The Golden Dream: Adventures in the Far West

The sketch was a very beautiful one, for, in addition to the varied character of the scenery and the noble background of the Sierra Nevada, which here presented some of its wildest and most fantastic outlines, the half-ruined hut of the Yankee, with the tools and other articles scattered around it, formed a picturesque foreground. We have elsewhere remarked that our hero was a good draughtsman. In particular, he had a fine eye for colour, and always, when possible, made coloured sketches during his travels in California. On the present occasion, the rich warm glow of sunset was admirably given, and the Yankee stood gazing at the work, transfixed with amazement and delight. Ned first became aware of his proximity by the somewhat startling exclamation, uttered close to his ear—

“Wall, stranger, you air a screamer, that’s a fact!”

“I presume you mean that for a compliment,” said Ned, looking up with a smile at the tall, wiry, sun-burnt, red-flannel-shirted, straw-hatted creature that leaned on his pick-axe beside him.

“No, I don’t; I ain’t used to butter nobody. I guess you’ve bin raised to that sort o’ thing?”

“No, I merely practise it as an amateur,” answered Ned, resuming his work.

“Now, that is cur’ous,” continued the Yankee; “an’ I’m kinder sorry to hear’t, for if ye was purfessional I’d give ye an order.”

Ned almost laughed outright at this remark, but he checked himself as the idea flashed across him that he might perhaps make his pencil useful in present circumstances.

“I’m not professional as yet,” he said, gravely; “but I have no objection to become so if art is encouraged in these diggings.”

“I guess it will be, if you shew yer work. Now, what’ll ye ax for that bit!”

This was a home question, and a poser, for Ned had not the least idea of what sum he ought to ask for his work, and at the same time he had a strong antipathy to that species of haggling, which is usually prefaced by the seller, with the reply, “What’ll ye give?” There was no other means, however, of ascertaining the market-value of his sketch, so he put the objectionable question.

“I’ll give ye twenty dollars, slick off.”

“Very good,” replied Ned, “it shall be yours in ten minutes.”

“An’ I say, stranger,” continued the Yankee, while Ned put the finishing touches to his work, “will ye do the inside o’ my hut for the same money?”

“I will,” replied Ned.

The Yankee paused for a few seconds, and then added—

“I’d like to git myself throwd into the bargain, but I guess ye’ll ask more for that.”

“No, I won’t; I’ll do it for the same sum.”

“Thank’ee; that’s all square. Ye see, I’ve got a mother in Ohio State, an’ she’d give her ears for any scrap of a thing o’ me or my new home; an’ if ye’ll git ’em both fixed off by the day arter to-morrow, I’ll send ’em down to Sacramento by Sam Scott, the trader. I’ll rig out and fix up the hut to-morrow mornin’, so if ye come by breakfast-time I’ll be ready.”

Ned promised to be there at the appointed hour, as he rose and handed him the sketch, which the man, having paid the stipulated sum, carried away to his hut with evident delight.

“Halloo, I say,” cried Ned.

“Wall?” answered the Yankee, stopping with a look of concern, as if he feared the artist had repented of his bargain.

“Mind you tell no one my prices, for, you see, I’ve not had time to consider about them yet.”

“All right; mum’s the word,” replied the man, vanishing into his little cabin just as Tom Collins returned from his ramble.

“Halloo, Ned, what’s that I hear about prices? I hope you’re not offering to speculate in half-finished holes, or anything of that sort, eh?”

“Sit down here, my boy, and I’ll tell you all about it.”

Tom obeyed, and, with a half-surprised and more than half-amused expression, listened to his companion’s narration of the scene that had just taken place, and of the plan which he had formed in his mind. This plan was carried out the following day.

By daybreak Ned was up preparing his drawing materials; then he and Tom breakfasted at the table d’hôte, after which the latter went to hunt for a suitable log-hut in which to carry on their joint labours, while the former proceeded to fulfil his engagement. Their night’s lodging and breakfast made a terribly large gap in their slender fortune, for prices at the time happened to be enormously high, in consequence of expected supplies failing to arrive at the usual time. The bill at the hotel was ten dollars a day per man; and provisions of all kinds were so dear, that the daily earnings of the miners barely sufficed to find them in the necessaries of life. It therefore behoved our friends to obtain a private dwelling and remunerative work as fast as possible.

On reaching the little log-hut, Ned found the Yankee ready to receive him. He wore a clean new red-flannel shirt, with a blue silk kerchief round the throat; a broad-brimmed straw hat, corduroys, and fisherman’s long boots. To judge from his gait, and the self-satisfied expression of his bronzed countenance, he was not a little proud of his personal appearance.

While Ned arranged his paper and colours, and sharpened the point of his pencil, the Yankee kept up a running commentary on men and things in general, rocking himself on a rudely-constructed chair the while, and smoking his pipe.

The hut was very small—not more than twelve feet by eight, and just high enough inside to permit of a six-foot man grazing the beams when he walked erect. But, although small, it was exceedingly comfortable. Its owner was his own architect and builder, being a jack-of-all-trades, and everything about the wooden edifice betokened the hand of a thorough workman, who cared not for appearance, but was sensitively alive to comfort. Comfort was stamped in unmistakeable characters on every article of furniture, and on every atom that entered into the composition of the Yankee’s hut. The logs of which it was built were undressed; they were not even barked, but those edges of them that lay together were fitted and bevelled with such nicety that the keenest and most searching blast of north wind failed to discover an entrance, and was driven baffled and shrieking from the walls. The small fire-place and chimney, composed of mud and dry grass, were rude in appearance; but they were substantial, and well calculated for the work they had to perform. The seats, of which there were four—two chairs, a bench, and a stool—were of the plainest wood, and the simplest form; but they were solid as rocks, and no complaining creak, when heavy men sat down on them, betokened bad or broken constitutions. The little table—two feet by sixteen inches—was in all respects worthy of the chairs. At one end of the hut there was a bed-place, big enough for two; it was variously termed a crib, a shelf, a tumble-in, and a bunk. Its owner called it a “snoosery.” This was a model of plainness and comfort. It was a mere shell about two and a half feet broad, projecting from the wall, to which it was attached on one side, the other side being supported by two wooden legs a foot high. A plank at the side, and another at the foot, in conjunction with the walls of the cottage, converted the shelf into an oblong box. But the mattress of this rude couch was formed of buffalo-skins, covered with thick, long luxurious hair; above which were spread two large green mackinaw blankets of the thickest description; and the canvas pillow-case was stuffed with the softest down, purchased from the wild-fowl of California with leaden coin, transmitted through the Yankee’s unerring rifle.

There was a fishing-rod in one corner, a rifle in another, a cupboard in a third; poles and spears, several unfinished axe-handles, and a small fishing-net lay upon the rafters overhead; while various miscellaneous articles of clothing, and implements for mining hung on pegs from the walls, or lay scattered about everywhere; but in the midst of apparent confusion comfort reigned supreme, for nothing was placed so as to come in one’s way; everything was cleverly arranged, so as to lie close and fit in; no article or implement was superfluous; no necessary of a miner’s life was wanting; an air of thorough completeness invested the hut and everything about it; and in the midst of all sat the presiding genius of the place, with his long legs comfortably crossed, the tobacco wreaths circling round his lantern jaws, the broad-brimmed straw hat cocked jauntily on one side, his arms akimbo, and his rather languid black eyes gazing at Ned Sinton with an expression of comfortable self-satisfaction and assurance that was quite comforting to behold.

“Wall, mister, if you’re ready, I guess ye’d better fire away.”

“One second more and I shall commence,” replied Ned; “I beg pardon, may I ask your name?”

“Jefferson—Abel Jefferson to command,” answered the Yankee, relighting the large clay pipe which he had just filled, and stuffing down the glowing tobacco with the end of his little finger as slowly and deliberately as though that member were a salamander. “What’s yourn!”

“Edward Sinton. Now, Mr Jefferson, in what position do you intend to sit?”

“Jest as I’m settin’ now.”

“Then you must sit still, at least for a few minutes at a time, because I cannot sketch you while you keep rocking so.”

“No! now that’s a pity, for I never sits no other way when I’m to home; an’ it would look more nat’ral an’ raal like to the old ’ooman if I was drawd rockin’. However, fire away, and sing out when ye want me to stop. Mind ye, put in the whole o’ me. None o’ yer half-lengths. I never goes in for half-lengths. I always goes the whole length, an’ a leetle shave more. See that ye don’t forget the mole on the side o’ my nose. My poor dear old mother wouldn’t believe it was me if the mole warn’t there as big as life, with the two hairs in the middle of it. An’ I say, mister, mind that I hate flatterers, so don’t flatter me no how.”

“It wouldn’t be easy to do so,” thought Ned, as he plied his pencil, but he did not deem it advisable to give expression to his thoughts.

“Now, then, sit still for a moment,” said Ned.

The Yankee instantly let the front legs of his chair come to the ground with a bang, and gazed right before him with that intensely-grave, cataleptic stare that is wont to overspread the countenances of men when they are being photographed.

Ned laughed inwardly, and proceeded with his work in silence.

“I guess there’s Sam at the door,” said Abel Jefferson, blowing a cloud of smoke from his mouth that might have made a small cannon envious.

The door flew open as he spoke, and Sam Scott, the trader, strode into the hut. He was a tall, raw-boned man, with a good-humoured but intensely impudent expression of countenance, and tanned to a rich dark brown by constant exposure to the weather in the prosecution of his arduous calling.

“Halloo! stranger, what air you up to!” inquired Sam, sitting down on the bench behind Ned, and looking over his shoulder.

Ned might perhaps have replied to this question despite its unceremoniousness, had not the Yankee followed it up by spitting over his shoulder into the fire-place. As it was, he kept silence, and went on with his work.

“Why I do declare,” continued Sam, “if you ain’t photogged here as small as life, mole an’ all, like nothin’. I say, stranger, ain’t you a Britisher?”

Sam again followed up his question with a shot at the fire-place.

“Yes,” answered Ned, somewhat angrily, “and I am so much of a Britisher, that I positively object to your spitting past my ear.”

“No, you don’t, do you? Now, that is cur’ous. I do believe if you Britishers had your own way, you’d not let us spit at all. What air you better than we, that you hold your heads so high, and give yourselves sich airs! that’s what I want to know.”

Ned’s disgust having subsided, he replied—

“If we do hold our heads high, it is because we are straightforward, and not afraid to look any man in the face. As to giving ourselves airs, you mistake our natural reserve and dislike to obtrude ourselves upon strangers for pride; and in this respect, at least, if in no other, we are better than you—we don’t spit all over each other’s floors and close past each other’s noses.”

“Wall, now, stranger, if you choose to be resarved, and we choose to be free-an’-easy, where’s the differ? We’ve a right to have our own customs, and do as we please as well as you, I guess.”

“Hear, hear!” cried Abel Jefferson, commencing to rock himself again, and to smoke more violently than ever. “What say ye to that, mister?”

“Only this,” answered Ned, as he put the finishing touches to his sketch, “that whereas we claim only the right to do to and with ourselves what we please, you Yankees claim the right to do to and with everybody, else what you please. I have no objection whatever to your spitting, but I do object to your spitting over my shoulder.”

“Do you?” said Sam Scott, in a slightly sarcastic tone, “an’ suppose I don’t stop firin’ over your shoulder, what then?”

“I’ll make you,” replied Ned, waxing indignant at the man’s cool impudence.

“How?” inquired Sam.

Ned rose and shook back the flaxen curls from his flushed face, as he replied, “By opening the door and kicking you out of the hut.”

He repented of the hasty expression the moment it passed his lips, so he turned to Jefferson and handed him the drawing for inspection. Sam Scott remained seated. Whether he felt that Ned was thoroughly capable of putting his threat in execution or not we cannot tell, but he evinced no feeling of anger as he continued the conversation.

“I guess if you did that, you’d have to fight me, and you’d find me pretty smart with the bowie-knife an’ the revolver, either in the dark or in daylight.”

Sam here referred to the custom prevalent among the Yankees in some parts of the United States of duelling with bowie-knives or with pistols in a darkened room.

“And suppose,” answered Ned, with a smile—“suppose that I refused to fight, what then?”

“Why, then, you’d be called a coward all over the diggin’s, and you’d have to fight to clear your character.”

“And suppose I didn’t care a straw for being called a coward, and wouldn’t attempt to clear my character?”

“Why, then, I guess, I’d have to kick you in public till you were obligated to fight.”

“But suppose still further,” continued Ned, assuming the air of a philosopher discussing a profoundly-abstruse point in science—“suppose that, being the stronger man, I should prevent you from kicking me by knocking you down, what then?”

“Why, then, I’d be compelled to snuff you out slick off?”

Sam Scott smiled as he spoke, and touched the handle of his revolver.

“Which means,” said Ned, “that you would become a cold-blooded murderer.”

“So you Britishers call it.”

“And so Judge Lynch would call it, if I am not mistaken, which would insure your being snuffed out too, pretty effectually.”

“Wrong, you air, stranger,” replied the trader; “Judge Lynch regards affairs of honour in a very different light, I guess. I don’t think he’d scrag me for that.”

Further investigation of this interesting topic was interrupted by Abel Jefferson, who had been gazing in wrapt admiration at the picture for at least five minutes, pronouncing the work “fuss rate,” emphatically.

“It’s jest what’ll warm up the old ’ooman’s heart, like a big fire in a winter day. Won’t she screech when she claps her peepers on’t, an’ go yellin’ round among the neighbours, shewin’ the pictur’ o’ ‘her boy Abel,’ an’ his house at the gold diggin’s?”

The two friends commented pretty freely on the merits of the work, without the smallest consideration for the feelings of the artist. Fortunately they had nothing but good to say about it. Sam Scott, indeed, objected a little to the sketchy manner in which some of the subordinate accessories were touched in, and remarked that the two large hairs on the mole were almost invisible; but Jefferson persisted in maintaining that the work was “fuss rate,” and faultless.

The stipulated sum was paid; and Ned, bidding his new friends good-morning, returned to the inn, for the purpose of discussing dinner and plans with Tom Collins.

Chapter Eighteen.

Ned’s New Profession pays admirably—He and Tom Wax Philosophical—“Pat” comes for a “Landscape” of himself—Lynch Law and the Doctors—Ned’s Sitters—A Yankee Swell receives a Gentle Rebuff

The ups and downs, and the outs and ins of life are, as every one is aware, exceedingly curious,—sometimes pleasant, often the reverse, and not infrequently abrupt.

On the day of their arrival at the settlement, Ned and Tom were almost beggars; a dollar or two being all the cash they possessed, besides the gold-dust swallowed by the latter, which being, as Tom remarked, sunk money, was not available for present purposes.

One week later, they were, as Abel Jefferson expressed it, “driving a roaring trade in pictur’s,” and in the receipt of fifty dollars, or 10 pounds a day! Goods and provisions of all kinds had been suddenly thrown into the settlement by speculators, so that living became comparatively cheap; several new and profitable diggings had been discovered, in consequence of which gold became plentiful; and the result of all was that Edward Sinton, esquire, portrait and landscape painter, had more orders than he could accept, at almost any price he chose to name. Men who every Saturday came into the settlement to throw away their hard-earned gains in the gambling-houses, or to purchase provisions for the campaign of the following week, were delighted to have an opportunity of procuring their portraits, and were willing to pay any sum for them, so that, had our hero been so disposed, he could have fleeced the miners to a considerable extent. But Ned was not so disposed, either by nature or necessity. He fixed what he considered fair remunerative prices for his work, according to the tariff of the diggings, and so arranged it that he made as much per day as he would have realised had he been the fortunate possessor of one of the best “claims” in the neighbourhood.

Tom Collins, meanwhile, went out prospecting, and speedily discovered a spot of ground which, when wrought with the pan, turned him in twenty dollars a day. So that, in the course of a fortnight, our adventurers found themselves comparatively rich men. This was satisfactory, and Ned admitted as much one morning to Tom, as he sat on a three-legged stool in his studio—i.e. a dilapidated log-hut—preparing for a sitter, while the latter was busily engaged in concluding his morning repast of damper, pork, and beans.

“There’s no doubt about it, Tom,” said he, pegging a sheet of drawing-paper to a flat board, “we are rapidly making our fortunes, my boy; but d’you know, I’m determined to postpone that desirable event, and take to rambling again.”

“There you go,” said Tom, somewhat testily, as he lit a cigar, and lay down on his bed to enjoy it; “you are never content; I knew it wouldn’t last; you’re a rolling stone, and will end in being a beggar. Do you really mean to say that you intend to give up a lucrative profession and become a vagrant?—for such you will be, if you take to wandering about the country without any object in view.”

“Indeed, I do,” answered Ned. “How often am I to tell you that I don’t and won’t consider the making of money the chief good of this world? Doubtless, it is an uncommonly necessary thing, especially to those who have families to support; but I am firmly convinced that this life was meant to be enjoyed, and I mean to enjoy it accordingly.”

“I agree with you, Ned, heartily; but if every one enjoyed life as you propose to do, and took to rambling over the face of the earth, there would be no work done, and nothing could be had for love or money—except what grew spontaneously; and that would be a joyful state of things, wouldn’t it?”

Tom Collins, indulging the belief that he had taken up an unassailable position, propelled from his lips a long thin cloud of smoke, and smiled through it at his friend.

“Your style of reasoning is rather wild, to say the least of it,” answered Ned, as he rubbed down his colours on the bottom of a broken plate. “In the first place, you assume that I propose to spend all my life in rambling; and, in the second place, you found your argument on the absurd supposition that everybody else must find their sole enjoyment in the same occupation.”

“How I wish,” sighed Tom Collins, smoking languidly, “that there was no such thing as reasoning. You would be a much more agreeable fellow, Ned, if you didn’t argue.”

“It takes two to make an argument,” remarked Ned. “Well, but couldn’t you converse without arguing?”

“Certainly, if you would never contradict what I say, nor make an incorrect statement, nor draw a wrong conclusion, nor object to being contradicted when I think you are in the wrong.”

Tom sighed deeply, and drew comfort from his cigar. In a few minutes he resumed,—“Well, but what do you mean by enjoying life?”

Ned Sinton pondered the question a few seconds, and then replied—

“I mean this:– the way to enjoy life is to do all the good you can, by working just enough to support yourself and your family, if you have one; to assist in spreading the gospel, and to enable you to help a friend in need; and to alleviate the condition of the poor, the sick, and the destitute. To work for more than this is to be greedy; to work for less is to be reprehensibly lazy. This amount of work being done, men ought to mingle with their fellow-creatures, and wander abroad as much as may be among the beautiful works of their Creator.”

“A very pretty theory, doubtless,” replied Tom; “but, pray, in what manner will your proposed ramble advance the interests of religion, or enable you to do the extra ordinary amount of good you speak of?”

“There you go again, Tom; you ask me the abstract question, ‘What do you mean by enjoying life?’ and when I reply, you object to the answer as not being applicable to the present case. Of course, it is not. I did not intend it to be. The good I mean to do in my present ramble is chiefly, if not solely, to my own body and mind—”

“Stop, my dear fellow,” interrupted Tom, “don’t become energetic! I accept your answer to the general question; but how many people, think you, can afford to put your theory in practice?”

“Very, very few,” replied Ned, earnestly; “but that does not affect the truth of my theory. Men will toil night and day to accumulate gold, until their bodies and souls are incapable of enjoying the good things which gold can purchase, and they are infatuated enough to plume themselves on this account, as being diligent men of business; while others, alas! are compelled thus to toil in order to procure the bare necessaries of life; but these melancholy facts do not prove the principle of ‘grind-and-toil’ to be a right one; much less do they constitute a reason for my refusing to enjoy life in the right way when I have the power.”

Tom made no reply, but the vigorous puffs from his cigar seemed to indicate that he pondered these things deeply. A few minutes afterwards, Ned’s expected sitter entered. He was a tall burly Irishman, with a red-flannel shirt, open at the neck, a pair of huge long boots, and a wide-awake.

“The top o’ the mornin’ to yees,” said the man, pulling off his hat as he entered.

“Good-morning, friend,” said Ned, as Tom Collins rose, shouldered his pick and shovel, and left the hut. “You are punctual, and deserve credit for so good a quality. Pray, sit down.”

“Faix, then, I don’t know what a ‘quality’ is, but av it’s a good thing I’ve no objection,” replied the man, taking a seat on the edge of the bed which Tom had just vacated. “I wos wantin’ to ax ye, sir, av ye could put in me pick and shovel in the lan’scape.”

“In the landscape, Pat!” exclaimed Ned, addressing his visitor by the generic name of the species; “I thought you wanted a portrait.”

“Troth, then, I don’t know which it is ye call it; but I wants a pictur’ o’ meself all over, from the top o’ me hat to the sole o’ me boots. Isn’t that a lan’scape?”

“No, it’s a portrait.”

“Then it’s a porthraite I wants; an’ if ye’ll put in the pick and shovel, I’ll give ye two dollars a pace for them.”

“I’ll put them in, Pat, for nothing,” replied Ned, smiling, as he commenced his sketch. “I suppose you intend to send this to some fair one in old Ireland?”