The Literary Sense

"I'm old," she said, "and I'm growing silly."

She put her pen neatly in the inkstand tray: it was an old silver pen, and an old inkstand of Sèvres porcelain. Then she went out into the garden by the French window, muffled in jasmine, and found herself face to face with a stranger, a straight well-set-up man of forty or thereabouts, with iron-grey hair and a white moustache. Before his hand had time to reach the Panama hat she knew him, and her heart leaped up and sank sick and trembling. But she said: —

"To whom have I the pleasure – ?"

The man caught her hands.

"Why, Dolly," he said, "don't you know me? I should have known you anywhere."

A rose-flush deepened on her face.

"It can't be Robert?"

"Can't it? And how are you, Dolly? Everything's just the same – By Jove! the very same heliotropes and pansies in the very same border – and the jasmine and the sundial and everything."

"They tell me the trees have grown," she said. "I like to think it's all the same. Why didn't you tell me you were coming home? Come in."

She led him through the hall with the barometer and the silver-faced clock and the cases of stuffed birds.

"I don't know. I wanted to surprise you – and, by George! I've surprised myself. It's beautiful. It's all just as it used to be, Dolly."

The tears came into her eyes. No one had called her Dolly since the mother went, whose going had made everything, for ever, other than it used to be.

"I'll tell them you're staying for lunch."

She got away on that, and stood a moment in the hall, before the stuffed fox with the duck in its mouth, to catch strongly at her lost composure.

If anyone had had the right to ask the reason of her agitation, and had asked it, Dorothea would have said that the sudden happening of anything was enough to upset one in whose life nothing ever happened. But no one had the right.

She went into the kitchen to give the necessary orders.

"Not the mince," she said; "or, stay. Yes, that would do, too. You must cook the fowl that was for to-night's dinner – and Jane can go down to the village for something else for to-night. And salad and raspberries. And I will put out some wine. My cousin, Mr. Courtenay, has come home from India. He will lunch with me."

"Master Bob," said the cook, as the kitchen door closed, "well, if I ever did! He's a married man by this time, with young folkses growing up around him, I shouldn't wonder. He never did look twice the same side of the road where she was. Poor Miss Dolly!"

Most of us are mercifully ignorant of the sympathy that surrounds us.

"It's wonderful," he said, when she rejoined him in the drawing-room. "I feel like the Prodigal Son. When I think of the drawing-rooms I've seen. The gim-crack trumpery, the curtains and the pictures and the furniture constantly shifted, the silly chatter, the obvious curios, the commonplace rarities, the inartistic art, and the brainless empty chatter, spiteful as often as not, and all the time this has been going on beautifully, quietly, perfectly. Dolly, you're a lucky girl!"

To her face the word brought a flush that almost justified it.

They talked: and he told her how all these long years he had wearied for the sight of English fields, and gardens, of an English home like this – till he almost believed that he was speaking the truth.

He looked at Dorothea with long, restful hands quietly folded, as she talked in the darkened drawing-room, at Dorothea with busy, skilful hands among the old silver and the old glass and the old painted china at lunch. He listened through the drowsy afternoon to Dorothea's gentle, high-bred, low-toned voice, to the music of her soft, rare laugh, as they sat in the wicker-chairs under the weeping ash on the lawn.

And he thought of other women – a crowd of them, with high, shrill tones and constant foolish cackle of meaningless laughter; of the atmosphere of paint, powder, furbelows, flirtation, empty gaiety, feverish flippancy. He thought, too, of women, two and three, whose faces stood out from the crowd and yet were of it. And he looked at Dorothea's delicate worn face and her honest eyes with the faint lines round them.

As he went through the hush of the evening to his rooms at the "Spotted Dog" the thought of Dorothea, of her house, her garden, her peaceful ordered life stirred him to a passion of appreciation. Out of the waste and desert of his own life, with its memories of the far country and the husks and the swine, he seemed to be looking through a window at the peaceful life – as a hungry, lonely tramp may limp to a lamp-lit window, and peering in, see father and mother and round-faced children, and the table spread whitely, and the good sure food that to these people is a calm certainty, like breathing or sleeping, not a joyous accident, or one of the great things that man was taught to pray for. The tramp turns away with a curse or a groan, according to his nature, and goes on his way cursing or groaning, or, if the pinch be fierce, he tries the back door or the unguarded window. With Robert the pang of longing was keen, and he was minded to try any door – not to beg for the broken meats of cousinly kindness, but to enter as master into that "better place" wherein Dorothea had found so little of Paradise.

It was no matter of worldly gain. The Prodigal had not wasted his material substance on the cheap husks that cost so dear. He had money enough and to spare: it was in peace and the dignity of life that he now found himself to be bankrupt.

As for Dorothea, when she brushed her long pale hair that night she found that her hands were not so steady as usual, and in the morning she was quite shocked to note that she had laid her hair-pins on the left-hand side of the pin-cushion instead of on the right, a thing she had not done for years.

It was at the end of a week, a week of long sunny days and dewy dark evenings spent in the atmosphere that had enslaved him. Dinner was over. Robert had smoked his cigar among the garden's lengthening shadows. Now he and Dorothea were at the window watching the light of life die beautifully on the changing face of the sky.

They had talked as this week had taught them to talk – with the intimacy of old friends and the mutual interest of new unexplored acquaintances. This is the talk that does not weary – the talk that can only be kept alive by the daring of revelation, and the stronger courage of unconquerable reserve.

Now there came a silence – with it seemed to come the moment. Robert spoke —

"Dorothea," he said, and her mind pricked its ears suspiciously because he had not called her Dolly.

"Well?"

"I wonder if you understand what these days have been to me? I was so tired of the world and its follies – this is like some calm haven after a stormy sea."

The words seemed strangely familiar. He had a grating sense of talking like a book, and something within him sneered at the scruple, and said that Dolly would not notice it.

But she said: "I'm sure I've read something like that in a school reading book, but it's very touching, of course."

"Oh – if you're going to mock my holiest sentiments," he said lightly – and withdrew from the attack.

The moment seemed to flutter near again when she said good night to him in the porch where the violet clematis swung against his head as he stood. This time his opening was better inspired.

"Dolly, dear," he said, "how am I ever to go away?"

Her heart leaped against her side, for his tone was tender. But so may a cousin's tone be – even a second cousin's, and when one is thirty-five she has little to fear from the pitying tenderness of her relations.

"I am so glad you have liked being here," she said sedately. "You must come again some time."

"I don't want to go away at all," he said. "Dolly, won't you let me stay – won't you marry me?"

Almost as he took her hand she snatched it from him.

"You must be mad!" she said. "Why on earth should you want to marry me?" Also she said: "I am old and plain, and you don't love me." But she said it to herself.

"I do want it," he said, "and I want it more than I want anything."

His tone was convincing.

"But why? but why?"

An impulse of truth-telling came to Robert.

"Because it's all so beautiful," he said with straightforward enthusiasm. "All your lovely quiet life – and the house, and these old gardens, and the dainty, delicate, firm way you have of managing everything – the whole thing's my ideal. It's perfect – I can't bear any other life."

"I'm afraid you'll have to," she said with bitter decision. "I am not going to marry a man just because he admires my house and garden, and is good enough to appreciate my methods of household management. Good night."

She had shaken his hand coolly and shut the front door from within before he could find a word. He found one as the latch clicked.

"Fool!" he said to himself, and stamped his foot.

Dorothea ran up the stairs two at a time to say the same word to herself in the stillness of her bedroom.

"Fool – fool – fool!" she said. "Why couldn't I have said 'No' quietly? Why did I let him see I was angry? Why should I be angry? It's better to be wanted because you're a good manager than not to be wanted at all. At least, I suppose it is. No – it isn't! it isn't! it isn't! And nothing's any use now. It's all gone. If he'd wanted to marry me when I was young and pretty I could have made him love me. And I was pretty – I know I was – I can remember it perfectly well!"

Her quiet years had taken from her no least little touch of girlish sentiment. The longing to be loved was as keen in her as it had been at twenty. She cried herself to sleep, and had a headache the next day. Also her eyes looked smaller than usual and her nose was pink. She went and sat in the black shade of a yew, and trusted that in that deep shadow her eyes and nose would not make Robert feel glad that she had said "No." She wished him to be sorry. She had put on the prettiest gown she had, in the hope that he would be sorry; then she was ashamed of the impulse; also its pale clear greenness seemed to intensify the pinkness of her nose. So she went back to the trailing grey gown. Her wearing of her best Honiton lace collar seemed pardonable. He would never notice it – or know that real lace is more becoming than anything else. She waited for him in the deep shadow, and it was all the morning that she waited. For he knew the value of suspense, and he had not the generosity that disdains the use of the obvious weapon. He was right so far, that before he came she had had time to wonder whether it was her life's one chance of happiness that she had thrown away. But he drove the knife home too far, for when at last she heard the click of the gate and saw the gleam of flannels through the shrubbery, the anxious questioning, "Will he come?" "Have I offended him beyond recall?" changed at one heart-beat to an almost perfect understanding of his reasons for delay. She greeted him coldly. That he expected. But he saw – or believed he saw – the relief under the coldness – and he brought up his forces for the attack.

"Dear," he said – almost at once – "forgive me for last night. It was true, and if I had expressed it better you'd have understood. It isn't just the house and garden, and the perfect life. It's you! Don't you understand what it is to come back from the world to all this, and you – you – you – the very centre of the star?"

"It's all very well," she said, "but that wasn't what you said last night."

"It's what I meant," said he. "Dear, don't you see how much I want you?"

"But – I'm old – and plain, and – "

She looked at him with eyes still heavy from last night's tears, and he experienced an unexpected impulse of genuine tenderness.

"My dear," he said, "when I first remember your mother she was about your age. I used to think she was the most beautiful person in the world. She seemed to shed happiness and peace around her – like – like a lamp sheds light. And you are just like her. Ah – don't send me away."

"Thank you," she said, struggling wildly with the cross currents of emotion set up by his words. "Thank you. I have not lived single all these years to be married at last because I happen to be like my mother."

The words seemed a treason to the dead, and the tears filled Dorothea's eyes.

He saw them; he perceived that they ran in worn channels, and the impulse of tenderness grew.

Till this moment he had spoken only the truth. His eyes took in the sunny lawn beyond the yew shadow, the still house: the whir of the lawn-mower was music at once pastoral and patriotic. He heard the break in her voice; he saw the girlish grace of her thin shape, the pathetic charm of her wistful mouth. And he lied with a good heart.

"My dear," he said, with a tremble in his voice that sounded like passion, "my dear – it's not for that – I love you, Dolly – I think I must have loved you all my life!"

And at the light that leaped into her eyes he suddenly felt that this lie was nearer truth than he had known.

"I love you, dear – I love you," he repeated, and the words were oddly pleasant to say. "Won't you love me a little, too?"

She covered her face with her hands. She could no more have doubted him than she could have doubted the God to whom she had prayed night and morning for all these lonely years.

"Love you a little?" she said softly. "Ah! Robert, don't you know that I've loved you all my life?"

So a lie won what truth could not gain. And the odd thing is that the lie has now grown quite true, and he really believes that he has always loved her, just as he certainly loves her now. For some lies come true in the telling. But most of them do not, and it is not wise to try experiments.

THE GIRL WITH THE GUITAR

THE last strains of the ill-treated, ill-fated "Intermezzo" had died away, and after them had died away also the rumbling of the wheels of the murderous barrel-organ that had so gaily executed that, along with the nine other tunes of its repertory, to the admiration of the housemaid at the window of the house opposite, and the crowing delight of the two babies next door.

The young man drew a deep breath of relief, and lighted the wax candles in the solid silver candlesticks on his writing-table, for now the late summer dusk was falling, and that organ, please Heaven, made full the measure of the day's appointed torture. There had been five organs since dinner – and seven in the afternoon – one and all urgently thumping their heavy melodies into his brain, to the confusion of the thoughts that waited there, eager to marshal themselves, orderly and firm, into the phalanx of an article on "The Decadence of Criticism."

He filled his pipe, drew paper towards him, dipped his pen, and wrote his title on the blank page. The silence came round him, soothing as a beloved presence, the scent of the may bushes in the suburban gardens stole in pleasantly through the open windows. After all, it was a "quiet neighbourhood" as the advertisement had said – at any rate, in the evening: and in the evening a man's best efforts —

Thrum, tum, tum —Thrum, tum, tum came the defiant strumming of a guitar close to the window. He sprang to his feet – this was, indeed, too much! But before he could draw back the curtains and express himself to the intruder, the humming of the guitar was dominated by the first words of a song —

"Oh picerella del vieni al'mareNella barchetta veletto di fioreLa biancha prora somiglia al'altareTutte le stelle favellan d'amor,"

and so forth. The performer was evidently singing "under her voice," but the effect was charming. He stood with his hand on the curtain, listening – and with a pleasure that astonished him. The song came to an end with a chord in which all the strings twanged their best. Then there was silence – then a sigh, and the sound of light moving feet on the gravel. He threw back the curtain and leaned out of the window.

"Here!" he called to the figure that moved slowly towards the gate. She turned quickly, and came back two steps. She wore the dress of a Contadina, a very smart dress indeed, and her hands looked small and white.

"Won't you sing again?" he asked.

She hesitated, then struck a chord or two and began another of those little tuneful Italian songs, all stars and flowers and hearts of gold. And again he listened with a quiet pleasure.

"I should like to hear her voice at its full strength," he thought – and now it was time to give the vagrant a few coppers, and, shutting the window, to leave her to go on to the next front garden.

Never had any act seemed so impossible. He had watched her through the singing of this last song, and he had grown aware of the beauty of her face's oval – of the fine poise of her head – and of the grace of hands and arms.

"Aren't you tired?" he said. "Wouldn't you like to sit down and rest? There is a seat in the garden at the side of the house."

Again she hesitated. Then she turned towards the quarter indicated and disappeared round the laurel bushes.

He was alone in the house – his people and the servants were in the country; the woman who came to "do for him" had left for the night. He went into the dining-room, dark with mahogany and damask, found wine and cake in the sideboard cupboard, put them on a tray, and took them out through the garden door and round to the corner where, almost sheltered by laburnums and hawthorns from the view of the people next door, the singer and her guitar rested on the iron seat.

"I have brought you some wine – will you have it?"

Again that strange hesitation – then quite suddenly the girl put her hands up to her face and began to cry.

"Here – I say, you know – don't – " he said. "Oh, Lord! This is awful. I hardly know a word of Italian, and apparently she has no English. Here, signorina, ecco, prendi – vino – gatto – No, gatto's a cat. I was thinking of French. Oh, Lord!"

The Contadina had pulled out a very small handkerchief, and was drying her eyes with it. She rose.

"No – don't go," he said eagerly. "I can see you are tired out. Sai fatigueé non è vero? Io non parlate Italiano, sed vino habet, et cake ante vous partez."

She looked at him and spoke for the first time.

"It serves me right," she said in excellent, yet unfamiliar, English. "I don't understand a single word you say! I might have known I couldn't do it, though it's just what girls in books would do. It would have turned out all right with them. Let me go – thank you very much. I am sure you meant to be kind." And then she began to cry again.

"Look here," he said, "this is all nonsense, you know. You are tired out – and there's something wrong. What is it? Do drink this, and then tell me. Perhaps I can help you."

She drank obediently. Then she said: "I have not had anything to eat since last night – "

He hurriedly cut cake and pressed it upon her. He had no time to think, but he was aware that this was the most exciting adventure that had ever happened to him.

"It's no use – and it all sounds so silly."

"Ah – but do tell me!" His voice was kinder than he meant it to be. Her eyes filled again with tears.

"You don't know how horrid everyone has been. Oh – I never knew before what devils people are to you when you're poor – "

"Is it only that you're poor? Why, that's nothing. I'm poor, too."

She laughed. "I'm not poor – not really."

"What is it, then? You've quarrelled with your friends, and – Ah, tell me – and let me try to help you."

"You are kind – but – Well, then – it's like this. My father brought me to England from the States a month ago: he's 'made his pile': it was in pork, and I always wish he'd made it of something else, even canned fruit would be better, but that doesn't matter – We didn't know anyone here, of course, and directly we got here, he was wired for – business – and he had to go home again."

"But surely he didn't leave you without money."

Her little foot tapped the gravel impatiently.

"I'm coming to that," she said. "Of course he didn't. He told me to stay on at the hotel, and I did – and then one night when I was at the theatre my maid – a horrid French thing we got in Paris – packed up all my trunks and took all my money, and paid the bill, and went. The hotel folks let her go – I can't think how people can be so silly. But they wouldn't let me stay, and I wired to papa – and there was no answer, and I don't know whatever's the matter with him. I know it all sounds as if I was making it up as I go along – "

She stopped short, and looked at him through the dusk. He did not speak, but whatever she saw in his face it satisfied her. She said again: "You are kind."

"Go on," he said, "tell me all about it."

"Well, then, I went into lodgings; that wicked woman had left me one street suit – and to-day they turned me out because my money was all gone. I had a little money in my purse – and this dress had been ordered for a fancy ball – it is smart, isn't it? – and it came after that wretch had gone – and the guitar, too – and I thought I could make a little money. I really can sing, though you mightn't think it. And I've been at it since five o'clock – and I've only got one shilling and seven pence. And no one but you has ever even thought of thinking whether I was tired or hungry or anything – and papa always took such care of me. I feel as if I had been beaten."

"Let me think," he said. "Oh – how glad I am that you happened to come this way."

He reflected a moment. Then he said —

"I shall lock up all the doors and windows in the house – and then I shall give you my latch-key, and you can let yourself in and stay the night here – there is no one in the house. I will catch the night train, and bring my mother up to-morrow. Then we will see what can be done."

The only excuse for this rash young man is to be found in the fact that while he was feeding his strange guest with cake and wine she was feeding, with her beauty, the first fire of his first love. Love at first sight is all nonsense, we know – we who have come to forty year – but at twenty-one one does not somehow recognise it for the nonsense it is.

"But don't you know anyone in London?" he asked in a sensible postscript.

It was not yet so dark but that he could see the crimson flush on her face.

"Not know," she said. "Papa wouldn't like me to spoil my chances of knowing the right people with any foolishness like this. There's no one I could let know. You see, papa's so very rich, and at home they expect me to – to get acquainted with dukes and things – and – "

She stopped.

"American heiresses are expected to marry English dukes," he said, with a distinct physical pain at his heart.

"It wasn't I who said that," said the girl, smiling; "but that's so, anyhow." And then she sighed.

"So it's your destiny to marry a duke, is it?" the young man spoke slowly. "All the same," he added irrelevantly, "you shall have the latch-key."

"You are kind," she said for the third time, and reached her hand out to him. He did not kiss it then, only took it in his, and felt how small and cold it was. Then it was taken away.

He says that he only talked to her for half an hour – but the neighbours, from whose eyes suburban hawthorns and laburnums are powerless to conceal the least of our actions, declare that he sat with the guitar player on the iron seat till well after midnight; further, that when they parted he kissed her hand, and that she then put her hands on his shoulders – "quite shamelessly, you know" – and kissed him lightly on both cheeks. It is known that he passed the night prowling in our suburban lanes, and caught the 6.25 train in the morning to the place where his people were staying.

The lady and the guitar certainly passed the night at Hill View Villa, but when his mother, very angry and very frightened, came up with him at about noon, the house looked just as usual, and no one was there but the charwoman.

"An adventuress! I told you so!" said his mother at once – and the young man sat down at his study table and looked at the title of his article on "The Decadence of Criticism." It was surely a very long time ago that he had written that. And he sat there thinking, till his mother's voice roused him.