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The Ivory Snuff Box
In an instant Hartmann had sprung across the opening and grasped her by the wrist, while his companion was engaged in rapidly replacing over the gap the section of flooring which had been removed. Within a few moments the passageway was as it had been before, and the doctor was dragging her roughly into the laboratory.
She did not cry out – there was no one from whom she could expect aid. She drew herself up and faced her captor with dry eyes and a face calm, though pale. "What do you mean, Dr. Hartmann," she demanded, steadily, "by treating me in this way?"
He forced her into a chair. "Sit down, young woman," he said, gruffly. "I have a few questions to ask you."
She did so, without protest, summoning to her aid all her powers of resistance and will. He should get nothing from her, she determined.
"Why have you come into my house," he presently asked, glaring at her in anger, "under pretense of desiring medical treatment? What is it you want here?"
She made no reply, gazing at him steadily – fearlessly.
"What is this man Duvall to you?" he shouted. "Tell me, or it will be the worse for you both."
Again she faced him, refusing to answer. Her resistance made him furious. "Your silence will profit you nothing," he went on. "You can do no further harm here, for I know your purpose. You are working with him – you are a detective – a spy, as he is. You pretend to be a somnambulist in order to carry out your ends. I suspected you long ago. Now I know. This man has robbed me of something that I am determined to have. What he has done with it – where it is concealed, I do not know, but I mean to have it – be sure of that. If you know – you had better confess, if you have any regard for his welfare."
His words, his brutal manner, brought the tears to her eyes. She realized that she had but to say a few words, to save Richard from she knew not what fate, yet equally she knew that she could not say them – that he would not want her to say them. In her agitation she took a handkerchief from her dress and pressed it to her eyes.
The man Mayer had been regarding her in silence throughout the whole scene. Suddenly he stepped forward and snatched the handkerchief from her hand. His quick eyes had detected a monogram in one corner of the bit of cambric, and with an air of triumph he held it beneath the light, examining it closely.
Hartmann came to him. "What is it, Mayer?" he asked, eagerly.
His assistant extended the handkerchief to him. Grace realized with a sinking heart that it was one of several she had herself embroidered during the weeks preceding her marriage. With what pride, she reflected, she had worked over the G and D, lovingly intertwined in one corner. "His wife!" she heard Hartmann cry, with a harsh laugh. "That explains everything. That was why he did not leave Brussels at once – he was waiting for her – he would not go without her." He turned to Grace with a new expression on his face. "So you are his wife, eh? Very well. Now we shall see whether or not you will tell me what I want to know. Your husband is confined in the room below us. This" – he indicated the small black box with wires attached – "is a device which I have constructed for producing certain light rays – light rays which have a marvelous power, both for curing, and producing disease. Look!" He held his powerful hand before her eyes. "This is what they did to me, before I discovered how to control them." She saw, stretching across the back of his hand and wrist, a broad red patch, like the scar remaining after a burn. "Now come here." He seized her by the wrist and dragged her toward the apparatus at the center of the room. "Look – in there." He indicated a short brass tube which rose from the center of the box, resembling the eyepiece of a microscope. "Look!"
Grace bent over and applied her eye to the brass tube, then shrank back with an exclamation of horror. "Richard!" she screamed, then turned on Hartmann with the fury of a tigress. "Let him go – let him go – I say, or I will – " She realized her helplessness – the futility of her threats, and fell into the chair in a paroxysm of sobbing. Through the brass tube, and the powerful lens which focused the light rays upon the space below, she had seen Richard's face, white and drawn, within a disk of blinding light, and apparently so near to her that she could have reached out and touched it. In her momentary glance, she noted his reddened eyes, the tears which coursed from beneath their lids, the agony which distorted his countenance.
"Now will you tell me what I ask?" cried Hartmann, triumphantly.
Still she made no reply. Her heart was breaking, her suffering at the knowledge of his suffering made her faint and weak, but even now she could not bring herself to break the trust which Monsieur Lefevre had placed in her. She sat huddled up in the chair, shaking from head to foot with sobs.
Hartmann saw that her resistance was as yet unbroken. "Take her arm, Mayer," he called out, as he seized her by one wrist. "Come along now. We'll see if a closer view will have any effect." He snatched up a broad leather strap from a shelf along the wall, then, with Mayer's assistance, half-led, half dragged her to the iron stairway in the corner. In a few moments they had paused before the door of the room where the detective lay confined. Hartmann threw it open and pushed Grace inside, while he and Mayer followed, closing the door behind them.
For a moment Grace was dazzled by the brightness of the light cone, and the darkness of the remainder of the room. Then seeing Richard lying helpless on the floor before her, she threw herself to her knees, put her arms about his neck, and covered his face with kisses. "My darling – my poor boy!" she cried, as she bent over him, her shoulders shutting off from his tortured face the blinding rays of the light. "What have they done to you?"
CHAPTER XX
Grace had remained upon her knees beside the prostrate figure of her husband but a moment, when she was torn away by Hartmann and his assistant, and before she realized their intention, the former had slipped about her waist the broad leather strap he had brought from the room above, and was busy securing it to an iron staple fixed in the wall at one side of the room. Then he stood back and surveyed the scene with a smile of satisfaction.
"You see, Mayer," he observed, grimly, "my purpose. The wife sees the husband's suffering. If he refuses to speak, she will speak. One or the other will tell us what we want to know, of that you may be sure. Let us leave them to talk matters over." He and his man at once left the room, and in a few moments Grace heard their footsteps upon the floor of the laboratory above.
"Richard," she cried, softly, "are you suffering very much?"
"Never mind, dear," he said, trying vainly to turn his head so that he might see her. "What has happened – why have they brought you here?"
She told him her story, brokenly, with many sobs. "I could not help it, Richard," she moaned. "I did my best. I could not help their finding out everything."
"I know it, dear. You have done all you could. Is there any news from outside?"
"None. They told me to play the phonograph to send you a message. Did you hear it?"
"Yes, I heard, and understood."
"Understood? Then you know something – you have some hope?"
"I do not know. It may be, although I cannot see what to do now. I dare not tell you more than that – these scoundrels are undoubtedly listening in the room above."
"Richard, what is that light? What is it they mean to do to you? Dr. Hartmann showed me his hand – it was all scarred and burned. He said it came from that." She looked toward the glowing cone of light with bitter anger.
"I do not know – exactly. I am not sure. The agony of the thing is very great – it burns into my eyes – into my brain. Hartmann says it will produce insanity. I do not know whether this is true or not. I begin to feel that perhaps it may be – not that the light itself can produce it, but that inability to sleep, pain, nervous exhaustion, the constant glare and brilliance before my eyes – those things might cause a man to go insane, if they were kept up long enough."
"But – he – he will not dare to do that."
Duvall groaned, striving in vain to turn his head to one side. "He intends to keep me here, until I tell him where he can find the snuff box," he gasped.
"Richard!" Grace fairly screamed out his name. "Then you must tell – you must! You cannot let yourself go mad – not even for Monsieur Lefevre."
"I shall not tell – no matter what comes," he replied.
"Then I will. I refuse to let you suffer like this. I can't do it, I won't. If you do not speak, I shall. Oh, my God! Don't you see – I love you – I love you so – what do I care about this foolish snuff box? I want you – you – and I won't let them take you away from me."
"Grace, you shall not tell them."
"I will."
"I forbid it."
"I cannot help it, Richard. I am ready to disobey you – if I must, to save your life. Even if you turn from me – afterward – I cannot help it. I refuse to let them go ahead with this thing."
He groaned in desperation. "Please – please – my girl – listen to me. You must not speak. We must think of our duty to those who have trusted us. Wait, I implore you. Don't do this!"
"I will. I have a duty to you which is greater than my duty to them. Dr. Hartmann!" she screamed. "I will tell everything – everything." She collapsed against the wall and sobbed as though her heart would break.
In a few moments they heard Hartmann and Mayer descending the steps, and the door was thrown open.
"Ah, so you have come to your senses, have you?" the doctor cried. "Well, what have you to say?"
Grace raised her head. "If I tell you where the ivory snuff box is hidden," she said, "will you let my husband go?"
"Yes. Your husband, and yourself, and the rat we've just caught sneaking around outside. He's up in the laboratory now. You can all take yourselves off as quickly as you like, when once the snuff box is in my hands. Now speak."
"First, let my husband up."
Hartmann went to the wall, and switching off the violet rays, turned on the electric lamp, then nodded to Mayer. "Unbind him," he said.
Duvall staggered to his feet, half-blinded. As he did so, Hartmann turned to Grace. "Speak!" he commanded. "We are wasting time."
Before Grace could reply, Duvall turned to her.
"I forbid you," he cried. "If you do this thing, I will never see you again as long as I live. You are destroying my honor. I refuse to let you do it. Stop!"
The girl hesitated, and Hartmann swore a great oath. "Take her out of here, Mayer," he cried. "She'll never speak, as long as her husband is present to dissuade her. Up with her to the laboratory. She'll talk there, quick enough."
"No!" Duvall staggered toward her. "You shall not." His movements were slow and uncertain, due to the blinding pain in his eyes, and his stiffened, nerve-racked limbs. Hartmann pushed him aside angrily. "Be quiet," he growled. "Let the woman alone."
Meanwhile Hartmann's companion had torn away the strap which bound Grace to the wall and was leading her to the door. Her husband's efforts to detain her, weak and uncertain, were easily frustrated by Hartmann. In a few moments the door had swung shut upon the detective, and she was being led up the steps to the room above.
Here she fell into a chair, and looking about, saw huddled on a couch in the far corner of the room a little, bent old man, who sat with his white head bowed upon his breast, his hands tied behind his back. Hartmann went over to him and unfastened his bonds. "You will be happier in a moment, my friend," he laughed. "This lady is going to set you free."
Dufrenne – for it was he – sprang to his feet. "How?" he demanded. "How?" As he spoke, he crossed the room, his eyes gleaming, and faced Grace as she sat in the chair.
"Wait and see, old man," said Hartmann, roughly. "Stand aside, please." He pushed Dufrenne impatiently away. "Now, young woman, where is the ivory snuff box?"
Grace raised her head to reply, when the little old Frenchman turned to her, pale with anger. "No!" he shouted, starting forward. "You shall not do this thing. Would you be a traitor to France!"
Grace looked at him and shuddered. His face was quivering with emotion – his eyes burned with piercing brightness, he seemed about to spring at her, in his rage. In a moment Hartmann had turned on him. "Be quiet!" he roared. "I want no interference from you. Mayer!" He pointed a trembling forefinger at the old Frenchman. "Take this fellow away."
Mayer took Dufrenne by the arm and twisted it cruelly. "No nonsense, now!" he growled, thrusting the old man toward the couch upon which he had been sitting. "Hold your tongue, or it will be worse for you." Dufrenne resisted him as best he could, but his age and feebleness rendered him helpless. He sank upon the couch, with tears of anger starting to his eyes.
Grace dared not look at him. The enormity of the thing she was about to do appalled her. Yet there was Richard, her husband; Richard, whom she loved with all her soul, in the room below, facing madness, death. The love she felt for him overmastered all other considerations. She turned to Hartmann with quivering face. "The box is in the room below," she cried, in a voice shaking with emotion.
"Mon Dieu – mon Dieu!" she heard Dufrenne gasp, as he started from the couch. "You have ruined us all."
Hartmann and Mayer gazed at each other incredulously. "Impossible!" the former gasped. "Impossible!" Then he turned to Grace. "Girl, are you telling me the truth?"
She nodded, bowing her head upon her hands. She could not trust herself to speak.
"Where? Where in that room could it be hidden? Tell me!" he shook her angrily by the arm. "Haven't we wasted enough time over this thing?"
Still she made no reply. Now that she had told them, a sudden revulsion swept over her. She hated herself for what she had done, hated Hartmann, hated Monsieur Lefevre for placing her in this cruel situation.
Hartmann dragged her roughly to her feet. "If the box is in the room below, come with me and find it."
He hurried her toward the staircase. "Come along, Mayer," he called over his shoulder. "Bring that fellow with you. It won't be safe to leave him." As she descended the steps, Grace heard the other two close behind her. The Frenchman staggered along like a man in a daze, offering no resistance.
When they burst into the room in which Duvall was confined, they found the latter standing beneath the electric lamp, a look of determination upon his face. He regarded them steadily, in spite of his reddened and burning eyes.
Hartmann paid little attention to him. He was too greatly interested in the movements of Grace. "Now," he said, "where is it? You say the snuff box is here – in this room. Find it."
She hesitated, looking at her husband pitifully. What would he think of her? Would he, too, regard her as a traitor, a weak and contemptible creature, forever barred from love and respect, false to her duty, her honor? His face told her nothing. He was regarding her impassively. She remembered now that he had said that he would never see her again if she disobeyed him. Then she turned away, her mind made up. She would save him, come what might. He had told her that the box was hidden in an opera hat, in one corner of the room. She glanced about quickly, trying to discover its whereabouts in one of the dark corners.
Duvall saw her intention. He took a step forward, and addressed Hartmann. "You have forced this girl, through her love for me, to betray a great trust. I prefer that, if anyone here is to become a traitor, it shall be myself." He thrust his hand into the pocket of his coat, and extended a round white object toward the astonished doctor. "Here is the snuff box."
Dufrenne, for the moment left unguarded by Mayer, sprang forward with a fierce cry. "No – no – no!" he screamed. "You shall not – you shall not."
"Out of my way!" exclaimed the doctor, brushing the old man aside as easily as though the latter had been a child. With eager hands he took the box, and going to the light, bent over it. As he saw the pearls, the cross, his face lit up with delight. "This is it, Mayer. Just as the valet described it." He gave the ring of pearls a swift turn, then pressed immediately upon the larger one of the circle and slid the top of the ivory cross to one side. Duvall, who was watching him with interest, concluded that from some source, probably through Monsieur de Grissac's dead servant, Dr. Hartmann had learned thoroughly the secret of the box.
With a cry of satisfaction the latter drew out from the tiny recess the slip of folded paper, glanced at the row of numbers written upon it, then passed it over to Mayer. The latter nodded his head. "Now we are all right," he muttered. "This is easily worth a million francs."
"Money doesn't measure its value, my friend," the doctor remarked, gravely, as he replaced the slip of paper beneath the cross and put the box carefully into his pocket.
During these few moments, Dufrenne had been observing the doctor with bulging eyes. Suddenly he turned on the detective. "May the good God curse you and your woman for this," he cried, hoarsely, "until the day of your death. May He turn all men against you, and make your name a despised and dishonored one forever. You have been false to your duty – false to France. You are a traitor, a contemptible dog of a traitor, and you deserve to die." His whole body shook with passion as he poured the fury of his wrath upon the man before him.
Duvall sank weakly against the packing case behind him. Suffering, lack of sleep and food, the burning pain in his eyes and brain, threatened to overcome him. "Let me alone," he gasped. "I am so tired, so very tired!" He almost fell as he uttered the words and indeed would have done so had Grace not gone quickly up to him and passed her arm lovingly about his shoulders. Turning to Dufrenne, she regarded him with a look of defiance. "He is not guilty!" she cried. "It is I – I! – who have been false. I made him do it – I made him do it. Go away, and tell the others what you please. I know that my husband has done his best." She fell to soothing him, kissing him upon his hot forehead, his burning cheeks.
Dufrenne looked at Dr. Hartmann, who was regarding the scene before him with impatience. "Do I understand, monsieur," he asked, in a ghastly voice, "that I am free to leave this place?"
"Yes. Out with you. I could hold you for trespass upon my grounds, for attempting to break into my house, but I don't want to be bothered with you. Go!" He went to the door and held it open. "Mayer," he said, "show this fellow the road. And as for you" – he turned to Duvall and his wife – "get away from here, and from Brussels, as soon as you like. I advise you not to stay in the town. I rather think that, through the evidence of Seltz, I can make it slightly uncomfortable for you. Tell what story you please. I have done you no injury. You came here of your own free will – you could have escaped and you would not. As for the light – " He laughed harshly. "An ordinary arc, focused on your eyes with a powerful lens. It would probably have blinded you, in time, and if it kept you awake long enough, you would no doubt have gone mad, but so far you are not hurt much. I can swear that it is part of my new treatment for a disordered mental state. My man here will agree with me. What are you going to do about it? How are you going to explain your robbery of Seltz in my office, the deception your wife has practised upon me and upon the United States Minister? And above all, now that I have the secret I desired, I am quite willing to have a cast made of the snuff box and return it to you, but I fancy that neither Monsieur de Grissac nor my friend Lefevre will want to have the matter made public in the courts. You'd better leave here quietly and take the first steamer to America. I don't fancy you'll find a very flattering reception awaiting you in Paris." He turned to the door. "Come, I'll have your belongings put on a cab, and be glad to be rid of you." He paused beside the doorway, waiting.
Grace turned to her husband. "Come, Richard," she said. "Let us go."
He made no reply, but followed her blindly. His spirits seemed broken, he walked like a man in a heavy sleep.
It was just dawn when, half an hour later, Richard Duvall and his wife drove silently through the ghostly streets of Brussels toward the railway station. The detective did not speak. He sat silent, plunged in a deep stupor. Grace, her heart breaking, held one of his hands, and with white face, gazed helplessly out of the window at the city, just waking to another day. To all these people the dawn came with some measure of hope, of happiness, but to her, and to her husband, now once more beginning their honeymoon, the future seemed full of bitterness and despair. She shivered in the cold morning air, and the tears she could not repress stole unheeded down her cheeks.
CHAPTER XXI
It was not until they had reached the railway station that Richard Duvall roused himself from the stupor in which he had sat ever since he and his wife had driven away from Dr. Hartmann's. When their baggage had been deposited on the platform, under the care of a solicitous porter, and the cabman had been paid and gone his way, Grace asked her husband concerning their destination. "Shall we go to Antwerp?" she said, listlessly. "We can get a steamer there, or cross to England." She awaited his reply without interest. It seemed to matter very little where they went, now.
Duvall turned to the waiting porter. "When is the next train for Paris?" he asked. The man answered at once, glancing at the clock in the waiting-room. "In forty minutes, monsieur. You will have time for rolls and coffee."
"Paris!" exclaimed Grace, in much surprise. "Why should we go to Paris, dear? I don't care about the things I left there. We can telegraph for them. Oh, Richard, I can't go back and face Monsieur Lefevre now." She looked eagerly at his face, but its expression told her nothing. "I must make my report to the Prefect," he answered. "It is my duty."
Over their simple breakfast he was uncommunicative. "Don't worry, dear," he said, once, when she had plied him with questions, attempted to change his decision by arguments. "I cannot afford to run away. Monsieur Lefevre has given me a duty to perform, and I must at least tell my story. After that, we can go to America, but not now."
She could get no more out of him, and with tears in her eyes, followed him to the compartment in the Paris train which the porter had secured for them. There were few people traveling at this early hour. They had the compartment to themselves. Duvall rolled himself in his overcoat and lay down upon one of the seats. "I am very tired, dear," he told her. "I have suffered a frightful strain. My eyes hurt so that I can scarcely see. I am sick for want of sleep. There is a hard task before me, when I get to Paris. I must have a little rest." He turned his face away from the light, and lay quiet, breathing heavily.
Grace sat huddled up in a corner of the opposite seat, watching him, a great tenderness in her eyes. After all, she thought, he was her husband, the man she loved, and if he had appeared to act the part of a traitor to his cause, it was only because she, by her weakness, her love for him, had forced him to do so. At the last moment he had thought of her – his one thought had been to save her from disgrace and dishonor. He had assumed the blame, for he had given up the snuff box of his own free will. Had he allowed her to do so, he could have preserved his own name, his own honor, clear of all accusation or stain. It made her love him doubly, that he had thus stepped into the breach at the last moment and taken upon himself the guilt which she knew belonged in reality upon her.
As she sat there, conscious only of the flying trees outside the car windows, the clicking of the wheels upon the rails, and the low breathing of her husband on the seat before her, her mind went forward into the future, and the prospect made her shudder. In Paris she knew what manner of welcome awaited them. Monsieur Lefevre would turn from them both, as he would not turn from the vilest criminal.
Their names would be held up to scorn, in official circles at least. If the public ever came to know of the affair, she knew they would have reason to fear for their very safety.