Mark Twain: A Biography. Volume I, Part 1: 1835-1866

The author of 'Roughing It' tells of a literary periodical called the Occidental, started in Virginia City by a Mr. F. This was the silver-tongued Tom Fitch, of the Union, an able speaker and writer, vastly popular on the Coast. Fitch came to Clemens one day and said he was thinking of starting such a periodical and asked him what he thought of the venture. Clemens said:

"You would succeed if any one could, but start a flower-garden on the desert of Sahara; set up hoisting-works on Mount Vesuvius for mining sulphur; start a literary paper in Virginia City; h—l!"

Which was a correct estimate of the situation, and the paper perished with the third issue. It was of no consequence except that it contained what was probably the first attempt at that modern literary abortion, the composite novel. Also, it died too soon to publish Mark Twain's first verses of any pretension, though still of modest merit—"The Aged Pilot Man"—which were thereby saved for 'Roughing It.'

Visiting Virginia now, it seems curious that any of these things could have happened there. The Comstock has become little more than a memory; Virginia and Gold Hill are so quiet, so voiceless, as to constitute scarcely an echo of the past. The International Hotel, that once so splendid edifice, through whose portals the tide of opulent life then ebbed and flowed, is all but deserted now. One may wander at will through its dingy corridors and among its faded fripperies, seeking in vain for attendance or hospitality, the lavish welcome of a vanished day. Those things were not lacking once, and the stream of wealth tossed up and down the stair and billowed up C Street, an ebullient tide of metals and men from which millionaires would be struck out, and individuals known in national affairs. William M. Stewart who would one day become a United States Senator, was there, an unnoticed unit; and John Mackay and James G. Fair, one a senator by and by, and both millionaires, but poor enough then—Fair with a pick on his shoulder and Mackay, too, at first, though he presently became a mine superintendent. Once in those days Mark Twain banteringly offered to trade businesses with Mackay.

"No," Mackay said, "I can't trade. My business is not worth as much as yours. I have never swindled anybody, and I don't intend to begin now."

Neither of those men could dream that within ten years their names would be international property; that in due course Nevada would propose statues to their memory.

Such things came out of the Comstock; such things spring out of every turbulent frontier.

XLIII

ARTEMUS WARD

Madame Caprell's warning concerning Mark Twain's health at twenty-eight would seem to have been justified. High-strung and neurotic, the strain of newspaper work and the tumult of the Comstock had told on him. As in later life, he was subject to bronchial colds, and more than once that year he found it necessary to drop all work and rest for a time at Steamboat Springs, a place near Virginia City, where there were boiling springs and steaming fissures in the mountain-side, and a comfortable hotel. He contributed from there sketches somewhat more literary in form than any of his previous work. "Curing a Cold" is a more or less exaggerated account of his ills.

[Included in Sketches New and Old. "Information for the Million," and "Advice to Good Little Girls," included in the "Jumping Frog" Collection, 1867, but omitted from the Sketches, are also believed to belong to this period.]

A portion of a playful letter to his mother, written from the springs, still exists.

You have given my vanity a deadly thrust. Behold, I am prone to boast of having the widest reputation as a local editor of any man on the Pacific coast, and you gravely come forward and tell me "if I work hard and attend closely to my business, I may aspire to a place on a big San Francisco daily some day." There's a comment on human vanity for you! Why, blast it, I was under the impression that I could get such a situation as that any time I asked for it. But I don't want it. No paper in the United States can afford to pay me what my place on the Enterprise is worth. If I were not naturally a lazy, idle, good-for-nothing vagabond, I could make it pay me $20,000 a year. But I don't suppose I shall ever be any account. I lead an easy life, though, and I don't care a cent whether school keeps or not. Everybody knows me, and I fare like a prince wherever I go, be it on this side of the mountain or the other. And I am proud to say I am the most conceited ass in the Territory.

You think that picture looks old? Well, I can't help it—in reality I'm not as old as I was when I was eighteen.

Which was a true statement, so far as his general attitude was concerned. At eighteen, in New York and Philadelphia, his letters had been grave, reflective, advisory. Now they were mostly banter and froth, lightly indifferent to the serious side of things, though perhaps only pretendedly so, for the picture did look old. From the shock and circumstance of his brother's death he—had never recovered. He was barely twenty-eight. From the picture he might have been a man of forty.

It was that year that Artemus Ward (Charles F. Browne) came to Virginia City. There was a fine opera-house in Virginia, and any attraction that billed San Francisco did not fail to play to the Comstock. Ward intended staying only a few days to deliver his lectures, but the whirl of the Comstock caught him like a maelstrom, and he remained three weeks.

He made the Enterprise office his headquarters, and fairly reveled in the company he found there. He and Mark Twain became boon companions. Each recognized in the other a kindred spirit. With Goodman, De Quille, and McCarthy, also E. E. Hingston—Ward's agent, a companionable fellow—they usually dined at Chaumond's, Virginia's high-toned French restaurant.

Those were three memorable weeks in Mark Twain's life. Artemus Ward was in the height of his fame, and he encouraged his new-found brother-humorist and prophesied great things of him. Clemens, on his side, measured himself by this man who had achieved fame, and perhaps with good reason concluded that Ward's estimate was correct, that he too could win fame and honor, once he got a start. If he had lacked ambition before Ward's visit, the latter's unqualified approval inspired him with that priceless article of equipment. He put his soul into entertaining the visitor during those three weeks; and it was apparent to their associates that he was at least Ward's equal in mental stature and originality. Goodman and the others began to realize that for Mark Twain the rewards of the future were to be measured only by his resolution and ability to hold out. On Christmas Eve Artemus lectured in Silver City and afterward came to the Enterprise office to give the boys a farewell dinner. The Enterprise always published a Christmas carol, and Goodman sat at his desk writing it. He was just finishing as Ward came in:

"Slave, slave," said Artemus. "Come out and let me banish care from you."

They got the boys and all went over to Chaumond's, where Ward commanded Goodman to order the dinner. When the cocktails came on, Artemus lifted his glass and said:

"I give you Upper Canada."

The company rose, drank the toast in serious silence; then Goodman said:

"Of course, Artemus, it's all right, but why did you give us Upper Canada?"

"Because I don't want it myself," said Ward, gravely.

Then began a rising tide of humor that could hardly be matched in the world to-day. Mark Twain had awakened to a fuller power; Artemus Ward was in his prime. They were giants of a race that became extinct when Mark Twain died. The youth, the wine, the whirl of lights and life, the tumult of the shouting street-it was as if an electric stream of inspiration poured into those two human dynamos and sent them into a dazzling, scintillating whirl. All gone—as evanescent, as forgotten, as the lightnings of that vanished time; out of that vast feasting and entertainment only a trifling morsel remains. Ward now and then asked Goodman why he did not join in the banter. Goodman said:

"I'm preparing a joke, Artemus, but I'm keeping it for the present."

It was near daybreak when Ward at last called for the bill. It was two hundred and thirty-seven dollars.

"What"' exclaimed Artemus.

"That's my joke." said Goodman.

"But I was only exclaiming because it was not twice as much," returned Ward.

He paid it amid laughter, and they went out into the early morning air.

It was fresh and fine outside, not yet light enough to see clearly.

Artemus threw his face up to the sky and said:

"I feel glorious. I feel like walking on the roofs."

Virginia was built on the steep hillside, and the eaves of some of the houses almost touched the ground behind them.

"There is your chance, Artemus," Goodman said, pointing to a row of these houses all about of a height.

Artemus grabbed Mark Twain, and they stepped out upon the long string of roofs and walked their full length, arm in arm. Presently the others noticed a lonely policeman cocking his revolver and getting ready to aim in their direction. Goodman called to him:

"Wait a minute. What are you going to do?"

"I'm going to shoot those burglars," he said.

"Don't for your life. Those are not burglars. That's Mark Twain and Artemus Ward."

The roof-walkers returned, and the party went down the street to a corner across from the International Hotel. A saloon was there with a barrel lying in front, used, perhaps for a sort of sign. Artemus climbed astride the barrel, and somebody brought a beer-glass and put it in his hand. Virginia City looks out over the Eastward Desert. Morning was just breaking upon the distant range-the scene as beautiful as when the sunrise beams across the plain of Memnon. The city was not yet awake. The only living creatures in sight were the group of belated diners, with Artemus Ward, as King Gambrinus, pouring a libation to the sunrise.

That was the beginning of a week of glory. The farewell dinner became a series. At the close of one convivial session Artemus went to a concert-hall, the "Melodeon," blacked his face, and delivered a speech. He got away from Virginia about the close of the year.

A day or two later he wrote from Austin, Nevada, to his new-found comrade as "My dearest Love," recalling the happiness of his stay:

"I shall always remember Virginia as a bright spot in my existence, as all others must or rather cannot be, as it were."

Then reflectively he adds:

"Some of the finest intellects in the world have been blunted by liquor."

Rare Artemus Ward and rare Mark Twain! If there lies somewhere a place of meeting and remembrance, they have not failed to recall there those closing days of '63.

XLIV

GOVERNOR OF THE "THIRD HOUSE"

With Artemus Ward's encouragement, Clemens began to think of extending his audience eastward. The New York Sunday Mercury published literary matter. Ward had urged him to try this market, and promised to write a special letter to the editors, introducing Mark Twain and his work. Clemens prepared a sketch of the Comstock variety, scarcely refined in character and full of personal allusion, a humor not suited to the present-day reader. Its general subject was children; it contained some absurd remedies, supposedly sent to his old pilot friend Zeb Leavenworth, and was written as much for a joke on that good-natured soul as for profit or reputation.

"I wrote it especially for Beck Jolly's use," the author declares, in a letter to his mother, "so he could pester Zeb with it."

We cannot know to-day whether Zeb was pestered or not. A faded clipping is all that remains of the incident. As literature the article, properly enough, is lost to the world at large. It is only worth remembering as his metropolitan beginning. Yet he must have thought rather highly of it (his estimation of his own work was always unsafe), for in the letter above quoted he adds:

I cannot write regularly for the Mercury, of course, I sha'n't have time. But sometimes I throw off a pearl (there is no self-conceit about that, I beg you to observe) which ought for the eternal welfare of my race to have a more extensive circulation than is afforded by a local daily paper.

And if Fitzhugh Ludlow (author of the 'Hasheesh Eater') comes your way, treat him well. He published a high encomium upon Mark Twain (the same being eminently just and truthful, I beseech you to believe) in a San Francisco paper. Artemus Ward said that when my gorgeous talents were publicly acknowledged by such high authority I ought to appreciate them myself, leave sage-brush obscurity, and journey to New York with him, as he wanted me to do. But I preferred not to burst upon the New York public too suddenly and brilliantly, so I concluded to remain here.

He was in Carson City when this was written, preparing for the opening of the next legislature. He was beyond question now the most conspicuous figure of the capital; also the most wholesomely respected, for his influence had become very large. It was said that he could control more votes than any legislative member, and with his friends, Simmons and Clagget, could pass or defeat any bill offered. The Enterprise was a powerful organ—to be courted and dreaded—and Mark Twain had become its chief tribune. That he was fearless, merciless, and incorruptible, without doubt had a salutary influence on that legislative session. He reveled in his power; but it is not recorded that he ever abused it. He got a bill passed, largely increasing Orion's official fees, but this was a crying need and was so recognized. He made no secret promises, none at all that he did not intend to fulfill. "Sam's word was as fixed as fate," Orion records, and it may be added that he was morally as fearless.

The two Houses of the last territorial legislature of Nevada assembled January 12, 1864.—[Nevada became a State October 31, 1864.]—A few days later a "Third House" was organized—an institution quite in keeping with the happy atmosphere of that day and locality, for it was a burlesque organization, and Mark Twain was selected as its "Governor."

The new House prepared to make a public occasion of this first session, and its Governor was required to furnish a message. Then it was decided to make it a church benefit. The letters exchanged concerning this proposition still exist; they explain themselves:

CARSON CITY, January 23, 1864.

GOV. MARK TWAIN, Understanding from certain members of the Third House of the territorial Legislature that that body will have effected a permanent organization within a day or two, and be ready for the reception of your Third Annual Message,—[ There had been no former message. This was regarded as a great joke.]—we desire to ask your permission, and that of the Third House, to turn the affair to the benefit of the Church by charging toll-roads, franchises, and other persons a dollar apiece for the privilege of listening to your communication.

S. PIXLEY,G. A. SEARS,Trustees.

CARSON CITY, January 23, 1864.

GENTLEMEN,—Certainly. If the public can find anything in a grave state paper worth paying a dollar for, I am willing they should pay that amount, or any other; and although I am not a very dusty Christian myself, I take an absorbing interest in religious affairs, and would willingly inflict my annual message upon the Church itself if it might derive benefit thereby. You can charge what you please; I promise the public no amusement, but I do promise a reasonable amount of instruction. I am responsible to the Third House only, and I hope to be permitted to make it exceedingly warm for that body, without caring whether the sympathies of the public and the Church be enlisted in their favor, and against myself, or not.

Respectfully, MARK TWAIN.

Mark Twain's reply is closely related to his later style in phrase and thought. It might have been written by him at almost any subsequent period. Perhaps his association with Artemus Ward had awakened a new perception of the humorous idea—a humor of repression, of understatement. He forgot this often enough, then and afterward, and gave his riotous fancy free rein; but on the whole the simpler, less florid form seemingly began to attract him more and more.

His address as Governor of the Third House has not been preserved, but those who attended always afterward referred to it as the "greatest effort of his life." Perhaps for that audience and that time this verdict was justified.

It was his first great public opportunity. On the stage about him sat the membership of the Third House; the building itself was packed, the aisles full. He knew he could let himself go in burlesque and satire, and he did. He was unsparing in his ridicule of the Governor, the officials in general, the legislative members, and of individual citizens. From the beginning to the end of his address the audience was in a storm of laughter and applause. With the exception of the dinner speech made to the printers in Keokuk, it was his first public utterance —the beginning of a lifelong series of triumphs.

Only one thing marred his success. Little Carrie Pixley, daughter of one of the "trustees," had promised to be present and sit in a box next the stage. It was like him to be fond of the child, and he had promised to send a carriage for her. Often during his address he glanced toward the box; but it remained empty. When the affair was ended, he drove home with her father to inquire the reason. They found the little girl, in all her finery, weeping on the bed. Then he remembered he had forgotten to send the carriage; and that was like him, too.

For his Third House address Judge A. W. (Sandy) Baldwin and Theodore Winters presented him with a gold watch inscribed to "Governor Mark Twain." He was more in demand now than ever; no social occasion was regarded as complete without him. His doings were related daily and his sayings repeated on the streets. Most of these things have passed away now, but a few are still recalled with smiles. Once, when conundrums were being asked at a party, he was urged to make one.

"Well," he sand, "why am I like the Pacific Ocean?"

Several guesses were made, but none satisfied him. Finally all gave it up.

"Tell us, Mark, why are you like the Pacific Ocean?"

"I don't know," he drawled. "I was just asking for information."

At another time, when a young man insisted on singing a song of eternal length, the chorus of which was, "I'm going home, I'm going home, I'm going home tomorrow," Mark Twain put his head in the window and said, pleadingly:

"For God's sake go to-night."

But he was also fond of quieter society. Sometimes, after the turmoil of a legislative morning, he would drop in to Miss Keziah Clapp's school and listen to the exercises, or would call on Colonel Curry—"old Curry, old Abe Curry"—and if the colonel happened to be away, he would talk with Mrs. Curry, a motherly soul (still alive at ninety-three, in 1910), and tell her of his Hannibal boyhood or his river and his mining adventures, and keep her laughing until the tears ran.

He was a great pedestrian in those days. Sometimes he walked from Virginia to Carson, stopping at Colonel Curry's as he came in for rest and refreshment.

"Mrs. Curry," he said once, "I have seen tireder men than I am, and lazier men, but they were dead men." He liked the home feeling there —the peace and motherly interest. Deep down, he was lonely and homesick; he was always so away from his own kindred.

Clemens returned now to Virginia City, and, like all other men who ever met her, became briefly fascinated by the charms of Adah Isaacs Menken, who was playing Mazeppa at the Virginia Opera House. All men—kings, poets, priests, prize-fighters—fell under Menken's spell. Dan de Quille and Mark Twain entered into a daily contest as to who could lavish the most fervid praise on her in the Enterprise. The latter carried her his literary work to criticize. He confesses this in one of his home letters, perhaps with a sort of pride.

I took it over to show to Miss Menken the actress, Orpheus C. Ken's wife.

She is a literary cuss herself.

She has a beautiful white hand, but her handwriting is infamous; she writes fast and her chirography is of the door-plate order—her letters are immense. I gave her a conundrum, thus:

"My dear madam, why ought your hand to retain its present grace and beauty always? Because you fool away devilish little of it on your manuscript."

But Menken was gone presently, and when he saw her again, somewhat later, in San Francisco, his "madness" would have seemed to have been allayed.

XLV

A COMSTOCK DUEL

The success—such as it was—of his occasional contributions to the New York Sunday Mercury stirred Mark Twain's ambition for a wider field of labor. Circumstance, always ready to meet his wishes, offered assistance, though in an unexpected form.

Goodman, temporarily absent, had left Clemens in editorial charge. As in that earlier day, when Orion had visited Tennessee and returned to find his paper in a hot personal warfare with certain injured citizens, so the Enterprise, under the same management, had stirred up trouble. It was just at the time of the "Flour Sack Sanitary Fund," the story of which is related at length in 'Roughing It'. In the general hilarity of this occasion, certain Enterprise paragraphs of criticism or ridicule had incurred the displeasure of various individuals whose cause naturally enough had been espoused by a rival paper, the Chronicle. Very soon the original grievance, whatever it was, was lost sight of in the fireworks and vitriol-throwing of personal recrimination between Mark Twain and the Chronicle editor, then a Mr. Laird.

A point had been reached at length when only a call for bloodshed—a challenge—could satisfy either the staff or the readers of the two papers. Men were killed every week for milder things than the editors had spoken each of the other. Joe Goodman himself, not so long before, had fought a duel with a Union editor—Tom Fitch—and shot him in the leg, so making of him a friend, and a lame man, for life. In Joe's absence the prestige of the paper must be maintained.

Mark Twain himself has told in burlesque the story of his duel, keeping somewhat nearer to the fact than was his custom in such writing, as may be seen by comparing it with the account of his abettor and second—of course, Steve Gillis. The account is from Mr. Gillis's own hand:

When Joe went away, he left Sam in editorial charge of the paper. That was a dangerous thing to do. Nobody could ever tell what Sam was going to write. Something he said stirred up Mr. Laird, of the Chronicle, who wrote a reply of a very severe kind. He said some things that we told Mark could only be wiped out with blood. Those were the days when almost every man in Virginia City had fought with pistols either impromptu or premeditated duels. I had been in several, but then mine didn't count. Most of them were of the impromptu kind. Mark hadn't had any yet, and we thought it about time that his baptism took place.

He was not eager for it; he was averse to violence, but we finally prevailed upon him to send Laird a challenge, and when Laird did not send a reply at once we insisted on Mark sending him another challenge, by which time he had made himself believe that he really wanted to fight, as much as we wanted him to do. Laird concluded to fight, at last. I helped Mark get up some of the letters, and a man who would not fight after such letters did not belong in Virginia City—in those days.

Laird's acceptance of Mark's challenge came along about midnight, I think, after the papers had gone to press. The meeting was to take place next morning at sunrise.

Of course I was selected as Mark's second, and at daybreak I had him up and out for some lessons in pistol practice before meeting Laird. I didn't have to wake him. He had not been asleep. We had been talking since midnight over the duel that was coming. I had been telling him of the different duels in which I had taken part, either as principal or second, and how many men I had helped to kill and bury, and how it was a good plan to make a will, even if one had not much to leave. It always looked well, I told him, and seemed to be a proper thing to do before going into a duel. So Mark made a will with a sort of gloomy satisfaction, and as soon as it was light enough to see, we went out to a little ravine near the meeting- place, and I set up a board for him to shoot at. He would step out, raise that big pistol, and when I would count three he would shut his eyes and pull the trigger. Of course he didn't hit anything; he did not come anywhere near hitting anything. Just then we heard somebody shooting over in the next ravine. Sam said: