The Wit and Humor of America, Volume VI

COLONEL CARTER'S STORY OF THE POSTMASTER

BY F. HOPKINSON SMITH

"Take, for instance, the town of Caartersville: look at that peaceful village which for mo' than a hundred years has enjoyed the privileges of free government; and not only Caartersville, but all our section of the State."

"Well, what's the matter with Cartersville?" asked Fitz, lighting his cigar.

"Mattah, suh! Just look at the degradation it fell into hardly ten years ago. A Yankee jedge jurisdiction our laws, a Yankee sheriff enfo'cin' 'em, and a Yankee postmaster distributin' letters and sellin' postage stamps."

"But they were elected all right, Colonel, and represented the will of the people."

"What people? Yo' people, not mine. No, my dear Fitz; the Administration succeeding the war treated us shamefully, and will go down to postehity as infamous."

The colonel here left his chair and began pacing the floor, his indignation rising at every step.

"To give you an idea, suh," he continued, "of what we Southern people suffe'd immediately after the fall of the Confederacy, let me state a case that came under my own observation.

"Coloner Temple Talcott of F'okeer County, Virginia, came into Talcottville one mornin', suh,—a town settled by his ancestors,—ridin' upon his horse—or rather a mule belongin' to his overseer. Colonel Talcott, suh, belonged to one of the vehy fust families in Virginia. He was a son of Jedge Thaxton Talcott, and grandson of General Snowden Stafford Talcott of the Revolutionary War. Now, suh, let me tell you right here that the Talcott blood is as blue as the sky, and that every gentleman bearin' the name is known all over the county as a man whose honor is dearer to him than his life, and whose word is as good as his bond. Well, suh, on this mornin' Colonel Talcott left his plantation in charge of his overseer,—he was workin' it on shares,—and rode through his estate to his ancestral town, some five miles distant. It is true, suh, these estates were no longer in his name, but that had no bearin' on the events that followed; he ought to have owned them, and would have done so but for some vehy ungentlemanly fo'closure proceedin's which occurred immediately after the war.

"On arriving at Talcottville the colonel dismounted, handed the reins to his servant,—or perhaps one of the niggers around de do'—and entered the post-office. Now, suh, let me tell you that one month befo', the Government, contrary to the express wishes of a great many of our leadin' citizens, had sent a Yankee postmaster to Talcottville to administer the postal affairs of the town. No sooner had this man taken possession than he began to be exclusive, suh, and to put on airs. The vehy fust air he put on was to build a fence in his office and compel our people to transact their business through a hole. This in itself was vehy gallin', suh, for up to that time the mail had always been dumped out on the table in the stage office and every gentleman had he'ped himself. The next thing was the closin' of his mail bags at a' hour fixed by himself. This became a great inconvenience to our citizens, who were often late in finishin' their correspondence, and who had always found our former postmaster willin' either to hold the bag over until the next day, or to send it across to Drummondtown by a boy to catch a later train.

"Well, suh, Colonel Talcott's mission to the post-office was to mail a letter to his factor in Richmond, Virginia, on business of the utmost importance to himself,—namely, the raisin' of a small loan upon his share of the crop. Not the crop that was planted, suh, but the crop that he expected to plant.

"Colonel Talcott approached the hole, and with that Chesterfieldian manner which has distinguished the Talcotts for mo' than two centuries, asked the postmaster for the loan of a three-cent postage stamp.

"To his astonishment, suh, he was refused.

"Think of a Talcott in his own county town bein' refused a three-cent postage stamp by a low-lived Yankee, who had never known a gentleman in his life! The colonel's first impulse was to haul the scoundrel through the hole and caarve him; but then he remembered that he was a Talcott and could not demean himself, and drawin' himself up again with that manner which was grace itself he requested the loan of a three-cent postage stamp until he should communicate with his factor in Richmond, Virginia; and again he was refused. Well, suh, what was there left for a high-toned Southern gentleman to do? Colonel Talcott drew his revolver and shot that Yankee scoundrel through the heart, and killed him on the spot.

"And now, suh, comes the most remarkable part of the story. If it had not been for Major Tom Yancey, Jedge Kerfoot and myself, there would have been a lawsuit."

Fitz lay back in his chair and roared.

"And they did not hang the colonel?"

"Hang a Talcott! No, suh; we don't hang gentlemen down our way. Jedge Kerfoot vehy properly charged the coroner's jury that it was a matter of self-defense, and Colonel Talcott was not detained mo' than haalf an hour."

The colonel stopped, unlocked a closet in the sideboard, and produced a black bottle labeled in ink, "Old Cherry Bounce, 1848."

"You must excuse me, gentlemen, but the discussion of these topics has quite unnerved me. Allow me to share with you a thimbleful."

Fitz drained the glass, cast his eyes upward, and said solemnly, "To the repose of the postmaster's soul."

LOVE SONNETS OF AN OFFICE BOY

BY S.E. KISERIOh, if you only knowed how much I like        To stand here, when the "old man" ain't around,        And watch your soft, white fingers while you poundAway at them there keys! Each time you strike        It almost seems to me as though you'd foundSo me way, while writin' letters, how to play        Sweet music on that thing, because the soundIs something I could listen to all day.You're twenty-five or six, and I'm fourteen,        And you don't hardly ever notice me—        But when you do, you call me Willie! Gee,I wisht I'd bundles of the old long green        And could be twenty-eight or nine or so,        And something happened to your other beau.VIWhen you're typewritin' and that long-legged clerk        Tips back there on his chair and smiles at you,        And you look up and get to smilin', too,I'd like to go and give his chair a jerk        And send him flyin' till his head went throughThe door that goes out to the hall, and when        They picked him up he'd be all black and blueAnd you'd be nearly busted laughin' then.But if I done it, maybe you would run        And hold his head and smooth his hair and say        It made you sad that he got dumped that way,And I'd get h'isted out for what I done—        I wish that he'd get fired and you'd stay        And suddenly I'd be a man some day.VIIIThis morning when that homely, long-legged clerk        Come in he had a rose he got somewhere;        He went and kind of leaned against her chair,Instead of goin' on about his work,And stood around and talked to her a while,        Because the boss was out,—and both took care        To watch the door; and when he left her thereHe dropped the flower with a sickish smile.I snuck it from the glass of water she        Had stuck it in, and tore it up and put        It on the floor and smashed it with my foot,When neither him nor her was watchin' me—        I'd like to rub the stem acrost his nose,        And I wish they'd never be another rose.XIIILast night I dreamed about her in my sleep;        I thought that her and me had went away        Out on some hill where birds sung 'round all day,And I had got a job of herdin' sheep.I thought that she had went along to keep        Me comp'ny, and we'd set around for hours        Just lovin', and I'd go and gather flowersAnd pile them at her feet, all in a heap.It seemed to me like heaven, bein' there        With only her besides the sheep and birds,        And us not sayin' anything but wordsAbout the way we loved. I wouldn't care        To ever wake again if I could stillDream we was there forever on the hill.XXVIIIt's over now; the blow has fell at last;        It seems as though the sun can't shine no more,        And nothing looks the way it did before;The glad thoughts that I used to think are past.Her desk's shut up to-day, the lid's locked fast;        The keys where she typewrote are still; her chair        Looks sad and lonesome standin' empty there—I'd like to let the tears come if I dast.This morning when the boss come in he found        A letter that he'd got from her, and soHe read it over twice and turned around        And said: "The little fool's got married!" Oh,It seemed as if I'd sink down through the ground,        And never peep no more—I didn't, though.

MR. DOOLEY ON THE GAME OF FOOTBALL

BY FINLEY PETER DUNNE

"Whin I was a young man," said Mr. Dooley, "an' that was a long time ago,—but not so long ago as manny iv me inimies'd like to believe, if I had anny inimies,—I played fut-ball, but 'twas not th' fut-ball I see whin th' Brothers' school an' th' Saint Aloysius Tigers played las' week on th' pee-raries.

"Whin I was a la-ad, iv a Sundah afthernoon we'd get out in th' field where th' oats'd been cut away, an' we'd choose up sides. Wan cap'n'd pick one man, an' th' other another. 'I choose Dooley,' 'I choose O'Connor,' 'I choose Dimpsey,' 'I choose Riordan,' an' so on till there was twinty-five or thirty on a side. Thin wan cap'n'd kick th' ball, an' all our side'd r-run at it an' kick it back; an' thin wan iv th' other side'd kick it to us, an' afther awhile th' game'd get so timpischous that all th' la-ads iv both sides'd be in wan pile, kickin' away at wan or th' other or at th' ball or at th' impire, who was mos'ly a la-ad that cudden't play an' that come out less able to play thin he was whin he wint in. An', if anny wan laid hands on th' ball, he was kicked be ivry wan else an' be th' impire. We played fr'm noon till dark, an' kicked th' ball all th' way home in the moonlight.

"That was futball, an' I was a great wan to play it. I'd think nawthin' iv histin' th' ball two hundherd feet in th' air, an' wanst I give it such a boost that I stove in th' ribs iv th' Prowtestant minister—bad luck to him, he was a kind man—that was lookin' on fr'm a hedge. I was th' finest player in th' whole county, I was so.

"But this here game that I've been seein' ivry time th' pagan fistival iv Thanksgivin' comes ar-round, sure it ain't th' game I played. I seen th' Dorgan la-ad comin' up th' sthreet yesterdah in his futball clothes,—a pair iv matthresses on his legs, a pillow behind, a mask over his nose, an' a bushel measure iv hair on his head. He was followed by thee men with bottles, Dr. Ryan, an' th' Dorgan fam'ly. I jined thim. They was a big crowd on th' peerary,—a bigger crowd than ye cud get to go f'r to see a prize fight. Both sides had their frinds that give th' colledge cries. Says wan crowd: 'Take an ax, an ax, an ax to thim. Hooroo, hooroo, hellabaloo. Christyan Bro-others!' an' th' other says, 'Hit thim, saw thim, gnaw thim, chaw thim, Saint Alo-ysius!' Well, afther awhile they got down to wur-ruk. 'Sivin, eighteen, two, four,' says a la-ad. I've seen people go mad over figures durin' th' free silver campaign, but I niver see figures make a man want f'r to go out an' kill his fellow-men befure. But these here figures had th' same effect on th' la-ads that a mintion iv Lord Castlereagh'd have on their fathers. Wan la-ad hauled off, an' give a la-ad acrost fr'm him a punch in th' stomach. His frind acrost th' way caught him in th' ear. Th' cinter rush iv th' Saint Aloysiuses took a runnin' jump at th' left lung iv wan iv th' Christyan Brothers, an' wint to th' grass with him. Four Christyan Brothers leaped most crooly at four Saint Aloysiuses, an' rolled thim. Th' cap'n iv th' Saint Aloysiuses he took th' cap'n iv th' Christyan Brothers be th' leg, an' he pounded th' pile with him as I've seen a section hand tamp th' thrack. All this time young Dorgan was standin' back, takin' no hand in th' affray. All iv a suddent he give a cry iv rage, an' jumped feet foremost into th' pile. 'Down!' says th' impire. 'Faith, they are all iv that,' says I. 'Will iver they get up?' 'They will,' says ol' man Dorgan. 'Ye can't stop thim,' says he.

"It took some time f'r to pry thim off. Near ivry man iv th' Saint Aloysiuses was tied in a knot around wan iv th' Christyan Brothers. On'y wan iv thim remained on th' field. He was lyin' face down, with his nose in th' mud. 'He's kilt,' says I. 'I think he is,' says Dorgan, with a merry smile. 'Twas my boy Jimmy done it, too,' says he. 'He'll be arrested f'r murdher,' says I. 'He will not,' says he. 'There's on'y wan polisman in town cud take him, an' he's down town doin' th' same f'r somebody,' he says. Well, they carried th' corpse to th' side, an' took th' ball out iv his stomach with a monkey wrinch, an' th' game was rayshumed. 'Sivin, sixteen, eight, eleven,' says Saint Aloysius; an' young Dorgan started to run down th' field. They was another young la-ad r-runnin' in fr-ront iv Dorgan; an', as fast as wan iv th' Christyan Brothers come up an' got in th' way, this here young Saint Aloysius grabbed him be th' hair iv th' head an' th' sole iv th' fut, an' thrun him over his shoulder. 'What's that la-ad doin'?' says I. 'Interfering' says he. 'I shud think he was,' says I, 'an' most impudent,' I says. ''Tis such interference as this,' I says, 'that breaks up fam'lies'; an' I come away.

"'Tis a noble sport, an' I'm glad to see us Irish ar-re gettin' into it. Whin we larn it thruly, we'll teach thim colledge joods fr'm th' pie belt a thrick or two."

"We have already," said Mr. Hennessy. "They'se a team up in Wisconsin with a la-ad be th' name iv Jeremiah Riordan f'r cap'n, an' wan named Patsy O'Dea behind him. They come down here, an' bate th' la-ads fr'm th' Chicawgo Colledge down be th' Midway."

"Iv coorse, they did," said Mr. Dooley. "Iv coorse, they did. An' they cud bate anny collection iv Baptists that iver come out iv a tank."

THE FAIRPORT ART MUSEUM

BY OCTAVE THANET

After the war was over, the Middle West addressed itself to Culture. Perhaps the husbands and brothers and fathers might still be busy making money; but the women of the West, whose energies and emotions had been mightily roused, found life a little tame when there were no more sanitary commissions, no more great fairs or little fairs for the soldiers, no more intense emotions over printed sheets. Then it was that the Woman's Club lifted a modest finger at the passing car of progress, and unobtrusively boarded it.

Fairport was conservative, as always, but she had no mind to be left behind in the march of feminine fashion. She did not rush to extremes, but she had women's clubs in 1881. The chief of these were the Ladies' Literary Club and the Spinsters' Alliance. Both clubs tackled the same great themes of ethics and art, and allotted a winter to the literature of a nation, except in the case of Greek and Roman literatures, which were not considered able to occupy a whole winter apiece, so they were studied in company. The club possessed a proper complement of officers, and their meetings went from house to house. They were conducted with artless simplicity, in a pleasant, conversational manner, but with due regard to polite forms; and only at a moment of excitement was the chair addressed by her Christian name.

Naturally, the women's clubs were deeply stirred by the first great World's Fair in America. But the whole West was moved. It turned to art with a joyous ardor, the excited happiness of a child that finds a new beauty in the world. Why had we not thought of the artistic regeneration of our sordid life before? Never mind, we would make amends for lost time by spending more money! In very truth the years following the Centennial witnessed an extraordinary awakening of worship of beauty, almost religious in its fervor. Passionate pilgrims ransacked Europe and the Orient; a prodigal horde of their captives, objects of luxury and of art, surged into galleries and museums and households. No cold, critical taste weeded out these adorable aliens. The worst and the best conquered, together. Our architecture, our furniture, our household surroundings were metamorphosed as by enchantment. And the feature of mark in it all was the unparalleled diffusion of the new faith. Not the great cities only; the towns, the villages, the hamlets, caught fire.

Of course, Fairport went to Philadelphia; and Fairport was converted. It followed, at once that the women's clubs of the place should serve most zealously at the altar; and nothing could be more inevitable than that in course of time there should be a concrete manifestation of zeal. Hence the memorable Art Museum, the fame of which to this day will revive, when there is a meeting of the solid and gray-haired matrons who were the light-footed girls of the Alliance, and the talk falls on the old times.

The art collection would give its admirers shivers to-day, but it excited only happy complacency then. The mood of the hour was not critical. The homes of the Fairport gentry held innumerable oil copies of the great masters of different degrees of merit, which they loaned secure of welcome; with them came family treasures so long held in reverence that their artistic value (coldly considered) had been lost to comparison, and the gems of accomplished amateurs who painted flowers on china cups, or of rising young artists who had not as yet risen beyond the circle of trusting friends in town.

In general, the donors' expectation of gratitude was justified, but even so early as 1881 there were limits to artistic credulity; and some offerings drove the club president, Miss Claudia Loraine, and the club secretary, Miss Emma Hopkins, to "the coal hold." This was a wee closet under the stairs, where the coal scuttles were ranged, until they should fare forth to replenish the "base burners" which warmed the Museum home. In real life the name of the Museum's lodgings was Harness Block, and Mr. Harness had proffered the cause of art two empty stores, formerly a fish market and a grocery. As there was no private office (only a wire cage), when Miss Hopkins felt the need of frank speech she signaled Claudia to the coal hole.

She was closeted with her thus on the morning of the second day. The subject of the conference was the last assault on the nerves of the committee, perpetrated by the Miller twins—not in person, but with their china. The china, itself, had the outward semblance of ordinary blue earthen ware of a cheap grade; but the Miller twins were convinced (on the testimony of their dear old minister, who never told a lie in his life, and who had heard the Millers' grandmother say—and everybody knows that she was a saint on earth, and she was ninety years old at the time, and would she be likely to lie almost on her dying bed?—you might call it her dying bed, averred Miss Miller, since she was bedridden for two years before her death, on that same old four-poster bedstead which belonged to her mother, and at last died on it) that the blue ware had been the property of George the Third, had been sold and was on board the ship with the tea which was rifled in Boston Harbor. They had insisted in pasting these royal claims upon the china in the blackest and neatest lettering. The awkward fact that earthenware does not usually grace a royal board, or that the saintly old grandmother mixed up dates and persons in a wonderful way during her latter days, made no difference to her loyal descendants. Each platter with the black chipping betraying plainly its lowly origin, each tea-cup mended with cement, bore the paper-claim pasted securely upon it.

"It took up a whole afternoon," said Miss Tina Miller, "but it's so precious and there might be other blue ware and it might get mixed—you'll insure it, Miss Hopkins? not that money could replace such things, but, at least"—Miss Tina Miller always left her sentences in the air, seemingly too diffident to complete them, once the auditors were assured of their import.

The Millers kept a tiny little house on a tiny little income; but gave of all they had to give, themselves, without stint. They were public-spirited women, if Fairport ever held any such. Although they had neither brothers nor cousins to go to the war, they had picked lint and made bandages and trudged with subscription papers and scrimped for weeks to have money to spend at the patriotic fairs. In consequence they were deeply respected, so respected that it was simply impossible to refuse their unselfish offering of their dearest god.

"I think it just noble of you," said Miss Tina. "Sister and I felt we must help; so we brought the King George china and a little pencil head our sister Euphrosyne did. The one who died, you know. I'm sorry all your—art things—aren't in yet. No, I can't come to-morrow; I shall be very busy—sister may come—thank you."

Both the keen young listeners knew why Miss Tina could not come; it was neither more nor less than the admission fee.

"But I'll take care of that," said Emma to Claudia in the coal hold. "Elly is going to give her and Miss Ally each a season ticket."

"Then we're in for the King George china!" groaned Claudia softly.

"We are," said Emma. "I've put it in a good but not too good a place, and Mr. Winslow is inspecting it now."

"And he knows about china; he's sent lovely things," mourned Claudia.

"Oh, well, he knows about the Miller girls, too," said Emma, smiling; "I think he'll forgive us."

"You'd better go explain," urged Claudia, "and throw in that landscape with the cow that seems to have five legs and belongs to Mr. Harness. Perhaps he'll forgive that, too."

Emma went,—she was an amiable girl. She was not pretty like her sister, Mrs. Raimund, who had married the great railway man and was a power in Chicago society; but there was something in the radiant neatness and good humor of the plain sister which made her pleasant to look upon.

Winslow's mouth and eyes relaxed at her greeting, and he smiled over her official quotation of the Millers' claims.

"King George's table? H'mn; which table, second or third?" His eyes twinkled at Emma, whose own eyes twinkled back.

"They're awfully good women," said she, in a kind of compunction.

"None better," said he.

As he passed on, with his little son at his side, she thought: "He isn't nearly so grim as I used to think."

Mrs. Winslow and Mrs. Winter were a few paces behind. They halted before the china, which Mrs. Winter examined; but Mrs. Winslow's weary eyes lingered hardly a moment before they found some other object on which to rest and leave as briefly.

"It is to be hoped this priceless relic won't be damaged in any way," said Mrs. Winter. "Still"—she bent confidentially toward Emma—"if such a calamity should occur, I know a shop in Chicago where you can get plenty for three dollars and ninety-nine cents."

"I hope nothing will happen to it," said Emma, with stolid reticence.

Mrs. Winslow had not listened, her listless face had been transformed; it was illumined now by the loveliest of smiles; she half put out her hand as a little boy snuggled up to her silken skirts, with a laugh.

"Papa letted me come," he said gaily, "and Peggy's here, too,—there!"

Peggy was attired with great care, her long red curls were shining and her eyes sparkled.

Immediately both children were immersed in the beauties of a collection of rejected models which had been obtained from the patent office, and which, surely, were the most diverting toys imaginable.

"Poor things, to them they are most valuable!" sighed Mrs. Winslow. She was making conversation about the Miller china; but Johnny-Ivan and Peggy not unreasonably conceived that she spoke of the beautiful churns and hayraking wagons and cars and wheeled chairs and the like marvels which Miss Hopkins was amiably explaining for them.

"The least chip would be irreparable, I suppose," continued Mrs. Winter, "thousands couldn't pay if one were broken!"

"Imagine the feelings of the custodian," said Emma. "I'm in a tremble all the time."

"I pity you," said Mrs. Winter, as the two ladies passed on to Mrs. Winter's great-grandmother's blue and white embroidered bedspread.

"Oh, Peggy, do be careful!" whispered Johnny-Ivan; Peggy was sending a velocipede in dizzy circles round the counter.

Now fate had ordered that at this critical instant the children should be unguarded. Miss Hopkins had stepped aside at the call of an agitated lady who had lost one of her art treasures in carriage; for the moment, there was no one near save a freckled boy in shabby overalls, who eyed the toys wistfully from afar. He was the same little boy whom Johnny-Ivan had bribed with a jack-knife to close the gate a few weeks before; and he was in the Museum to help his mother, the scrub-woman of the store.