The Girls of Central High on the Stage: or, The Play That Took The Prize

“She’s one of us – she’s a Central High girl,” repeated Laura. “If we can save her from the result of her own awful folly, we should do so.”

“Huh! And we don’t know what she’s to be saved from as yet!” cried Jess, which ended the discussion for the time being.

But that evening Bobby Hargrew hailed Jess in her father’s store.

“Say, Eminent Author! what do you know about this?”

“About what, Bobby?” returned Jess.

Bobby was unfurling some sort of a folded paper which she had drawn from that inexhaustible pocket of hers.

“See! it’s a show bill. My cousin, Ed Pembroke, sent it to me from Keyport. He says the town is plastered with them. Does it remind you of anything?” and she began to read in a loud voice:

“‘Coming! Coming! Coming! North Street Orpheum – ’ same date as your show here on Friday night, Jess.”

“I see,” said Jess, peering over her shoulder as Bobby unctuously read on:

“‘High Class Entertainment for High Class people!’ Ha! that’s good,” sniffed Bobby. “‘The Lady of the Castle’ played by a capable cast of professional Thespians, who will assist the Talented Young Amateur, GREBA PENDENNIS. ‘Her portrayal of the Duchess is a Work of Art.’ Wow, wow! Listen to that now!” cried Bobby, in great delight. “Wouldn’t you think that was Lil Pendleton?”

Jess stared at the bill, and whispered: “I would indeed.”

“But of course it isn’t!” gasped Bobby, looking at Jess, in sudden curiosity.

“What is Lil’s middle name?” demanded Jess, suddenly.

“Why – I – Ah! she has got a middle name, hasn’t she? She signs it ‘Lillian G. Pendleton!’”

“That is it,” said Jess.

“But of course this can’t be Lil?” cried Bobby, aghast. “‘The Lady of the Castle’ might be another name for ‘The Duchess of Doosenberry’; though. What do you think, Jess?”

“I don’t know what to think,” said Jess. “But you give me that bill, Bobby, and I’ll show it to Mother Wit.”

CHAPTER XXIII – “CAUGHT ON THE FLY”

The last few days before the first performance of “The Spring Road” was a whirl of excitement for most of the girls of Central High, and all those belonging to the M. O. R.’s. or who were to take part in the play. Mr. Sharp, on his own responsibility, announced a general holiday for Friday, with certain lessons to be made up to pay for the deducted time.

“It is my opinion that little work can be expected from either the young ladies or young gentlemen on the momentous day,” he said. “Besides, I understand that Miss Gould desires to have a final rehearsal of the play on Friday morning on the stage upstairs. Therefore, mere matters of education may be put aside.”

He was quite good natured about it, however, and entirely approved of the attempt of Central High pupils to do something upon the stage that was really “worth while.” And Jess Morse’s play was indeed far above the average of amateur attempts.

“You girls are invited to a dash on the Blue Streak after the rehearsal to-morrow, Sis,” Chet Belding said to Laura at dinner Thursday evening. “Lance and I will show you some sport.”

Mrs. Belding looked doubtfully at her husband. “Do you think that iceboat Chet has built is really safe for the girls, James?” she asked.

“Bless your heart, Mother!” returned the jeweler, his eyes twinkling, “it’s quite as safe for Laura and Jess as it is for the boys.”

“Ye – es, I suppose so,” admitted the good woman. “But it doesn’t seem so safe. Girls are different from boys.”

“Not so different, nowadays,” grumbled Chet. “You ought to see some of those husky Central High girls going off with Mrs. Case on their skis. And ski running is as dangerous as iceboating – believe me!”

“I do believe you, my son. I have no reason to doubt your word,” returned Mother Belding, quietly.

“Oh, Mum! that’s only an expression – ”

“Please stick to English – and facts, Chetwood,” advised his mother.

“I declare!” grumpily remarked her son. “A meal of victuals at this house has got to be just like attending one of Old Dimple’s lectures.”

“Chet!” spoke his father, sternly.

“Well! I guess I didn’t mean it just that way – not the way it sounded,” the boy said hastily. “But mother does pick a fellow up so – ”

“I have been doing that all your life, my son,” said his mother. “Whenever you stub your toe, mother has been there to comfort you.”

“Got you there, Chet,” laughed Laura. “And you used to be a terrible ‘stumble heels,’ too.”

“Say! you’re all down on me,” declared her brother, but in a milder tone. “I reckon I’m not so popular in this house as I thought I was. But that isn’t the answer to my question, Laura. Do you and Jess want to fly with us to-morrow just after lunch?”

“Of course we do,” replied his sister. “I don’t suppose mother has any real objection?”

“My objections to your sports and athletics seem to have very little reality about them, children,” said Mrs. Belding. “Even my husband will not give me backing.”

“When I see Chet and Laura anemic, or otherwise sickly, as the result of their out-of-door sports or gym. work, you will find me up in arms with you against such activities, Mother,” declared Mr. Belding, jovially. “I’d a good deal rather have little Mother Wit here half a Tom-boy – ”

“Which I’m not, I hope, Papa Belding!” cried Laura, quickly.

“I should hope not,” said her mother.

“All right,” laughed Mr. Belding. “But I would rather you were than like a few of the girls who attend your school. Some of them are growing up to womanhood too quickly to suit me. There’s that Pendleton girl – ”

“What do you know about Lily Pendleton, Father?” asked Laura, quickly.

“Why, she dresses like a girl of twenty-five – and acts that grown up, too,” observed the jeweler. “She was in the store a week or so ago. Now! there’s another bad thing. Her mother lets her do just about as she pleases, I guess.”

“Mrs. Pendleton has always been very lenient with Lillian,” agreed his wife.

“The girl brought into my store a jewel box in which were things valued at more than a thousand dollars, I believe. Old-fashioned jewels left her by her grandmother. She thought of having some re-set And she really wanted me to buy some of them. She said her mother wouldn’t care what she did with them.”

“Of course, James, you did not give the girl money?” exclaimed Mrs. Belding.

“Of course I did not! I am not a pawnbroker. But I valued the stones for her, and she took them away. I wonder what she really meant by trying to sell them?”

Laura listened and flushed; but she remained silent. Since her visit to the Plornish tenement, and since she had read the playbill from Keyport that Jess had brought her, Laura had been very gravely exercised in her mind regarding Lily Pendleton. But she could not bring herself to the point of taking either her father or mother into her confidence. It was not her own secret; it was Lily’s.

The following morning the rehearsal of “The Spring Road” went with a snap and vim that delighted everybody. Miss Gould could not praise the girls and boys too highly. Even Mr. Pizotti signified his satisfaction with the way in which the play proceeded. Really, the actual production of the piece would go on well without his presence, although the sum they had agreed to pay the stage manager covered the three performances of the play already arranged for.

Laura and Jess went down to the lake after luncheon to meet the two boys. The Blue Streak, fresh in a new coat of paint, and with every part of the mechanism guaranteed in perfect order, was already hauled out upon the ice.

The surface of the lake was not as it had been when the girls had taken their first ride on the aero-iceboat. Then the ice was like glass; but now it was pebbly, broken in spots, and not a little “hummocky.” There was a stiff wind blowing, too, and this broke up the thinner ice around the water-holes. The course for sleighs and for iceboats was fairly safe, however, all the way to Keyport.

“Say! we just saw Lily going driving with that sleek little foreigner,” said Lance, as the two girls appeared. “I should think Mrs. Pendleton would send a chaperone with her daughter. Old Mike, the coachman, is right under the girl’s thumb.”

“What do you mean, Lance?” asked Laura, quickly.

“Why, Lil Pendleton and the stage manager are out there in the Pendletons’ sleigh. They’re aiming for Keyport. And Lil has a big box in the sleigh. Guess they are taking lunch along.”

“Lunch!” ejaculated Chet. “Why, that yellow box would hold enough for an army.”

“My goodness me! A yellow box?” cried Jess. “Was it that box in which Lil has been bringing her costumes to and from the rehearsals?”

“Dunno,” said Chet, not much interested.

But Jess turned to her chum, eagerly.

“You know, Laura, she insisted in packing the dresses all into that box again this noon and taking them home with her as usual, although every other girl left her costume in the dressing-rooms. Did you notice it?”

“No,” said Laura, slowly.

“Maybe she doesn’t expect to get back until it’s time to go on for the evening performance,” suggested Lance.

“That’s not it,” returned Laura, quietly.

“What do you suppose that girl has got in her mind, Laura?” demanded Jess, as the boys were making the final preparations for their start.

“I do not know. But I believe she is the ‘talented young amateur’ advertised to appear at the Keyport Orpheum to-night,” said Laura, gravely.

“You don’t mean it!” gasped Jess. Then she added, with sudden excitement:

“Why, she’ll spoil my play!”

“If she is not here to play her part she will certainly interfere sadly with the success of ‘The Spring Road,’” admitted Laura.

“Oh, oh! That mean, mean thing!” cried Jess, under her breath.

“She is taking her costumes to wear in the production of her own play, which she has renamed ‘The Lady of the Castle,’” said Laura. “She will make a lovely ‘Duchess of Doosenberry,’ as Bobby nicknamed it, in those robes, Jess.”

“Why, Laura, I believe you are not sympathetic,” cried Jess.

“Don’t you be afraid, dear. Miss Lily will not appear as ‘the talented young amateur, Greba Pendennis,’ if that is what she really intends to attempt. I have fixed that.”

“What do you mean?” demanded Jess. But just then the boys shouted to them and they had to hurry to take their places in the iceboat

“Chet,” said Laura, to her brother, as she settled herself aboard, “run down near the Pendleton sleigh if you can. I want to speak to Lil.”

“Just as you say, Sis,” returned her brother. “All ready? Let her go, Lance! We’ll show these girls some traveling, eh?”

The Blue Streak was off in a moment and the way she tore over the ice always gave the two girls, at first, a feeling as though a wreck were imminent. But in a minute or two the feeling subsided, and through the automobile goggles they both wore they dared look ahead.

On this cold afternoon there were not many sleighs or iceboats on the racing course between Centerport and Keyport. But suddenly Lance looked around, grinned through his mask, and waved his hand toward the shore. The girls immediately knew that he had sighted the Pendleton sleigh.

Laura turned to look at her brother, and he nodded at her reassuringly. Lance reduced the speed, and the Blue Streak began to move shoreward.

The girls could now see the sleigh plainly. The yellow box in which Lil carried her costumes was a splotch of color against the white fur robes. And there was Lil herself and the black figure of the little stage director.

The Blue Streak ran closer and of a sudden the young folks aboard the iceboat saw that something was amiss with the Pendletons’ horses. The dapple grays were fat, well fed beasts, and the coachman was old and rheumatic. Perhaps the appearance of another iceboat that had just passed the sleigh had startled the horses.

However that might be, old Mike was suddenly flung from his seat, and the horses charged down the lake at a gallop, swinging the sleigh behind them at a pace that threatened to overturn it at any moment!

The four friends on the aero-iceboat could hear Lil scream. And up sprang the little black figure of Pizotti, alias Plornish, and the next moment he had leaped to the ice!

The horses tore on, and Lil was really in peril. But Chet guided the Blue Streak right down to the runaway, coming so close that Lance Darby was able to leap into the driver’s seat from the running iceboat.

It was a feat that called for agility and coolness; but the boy did it bravely. The next moment he was out on the tongue, had recovered the trailing lines, and the dapple grays were soon brought to an abrupt stop.

CHAPTER XXIV – THE GREAT NIGHT

The event had certainly come to a startling climax. Even Lily herself, writing a dozen “Duchess of Dawnleighs,” could not have imagined quite so serious a situation to balk the determination of her created heroines, as here had arrived to balk herself!

“Well, Lil,” Laura said to her, as the girl got out of the sleigh. “I guess you won’t run away to-day and leave us all in a fix – and spoil Jess’s play. What do you think?”

“Oh, Laura! is poor Mike hurt?” cried the girl, and from that moment Laura thought better of her. For Lil showed she was not entirely heartless. She had thought first of the old coachman who had served her family for so many years, and who was even then probably helping her to get to Keyport and the expected performance of “The Duchess of Dawnleigh,” against his own good sense.

“Here he comes, limping,” said Laura, rather brusquely. “He’s not dead. But how about Plornish?”

“Plornish?” returned Lil, puzzled.

“Pizotti, then, if you prefer his stage name.”

“Is – isn’t Pizotti his name?” demanded Lil, still struggling with her tears.

“His real name is Abel Plornish,” said Laura, bluntly. She saw no use in “letting Lily down easy.” “He has a wife and seven children living down on Governor Street, in a miserable tenement. He neglects them a good deal, I believe. But this time, if he had made what he expected to out of you – By the way, Lil, what were you going to pay him?”

“I – I – For putting me on the stage with his company?” she stammered.

“Is that the way he put it? Well, yes,” said Laura. “It’s the same thing. He was going to star you in your own play, was he?”

“Ye – es,” sobbed Lily. “And now it’s all spoiled! And I was going to take all the money I pawned grandmother’s jewels for – ”

“Goodness me! How much?” snapped Laura.

“Five hundred dollars.”

“Has he got the cash?”

“No,” sobbed Lil.

“All right, then. No harm done. I went to Mr. Monterey and he found out that Plornish had got together no company at all. You were the only person who had learned a part in your play, I guess, Lily. Ah! Chet’s got him.”

Indeed, Chet had stopped the aero-iceboat and run back to the prostrate stage director. Plornish had a broken leg and had to be lifted by both boys into the Pendleton sleigh. Old Michael could manage the horses again and turned them about. Laura elected to go back to Centerport with the injured man and the very-much-disturbed Lily Pendleton.

“Now, just see the sort of a man this fellow is,” said Laura, paying no attention to the groanings of Plornish, “He was intending to get the money from you at Keyport and then disappear. All he spent was merely for the bills put up advertising the show – the show which he never intended would come off, Lil! And you were going down there and leaving us all in the lurch!”

“Oh, I’m sorry!” groaned Lil.

“I hope so. Sorry enough to go home and rest and prepare to play your part in ‘The Spring Road’ to-night,” spoke Laura, tartly.

“Oh, dear me! how can I?” cried the girl.

“If you don’t,” said Laura, frankly, “I won’t keep this affair a secret. You will be the laughing stock of all Central High. I am not going to allow Jess Morse’s play to be spoiled because of you. If you were so jealous and envious that you did not want to see Jess’s play succeed, you could have refused, at least, to be cast for an important part in it. And now,” went on Mother Wit, firmly, “you are going to play that part.”

“Oh, Laura! you are so harsh,” sobbed Lily.

“Much that will hurt you!” sniffed Laura. “We’ll drive around by the hospital and leave this Plornish man. If he dares to open his mouth, we’ll have him punished for trying to swindle you,” and Laura looked sternly at the black-eyed, foreign-looking fellow.

“You see, we know all about you, Mr. Plornish, and you will have to abide by what is done for you. Some of us will help your family while you are helpless. But you’ve got to be good, or even Mr. Vandergriff will forget that you and he used to be boys together. Pah! with your hair dye, and paint and powder, and all! Why, you are nearly fifty years old, so Mr. Vandergriff says, and you act and dress like a silly boy.”

Lily listened to all this, and stopped sobbing. She began to see that there was a chance for her to escape being a butt for her school-fellows’ jokes.

“Can – can you keep Jess and the boys from talking?” she whispered to Laura.

“They’ll be like oysters if I tell them to,” declared Mother Wit.

“Oh, then, I’ll do my best,” agreed the foolish girl. Possibly she was deeply impressed by her escape.

Mother Wit’s plans were carried out to the letter. Plornish was deposited at the hospital, where he would remain for some weeks. The performance of Jess’s play would have to get along without him on this opening night.

And when the hour for the performance arrived, Lily Pendleton was ready, her tears wiped away, glorious in one of her costumes, and “preening like a peacock” – to quote Bobby Hargrew – before one of the long mirrors in the dressing room.

“My, my!” laughed Bobby. “You look as grand as the Duchess of Doosenberry, don’t you, Lil?”

Lily looked at her rather sharply. “I’d really like to know how much that child knows?” the older girl murmured.

But it wasn’t what the shrewd Bobby knew; it was what she suspected!

CHAPTER XXV – GOOD NEWS FOR JESS

Behind the scenes just before the curtain rose upon the first act of “The Spring Road” there was such a bustle, and running about, and whispering, and excited signals and fragmentary talk, that it did look, Jess said, as though matters never would be straightened out.

Did this one know his or her part perfectly? Was this dress right? Oh, dear! how can this one be made to look right “from the front?” And a thousand other doubts and queries.

No matter how many times a play is rehearsed, it does seem just before the opening performance as though a dozen things would happen to spoil the effect of the first appearance. And to the author of the play it seems as though every person in that audience is a carping critic!

Jess peered through the peephole in the curtain and saw that the hall was crowded.

“I just know it will be a failure!” she moaned to her chum, Laura Belding. “It will be laughed at. I feel it!”

“Strange how I should feel so differently!” spoke Laura, cheerfully.

“Oh, dear! I’ll never be able to hold up my head again if it’s not liked,” Jess pursued. “It will just kill me.”

“Don’t die so easy, Chum,” said Laura. “You know we’ll need you in the big inter-school meet after Easter.”

“Oh! I’ll never be fit to do anything in athletics again!” gasped Jess.

Which was certainly not borne out by the facts, for Jess Morse took a most important part in the spring meet of the Girls’ Branch Athletic League, as a perusal of the next volume of this series: “The Girls of Central High on Track and Field; Or, The Champions of the School League,” will prove.

At last Miss Gould said all was ready. Really, she did very well without the assistance of the unpleasant, black-eyed, little Pizotti! The signal was given and the curtain rose on the first tableau – and it was a pretty sight! In this allegorical introduction to Jess’s play there were a score of the very prettiest girls of Central High, and they had been dressed and were grouped so artistically that an “Ah!” of admiration burst from the big audience.

The little fantasy unwound the thread of plot which introduced the real play; but when the curtain went down there was no enthusiastic applause. The audience was expectant; but did not wholly understand it. And this was as it should be; the intent of that little prologue was merely to whet the appetite for the real play.

“The Spring Road” ran its three acts through with unvarying success. The applause grew more pronounced; the interest of the audience grew deeper. The fact that a young girl had written the text of the play became harder and harder to believe as the evening lengthened.

At the end – when the general lights went out, one by one upon the stage and left the two principal characters in the radiance of the spot light alone – and when this dimmed slowly and finally went out, the silence of the audience was momentous.

Jess, in the wings, clinging to her chum, waited, scarcely breathing, for the verdict. Had it failed? Had the little lesson she had tried to teach, and the pretty story she had told, failed to “get over?”

Suddenly there was a roar of delight from the back of the hall. Some of the older boys of Central High had managed to get tickets to this first performance, and, led by big Griff, they began to chant the well-known yell of Central High.

But that was not what Jess waited for. That was school loyalty. She had expected that.

As the thunder of the boys’ applause began to wane there was another sound which reached the ears of those listening behind the curtain. A steady, sharp clapping of hands; then joined by a shuffling of feet. The great mass of the audience was applauding.

The curtain went up, and the whole company appeared. It rose and rose again, at last to display only the principals, down to the final two who had closed the play. But that was not enough.

They could hear Dr. Agnew’s heavy voice growling somewhere out in the darkness of the auditorium:

“Author! Author! Bring her out!”

The boys took up the demand. They even called on Jess Morse by name, and hitched that name to the battle cry of their athletic field.

“You’ve got to go!” cried Laura, giving her chum a push. “You’ve got to, Jess!”

And so Jess Morse stepped forward, modestly, bashfully, and faced the great audience. Tears half blinded her, but she bowed as she had been taught. And all the time she tasted the first intoxicating draught of Fame!

But that was not quite the end of it all. Mr. Monterey, of the Centerport Opera House, was in a seat down in front that evening. He never was seen to applaud once; but on Saturday evening, when the play was repeated for the general public to attend, he came again and this time brought a stranger who paid quite as close attention to Jess’s play as did Mr. Monterey himself.

After the performance and before Jess and Laura started for home with their escorts, they heard that the stranger with the local manager was a very famous New York producer. He had come especially to see “The Spring Road.”

And when Jess arrived home she found the gentleman, with Mr. Monterey, conferring with her mother in their little sitting room.

“I assure you,” said Mrs. Morse, proudly, “the play is practically Josephine’s own work. It is her idea, clothed in her own language. I am pleased that you find it so admirable for a child to have written – ”

“It is admirable – in spots – for anybody to have written,” said the New York gentleman. “And this is the young lady?”

Mrs. Morse introduced Jess.

“You are the budding playwright?” suggested the stranger.

“I am not so sure of that,” replied Jess, troubled a little. “I wanted the prize Mrs. Kerrick offered, and I did my best.”

“And your best is very good – remarkably good,” declared the producer. “I have come to see you and your mother about it. I want you to let me have the right to produce the play. Monday I will come with a contract; meanwhile I want Mrs. Morse to accept this check – which Mr. Monterey will endorse for me – to bind the agreement. I take a sort of option on the play, as it were,” he said, and he handed the check to Jess.

“You do not mean it?” gasped the girl.