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Mississippi Roll
Mississippi Roll
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Mississippi Roll

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Mississippi Roll
George Raymond Richard Martin

The return of the famous shared-world superhero books created and edited by George R. R. Martin, author of A Song of Ice and FirePerfect for current fans and new readers alike, Mississippi Roll is an all-new, adventurous jaunt along one of America’s greatest rivers, featuring many beloved characters from the Wild Cards universeEdited by #1 New York Times bestselling author George R. R. Martin, Mississippi Roll features the writing talents of Stephen Leigh, David D. Levine, John Jos. Miller, Kevin Andrew Murphy, Cherie Priest, and Carrie Vaughn.

Copyright (#ulink_15e44f45-6d26-5613-86bf-773f104f3c45)

HarperVoyager

An imprint of HarperCollinsPublishers Ltd

1 London Bridge Street

London SE1 9GF

www.harpercollins.co.uk (http://www.harpercollins.co.uk)

First published by HarperCollinsPublishers 2017

Copyright © George R.R. Martin and the Wild Cards Trust 2017

Cover design by Mike Topping © HarperCollinsPublishers Ltd 2018

Cover images © Shutterstock.com (http://Shutterstock.com)

George R.R. Martin and the Wild Cards Trust 2017 assert the moral right to be identified as the authors of this work.

A catalogue copy of this book is available from the British Library.

This novel is entirely a work of fiction. The names, characters and incidents portrayed in it are the work of the author’s imagination. Any resemblance to actual persons, living or dead, events or localities is entirely coincidental.

All rights reserved under International and Pan-American Copyright Conventions. By payment of the required fees, you have been granted the non-exclusive, non-transferable right to access and read the text of this e-book on screen. No part of this text may be reproduced, transmitted, down-loaded, decompiled, reverse engineered, or stored in or introduced into any information storage and retrieval system, in any form or by any means, whether electronic or mechanical, now known or hereinafter invented, without the express written permission of HarperCollins.

Source ISBN: 9780008283551

Ebook Edition © August 2018 ISBN: 9780008286521

Version: 2018-07-03

Dedication (#ulink_f6fcc40f-5e53-551a-aa21-50895c90913b)

For Edward Bryant

brother-in-arms

father to gators

our ace on roller skates

Contents

Cover (#ue4364f38-4f76-5245-9550-f21e107fe095)

Title Page (#u0fa2f39d-1bbb-5b79-8df4-2d33df5f86c3)

Copyright (#u69a43a34-0e64-522a-89a4-7bf9ebe88834)

Dedication (#uc843c8c2-dc36-5f17-84e8-e874f3cefd32)

Copyright Acknowledgments (#u7bfd8373-3e07-5dd8-9d7c-f8693efb1d93)

Mississippi Roll Rules (#ub7b7b027-1fff-5efe-89da-29e2be42a0f0)

In the Shadow of Tall Stacks by Stephen Leigh: Part 1 (#ubf25b3a0-727d-5a1b-b5f0-832bc20c9819)

In the Shadow of Tall Stacks: Part 2 (#ucd59fb76-5b3f-5735-9347-12c89c76f803)

Wingless Angel by John Jos. Miller (#u5f01fcae-1f42-5d3a-a97c-21f9b24f13aa)

In the Shadow of Tall Stacks: Part 3 (#u66973f33-1e3a-57fe-88c9-230fd1b93a29)

A Big Break in the Small Time by Carrie Vaughn (#litres_trial_promo)

In the Shadow of Tall Stacks: Part 4 (#litres_trial_promo)

Death on the Water by Cherie Priest (#litres_trial_promo)

In the Shadow of Tall Stacks: Part 5 (#litres_trial_promo)

Find the Lady by Kevin Andrew Murphy (#litres_trial_promo)

In the Shadow of Tall Stacks: Part 6 (#litres_trial_promo)

Under the Arch by David D. Levine (#litres_trial_promo)

In the Shadow of Tall Stacks: Part 7 (#litres_trial_promo)

In the Shadow of Tall Stacks: Part 8 (#litres_trial_promo)

The Wild Cards Universe (#litres_trial_promo)

About the Publisher (#litres_trial_promo)

Copyright Acknowledgments (#ulink_573ee57f-6c58-5628-9f61-ebe4bd49eb0f)

‘In the Shadow of Tall Stacks’ copyright © 2017 by Stephen Leigh.

‘Wingless Angel’ copyright © 2017 by John Jos. Miller.

‘A Big Break in the Small Time’ copyright © 2017 by Carrie Vaughn.

‘Death on the Water’ copyright © 2017 by Cherie Priest.

‘Find the Lady’ copyright © 2017 by Kevin Andrew Murphy.

‘Under the Arch’ copyright © 2017 by David D. Levine.

Mississippi Roll Rules (#ulink_9cdd0b96-fb04-5235-b8df-299f94466498)

Mississippi Roll is a seven-card stud poker game.

The rules are as follows:

1 Seven cards are dealt to each player, facedown.

2 Each player passes one card to the player on his left.

3 Each player passes two cards to the player on his left.

4 Each player passes three cards to the player on his left.

5 Each player discards two cards from his hand, arranges the five remaining cards in the order he wishes to reveal them, and places his hand facedown in a pack before him on the table.

6 The players roll their top card. A round of betting follows, starting with the player with the high card showing.

7 The remaining cards are revealed one by one, with each roll followed by a round of betting.

8 The high hand and low hand split the pot.

In the Shadow of Tall Stacks (#ulink_77de56dc-9d04-5323-a65d-ee71b0dd65ff)

by Stephen Leigh (#ulink_77de56dc-9d04-5323-a65d-ee71b0dd65ff)

Part 1 (#ulink_77de56dc-9d04-5323-a65d-ee71b0dd65ff)

February 27, 1951

Mardi Gras was long past – a full three weeks ago, which unfortunately meant that the bulk of the tourists had vanished back to wherever they’d come from, which in turn meant that it had been a few weeks since the steamboat Natchez had last seen anything resembling a full house for its daily local cruises. At nine in the morning, it was sixty-seven degrees and ninety-seven percent humidity; not raining, though a thick, wet fog still cloaked the Mississippi and the wharf where the Natchez was docked near Jackson Square and the French Quarter. There was barely any breeze, and the fog seemed to squat on New Orleans like some gigantic and foul specter, muffling what little noise the not-quite-awake city mustered.

Wilbur Leathers, captain and owner of the Natchez, wasn’t entirely awake himself, admittedly. The steamboat’s engineer, Patrick O’Flaherty, had roused him an hour ago; he’d wanted to fire up the boilers and check questionable pressure readings in several of the lines before they left the dock to head upriver. The engineer’s knock had also awakened Eleanor, Wilbur’s wife. Wilbur had told O’Flaherty to go ahead, then dressed, kissed the sleepy Eleanor, and gone down intending to supervise the work. He’d also – at Eleanor’s request – started a pot of coffee in the tiny crew mess on the main deck. He held two steaming mugs in his hands as he emerged onto the foredeck. Wilbur heard the boilers to the rear of the main deck already producing a good head of steam and hissing through the ’scape pipes up on the hurricane deck. He sniffed the curling steam from the coffee mugs: his own simply black, Eleanor’s au lait and flavored with chicory.

Eleanor had told him only two days ago that she was certain she was pregnant, having missed her second time of the month a few weeks ago, and now experiencing nausea in the mornings. He’d hugged her tight, both of them ecstatic about the news. He was going to be a father. They were going to start their family. He already loved Eleanor more than ever, four years into their marriage, and he was certain that his son or daughter would only increase the bliss.

The only storm clouds on the horizon of their future were financial ones, though those were tall and plentiful.

Wilbur glanced eastward to where a dim glow heralded the sun that would eventually dissipate the fog. Wilbur judged that it would be an hour or more before the fog cleared enough for easy navigation: a shame. For several reasons, he wanted to be out on the river and heading north to Baton Rouge as soon as possible. Only four of the staterooms were currently booked, but it wasn’t likely that any more were going to fill on a Tuesday morning three weeks after Mardi Gras. They wouldn’t be entirely deadheading; there were crates of good china stacked on the deck due in Memphis by Tuesday next, as well as boxes of felt hats, shoes, and boots destined for the St Louis markets, but those were barely enough to pay the bills.

Wilbur heaved a sigh, shaking his head.

‘Is that my coffee, darling?’ He heard Eleanor’s voice from above, and looked up to see her leaning over the railing of the hurricane deck, smiling at him and already dressed for the day. He raised one of the mugs toward her.

‘Right here, love.’

‘Then bring it up.’ She scowled theatrically at him, with a grin lurking on her lips. ‘Unless you want to deal with a very grumpy wife all morning.’

He laughed. ‘Coming right up. But I still have to check on O’Flaherty.’ Wilbur turned toward the stairs, then stopped. A figure was stalking through the fog and up the gangway of the boat. ‘Oh no,’ Wilbur muttered. ‘Just what I need this morning …’ Then, loudly enough that the man stepping onto the Natchez’s main deck could hear him: ‘Mr Carpenter, what brings you out so early in the morning?’

Marcus Carpenter was a burly, solid, and florid man in a suit that already looked rumpled and slept-in despite the early-morning hour – or maybe the man had been up all night. He looked sour and angry to Wilbur, but then Wilbur had rarely seen the man show any other emotions. ‘You know what I want, Leathers.’ Carpenter glanced up to where Eleanor stood watching, then at the two mugs of coffee steaming in Wilbur’s hands. ‘Perhaps you and I should discuss this privately.’

‘Perhaps we should,’ Wilbur told him. He lifted the mug in his left hand toward Eleanor, watching from above, and placed her mug on the railing of the foredeck as Eleanor nodded to him. He took a long swallow from his mug and placed it alongside Eleanor’s. ‘Let’s go back to the boiler room,’ he told Carpenter. ‘I have to check on my engineer anyway.’

Carpenter gave a shrug. Wilbur led the man back through the door of the main deck, down between the crates stacked there, and into the passage that led back to the boiler and engine rooms. Carpenter followed, and as they entered the short corridor that held the sleeping barracks for deckhands and roustabouts, his voice growled at Wilbur’s back. ‘Look, I ain’t here to beat around the goddamn bush. I want the money you owe to me and my associates, and I want it today, Leathers. You said you’d have it after Mardi Gras, but somehow none of us have seen a fucking penny so far.’

Such vile language … Carpenter’s habitual spewing of profanity wasn’t the only reason that Wilbur despised the man, but it certainly fit the image.

The heat of the boilers and the hissing of steam surged around them as Wilbur opened the wooden door at the end of the corridor. He couldn’t see O’Flaherty; the man must have gone farther astern to the engine room. Wilbur turned back to Carpenter, who filled the doorway of the boiler room as if blocking Wilbur from retreating that way. ‘Look, Mr Carpenter,’ Wilbur said, ‘Mardi Gras just wasn’t as profitable as we’d hoped, and I had some unexpected expenses for repairs on top of that—’

‘Yeah, yeah,’ Carpenter interrupted. ‘That’s the same old crap you handed me last time, and your excuses ain’t gonna pay back the loan we gave you or the interest you’re racking up. We’re not happy. When we’re not happy, my job is to ensure that you’re not going to be fucking happy either.’

‘Give me just another week, Mr Carpenter. I’ll get you at least the interest on the loan.’

‘A week? And let you take off upriver and maybe never come back?’ Carpenter was already shaking his head. He waved a hand at the boilers. ‘Not a fucking chance. You already got steam up, so there’s no “week” for you or even another day. I need to see the goddamn green in my hand, and I need to see it now.’ Carpenter took a surprisingly quick step toward Wilbur, a hand the size of a holiday ham reaching for him before he could retreat, grabbing Wilbur by the collar of his brocaded captain’s jacket and twisting. ‘I see that green or you’re going to be seeing red,’ Carpenter told him. His breath reeked of cigarettes and coffee.

Wilbur glanced down at the hand holding him. His eyes narrowed as he felt heat rising up his neck: ‘that infamous Leathers temper,’ as his mother and Eleanor both called it. ‘You’ll let go of me, Carpenter. Now.’

‘Or you’ll do what?’ Carpenter scoffed, the retort sending a spray of saliva into Wilbur’s face. With that, Wilbur sent a punch over the larger man’s arm, slamming his fist hard into Carpenter’s cheek; the man let go of Wilbur, staggering back a step. Then, with a shout, Carpenter charged back in, his huge hands fisted now. Wilbur tried to block the blows, but one connected hard with the side of his face, sending him down to the deck. Carpenter’s foot came back, the toe of his shoe driving hard into Wilbur’s stomach, doubling him over as all the air left him.

Through a growing haze of blood and anger, Wilbur saw a large pipe wrench on the decking under one of the boilers. He snatched at the tool, warm from the heat of the boilers, and brought it down hard on Carpenter’s shoe. He heard bones crack in Carpenter’s foot as the man howled. ‘Shit! You fucking asshole!’

Wilbur managed to get his feet under him, hunched over as he waved the wrench in his hand toward Carpenter. He took a step toward the man, raising the pipe again. ‘This is my boat, not yours!’ he shouted as he advanced. ‘I built her and she’s mine. You’ll get your money in due time, all of it – I keep my promises and I pay my debts. Now get the hell off my boat or I’ll throw you off.’ The curse word was an indication of just how furious Wilbur had become: he’d always been taught that gentlemen never cursed, and despite the fact that he heard profanity regularly from crewmembers, dockworkers, and the likes of Carpenter, he only rarely used such language himself. He took another step toward Carpenter, still waving the wrench.

What happened then would remain indelibly in his memory. As if in slow motion, he saw Carpenter reach under his suit jacket and pull out a snub-nosed revolver. The first shot went wild, hitting one of the steam pipes and sending a cloud of searing, scalding heat over Wilbur.

In that moment, even amidst the adrenaline surge and before Carpenter could pull the trigger again, Wilbur felt something shift and change and break inside him, the sensation taking his breath away and making him drop the wrench from the shock and pain. His body no longer seemed completely his. Wilbur was still trying to make sense of what was happening to him when the next two shots hit him directly in the chest.

He expected to feel pain. He didn’t – not from the steam, not from the bullet wounds. Enveloped in the surging, deadly cloud, he felt himself fall, sprawling and bleeding on the deck. Inside, though – that change was still happening, still tearing at him, even as he felt his body dying around him.

‘You fucking asshole!’ Carpenter shouted, standing one-footed and looking down at him as Wilbur tried to shape words, tried to shout or scream or wail, though nothing emerged from his mouth. ‘Maybe I’ll just take out the interest from that pretty wife of yours, you goddamn bastard.’

Carpenter spat on the body, turned, and started to limp away toward the foredeck and gangway. Toward where, Wilbur was very afraid, Eleanor would be. His rage engulfed him, as hissing and furious as the steam venting from the pipes. Within the steam, he felt power surge within him. He rose, screaming wordlessly as he rushed toward Carpenter.

The man’s mouth opened, his eyes widened almost comically, as if Wilbur were the vision of some monstrous creature leaping toward him as he lifted his hands to ward off the attack. Wilbur expected to feel the shock of their collision, but there was none. Instead – strangely, impossibly – he was inside Carpenter. ‘No! Fuck! You’re burning me!’ the man shouted, and Wilbur heard that scream as if it were his own voice, and he heard Carpenter’s thoughts as well. Shit! Shit! It hurts. It’s burning me, and I can’t breathe! Can’t breathe … Carpenter’s hands flailed at his own body as if trying to put out an invisible fire, and Wilbur felt the motion of Carpenter’s hands as his own. Wilbur could see through the man’s eyes as well, and he saw his own body bleeding on the floor of the boiler room, eyes open and unseeing as steam continued to flow outward over it.

‘Is that me? How?’ he gasped, and he heard his words emerge from Carpenter’s throat. But he could also feel the searing agony in the man’s body, and Wilbur took a step away from the man as Carpenter collapsed on the floor, twitching and vomiting dark blood and bile before going still.

Stream wreathed Wilbur as he stared now at two bodies in the room: Carpenter’s and his own. ‘Wilbur!’ he heard Eleanor shout distantly, and from the engine room farther to the rear of the Natchez, O’Flaherty also called out: ‘Cap’n? M’God, what’s happened here?’

The hissing steam around Wilbur died as O’Flaherty cut off the flow to the pipes. O’Flaherty hurried forward, glancing at Carpenter before crouching down alongside Wilbur’s impossibly disconnected and bleeding body, ignoring the Wilbur standing behind him dripping cooling steam.

‘O’Flaherty,’ Wilbur said, ‘I don’t know what’s going on, but I’m right here. Behind you. Look at me, man.’ He reached out to touch the engineer on the shoulder; his hand, pressing hard, went straight into the man, leaving behind a spreading wet stain on his coveralls. O’Flaherty, for his part, jumped up and slapped at his shoulder with a curse.