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Folle-Farine
She spoke with thoughtful and fierce earnestness, not witting of the caustic in her own words, meaning simply what she said, and classing the kisses of men as some sort of weakness and vileness, like those of a theft and a lie; as she had come to do out of a curious, proud, true instinct that was in her, and not surely from the teaching of any creature.
She in her way loved the man who walked beside her; but it was a love of which she was wholly unconscious; a pity, a sorrow, a reverence, a passion, a deification, all combined, that had little or nothing in common with the loves of human kind, and which still left her speech as free, and her glance as fearless, with him as with any other.
He knew that; and he did not care to change it; it was singular, and gave her half her charm of savageness and innocence commingled. He answered her merely, with a smile:
"You are only a barbarian; how should you understand that the seductions of civilization lie in its multiplications of the forms of vice? Men would not bear its yoke an hour if it did not in return facilitate their sins. You are an outcast from it;—so you have kept your hands honest and your lips pure. You may be right to be thankful—I would not pretend to decide."
"At least—I would not be as they are," she answered him with a curl of the mouth, and a gleam in her eyes: the pride of the old nomadic tribes, whose blood was in her, asserting itself against the claimed superiority of the tamed and hearth-bound races—blood that ran free and fearless to the measure of boundless winds and rushing waters; that made the forest and the plain, the dawn and the darkness, the flight of the wild roe and the hiding-place of the wood pigeon, dearer than any roof-tree, sweeter than any nuptial bed.
She had left the old life so long—so long that even her memories of it were dim as dreams, and its language had died off her lips in all save the broken catches of her songs; but the impulses of it were in her, vivid and ineradicable, and the scorn with which the cowed and timid races of hearth and of homestead regarded her, she, the daughter of Taric, gave back to them in tenfold measure.
"I would not be as they are!" she repeated, her eyes glancing through the sunshine of the cloudless day. "To sit and spin; to watch their soup-pot boil; to spend their days under a close roof; to shut the stars out, and cover themselves in their beds, as swine do with their straw in the sty; to huddle all together in thousands, fearing to do what they will, lest the tongue of their neighbor wag evil of it; to cheat a little and steal a little, and lie always when the false word serves them, and to mutter to themselves, 'God will wash us free of our sins,' and then to go and sin again stealthily, thinking men will not see and sure that their God will give them a quittance;—that is their life. I would not be as they are."
And her spirits rose, and her earliest life in the Liebana seemed to flash on her for one moment clear and bright through the veil of the weary years, and she walked erect and swiftly through the gorse, singing by his side the bold burden of one of the old sweet songs.
And for the first time the thought passed over Arslàn:
"This tameless wild doe would crouch like a spaniel, and be yoked as a beast of burden,—if I chose."
Whether or no he chose he was not sure.
She was beautiful in her way; barbaric, dauntless, innocent, savage; he cared to hurt, to please, to arouse, to study, to portray her; but to seek love from her he did not care.
And yet she was most lovely in her own wild fashion like a young desert mare, or a seagull on the wing; and he wondered to himself that he cared for her no more, as he moved beside her through the thickets of the gorse and against the strong wind blowing from the sea.
There was so little passion left in him.
He had tossed aside the hair of dead women and portrayed the limbs and the features of living ones till that ruthless pursuit had brought its own penalty with it; and the beauty of women scarcely moved him more than did the plumage of a bird or the contour of a marble. His senses were drugged, and his heart was dead; it was well that it should be so, he had taught himself to desire it; and yet–
As they left the cliff-road for the pathless downs that led toward the summit of the rocks, they passed by a wayside hut, red with climbing creepers, and all alone on the sandy soil, like the little nest of a yellowhammer.
Through its unclosed shutter the light of the sun streamed into it; the interior was visible. It was very poor—a floor of mud, a couch of rushes; a hearth on which a few dry sticks were burning; walls lichen-covered and dropping moisture. Before the sticks, kneeling and trying to make them burn up more brightly to warm the one black pot that hung above them, was a poor peasant girl, and above her leaned a man who was her lover, a fisher of the coast, as poor, as hardy, and as simple as herself.
In the man's eye the impatience of love was shining, and as she lifted her head, after breathing with all her strength on the smoking sticks, he bent and drew her in his arms and kissed her rosy mouth and the white lids that drooped over her bright blue smiling northern eyes. She let the fuel lie still to blaze or smoulder as it would, and leaned her head against him, and laughed softly at his eagerness. Arslàn glanced at them as he passed.
"Poor brutes!" he muttered. "Yet how happy they are! It must be well to be so easily content, and to find a ready-made fool's paradise in a woman's lips."
Folle-Farine hearing him, paused, and looked also. She trembled suddenly, and walked on in silence.
A new light broke on her, and dazzled her, and made her afraid: this forest-born creature, who had never known what fear was.
The ground ascended as it stretched seaward, but on it there were only wide dull fields of colza or of grass lying, sickly and burning, under the fire of the late afternoon sun. The slope was too gradual to break their monotony.
Above them was the cloudless weary blue; below them was the faint parched green; other color there was none; one little dusky panting bird flew by pursued by a kite; that was the only change.
She asked him no questions; she walked mutely and patiently by his side; she hated the dull heat, the colorless waste, the hard scorch of the air, the dreary changelessness of the scene. But she did not say so. He had chosen to come to them.
A league onward the fields were merged into a heath, uncultivated and covered with short prickly furze; on the brown earth between the stunted bushes a few goats were cropping the burnt-up grasses. Here the slope grew sharper, and the earth seemed to rise up between the sky and them, steep and barren as a house-roof.
Once he asked her,—
"Are you tired?"
She shook her head.
Her feet ached, and her heart throbbed; her limbs were heavy like lead in the heat and the toil. But she did not tell him so. She would have dropped dead from exhaustion rather than have confessed to him any weakness.
He took the denial as it was given, and pressed onward up the ascent.
The sun was slanting towards the west; the skies seemed like brass; the air was sharp, yet scorching; the dull brown earth still rose up before them like a wall; they climbed it slowly and painfully, their hands and their teeth filled with its dust, that drifted in a cloud before them. He bade her close her eyes, and she obeyed him. He stretched his arm out and drew her after him up the ascent that was slippery from drought and prickly from the stunted growth of furze.
On the summit he stood still and released her.
"Now look."
She opened her eyes with the startled half-questioning stare of one led out from utter darkness into a full and sudden light.
Then, with a cry, she sank down on the rock, trembling, weeping, laughing, stretching out her arms to the new glory that met her sight, dumb with its grandeur, delirious with its delight.
For what she saw was the sea.
Before her dazzled sight all its beauty stretched, the blueness of the waters meeting the blueness of the skies; radiant with all the marvels of its countless hues; softly stirred by a low wind that sighed across it; bathed in a glow of gold that streamed on it from the westward; rolling from north to south in slow sonorous measure, filling the silent air with ceaseless melody. The luster of the sunset beamed upon it; the cool fresh smell of its water shot like new life through all the scorch and stupor of the day; its white foam curled and broke on the brown curving rocks and wooded inlets of the shores; innumerable birds, that gleamed like silver, floated or flew above its surface; all was still, still as death, save only for the endless movement of those white swift wings and the susurrus of the waves, in which all meaner and harsher sounds of earth seemed lost and hushed to slumber and to silence.
The sea alone reigned, as it reigned in the sweet young years of the earth when men were not; as, maybe, it will be its turn to reign again in the years to come, when men and all their works shall have passed away and be no more seen nor any more remembered.
Arslàn watched her in silence.
He was glad that it should awe and move her thus. The sea was the only thing for which he cared; or which had any power over him. In the northern winter of his youth he had known the ocean in one wild night's work undo all that men had done to check and rule it, and burst through all the barriers that they had raised against it, and throw down the stones of the altar and quench the fires of the hearth, and sweep through the fold and the byre, and flood the cradle of the child and the grave of the grandsire. He had seen the storms wash away at one blow the corn harvests of years, and gather in the sheep from the hills, and take the life of the shepherd with the life of the flock. He had seen it claim lovers locked in each other's arms, and toss the fair curls of the first-born as it tossed the ribbon-weeds of its deeps. And he had felt small pity; it had rather given him a sense of rejoicing and triumph to see the water laugh to scorn those who were so wise in their own conceit, and bind beneath its chains those who held themselves masters over all beasts of the field and birds of the air.
Other men dreaded the sea and cursed it; but he in his way loved it almost with passion, and could he have chosen the manner of his death would have desired that it should be by the sea and through the sea; a death cold and serene and dreamily voluptuous; a death on which no woman should look and in which no man should have share.
He watched her now for some time without speaking. When the first paroxysm of her emotion had exhausted itself, she stood motionless, her figure like a statue of bronze against the sun, her head sunk upon her breast, her arms outstretched as though beseeching the wondrous brightness which she saw to take her to itself and make her one with it. Her whole attitude expressed an unutterable worship. She was like one who for the first time hears of God.
"What is it you feel?" he asked her suddenly. He knew without asking; but he had made it his custom to dissect all her joys and sufferings, with little heed whether he thus added to either.
At the sound of his voice she started, and a shiver shook her as she answered him slowly, without withdrawing her gaze from the waters,—
"It has been there always—always—so near me?"
"Before the land, the sea was."
"And I never knew!"
Her head drooped on her breast; tears rolled silently down her checks; her arms fell to her sides; she shivered again and sighed. She knew all she had lost—this is the greatest grief that life holds.
"You never knew," he made answer. "There was only a sand-hill between you and all this glory; but the sand-hill was enough. Many people never climb theirs all their lives long."
The words and their meaning escaped her.
She had for once no remembrance of him; nor any other sense save of this surpassing wonder which had thus burst on her—this miracle that had been near her for so long, yet of which she had never in all her visions dreamed.
She was quite silent; sunk there on her knees, motionless, and gazing straight, with eyes unblenching, at the light.
There was no sound near them, nor was there anything in sight except where above against the deepest azure of the sky two curlews were circling around each other, and in the distance a single ship was gliding, with sails silvered by the sun. All signs of human life lay far behind; severed from them by those steep scorched slopes swept only by the plovers and the bees. And all the while she looked the slow tears gathered in her eyes and fell, and the loud hard beating of her heart was audible in the hushed stillness of the upper air.
He waited awhile; then he spoke to her:
"Since it pains you come away."
A great sob shuddered through her.
"Give me that pain," she muttered, "sooner than any joy. Pain? Pain?—it is life, heaven, liberty!"
For suddenly those words which she had heard spoken around her, and which had been scarcely more to her than they were to the deaf and the dumb, became real to her with a thousand meanings. Men use them unconsciously, figuring by them all the marvels of their existence, all the agonies of their emotions, all the mysteries of their pangs and passions, for which they have no other names; even so she used them now in the tumult of awe, in the torture of joy, that possessed her.
Arslàn looked at her, and let her be.
Passionless himself, except in the pursuit of his art, the passions of this untrained and intense nature had interest for him—the cold interest of analysis and dissection, not of sympathy. As he portrayed her physical beauty scarcely moved by its flush of color and grace of mould, so he pursued the development of her mind searchingly, but with little pity and little tenderness.
The seagulls were lost in the heights of the air; the ship sailed on into the light till the last gleam of its canvas vanished; the sun sank westward lower and lower till it glowed in a globe of flame upon the edge of the water: she never moved; standing there on the summit of the cliff, with her head dropped upon her breast, her form thrown out dark and motionless against the gold of the western sky; on her face still that look of one who worships with intense honor and passionate faith an unknown God.
The sun sank entirely, leaving only a trail of flame across the heavens; the waters grew gray and purple in the shadows; one boat, black against the crimson reflections of the west, swept on swiftly with the in-rushing tide; the wind rose and blew long curls of seaweed on the rocks; the shores of the bay were dimmed in a heavy mist, through which the lights of the little hamlets dimly glowed, and the distant voices of fishermen calling to each other as they drew in their deep-sea nets came faint and weirdlike.
Still she never moved; the sea at her feet seemed to magnetize her, and draw her to it with some unseen power.
She started again as Arslàn spoke.
"This is but a land-locked bay," he said, with some contempt; he who had seen the white aurora rise over the untraversed ocean of an Arctic world. "And it lies quiet enough there, like a duck-pool, in the twilight. Tell me, why does it move you so?"
She gave a heavy stifled sigh.
"It looks so free. And I–"
On her there had vaguely come of late the feeling that she had only exchanged one tyranny for another; that, leaving the dominion of ignorance, she had only entered into a slavery still sterner and more binding. In every vein of her body there leaped and flashed and lived the old free blood of an ever lawless, of an often criminal, race, and yet, though with its instincts of rebellion so strong in her, moving her to break all bonds and tear off all yokes, she was the slave of a slave—since she was the slave of love. This she did not know; but its weight was upon her.
He heard with a certain pity. He was bound himself in the chain of poverty and of the world's forgetfulness, and he had not even so much poor freedom as lies in the gilded imprisonment of fame.
"It is not free," was all he answered her. "It obeys the laws that govern it, and cannot evade them. Its flux and reflux are not liberty, but obedience—just such obedience to natural law as our life shows when it springs into being and slowly wears itself out and then perishes in its human form to live again in the motes of the air and the blades of the grass. There is no such thing as liberty; men have dreamed of it, but nature has never accorded it."
The words passed coldly over her: with her senses steeped in the radiance of light, that divinity of calm, that breadth of vision, that trance of awe, the chilliness and the bitterness of fact recoiled from off her intelligence, unabsorbed, as the cold rain-drops roll off a rose.
"It is so free!" she murmured, regardless of his words. "If I had only known—I would have asked it to take me so long ago. To float dead on it—as that bird floats—it would be so quiet there and it would not fling me back, I think. It would have pity."
Her voice was dreamy and gentle. The softness of an indescribable desire was in it.
"Is it too late?" he said, with that cruelty which characterized all his words to her. "Can you have grown in love with life?"
"You live," she said, simply.
He was silent; the brief innocent words rebuked him. They said, so clearly yet so unconsciously, the influence that his life already had gained on hers, whilst hers was to him no more than the brown seaweed was to the rock on which the waters tossed it.
"Let us go down!" he said, abruptly, at length; "it grows late."
With one longing backward look she obeyed him, moving like a creature in a dream, as she went away, along the side of the cliff through the shadows, while the goats lying down for their night's rest started and fled at the human footsteps.
CHAPTER VIII
She was his absolute slave; and he used his influence with little scruple. Whatever he told her she believed: whatever he desired, she obeyed.
With little effort he persuaded her that to lend her beauty to the purpose of his art was a sacrifice pure and supreme; repaid, it might be, with immortality, like the immortality of the Mona Lisa.
It was ever painful and even loathsome to her to give her beauty to the callous scrutiny and to the merciless imitations of art; it stung the dignity and the purity that were inborn in this daughter of an outlawed people; it wounded, and hurt, and humiliated her. She knew that these things were only done that one day the eyes of thousands and of tens of thousands might gaze on them; and the knowledge was hateful to her.
But as she would have borne wood or carried water for him, as she would have denied her lips the least morsel of bread that his might have fed thereon, as she would have gone straight to the river's edge at his bidding, and have stood still for the stream to swell and the floods to cover her, so she obeyed him, and let him make of her what he would.
He painted or sketched her in nearly every attitude, and rendered her the center of innumerable stories.
He placed her form in the crowd of dancing-women that followed after Barabbas. He took her for Persephone, as for Phryne. He couched her on the bleak rocks and the sea-sands on barren Tenedos. He made her beauty burn through the purple vines and the roses of silence of the Venusberg. He drew her as the fairest spirit fleeing with the autumn leaves in her streaming hair from the pursuit of his own Storm God Othyr. He portrayed her as Daphne, with all her soft human form changing and merging into the bitter roots and the poisonous leaves of the laurel that was the fruit of passion He drew her as Leonice, whose venal lips yet, being purified by a perfect love, were sealed mute unto death, and for love's sake spoke not.
He sketched her in a hundred shapes and for a hundred stories, taking her wild deerlike grace, and her supple mountain-bred strength, and her beauty which had all the richness and the freshness that sun and wind and rain and the dews of the nights can give, taking these as he in other years had taken the bloom of the grape, the blush of the seashell, the red glow of the desert reed, the fleeting glory of anything that, by its life or by its death, would minister to his dreams or his desires.
Of all the studies he made from her—he all the while cold to her as any priest of old to the bird that he seethed in its blood on his altars of sacrifice,—those which were slightest of all, yet of all pleased him best, were those studies which were fullest of that ruthless and unsparing irony with which, in every stroke of his pencil, he cut as with a knife into the humanity he dissected.
In the first, he painted her in all the warm, dreaming, palpitating slumber of youth, asleep in a field of poppies: thousands of brilliant blossoms were crushed under her slender, pliant, folded limbs; the intense scarlet of the dream-flowers burned everywhere, above, beneath, around her; purple shadow and amber light contended for the mastery upon her; her arms were lightly tossed above her head; her mouth smiled in her dreams; over her a butterfly flew, spreading golden wings to the sun; against her breast the great crimson cups of the flowers of sleep curled and glowed; among them, hiding and gibbering and glaring at her with an elf's eyes, was the Red Mouse of the Brocken—the one touch of pitiless irony, of unsparing metaphor, that stole like a snake through the hush and the harmony and the innocence of repose.
In the second, there was still the same attitude, the same solitude, the same rest, but the sleep was the sleep of death. Stretched on a block of white marble, there were the same limbs, but livid and lifeless, and twisted in the contortions of a last agony: there was the same loveliness, but on it the hues of corruption already had stolen; the face was still turned upward, but the blank eyes stared hideously, and the mouth was drawn back from teeth closely clinched; upon the stone there lay a surgeon's knife and a sculptor's scalpel; between her lips the Red Mouse sat, watching, mouthing, triumphant. All the beauty was left still, but it was left ghastly, discolored, ruined,—ready for the mockery of the clay, for the violation of the knife,—ready for the feast of the blind worm, for the narrow home dug in darkness and in dust.
And these two pictures were so alike and yet so unlike, so true to all the glory of youth, so true to all the ghastliness of death, that they were terrible; they were terrible even to the man who drew them with so unsparing and unfaltering a hand.
Only to her they were not terrible, because they showed his power, because they were his will and work. She had no share in the shudder, which even he felt, at that visible presentiment of the corruption to which her beauty in its human perfection was destined: since it pleasured him to do it, that was all she cared. She would have given her beauty to the scourge of the populace, or to the fish of the sea, at his bidding.
She had not asked him even what the Red Mouse meant.
She was content that he should deal with her in all things as he would. That such portrayals of her were cruel she never once thought: to her all others had been so brutal that the cruelties of Arslàn seemed sweet as the south wind.
To be for one instant a thing in the least wished for and endeared was to her a miracle so wonderful and so undreamt of, that it made her life sublime to her.
"Is that all the devil has done for you?" cried the gardener's wife from the vine-hung lattice, leaning out while the boat from Yprès went down the water-street beneath.
"It were scarcely worth while to be his offspring if he deals you no better gifts than that. He is as niggard as the saints are—the little mean beasts! Do you know that the man who paints you brings death, they say—sooner or later—to every creature that lives again for him in his art?"
Folle-Farine, beneath in the dense brown shadows cast from the timbers of the leaning houses, raised her eyes; the eyes smiled, and yet they had a look in them that chilled even the mocking, careless, wanton temper of the woman who leaned above among the roses.
"I have heard it," she said, simply, as her oar broke the shadows.
"And you have no fear?"