel was vacant. It became his study forthwith.

The travelers were delighted with their location. To Howells, Clemens wrote:

"Our bedroom has two great glass bird-cages (inclosed balconies), one looking toward the Rhine Valley and sunset, the other looking up the Neckar cul de sac, and, naturally, we spent nearly all our time in these. We have tables and chairs in them . . . . It must have been a noble genius who devised this hotel. Lord! how blessed is the repose, the tranquillity of this place! Only two sounds: the happy clamor of the birds in the groves and the muffled music of the Neckar tumbling over the opposing dikes. It is no hardship to lie awake awhile nights, for thin subdued roar has exactly the sound of a steady rain beating upon a roof. It is so healing to the spirit; and it bears up the thread of one's imaginings as the accompaniment bears up a song."

Twichell was summoned for August, and wrote back eagerly at the prospect:

"Oh, my! Do you realize, Mark, what a symposium it is to be? I do. To begin with, I am thoroughly tired, and the rest will be worth everything. To walk with you and talk with you for weeks together —why, it's my dream of luxury!"

Meantime the struggle with the "awful German language" went on. Rosa, the maid, was required to speak to the children only in German, though little Clara at first would have none of it. Susy, two years older, tried, and really made progress, but one day she said, pathetically:

"Mama, I wish Rosa was made in English."

But presently she was writing to "Aunt Sue" (Mrs. Crane) at Quarry Farm:

"I know a lot of German; everybody says I know a lot. I give you a million dollars to see you, and you would give two hundred dollars to see the lovely woods we see."

Twichell arrived August 1st. Clemens met him at Baden-Baden, and they immediately set forth on a tramp through the Black Forest, excursioning as they pleased and having a blissful time. They did not always walk. They were likely to take a carriage or a donkey-cart, or even a train, when one conveniently happened along. They did not hurry, but idled and talked and gathered flowers, or gossiped with wayside natives —picturesque peasants in the Black Forest costume. In due time they crossed into Switzerland and prepared to conquer the Alps.

The name Mark Twain had become about as well known in Europe as it was in America. His face, however, was less familiar. He was not often recognized in these wanderings, and his pen-name was carefully concealed. It was a relief to him not to be an object of curiosity and lavish attention. Twichell's conscience now and then prompted him to reveal the truth. In one of his letters home he wrote how a young man at a hotel had especially delighted in Mark's table conversation, and how he (Twichell) had later taken the young man aside and divulged the speaker's identity.

"I could not forbear telling him who Mark was, and the mingled surprise and pleasure his face exhibited made me glad I had done so."

They did not climb many of the Alps on foot. They did scale the Rigi, after which Mark Twain was not in the best walking trim; though later they conquered Gemmi Pass—no small undertaking—that trail that winds up and up until the traveler has only the glaciers and white peaks and the little high-blooming flowers for company.

All day long the friends would tramp and walk together, and when they did not walk they would hire a diligence or any vehicle that came handy, but, whatever their means of travel the joy of comradeship amid those superb surroundings was the same.

In Twichell's letters home we get pleasant pictures of the Mark Twain of that day:

"Mark, to-day, was immensely absorbed in flowers. He scrambled around and gathered a great variety, and manifested the intensest pleasure in them . . . . Mark is splendid to walk with amid such grand scenery, for he talks so well about it, has such a power of strong, picturesque expression. I wish you might have heard him today. His vigorous speech nearly did justice to the things we saw."

And in another place:

"He can't bear to see the whip used, or to see a horse pull hard. To-day when the driver clucked up his horse and quickened his pace a little, Mark said, 'The fellow's got the notion that we were in a hurry.'"

Another extract refers to an incident which Mark Twain also mentions in "A Tramp Abroad:"8

"Mark is a queer fellow. There is nothing so delights him as a swift, strong stream. You can hardly get him to leave one when once he is in the influence of its fascinations. To throw in stones and sticks seems to afford him rapture."

Twichell goes on to tell how he threw some driftwood into a racing torrent and how Mark went running down-stream after it, waving and shouting in a sort of mad ecstasy.

When a piece went over a fall and emerged to view in the foam below, he would jump up and down and yell. He acted just like a boy.

Boy he was, then and always. Like Peter Pan, he never really grew up —that is, if growing up means to grow solemn and uninterested in play.

Climbing the Gorner Grat with Twichell, they sat down to rest, and a lamb from a near-by flock ventured toward them. Clemens held out his hand and called softly. The lamb ventured nearer, curious but timid.

It was a scene for a painter: the great American humorist on one side of the game, and the silly little creature on the other, with the Matterhorn for a background. Mark was reminded that the time he was consuming was valuable, but to no purpose. The Gorner Grat could wait. He held on with undiscouraged perseverance till he carried his point; the lamb finally put its nose in Mark's hand, and he was happy all the rest of the day.

"In A Tramp Abroad" Mark Twain burlesques most of the walking-tour with Harris (Twichell), feeling, perhaps, that he must make humor at whatever cost. But to-day the other side of the picture seems more worth while. That it seemed so to him, also, even at the time, we may gather from a letter he sent after Twichell when it was all over and Twichell was on his way home:

"DEAR OLD JOE,—It is actually all over! I was so low-spirited at the station yesterday, and this morning, when I woke, I couldn't seem to accept the dismal truth that you were really gone and the pleasant tramping and talking at an end. Ah, my boy! It has been such a rich holiday for me, and I feel under such deep and honest obligations to you for coming. I am putting out of my mind all memory of the time when I misbehaved toward you and hurt you; I am resolved to consider it forgiven, and to store up and remember only the charming hours of the journey and the times when I was not unworthy to be with you and share a companionship which to me stands first after Livy's."

Clemens had joined his family at Lausanne, and presently they journeyed down into Italy, returning later to Germany—to Munich, where they lived quietly with Fraulein Dahlweiner at No. 1a Karlstrasse, while he worked on his new book of travel. When spring came they went to Paris, and later to London, where the usual round of entertainment briefly claimed them. It was the 3d of September, 1879, when they finally reached New York. The papers said that Mark Twain had changed in his year and a half of absence. He had, somehow, taken on a traveled look. One paper remarked that he looked older than when he went to Germany, and that his hair had turned quite gray.

XL.

"THE PRINCE AND THE PAUPER"

They went directly to Quarry Farm, where Clemens again took up work on his book, which he hoped to have ready for early publication. But his writing did not go as well as he had hoped, and it was long after they had returned to Hartford that the book was finally in the printer's hands.

Meantime he had renewed work on a story begun two years before at Quarry Farm. Browsing among the books there one summer day, he happened to pick up "The Prince and the Page," by Charlotte M. Yonge. It was a story of a prince disguised as a blind beggar, and, as Mark Twain read, an idea came to him for an altogether different story, or play, of his own. He would have a prince and a pauper change places, and through a series of adventures learn each the trials and burdens of the other life. He presently gave up the play idea, and began it as a story. His first intention had been to make the story quite modern, using the late King Edward VII. (then Prince of Wales) as his prince, but it seemed to him that it would not do to lose a prince among the slums of modern London —he could not make it seem real; so he followed back through history until he came to the little son of Henry VIII., Edward Tudor, and decided that he would do.

It was the kind of a story that Mark Twain loved to read and to write. By the end of that first summer he had finished a good portion of the exciting adventures of "The Prince and the Pauper," and then, as was likely to happen, the inspiration waned and the manuscript was laid aside.

But with the completion of "A Tramp Abroad"—a task which had grown wearisome—he turned to the luxury of romance with a glad heart. To Howells he wrote that he was taking so much pleasure in the writing that he wanted to make it last.

"Did I ever tell you the plot of it? It begins at 9 A.M., January 27, 1547 . . . . My idea is to afford a realizing sense of the exceeding severity of the laws of that day by inflicting some of their penalties upon the king himself, and allowing him a chance to see the rest of them applied to others."

Susy and Clara Clemens were old enough now to understand the story, and as he finished the chapters he read them aloud to his small home audience—a most valuable audience, indeed, for he could judge from its eager interest, or lack of attention, just the measure of his success.

These little creatures knew all about the writing of books. Susy's earliest recollection was "Tom Sawyer" read aloud from the manuscript. Also they knew about plays. They could not remember a time when they did not take part in evening charades—a favorite amusement in the Clemens home.

Mark Twain, who always loved his home and played with his children, invented the charades and their parts for them, at first, but as they grew older they did not need much help. With the Twichell and Warner children they organized a little company for their productions, and entertained the assembled households. They did not make any preparation for their parts. A word was selected and the syllables of it whispered to the little actors. Then they withdrew to the hall, where all sorts of costumes had been laid out for the evening, dressed their parts, and each group marched into the library, performed its syllable, and retired, leaving the audience of parents to guess the answer. Now and then, even at this early day, they gave little plays, and of course Mark Twain could not resist joining them. In time the plays took the place of the charades and became quite elaborate, with a stage and scenery, but we shall hear of this later on.

"The Prince and the Pauper" came to an end in due season, in spite of the wish of both author and audience for it to go on forever. It was not published at once, for several reasons, the main one being that "A Tramp Abroad" had just been issued from the press, and a second book might interfere with its sale.

As it was, the "Tramp" proved a successful book—never as successful as the "Innocents," for neither its humor nor its description had quite the fresh quality of the earlier work. In the beginning, however, the sales were large, the advance orders amounting to twenty-five thousand copies, and the return to the author forty thousand dollars for the first year.

XLI.

GENERAL GRANT AT HARTFORD

A third little girl came to the Clemens household during the summer of 1880. They were then at Quarry Farm, and Clemens wrote to his friend Twichell:

"DEAR OLD JOE,—Concerning Jean Clemens, if anybody said he 'didn't see no p'ints about that frog that's any better than any other frog,' I should think he was convicting himself of being a pretty poor sort of an observer. . . It is curious to note the change in the stock-quotations of the Affection Board. Four weeks ago the children put Mama at the head of the list right along, where she has always been, but now:

Jean

Mama

Motley }cat

Fraulein }cat

Papa

"That is the way it stands now. Mama is become No. 2; I have dropped from 4 and become No. 5. Some time ago it used to be nip and tuck between me and the cats, but after the cats 'developed' I didn't stand any more show."

Those were happy days at Quarry Farm. The little new baby thrived on that summer hilltop.

Also, it may be said, the cats. Mark Twain's children had inherited his love for cats, and at the farm were always cats of all ages and varieties. Many of the bed-time stories were about these pets—stories invented by Mark Twain as he went along—stories that began anywhere and ended nowhere, and continued indefinitely from evening to evening, trailing off into dreamland.

The great humorist cared less for dogs, though he was never unkind to them, and once at the farm a gentle hound named Bones won his affection. When the end of the summer came and Clemens, as was his habit, started down the drive ahead of the carriage, Bones, half-way to the entrance, was waiting for him. Clemens stooped down, put his arms about him, and bade him an affectionate good-by.

Eighteen hundred and eighty was a Presidential year. Mark Twain was for General Garfield, and made a number of remarkable speeches in his favor. General Grant came to Hartford during the campaign, and Mark Twain was chosen to make the address of welcome. Perhaps no such address of welcome was ever made before. He began:

"I am among those deputed to welcome you to the sincere and cordial hospitalities of Hartford, the city of the historic and revered Charter Oak, of which most of the town is built."

He seemed to be at a loss what to say next, and, leaning over, pretended to whisper to Grant. Then, as if he had been prompted by the great soldier, he straightened up and poured out a fervid eulogy on Grant's victories, adding, in an aside, as he finished, "I nearly forgot that part of my speech," to the roaring delight of his hearers, while Grant himself grimly smiled.

He then spoke of the General being now out of public employment, and how grateful his country was to him, and how it stood ready to reward him in every conceivable—inexpensive—way.

Grant had smiled more than once during the speech, and when this sentence came out at the end his composure broke up altogether, while the throng shouted approval. Clemens made another speech that night at the opera-house—a speech long remembered in Hartford as one of the great efforts of his life.

A very warm friendship had grown up between Mark Twain and General Grant. A year earlier, on the famous soldier's return from his trip around the world, a great birthday banquet had been given him in Chicago, at which Mark Twain's speech had been the event of the evening. The colonel who long before had chased the young pilot-soldier through the Mississippi bottoms had become his conquering hero, and Grant's admiration for America's foremost humorist was most hearty. Now and again Clemens urged General Grant to write his memoirs for publication, but the hero of many battles was afraid to venture into the field of letters. He had no confidence in his ability to write. He did not realize that the man who had written "I will fight it out on this line if it takes all summer," and, later, "Let us have peace," was capable of English as terse and forceful as the Latin of Caesar's Commentaries.

XLII

MANY INVESTMENTS

The "Prince and the Pauper," delayed for one reason and another, did not make its public appearance until the end of 1881. It was issued by Osgood, of Boston, and was a different book in every way from any that Mark Twain had published before. Mrs. Clemens, who loved the story, had insisted that no expense should be spared in its making, and it was, indeed, a handsome volume. It was filled with beautiful pen-and-ink drawings, and the binding was rich. The dedication to its two earliest critics read:

"To those good-mannered and agreeable children, Susy and Clara Clemens."

The story itself was unlike anything in Mark Twain's former work. It was pure romance, a beautiful, idyllic tale, though not without his touch of humor and humanity on every page. And how breathlessly interesting it is! We may imagine that first little audience—the "two good-mannered and agreeable children," drawing up in their little chairs by the fireside, hanging on every paragraph of the adventures of the wandering prince and Tom Canty, the pauper king, eager always for more.

The story, at first, was not entirely understood by the reviewers. They did not believe it could be serious. They expected a joke in it somewhere. Some even thought they had found it. But it was not a joke, it was just a simple tale—a beautiful picture of a long-vanished time. One critic, wiser than the rest, said:

"The characters of those two boys, twin in spirit, will rank with the purest and loveliest creations of child-life in the realm of fiction."

Mark Twain was now approaching the fullness of his fame and prosperity. The income from his writing was large; Mrs. Clemens possessed a considerable fortune of her own; they had no debts. Their home was as perfectly appointed as a home could well be, their family life was ideal. They lived in the large, hospitable way which Mrs. Clemens had known in her youth, and which her husband, with his Southern temperament, loved. Their friends were of the world's chosen, and they were legion in number. There were always guests in the Clemens home—so many, indeed, were constantly coming and going that Mark Twain said he was going to set up a private 'bus to save carriage hire. Yet he loved it all dearly, and for the most part realized his happiness.

Unfortunately, there were moments when he forgot that his lot was satisfactory, and tried to improve it. His Colonel Sellers imagination, inherited from both sides of his family, led him into financial adventures which were generally unprofitable. There were no silver-mines in the East into which to empty money and effort, as in the old Nevada days, but there were plenty of other things—inventions, stock companies, and the like.

When a man came along with a patent steam-generator which would save ninety per cent. of the usual coal-supply, Mark Twain invested whatever bank surplus he had at the moment, and saw that money no more forever.

After the steam-generator came a steam-pulley, a small affair, but powerful enough to relieve him of thirty-two thousand dollars in a brief time.

A new method of marine telegraphy was offered him by the time his balance had grown again, a promising contrivance, but it failed to return the twenty-five thousand dollars invested in it by Mark Twain. The list of such adventures is too long to set down here. They differ somewhat, but there is one feature common to all—none of them paid. At last came a chance in which there was really a fortune. A certain Alexander Graham Bell, an inventor, one day appeared, offering stock in an invention for carrying the human voice on an electric wire. But Mark Twain had grown wise, he thought. Long after he wrote:

"I declined. I said I did not want any more to do with wildcat speculation …. I said I didn't want it at any price. He (Bell) became eager; and insisted I take five hundred dollars' worth. He said he would sell me as much as I wanted for five hundred dollars; offered to let me gather it up in my hands and measure it in a plug- hat; said I could have a whole hatful for five hundred dollars. But I was a burnt child, and resisted all these temptations—resisted them easily; went off with my money, and next day lent five thousand of it to a friend who was going to go bankrupt three days later."

It was the chance of fortune thus thrown away which, perhaps, led him to take up later with an engraving process—an adventure which lasted through several years and ate up a heavy sum. Altogether, these experiences in finance cost Mark Twain a fair-sized fortune, though, after all, they were as nothing compared with the great type-machine calamity which we shall hear of in a later chapter.

XLIII

BACK TO THE RIVER, WITH BIXBY

Fortunately, Mark Twain was not greatly upset by his losses. They exasperated him for the moment, perhaps, but his violence waned presently, and the whole matter was put aside forever. His work went on with slight interference. Looking over his Mississippi chapters one day, he was taken with a new interest in the river, and decided to make the steamboat trip between St. Louis and New Orleans, to report the changes that had taken place in his twenty-one years of absence. His Boston publisher, Osgood, agreed to accompany him, and a stenographer was engaged to take down conversations and comments.

At St. Louis they took passage on the steamer "Gold Dust"—Clemens under an assumed name, though he was promptly identified. In his book he tells how the pilot recognized him and how they became friends. Once, in later years, he said:

"I spent most of my time up there with him. When we got down below Cairo, where there was a big, full river—for it was high-water season and there was no danger of the boat hitting anything so long as she kept in the river—I had her most of the time on his watch. He would lie down and sleep and leave me there to dream that the years had not slipped away; that there had been no war, no mining days, no literary adventures; that I was still a pilot, happy and care-free as I had been twenty years before."

To heighten the illusion he had himself called regularly with the four-o'clock watch, in order not to miss the mornings. The points along the river were nearly all new to him, everything had changed, but during high-water this mattered little. He was a pilot again—a young fellow in his twenties, speculating on the problems of existence and reading his fortunes in the stars. The river had lost none of its charm for him. To Bixby he wrote:

"I'd rather be a pilot than anything else I've ever been in my life.

How do you run Plum Point?"

He met Bixby at New Orleans. Bixby was a captain now, on the splendid new Anchor Line steamer "City of Baton Rouge," one of the last of the fine river boats. Clemens made the return trip to St. Louis with Bixby on the "Baton Rouge"—almost exactly twenty-five years from their first trip together. To Bixby it seemed wonderfully like those old days back in the fifties.

"Sam was making notes in his memorandum-book, just as he always did," said Bixby, long after, to the writer of this history.

Mark Twain decided to see the river above St. Louis. He went to Hannibal to spend a few days with old friends. "Delightful days," he wrote home, "loitering around all day long, and talking with grayheads who were boys and girls with me thirty or forty years ago." He took boat for St. Paul and saw the upper river, which he had never seen before. He thought the scenery beautiful, but he found a sadness everywhere because of the decay of the river trade. In a note-book entry he said: "The romance of boating is gone now. In Hannibal the steamboatman is no longer a god."

He worked at the Mississippi book that summer at the farm, but did not get on very well, and it was not until the following year (1883) that it came from the press. Osgood published it, and Charles L. Webster, who had married Mark Twain's niece, Annie (daughter of his sister Pamela), looked after the agency sales. Mark Twain, in fact, was preparing to become his own publisher, and this was the beginning. Webster was a man of ability, and the book sold well.

"Life on the Mississippi" is one of Mark Twain's best books—one of those which will live longest. The first twenty chapters are not excelled in quality anywhere in his writings. The remainder of the book has an interest of its own, but it lacks the charm of those memories of his youth—the mellow light of other days which enhances all of his better work.