Beyond Black

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Al could reassure him on the point. In spirit world, she said, people are healthy and in their prime. ‘They’ve got all their bits and whatsits. Whenever they were at their happiest, whenever they were at their healthiest, that’s how you’ll find them in spirit world.’

The logic of this, as Colette had often pointed out, was that a wife could find herself paired with a pre-adolescent for a husband. Or your son could, in spirit world, be older than you. ‘You’re quite right, of course,’ Al would say blithely. Her view was, believe what you want, Colette: I’m not here to justify myself to you.

The old man didn’t sit down; he clung, as if he were at sea, to the back of the chair in the row ahead. He was hoping his dad would come through, he said, with a message. Al smiled. ‘I wish I could get him for you, sir. But again it’s like the telephone, isn’t it? I can’t call them, they have to call me. They have to want to come through. And then again, I need a bit of help from my spirit guide.’

It was at this stage in the evening that it usually came out about the spirit guide. ‘He’s a little circus clown,’ Al would say. ‘Morris is the name. Been with me since I was a child. I used to see him everywhere. He’s a darling little bloke, always laughing, tumbling, doing his tricks. It’s from Morris that I get my wicked sense of humour.’

Colette could only admire the radiant sincerity with which Al said this: year after year, night after bloody night. She blazed like a planet, the lucky opals her distant moons. For Morris insisted, he insisted that she give him a good character, and if he wasn’t flattered and talked up, he’d get his revenge. ‘But then,’ Al said to the audience, ‘he’s got his serious side too. He certainly has. You’ve heard, haven’t you, of the tears of a clown?’

This led on to the next, the obvious question: how old was she when she first knew about her extraordinary psychic gifts?

‘Very small, very small indeed. In fact, I remember being aware of presences before I could walk or talk. But of course it was the usual story with a sensitive child – sensitive is what we call it, when a person’s attuned to spirit – you tell the grown-ups what you see, what you hear, but they don’t want to know, you’re just a kiddie, they think you’re fantasising. I mean, I was often accused of being naughty when I was only passing on some comment that had come to me through Spirit. Not that I hold it against my mum, God bless her, I mean, she’s had a lot of trouble in her life – and then along came me!’ The trade chuckled, en masse, indulgent.

Time to draw questions to a close, Alison said; because now I’m going to try to make some more contacts for you. There was applause. ‘Oh you’re so lovely,’ she said. ‘Such a lovely, warm and understanding audience, I can always count on a good time whenever I come in your direction. Now I want you to sit back, I want you to relax, I want you to smile, and I want you to send some lovely positive thoughts up here to me…and let’s see what we can get.’

Colette glanced down the hall. The manager seemed to have his eye on the ball, and the vague boy, after shambling about aimlessly for the first half, was now at least looking at the trade instead of up at the ceiling or down at his own feet. Time to slip backstage for a cigarette? It was smoking that kept her thin: smoking and running and worrying. Her heels clicked in the dim narrow passage, on the composition floor.

The dressing-room door was closed. She hesitated in front of it. Afraid, always, that she’d see Morris. Al said there was a knack to seeing spirit. It was to do with glancing sideways, not turning your head: extending, Al said, your field of peripheral vision.

Colette kept her eyes fixed in front of her; sometimes, the rigidity she imposed seemed to make them ache in their sockets. She pushed the door open with her foot, and stood back. Nothing rushed out. On the threshold she took a breath. Sometimes she thought she could smell him; Al said he’d always smelled. Deliberately, she turned her head from side to side, checking the corners. Al’s scent lay sweetly on the air: there was an undernote of corrosion, damp and drains. Nothing was visible. She glanced into the mirror, and her hand went up automatically to pat her hair.

She enjoyed her cigarette in the corridor, wafting the smoke away from her with a rigid palm, careful not to set off the fire alarm. She was back in the hall in time to witness the dramatic highlight; which was always, for her, some punter turning stroppy.

Al had found a woman’s father, in spirit world. ‘Your daddy’s still keeping an eye on you,’ she cooed.

The woman jumped to her feet. She was a small aggressive blonde in a khaki vest, her cold bluish biceps pumped up at the gym. ‘Tell the old sod to bugger off,’ she said. ‘Tell the old sod to stuff himself. Happiest day of my life when that fucker popped his clogs.’ She knocked the mike aside. ‘I’m here for my boyfriend that was killed in a pile-up on the sodding M25.’

Al said, ‘There’s often a lot of anger when someone passes. It’s natural.’

‘Natural?’ the girl said. ‘There was nothing natural about that fucker. If I hear any more about my bastard dad I’ll see you outside and sort you out.’

The trade gasped, right across the hall. The manager was moving in, but anyone could see he didn’t fancy his chances. Al seemed quite cool. She started chatting, saying anything and nothing – now, after all, would have been a good time for a breakthrough ditty from Margaret Rose. It was the woman’s two friends who calmed her; they waved away the vague boy with the mike, dabbed at her cheeks with a screwed-up tissue, and persuaded her back into her seat, where she muttered and fumed.

Now Alison’s attention crossed the hall, rested on another woman, not young, who had a husband with her: a heavy man, ill at ease. ‘Yes, this lady. You have a child in spirit world.’

The woman said politely, no, no children. She said it as if she had said it many times before; as if she were standing at a turnstile, buying admission tickets and refusing the half-price.

‘I can see there are none earthside, but I’m talking about the little boy you lost. Well, I say little boy. Of course, he’s a man now. He’s telling me we have to go back to, back a good few years, we’re talking here thirty years and more. And it was hard for you, I know, because you were very young, darling, and you cried and cried, didn’t you? Yes, of course you did.’

In these situations, Al kept her nerve; she’d had practice. Even the people at the other side of the hall, craning for a view, knew something was up and fell quiet. The seconds stretched out. In time, the woman’s mouth moved.

‘On the mike, darling. Talk to the mike. Speak up, speak out, don’t be afraid. There isn’t anybody here who isn’t sharing your pain.’

Am I? Colette asked herself. I’m not sure I am.

‘It was a miscarriage,’ the woman said. ‘I never, I never saw. It wasn’t, they didn’t, and so I didn’t – ’

‘Didn’t know it was a little boy. But,’ Al said softly, ‘you know now.’ She turned her head to encompass the hall: ‘You see, we have to recognise that it wasn’t a very compassionate world back then. Times have changed, and for that we can all be thankful. I’m sure those nurses and doctors were doing their best, and they didn’t mean to hurt you, but the fact is, you weren’t given a chance to grieve.’

The woman hunched forward. Tears sprang out of her eyes. The heavy husband moved forward, as if to catch them. The hall was rapt.

‘What I want you to know is this.’ Al’s voice was calm, unhurried, without the touch of tenderness that would overwhelm the woman entirely; dignified and precise, she might have been querying a grocery bill. ‘That little boy of yours is a fine young man now. He knows you never held him. He knows that’s not your fault. He knows how your heart aches. He knows how you’ve thought of him,’ Al dropped her voice, ‘always, always, without missing a day. He’s telling me this, from spirit. He understands what happened. He’s opening his arms to you, and he’s holding you now.’

Another woman, in the row behind, began to sob. Al had to be careful, at this point, to minimise the risk of mass hysteria. Women, Colette thought: as if she weren’t one. But Alison knew just how far she could take it. She was on form tonight; experience tells. ‘And he doesn’t forget your husband,’ she told the woman. ‘He says hello to his dad.’ It’s the right note, braced, unsentimental: ‘Hello, Dad.’ The trade sighed, a low mass sigh. ‘And the point is, and he wants you to know this, that though you’ve never been there to look after him, and though of course there’s no substitute for a mother’s love, your little boy has been cared for and cherished, because you’ve got people in spirit who’ve always been there for him – your own grandma? And there’s another lady, very dear to your family, who passed the year you were married.’ She hesitated. ‘Bear with me, I’m trying for her name. I get the colour of a jewel. I get a taste of sherry. Sherry, that’s not a jewel, is it? Oh, I know, it’s a glass of port. Ruby. Does that name mean anything to you?’

The woman nodded, again and again and again: as if she could never nod enough. Her husband whispered to her, ‘Ruby, you know – Eddie’s first wife?’ The mike picked it up. ‘I know, I know,’ she muttered. She gripped his hand. Her fluttering breath registered. You could almost hear her heart.

‘She’s got a parcel for you,’ Al said. ‘No, wait, she’s got two.’

‘She gave us two wedding presents. An electric blanket and some sheets.’

‘Well,’ Al said, ‘if Ruby kept you so warm and cosy, I think you could trust her with your baby.’ She threw it out to the audience. ‘What do you say?’

They began to clap: sporadically, then with gathering force. Weeping broke out again. Al lifted her arm. Obedient to a strange gravity, the lucky opals rose and fell. She’d saved her best effect till last. ‘And he wants you to know, this little boy of yours who’s a fine young man now, that in spirit he goes by the name you chose for him, the name you had planned to give him…if it, if he, if he was a boy. Which was,’ she pauses, ‘correct me if I’m wrong, which was Alistair.’

‘Was it?’ said the heavy husband: he was still on the mike, though he didn’t know it. The woman nodded. ‘Would you like to answer me?’ Al asked pleasantly.

The man cleared his throat, then spoke straight into the mike. ‘Alistair. She says that’s right. That was her choice. Yes.’

Unseeing, he handed the mike to his neighbour. The woman got to her feet, and the heavy man led her away, as if she were an invalid, her handkerchief held over her mouth. They exited, to a fresh storm of applause.

‘Steroid rage, I expect,’ Al said. ‘Did you see those muscles of hers?’ She was sitting up in her hotel bed, dabbing cream on her face. ‘Look, Col, as you quite well know, everything that can go wrong for me out there, has gone wrong at sometime. I can cope. I can weather it. I don’t want you getting stressed.’

‘I’m not stressed. I just think it’s a landmark. The first time anybody’s threatened to beat you up.’

‘The first time while you’ve been with me, maybe. That’s why I gave up working in London.’ Al sat back against the pillows, her eyes closed; she pushed the hair back from her forehead, and Colette saw the jagged scar at her hairline, dead white against ivory. ‘Who needs it? A fight every night. And the trade pawing you when you try to leave, so you miss the last train home. I like to get home. But you know that, Col.’

She doesn’t like night driving, either; so when they’re outside the ring of the M25, there’s nothing for it except to put up somewhere, the two of them in a twin room. A bed and breakfast is no good because Al can’t last through till breakfast, so for preference they need a hotel that will do food through the night. Sometimes they take pre-packed sandwiches, but it’s joyless for Al, sitting up in bed at 4 a.m., sliding a finger into the plastic triangle to fish out the damp bread. There’s a lot of sadness in hotel rooms, soaked up by the soft furnishings: a lot of loneliness and guilt and regret. A lot of ghosts too: whiskery chambermaids stumping down the corridors on their bad legs, tippling night porters who’ve collapsed on the job, guests who’ve drowned in the bath or suffered a stroke in their beds. When they check into a room Alison stands on the threshold and sniffs the atmosphere, inhales it: and her eyes travel dubiously around. More than once, Colette has shot down to reception to ask for a different room. ‘What’s the problem?’ the receptionists will say (sometimes adding ‘madam’) and Colette, stiff with hostility and fright, will say, ‘Why do you need to know?’ She never fails in her mission: challenged, she can pump out as much aggression as the girl in the khaki vest.

What Alison prefers is somewhere new-built and anonymous, part of some reliable chain. She hates history: unless it’s on the television, safe behind glass. She won’t thank you for a night in a place with beams. ‘Sod the inglenooks,’ she once said, after an exhausting hour tussling with an old corpse in a sheet. The dead are like that; give them a cliché, and they’ll run to it. They enjoy frustrating the living, spoiling their beauty sleep. They enjoyed pummelling Al’s flesh, and nagging at her till she got earache; they rattled around in her head until some nights, like tonight, it seemed to quiver on the soft stem of her neck. ‘Col,’ she groaned, ‘be a good girl, rummage around in the bags and see if you can find my lavender spray. My head’s throbbing.’

Colette knelt on the floor and rummaged as directed. ‘That woman at the end, the couple, the miscarriage – you could have heard a pin drop.’

Al said, ‘“See a pin and pick it up and all the day you’ll have good luck.” My mum told me that. I never do, though. See a pin. Or find money in the street.’

That’s because you’re too fat to see your feet, Colette thought. She said, ‘How did you do that thing with the name? When you were going on about mother love I nearly puked, but I have to hand it to you, you got there in the end.’

‘Alistair? Well, of course, if he’d been called John, you wouldn’t be giving me any credit. You’d have said it was one of my lucky guesses.’ She sighed. ‘Look, Colette, what can I tell you? The boy was standing there. He knew his own name. People do.’

‘The mother, she must have been thinking his name.’

‘Oh yes, I could have picked it out of her head. I know that’s your theory. Mind-reading. Oh God, Colette.’ Al slid down inside the covers. She closed her eyes. Her head dropped back against the pillows. ‘Think that, if you find it easier. But you will admit I sometimes tell people things they’ve yet to find out.’

She hated that phrase of Al’s: ‘Think that, if you find it easier.’ As if she were a child and couldn’t be told the truth. Al only seemed dense – it was part of her act. The truth was, she listened to Radio 4 when they were on the road. She’d got a vocabulary, though she didn’t use it on the trade. She was quite a serious and complicated person, and deep, deep and sly: that was what Colette thought.

Al seldom talked about death. At first when they started working together, Colette had thought the word would slip out, if only through the pressure of trying to avoid it. And sometimes it did; but mostly Al talked about passing, she talked about spirit, she talked about passing into spirit world; to that eventless realm, neither cold nor hot, neither hilly nor flat, where the dead, each at their own best age and marooned in an eternal afternoon, pass the ages with sod all going on. Spirit world, as Al describes it to the trade, is a garden, or to be more accurate a public place in the open air: litter-free like an old-fashioned park, with a bandstand in a heat haze in the distance. Here the dead sit in rows on benches, families together, on gravelled paths between weedless beds, where heat-sozzled flowers bob their heads, heavy with the scent of eau de Cologne: their petals crawling with furry, intelligent, stingless bees. There’s a certain 1950s air about the dead, or early sixties perhaps, because they’re clean and respectable and they don’t stink of factories: as if they came after white nylon shirts and indoor sanitation, but before satire, certainly before sexual intercourse. Unmelting ice cubes (in novelty shapes) chink in their glasses, for the age of refrigeration has come. They eat picnics with silver forks; purely for pleasure, because they never feel hunger, nor gain weight. No wind blows there, only a gentle breeze, the temperature being controlled at a moderate 71° F; these are the English dead, and they don’t have centigrade yet. All picnics are share and share alike. The children never squabble or cut their knees, for whatever happened to them earth-side, they are beyond physical damage now. The sun shall not strike them by day nor the moon by night; they have no red skin or freckles, none of the flaws that make the English so uncouth in summer. It’s Sunday, yet the shops are open, though no one needs anything. A mild air plays in the background, not quite Bach, possibly Vaughan Williams, quite like the early Beatles too; the birds sing along, in the green branches of the seasonless trees. The dead have no sense of time, no clear sense of place; they are beyond geography and history, she tells her clients, till someone like herself tunes in. Not one of them is old or decrepit or uselessly young. They all have their own teeth: or an expensive set of implants, if their own were unsightly. Their damaged chromosomes are counted and shuffled into good order; even the early miscarriages have functioning lungs and a proper head of hair. Damaged livers have been replaced, so their owners live to drink another day. Blighted lungs now suck at God’s own low-tar blend. Cancerous breasts have been rescued from the surgeons’ bin, and blossom like roses on spirit chests.

Al opened her eyes. ‘Col, are you there? I was dreaming that I was hungry.’

‘I’ll ring down for a sandwich, shall I?’

She considered. ‘Get me ham on brown. Wholemeal. Dab of mustard – French, not English. Dijon – tell them cupboard on the left, third shelf. Ask them for – do they do a cheese plate? I’d like a slice of Brie and some grapes. And some cake. Not chocolate. Coffee maybe. Walnuts. It has walnuts on top. Two at the rim and one in the centre.’