Ronicky Doone

"In short, the price is too high. What I want is to secure Caroline Smith from the inside. I want you to go to her, to persuade her to go away with you on a trip. Take her to the Bermudas, or to Havana—any place you please. The moment the Westerner thinks his lady is running away from him of her own volition he'll throw up his hands and curse his luck and go home. They have that sort of pride on the other side of the Rockies. Will you go back tonight, right now, and persuade Caroline to go with you?"

She bowed her head under the shock of it. Ronicky Doone had begged her to send Caroline Smith to meet her lover. Now the counterattack followed.

"Do you think she'd listen?"

"Yes, tell her that the one thing that will save the head of Bill Gregg is for her to go away, otherwise I'll wipe the fool off the map. Better still, tell her that Gregg of his own free will has left New York and given up the chase. Tell her you want to console her with a trip. She'll be sad and glad and flattered, all in the same moment, and go along with you without a word. Will you try, Ruth?"

"I suppose you would have Bill Gregg removed—if he continued a nuisance?"

"Not a shadow of a doubt. Will you do your best?"

She rose. "Yes," said the girl. Then she managed to smile at him. "Of course I'll do my best. I'll go back right now."

He took her arm to the door of the room. "Thank Heaven," he said, "that I have one person in whom I can trust without question—one who needs no bribing or rewards, but works to please me. Good-by, my dear."

He watched her down the hall and then turned and went through room after room to the rear of the house. There he rapped on a door in a peculiar manner. It was opened at once, and Harry Morgan appeared before him.

"A rush job, Harry," he said. "A little shadowing."

Harry jerked his cap lower over his eyes. "Gimme the smell of the trail, I'm ready," he said.

"Ruth Tolliver has just left the house. Follow her. She'll probably go home. She'll probably talk with Caroline Smith. Find a way of listening. If you hear anything that seems wrong to you—anything about Caroline leaving the house alone, for instance, telephone to me at once. Now go and work, as you never worked for me before."

Chapter Twenty-three

Caroline takes Command

Ruth left the gaming house of Frederic Fernand entirely convinced that she must do as John Mark had told her—work for him as she had never worked before. The determination made her go home to Beekman Place as fast as a taxicab would whirl her along.

It was not until she had climbed to Caroline Smith's room and opened the door that her determination faltered. For there she saw the girl lying on her bed weeping. And it seemed to the poor, bewildered brain of Ruth Tolliver, as if the form of Ronicky Doone, passionate and eager as before, stood at her side and begged her again to send Caroline Smith across the street to a lifelong happiness, and she could do it. Though Mark had ordered the girl to be confined to her room until further commands were given on the subject, no one in the house would think of questioning Ruth Tolliver, if she took the girl downstairs to the street and told her to go on her way.

She closed the door softly and, going to the bed, touched the shoulder of Caroline. The poor girl sat up slowly and turned a stained and swollen face to Ruth. If there was much to be pitied there was something to be laughed at, also. Ruth could not forbear smiling. But Caroline was clutching at her hands.

"He's changed his mind?" she asked eagerly. "He's sent you to tell me that he's changed his mind, Ruth? Oh, you've persuaded him to it—like an angel—I know you have!"

Ruth Tolliver freed herself from the reaching hands, moistened the end of a towel in the bathroom and began to remove the traces of tears from the face of Caroline Smith. That face was no longer flushed, but growing pale with excitement and hope.

"It's true?" she kept asking. "It is true, Ruth?"

"Do you love him as much as that?"

"More than I can tell you—so much more!"

"Try to tell me then, dear."

Talking of her love affair began to brighten the other girl, and now she managed a wan smile. "His letters were very bad. But, between the lines, I could read so much real manhood, such simple honesty, such a heart, such a will to trust! Ruth, are you laughing at me?"

"No, no, far from that! It's a thrilling thing to hear, my dear."

For she was remembering that in another man there might be found these same qualities. Not so much simplicity, perhaps, but to make up for it, a great fire of will and driving energy.

"But I didn't actually know that I was in love. Even when I made the trip West and wrote to him to meet the train on my return—even then I was only guessing. When he didn't appear at the station I went cold and made up my mind that I would never think of him again."

"But when you saw him in the street, here?"

"John Mark had prepared me and hardened me against that meeting, and I was afraid even to think for myself. But, when Ronicky Doone—bless him!—talked to me in your room, I knew what Bill Gregg must be, since he had a friend who would venture as much for him as Ronicky Doone did. It all came over me in a flash. I did love him—I did, indeed!"

"Yes, yes," whispered Ruth Tolliver, nodding and smiling faintly. "I remember how he stood there and talked to you. He was like a man on fire. No wonder that a spark caught in you, Caroline. He—he's a—very fine-looking fellow, don't you think, Caroline?"

"Bill Gregg? Yes, indeed."

"I mean Ronicky."

"Of course! Very handsome!"

There was something in the voice of Caroline that made Ruth look down sharply to her face, but the girl was clever enough to mask her excitement and delight.

"Afterward, when you think over what he has said, it isn't a great deal, but at the moment he seems to know a great deal—about what's going on inside one, don't you think, Caroline?"

These continual appeals for advice, appeals from the infallible Ruth Tolliver, set the heart of Caroline beating. There was most certainly something in the wind.

"I think he does," agreed Caroline, masking her eyes. "He has a way, when he looks at you, of making you feel that he isn't thinking of anything else in the world but you."

"Does he have that same effect on every one?" asked Ruth. She added, after a moment of thought, "Yes, I suppose it's just a habit of his. I wish I knew."

"Why?" queried Caroline, unable to refrain from the stinging little question.

"Oh, for no good reason—just that he's an odd character. In my work, you know, one has to study character. Ronicky Doone is a different sort of man, don't you think?"

"Very different, dear."

Then a great inspiration came to Caroline. Ruth was a key which, she knew, could unlock nearly any door in the house of John Mark.

"Do you know what we are going to do?" she asked gravely, rising.

"Well?"

"We're going to open that door together, and we're going down the stairs—together."

"Together? But we—Don't you know John Mark has given orders—"

"That I'm not to leave the room. What difference does that make? They won't dare stop us if you are with me, leading the way."

"Caroline, are you mad? When I come back—"

"You're not coming back."

"Not coming back!"

"No, you're going on with me!"

She took Ruth by the arms and turned her until the light struck into her eyes. Ruth Tolliver, aghast at this sudden strength in one who had always been a meek follower, obeyed without resistance.

"But where?" she demanded.

"Where I'm going."

"What?"

"To Ronicky Doone, my dear. Don't you see?"

The insistence bewildered Ruth Tolliver. She felt herself driven irresistibly forward, with or without her own will.

"Caroline," she protested, trying feebly to free herself from the commanding hands and eyes of her companion, "are you quite mad? Go to him? Why should I? How can I?"

"Not as I'm going to Bill Gregg, with my heart in my hands, but to ask Ronicky Doone—bless him!—to take you away somewhere, so that you can begin a new life. Isn't that simple?"

"Ask charity of a stranger?"

"You know he isn't a stranger, and you know it isn't charity. He'll be happy. He's the kind that's happy when he's being of use to others?"

"Yes," answered Ruth Tolliver, "of course he is."

"And you'd trust him?"

"To the end of the world. But to leave—"

"Ruth, you've kept cobwebs before your eyes so long that you don't see what's happening around you. John Mark hypnotizes you. He makes you think that the whole world is bad, that we are simply making capital out of our crimes. As a matter of fact, the cold truth is that he has made me a thief, Ruth, and he has made you something almost as bad—a gambler!"

The follower had become the leader, and she was urging Ruth Tolliver slowly to the door. Ruth was protesting—she could not throw herself on the kindness of Ronicky Doone—it could not be done. It would be literally throwing herself at his head. But here the door opened, and she allowed herself to be led out into the hall. They had not made more than half a dozen steps down its dim length when the guard hurried toward them.

"Talk to him," whispered Caroline Smith. "He's come to stop me, and you're the only person who can make him let me pass on!"

The guard hurriedly came up to them. "Sorry," he said. "Got an idea you're going downstairs, Miss Smith."

"Yes," she said faintly.

The fellow grinned. "Not yet. You'll stay up here till the chief gives the word. And I got to ask you to step back into your room, and step quick." His voice grew harsh, and he came closer. "He told me straight, you're not to come out."

Caroline had shrunk back, and she was on the verge of turning when the arm of Ruth was passed strongly around her shoulders and stayed her.

"She's going with me," she told John Mark's bulldog. "Does that make a difference to you?"

He ducked his head and grinned feebly in his anxiety. "Sure it makes a difference. You go where you want, any time you want, but this—"

"I say she's going with me, and I'm responsible for her."

She urged Caroline forward, and the latter made a step, only to find that she was directly confronted by the guard.

"I got my orders," he said desperately to Ruth.

"Do you know who I am?" she asked hotly.

"I know who you are," he answered, "and, believe me, I would not start bothering you none, but I got to keep this lady back. I got the orders."

"They're old orders," insisted Ruth Tolliver, "and they have been changed."

"Not to my knowing," replied the other, less certain in his manner.

Ruth seized the critical moment to say: "Walk on, Caroline. If he blocks your way—" She did not need to finish the sentence, for, as Caroline started on, the guard slunk sullenly to one side of the corridor.

"It ain't my doings," he said. "But they got two bosses in this joint, and one of them is a girl. How can a gent have any idea which way he ought to step in a pinch? Go on, Miss Smith, but you'll be answered for!"

They hardly heard the last of these words, as they turned down the stairway, hurrying, but not fast enough to excite the suspicion of the man behind them.

"Oh, Ruth," whispered Caroline Smith. "Oh, Ruth!"

"It was close," said Ruth Tolliver, "but we're through. And, now that I'm about to leave it, I realize how I've hated this life all these years. I'll never stop thanking you for waking me up to it, Caroline."

They reached the floor of the lower hall, and a strange thought came to Ruth. She had hurried home to execute the bidding of John Mark. She had left it, obeying the bidding of Ronicky Doone.

They scurried to the front door. As they opened it the sharp gust of night air blew in on them, and they heard the sound of a man running up the steps. In a moment the dim hall light showed on the slender form and the pale face of John Mark standing before them.

Caroline felt the start of Ruth Tolliver. For her part she was on the verge of collapse, but a strong pressure from the hand of her companion told her that she had an ally in the time of need.

"Tut tut!" Mark was saying, "what's this? How did Caroline get out of her room—and with you, Ruth?"

"It's idiotic to keep her locked up there all day and all night, in weather like this," said Ruth, with a perfect calm that restored Caroline's courage almost to the normal. "When I talked to her this evening I made up my mind that I'd take her out for a walk."

"Well," replied John Mark, "that might not be so bad. Let's step inside and talk it over for a moment."

They retreated, and he entered and clicked the door behind him. "The main question is, where do you intend to walk?"

"Just in the street below the house."

"Which might not lead you across to the house on the other side?"

"Certainly not! I shall be with her."

"But suppose both of you go into that house, and I lose two birds instead of one? What of that, my clever Ruth?"

She knew at once, by something in his voice rather than his words, that he had managed to learn the tenor of the talk in Caroline's room. She asked bluntly: "What are you guessing at?"

"Nothing. I only speak of what I know. No single pair of ears is enough for a busy man. I have to hire help, and I get it. Very effective help, too, don't you agree?"

"Eavesdropping!" exclaimed Ruth bitterly. "Well—it's true, John Mark. You sent me to steal her from her lover, and I've tried to steal her for him in the end. Do you know why? Because she was able to show me what a happy love might mean to a woman. She showed me that, and she showed me how much courage love had given her. So I began to guess a good many things, and, among the rest, I came to the conclusion that I could never truly love you, John Mark.

"I've spoken quickly," she went on at last. "It isn't that I have feared you all the time—I haven't been playing a part, John, on my word. Only—tonight I learned something new. Do you see?"

"Heaven be praised," said John Mark, "that we all have the power of learning new things, now and again. I congratulate you. Am I to suppose that Caroline was your teacher?"

He turned from her and faced Caroline Smith, and, though he smiled on her, there was a quality in the smile that shriveled her very soul with fear. No matter what he might say or do this evening to establish himself in the better graces of the girl he was losing, his malice was not dead. That she knew.

"She was my teacher," answered Ruth steadily, "because she showed me, John, what a marvelous thing it is to be free. You understand that all the years I have been with you I have never been free?"

"Not free?" he asked, the first touch of emotion showing in his voice. "Not free, my dear? Was there ever the least wish of yours since you were a child that I did not gratify? Not one, Ruth; not one, surely, of which I am conscious!"

"Because I had no wishes," she answered slowly, "that were not suggested by something that you liked or disliked. You were the starting point of all that I desired. I was almost afraid to think until I became sure that you approved of my thinking."

"That was long ago," he said gravely. "Since those old days I see you have changed greatly."

"Because of the education you gave me," she answered.

"Yes, yes, that was the great mistake. I begin to see. Heaven, one might say, gave you to me. I felt that I must improve on the gift of Heaven before I accepted you. There was my fault. For that I must pay the great penalty. Kismet! And now, what is it you wish?"

"To leave at once."

"A little harsh, but necessary, if you will it. There is the door, free to you. The change of identity of which I spoke to you is easily arranged. I have only to take you to the bank and that is settled. Is there anything else?"

"Only one thing—and that is not much."

"Very good."

"You have given so much," she ran on eagerly, "that you will give one thing more—out of the goodness of that really big heart of yours, John, dear!"

He winced under that pleasantly tender word.

And she said: "I want to take Caroline with me—to freedom and the man she loves. That is really all!"

The lean fingers of John Mark drummed on the back of the chair, while he smiled down on her, an inexplicable expression on his face.

"Only that?" he asked. "My dear, how strange you women really are! After all these years of study I should have thought that you would, at least, have partially comprehended me. I see that is not to be. But try to understand that I divide with a nice distinction the affairs of sentiment and the affairs of business. There is only one element in my world of sentiment—that is you. Therefore, ask what you want and take it for yourself; but for Caroline, that is an entirely different matter. No, Ruth, you may take what you will for yourself, but for her, for any other living soul, not a penny, not a cent will I give. Can you comprehend it? Is it clear? As for giving her freedom, nothing under Heaven could persuade me to it!"

Chapter Twenty-four

The Ultimate Sacrifice

She stared at him, as the blow fell, and then her glance turned slowly to Caroline who had uttered a sharp cry and sunk into a chair.

"Help me, Ruth," she implored pitifully. "No other person in the world can help me but you!"

"Do you see that," asked Ruth quietly of John Mark, "and still it doesn't move you?"

"Not a hairbreadth, my dear."

"But isn't it absurd? Suppose I have my freedom, and I tell the police that in this house a girl against her will—"

"Tush, my dear! You really do not know me at all. Do you think they can reach me? She may be a hundred miles away before you have spoken ten words to the authorities."

"But I warn you that all your holds on her are broken. She knows that you have no holds over her brother. She knows that Ronicky Doone has broken them all—that Jerry is free of you!"

"Ronicky Doone," said Mark, his face turning gray, "is a talented man. No doubt of it; his is a very peculiar and incisive talent, I admit. But, though he has broken all the old holds, there are ways of finding new ones. If you leave now, I can even promise you, my dear, that, before the next day dawns, the very soul of Caroline will be a pawn in my hands. Do you doubt it? Such an exquisitely tender, such a delicate soul as Caroline, can you doubt that I can form invisible bonds which will hold her even when she is a thousand miles away from me? Tush, my dear; think again, and you will think better of my ability."

"Suppose," Ruth said, "I were to offer to stay?"

He bowed. "You tempt me, with such overwhelming generosity, to become even more generous myself and set her free at once. But, alas, I am essentially a practical man. If you will stay with me, Ruth, if you marry me at once, why, then indeed this girl is as free as the wind. Otherwise I should be a fool. You see, my dear, I love you so that I must have you by fair means or foul, but I cannot put any chain upon you except your own word. I confess it, you see, even before this poor girl, if she is capable of understanding, which I doubt. But speak again—do you make the offer?"

She hesitated, and he went on: "Be careful. I have had you once, and I have lost you, it seems. If I have you again there is no power in you—no power between earth and heaven to take you from me a second time. Give yourself to me with a word, and I shall make you mine forever. Then Caroline shall go free—free as the wind—to her lover, my dear, who is waiting."

He made no step toward her, and he kept his voice smooth and clear. Had he done otherwise he knew that she would have shrunk. She looked to him, she looked to Caroline Smith. The latter had suddenly raised her head and thrown out her hands, with an unutterable appeal in her eyes. At that mute appeal Ruth Tolliver surrendered.

"It's enough," she said. "I think there would be no place for me after all. What could I do in the world except what you've taught me to do? No, let Caroline go freely, and I give my—"

"Stop!"

He checked her with his raised hand, and his eyes blazed and glittered in the dead whiteness of his face. "Don't give me your word, my dear. I don't want that chain to bind you. There might come a time when some power arose strong enough to threaten to take you from me. Then I want to show you that I don't need your promise. I can hold you for myself. Only come to me and tell me simply that you will be mine if you can. Will you do that?"

She crossed the room slowly and stood before him. "I will do that," she said faintly, half closing her eyes. She had come so close that, if he willed, he could have taken her in his arms. She nerved herself against it; then she felt her hand taken, raised and touched lightly against trembling lips. When she stepped back she knew that the decisive moment of her life had been passed.

"You are free to go," said John Mark to Caroline. "Therefore don't wait. Go at once."

"Ruth!" whispered the girl.

Ruth Tolliver turned away, and the movement brought Caroline beside her, with a cry of pain. "Is it what I think?" she asked. "Are you making the sacrifice all for me? You don't really care for him, Ruth, and—"

"Caroline!" broke in John Mark.

She turned at the command of that familiar voice, as if she had been struck with a whip. He had raised the curtain of the front window beside the door and was pointing up and across the street.

"I see the window of Gregg's room," he said. "A light has just appeared in it. I suppose he is waiting. But, if you wish to go, your time is short—very short!"

An infinite threat was behind the calmness of the voice. She could only say to Ruth: "I'll never forget." Then she fled down the hall and through the door, and the two within heard the sharp patter of her heels, as she ran down to the street.

It was freedom for Caroline, and Ruth, lifting her eyes, looked into the face of the man she was to marry. She could have held out, she felt, had it not been for the sound of those departing footsteps, running so blithely toward a lifetime of happiness. Even as it was she made herself hold out. Then a vague astonishment came to clear her mind. There was no joy in the face of John Mark, only a deep and settled pain.

"You see," he said, with a smile of anguish, "I have done it. I have bought the thing I love, and that, you know, is the last and deepest damnation. If another man had told me that I was capable of such a thing, I'd have killed him on the spot. But now I have done it!"

"I think I'll go up to my room," she answered, her eyes on the floor. She made herself raise them to his. "Unless you wish to talk to me longer?"

She saw him shudder.

"If you can help it," he said, "don't make me see the brand I have put on you. Don't, for Heaven's sake, cringe to me if you can help it."

"Very well," she said.

He struck his clenched hand against his face. "It's the price," he declared through his teeth, "and I accept it." He spoke more to himself than to her, and then directly: "Will you let me walk up with you?"

"Yes."

He took her passive arm. They went slowly, slowly up the stairs, for at each landing it seemed her strength gave out, and she had to pause for a brief rest; when she paused he spoke with difficulty, but with his heart in every word.

"You remember the old Greek fable, Ruth? The story about all the pains and torments which flew out of Pandora's box, and how Hope came out last—that blessed Hope—and healed the wounds? Here, a moment after the blow has fallen, I am hoping again like a fool. I am hoping that I shall teach you to forget; or, if I cannot teach you to forget, than I shall even make you glad of what you have done tonight."

The door closed on her, and she was alone. Raising her head she found she was looking straight across the street to the lighted windows of the rooms of Ronicky Doone and Bill Gregg. While she watched she saw the silhouette of a man and woman running to each other, saw them clasped in each other's arms. Ruth dropped to her knees and buried her face in her hands.

Chapter Twenty-five

Unhappy Freedom

Once out in the street Caroline had cast one glance of terror over her shoulder at the towering facade of the house of John Mark, then she fled, as fast as her feet would carry her, straight across the street and up the steps of the rooming house and frantically up the stairs, a panic behind her.