
Полная версия:
The Laird of Norlaw; A Scottish Story
But the question returned to her when she opened her eyes, in the morning, in those first waking moments, when, as Béranger says, all our cares awake before us, assault afresh, and, as if the first time, the soul which has escaped them in the night. Was she right? All through her early morning duties this oft-repeated question beset the mind of Katie; and it needs only to see what these duties were, to acknowledge how pertinacious it was. The cottage belonged to Aunt Isabel, who had received gladly her orphan nieces and nephews after the death of Dr. Logan. Aunt Isabel’s spare income was just enough for herself and her maid, who, heretofore, had been sole occupants of the pretty little house, and Katie and her orphans managed to live upon theirs, which was also a very small income, but marvelously taken care of—and pleasantly backed by the gooseberry-bushes and vegetable beds of the cottage garden, which riches their mistress made common property. On Katie’s advent, Aunt Isabel retired from the severe duties of housekeeping in her own person. It was Katie who made the tea and cut the bread and butter, and washed with her own hands the delicate cups and saucers which Aunt Isabel would not trust to a servant. Then the elder sister had to see that the boys were ready, with all their books strapped on their shoulder, and their midday “piece” in their pocket, for school. Then Isabel’s daintier toilet had to be superintended; and if Katie had a weakness, it was to see her sister prettily dressed, and “in the fashion"—and that little maiden sent forth fair and neat to the ladies’ seminary which illustrated the healthful village of Lasswade; and then Katie went to the kitchen, to determine what should be had for dinner, and sometimes to lend her own delicate skill to the making of a pudding or the crimping of a frill. When all was done, there was an unfailing supply of needlework to keep her hands employed. On this particular morning, Aunt Isabel meditated a call upon Miss Hogg, in Lasswade, and Katie had been so much persecuted by that question which some malicious imp kept always addressing to her, that she felt heated and out of breath in the pretty parlor. So she took up her work, put her thread and scissors in her pocket, and went out to the garden to sit on a low garden seat, with the grass under her feet, and the trees over her, and sweet Esk singing close at hand, thinking it might be easier to pursue her occupation there.
Perhaps that was a mistake. It is not easy to sew, nor to read, nor even to think, out of doors on a June morning, with a sweet river drowsing by, and the leaves, and the roses, and the birds, and the breeze making among them that delightful babble of sound and motion which people call the quiet of the country. Still Katie did work; she was making shirts for Colin, who had just gone into Edinburgh to Cousin Charlie’s office;—stitching wristbands! and in spite of the sunshine and her perplexed thoughts, Katie’s button-holes were worth going ten miles to see.
But was she right? Search through all the three kingdoms and you could not have found a better fellow than Cousin Charlie, who was very fond of Katie Logan, and had been for years. The elder sister liked him heartily, knew that he would be kind to her orphans, believed him every thing that was good in man; but while she reasoned with herself, the color wavered upon her cheek, and somewhere in heart a voice, which might have been the Esk river, so closely its whisper ran with her thoughts, kept saying, “Dinna forget me, Katie!” till, by dint of persistence, all the other meditations yielded, and this, with a triumphant shout, kept the field. Oh, Huntley Livingstone! who had, just as like as no’, forgotten Katie—was she right?
He could not have come at a better time—he came quite unannounced, unintroduced, so suddenly that Katie made an outcry almost of terror—one moment, nobody with her but the Esk, and the roses, and her own thoughts—not a shadow on the grass, not a step on the road. The next moment, Huntley, standing there between her and the sky, between her and home, shutting out every thing but himself, who had to be first attended to. If she had only seen him a moment sooner, she might have received him quite calmly, with the old smile of the elder-sister; but because of the start, Katie getting up, dropping her work, and holding out her hands, looked about as agitated, as glad, as tearful, as out of herself, as even Huntley was.
“I have come home—to Norlaw—to remain,” said Huntley, when he began to know what he was saying, which was not just the first moment; “and you are not an old Katie in a cap, as you threatened to be; but first I’ve come to say out what I dared not say in the manse parlor—and you know what that is. Katie, if you have forgotten me—Heaven knows I never will blame you!—it’s seven weary years since then—if you have forgotten me, Katie, tell me I am not to speak!”
Katie had two or three impulses for the moment—to tell the truth, she was quite happy, rejoiced to be justified in the unsolicited affection she had given, and entirely contented in standing by this sudden Œdipus, who was to resolve all her doubts. Being so, she could almost have run away from the embarrassment and gravity of the moment, and made a little natural sport of the solemnity of the lover, who stood before her as if his life depended on it. Perhaps it was the only coquettish thought which Katie Logan ever was guilty of. But she conquered it—she looked up at him with her old smile.
“Speak, Huntley!” she said; and having said so much, there was not, to tell the truth, a great deal more necessary. Huntley spoke, you may be sure, and Katie listened; and the very roses on the cottage wall were not less troubled about Cousin Charlie for the next hour than she was. And when Aunt Isabel returned, and Katie went in with a blush, holding Huntley’s arm, to introduce him simply as “Huntley Livingstone,” with a tone and a look which needed no interpretation, there was no longer a doubt in Katie’s mind as to whether she was right.
But she did not think it needful to tell Huntley what question she was considering when his sudden appearance startled her out of all her perplexities; and it is very likely that in that, at least, Katie was perfectly right.
CHAPTER LXXV
A very sadly different scene; no young hopes blossoming towards perfection—no young lives beginning—no joy—has called together this company, or makes this room bright; a dark house, shrouded still in its closed curtains and shutters, a wan light in the apartment, a breathless air of death throughout the place. Outside, the tawdry Frenchman, with a long crape hatband, knotted up in funeral bows, as is the custom in Scotland, walking up and down smoking his cigar, angry at finding himself excluded, yet tired of the brief decorum into which even he has been awed, and much disposed to amuse himself with any kitchenmaid whom he may chance to see as he peers about their quarters, keeping at the back of the house. But the maids are horrified and defiant, and the affair is rather dull, after all, for Monsieur Pierrot.
The company are all assembled in the drawing-room, as they have returned from the funeral. The minister, the doctor, a lawyer from Melrose, Cameron, and the three brothers Livingstone. Madame Roche, her black gown covered with crape, and every thing about her of the deepest sable, save her cap; the white ribbons of which are crape ribbons too, sits, with her handkerchief in her hand, in an easy chair. The Mistress is there, too, rather wondering and disapproving, giving her chief attention to Desirée, who sits behind her mother quietly crying, and supposing this solemn assembly is some necessary formality which must be gone through.
“Is it to read the will?” asks the minister, who suggests that her husband had better be present; but no, there is no will—for poor Marie had nothing and could leave nothing. When they have been all seated for a few minutes, Madame Roche herself rises from her chair. Though the tears are in her eyes, and grief in her face, she is still the beautiful old lady whom Cosmo Livingstone loved to watch from his window in St. Ouen. Time himself, the universal conqueror, can never take from Mary of Melmar that gift which surrounded her with love in her youth, and which has lighted all her troubled life like a fairy lamp. The sweet soft cheek where even wrinkles are lovely, the beautiful old eyes which even in their tears can not choose but smile, the footstep so light, yet so firm, which still might ring “like siller bells,” though its way is heavy. Every one was looking at her, and as they looked, every one acknowledged the unchanging fascination of this beautiful face.
“Gentlemen,” said Madame Roche with a little tremor in her voice, “I would speak to you all—I would do my justice before the world; you have heard what I was in my youth. Mary Huntley of Melmar, my father’s heiress. I was disobedient—I went away from him—I knew he disowned me, and knew no more than an infant that he relented in his heart when he died. I was poor all my life—my Marie, my dear child!” and here Madame Roche paused to sob aloud, and Desirée laid her head upon the knee of the Mistress and clutched at her dress in silent self-control; “it was then she married this man—married him to break her heart—yet still loved him to the last. Ah, my friends, I was thus a widow with my sick child in my husband’s town. My Jean was dead, and she was forsaken—and my Desirée was gone from me to serve strangers—it was then that one came to my house like an angel from heaven. Cosmo, my friend, do you blush that I should name your name?
“And what a tale he told me!” cried poor Madame Roche, whose tears now filled her eyes, and whose lips quivered so that she had to pause from moment to moment; “I, who thought me a lonely woman, whom no one cared for;—my father had thought upon me—my kinsman, Patrick Livingstone, had sought me to give me back my lands—my young hero was seeking me then; and his brother, yes, Huntley, his noble brother, was ready to renounce his right—and all for the widow and her children. I weep, ah, my friends, you weep!—was it not noble? was it not above praise? When I heard it I made a vow—I said in my heart I should repay this excellent Huntley. I had planned it in my mind—I said in my thoughts, my Marie, my blessed child, must have half of this great fortune. She is married, she can not make compensation—but the rest is for Desirée, and Desirée shall give it back to Huntley Livingstone.”
Every one of her auditors by this time gazed upon Madame Roche. Desirée, sitting behind her, lifted her face from the lap of the Mistress; she was perfectly pale, and her eyes were heavy with crying. She sat leaning forward, holding the Mistress’s gown with one hand, with sudden dismay and terror in her white face. Just opposite her Cameron sat, clenching his hand. What he was thinking no one could say—but as Madame Roche spoke of Marie he still clenched his hand. Then came the strangers, surprised and sympathetic, Patrick Livingstone among them. Then Huntley, much startled and wondering, and Cosmo, with a face which reflected Desirée’s, dismayed and full of anxiety, and the attitude of a man about to spring up to defy, or denounce, or contradict the speaker. The Mistress behind sat upright in her chair, with a face like a psalm of battle and triumph, her nostril dilating, her eyes shining. For the first time in her life, the Mistress’s heart warmed to Mary of Melmar. She alone wanted no explanation of this speech—she alone showed no surprise or alarm—it was but a just and fit acknowledgment—a glory due to the sons of Norlaw.
“But, alas,” cried Madame Roche; “God has looked upon it, and it has not been enough. He has broken my heart and made my way clear; pity me, my friends, my Marie is in heaven and her mother here! And now there is but one heir. My Desirée is my only child—there is none to share her inheritance. Huntley Livingstone, come to me! I have thought and I have dreamed of the time when I should give you my child—but, alas! did I think it should be only when Marie was in her grave? Huntley Livingstone! you gave up your right to me, and I restore it to you. I give you my child, and Melmar is for Desirée. There is no one to share it with you, my daughter and my son!”
Huntley had risen and approached to Madame Roche, though with reluctance, when she called him. Now she held his hand in one of hers, and stretched out the other for that of Desirée—while Huntley, confounded, confused, and amazed beyond expression, had not yet recovered himself sufficiently to speak. Before he could speak Cosmo had sprung to the side of Desirée, who stood holding back and meeting her mother’s appeal with a look of dumb defiance and exasperation, which might be very wrong, but was certainly very natural. Every one rose. But for the grief of the principal actors, and the painful embarrassment of all, the scene might almost have been ludicrous. Cosmo, who had grasped at Desirée’s hand, did not obtain it any more than her mother. The girl stood up, but kept her hold of the Mistress’s gown, as if for protection.
“No, no, no, no!” said Desirée, in a low, hurried, ashamed voice; “mother, no—no—no! I will not do it! Mamma, will you shame me? Oh, pity us! Is it thus we are to weep for Marie?”
“My child, it is justice,” cried Madame Roche, through her tears; “give him your hand—it is that Huntley may have his own.”
“But there is some strange mistake here,” said Huntley, whose brow burned with a painful flush; “Melmar was never mine, nor had I any real right to it. Years ago I have even forgotten that it once was possible. Be silent for a moment, Cosmo, I beg of you, and you, Mademoiselle Desirée, do not fear. Madame Roche, I thank you for your generous meaning, but it is an entire mistake in every way—let me explain it privately. Let us be alone first;—nay, nay, let me speak, then! I am my father’s heir, and our house is older than Melmar; and nothing in the world, were it the hand of a queen, could tempt me to call myself any thing but Livingstone of Norlaw!”
The Mistress had been standing up, like everybody else, an excited spectator. When Huntley said these words she sat down suddenly, with a glow and flush of triumph not to be described—the name of her husband and her son ringing in her ears like a burst of music; and then, for the first time, Desirée relinquished her hold, and held out her hand to Huntley, while Cosmo grasped his other hand and wrung it in both his with a violent pressure. The three did not think for that moment of Madame Roche, who had been looking in Huntley’s face all the time he spoke to her, and who, when he ended, dropped his hand silently and sank into her chair. She was leaning back now, with her white handkerchief over her face—and the hand that held it trembled. Poor Madame Roche! this was all her long thought of scheme had come to—she could only cover her face and forget the pang of failure in the bigger pang of grief—she did not say another word; she comprehended—for she was not slow of understanding—that Huntley’s little effusion of family pride was but a rapid and generous expedient to save him from a direct rejection of Desirée. And poor Madame Roche’s heart grew sick with the quick discouragement of grief. She closed her eyes, and heavier tears came from them than even those she had shed for Marie. She had tried her best to make them happy, she had failed; and now they for whose sake alone she had made all this exertion neglected and forgot her. It was too much for Madame Roche.
“Mamma, listen,” whispered Desirée, soothingly. “Ah, mamma, you might force mine—I should always obey you—but you can not force Huntley’s heart—he does not care for me; bah, that is nothing!—but there is one whom he cares for—one whom he has come home for—Katie, whom they all love! Mamma, you were right! he is noble, he is generous; but what is Melmar to Huntley? He has come back for Katie and his own home.”
“Katie?—some one else? My darling, does he love her?” said Madame Roche. “Then it is God who has undone all, Desirée, and I am content. Let him come to me, and I will bless him. I will bless you all, my children,” she said, raising herself up, and stretching her hands toward them. “Ah, friends, do you see them—so young and so like each other! and it was he who sought us, and not Huntley; and it is I who am wrong—and God is right!”
Saying which, Madame Roche kissed Huntley’s cheek, dismissing him so, and took Cosmo into her arms instead. Her sweet temper and facile mind forgot even her own failure. She put back Cosmo’s hair tenderly from his forehead and called him her hero. He was her son at least; and Desirée and Melmar, the two dreams of his fancy, between which, when he saw the girl first, he suspected no possible connection, came at once, a double gift, the one eagerly sought, the other totally unthought of, into the Benjamin’s portion of Cosmo Livingstone.
CHAPTER LXXVI
“There’s aye plenty fools in this world,” said bowed Jaaoob; “a’thing else that’s human fails; but that commodity’s aye ready. I had my hopes of that laddie Livingstone. He has nae discrimination, and hasna seen the world, like some other folk, but for a’ that I thought I could perceive a ring of the right metal in him, and I’m no’ often wrang. And so Cosmo’s to be marriet! I dinna disapprove of his taste—that’s a different matter. I even had a great notion of her mysel’; but when the lad’s married there’s an end of him. Wha ever heard tell of a man coming to distinction with a wife at his tail?—na! I wash my hands of Cosmo—he shall never mair be officer of mine.”
Jaacob did not address himself to any one in particular. The news with which Kirkbride was ringing was great news in its way, and a little crowd had collected in the corner, close by the smithy, to discuss it, a crowd composed chiefly of women, chief among whom, in a flush of triumph and importance, stood Marget of Norlaw. Jaacob did not often concern his lofty intelligence with the babble of women, but the little giant was interested in spite of himself, and had a warm corner in his heart for both the heroes who were under present discussion. A lusty blacksmith apprentice puffed at the great bellows within that ruddy cavern, and Jaacob stood at the door, with one or two male gossips lingering near him, which was a salve to his dignity; but Jaacob’s words were not addressed even to his own cronies; they were a spontaneous effusion of observant wisdom, mingled with benevolent regret.
“The man’s in a creel!” cried the indignant Marget—“an officer of yours, Jaacob Bell?—yours, ye objeck! and I would just like to ken wha gave the like of you ony right to ca’ our son by his christened name? Na, sirs, ye’re a’ wrang—it just shows how little folk ken about onything out of their ain road; and canna haud their peace either, or let them speak that have the knowledge. The auld lady—her that was Mary of Melmar—would have given our Huntley baith the land and the bonnie lass, if it had been her will, for she’s a real sensible woman, as it’s turned out, and kens the value of lads like ours. But Huntley Livingstone, he said no. He’s no’ the lad, our Huntley, to be ony wife’s man—and he has his awn yestate, and an aulder name and fame than Melmar. There’s no’ an auld relick in the whole country-side like our auld castle. I’ve heard it from them that ken; and our Huntley would no mair part with the name than wi’ his right hand. Eh! if auld Norlaw, puir man, had but lived to see this day! Our Cosmo is very like his father. He’s just as like to be kent far and near for his poems and his stories as Walter Scott ower yonder at Abbotsford. It’s just like a story in a book itsel’. When he was but a laddie—no’ muckle bigger than bowed Jaacob—he fell in with a bonnie bit wee French lady, in Edinburgh. I mind him telling me—there’s never ony pride about our sons—just as well as if it was yesterday. The callant’s head ran upon naething else—and wha was this but just Miss Deseera! and he’s courted her this mony a year, whaever might oppose; and now he’s won and conquered, and there’s twa weddings to be in Kirkbride, baith in the very same day!”
“In Kirkbride? but, dear woman, Miss Logan’s no’ here,” suggested one of the bystanders.
“Wha’s heeding!” cried Marget, in her triumph, “if ane’s in Kirkbride, and ane in anither kirk, is that onything against the truth I am telling? Sirs, haud a’ your tongues—I’ve carried them a’ in my arms, and told them stories. I’ve stood by them and their mother, just me and no other person, when they were in their sorest trouble; and I would like to hear wha daur say a word, if Norlaw Marget is just wild and out of her wits for aince in her life to see their joy!”
“I never look for discretion at a woman’s hand mysel’,” said bowed Jaacob, though even Jaacob paused a little before he brought the shadow of his cynicism over Marget’s enthusiasm; “they’re easy pleased, puir things, and easy cast down—a man of sense has aye a compassion for the sex—it’s waste o’ time arguing with them. Maybe that’s a reason for lamenting this lad Livingstone. A man, if he’s no’ a’ the stronger, is awfu’ apt to fall to the level of his company—and to think of a promising lad, no’ five-and-twenty, lost amang a haill tribe—wife, mother, mother-in-law, sister-in-law, and gude kens how mony friends forbye—it’s grievous—that’s just what it is; a man goes down, a man comes to the calibre of the woman. For which cause,” said bowed Jaacob, thrusting his cowl on one side of his head, twisting still higher his high shoulder, and fixing a defiant gaze upon the admiring crowd with his one eye; “in spite of mony temptations—for I’ll say that for the women, that they ken a man of sense when they see him—I’m no’, and never will be, a marrying man mysel’!”
“Eh, but Jaacob,” cried a saucy voice, “if you could have gotten her, you might have put up with Miss Roche.”
“Humph—I had a great notion of the lassie,” said Jaacob, loftily; “men at my years get above the delusion of looking for a woman as a companion. It makes nae muckle matter whether she’s ca’ed a foolish woman or a sensible ane; its naething but a question of degree; and when a man finds that out, he has a right to please his e’e. When you hear of me married, it’s a wife of sixteen, that’s what I’ll have gotten; but you see, as for Miss Deeseera, puir thing, she may be breaking her heart, for onything I ken. I’m a man of honor, and Cosmo’s a great friend of mine—I wouldna, for twenty Melmars, come between my friend and his love.”
And amid the laughter which echoed this magnanimous speech, bowed Jaacob retired into the ruddy gloom of the smithy and resumed his hammer, which he played with such manful might and intention upon the glowing iron, that the red light illuminated his whole swarthy face and person, and the red sparks flashed round him like the rays round a saint in an old picture. He was not in the least a saintly individual, but Rembrandt himself could not have found a better study for light and shade.
A little time sufficed to accomplish these momentous changes. The Mistress gave up her trust of Norlaw, the cows and dairies which were the pride of her heart, the bank-book, with its respectable balance, and all the rural wealth of the farmsteading, to her son. And Huntley warned the tenants to whom his mother had let the land that he should resume the farming of it himself at the end of the year, when their terms were out. Every thing about Norlaw began to wear signs of preparation. The Mistress spoke vaguely of going with Patie, the only one of her sons who still “belonged to his mother"—and making a home for him in Glasgow. But Patie was an engineer, involved over head and ears in the Herculean work of the new railways; he was scarcely three months in the year, take them altogether, at the lodging which he called his head quarters—and perhaps, on the whole, he rather discouraged the idea.
“At least, mother, you must wait to welcome Katie,” said this astute and long-headed adviser of the family—and the Mistress, with her strong sense of country breeding and decorum, would not have done less, had it broken her heart. But she rather longed for the interval to be over, and the matter concluded. The Mistress, somehow, could not understand or recognize herself adrift from Norlaw.
“But I dinna doubt it would be best—it’s natural,” said the Mistress—“they should have their good beginning to themselves,” and with that she sighed, and grew red with shame to think it was a sigh, and spoke sharply to Marget, and put the old easy chair which had been “their father’s!” away into a corner, with a little momentary ebullition of half resentful tears. But she never lost her temper to Huntley—it was only Nature, and not her son who was to blame.