Sartor Resartus, and On Heroes, Hero-Worship, and the Heroic in History

Withal, unexpectedly enough, this Knox has a vein of drollery in him; which I like much, in combination with his other qualities. He has a true eye for the ridiculous. His History, with its rough earnestness, is curiously enlivened with this. When the two Prelates, entering Glasgow Cathedral, quarrel about precedence; march rapidly up, take to hustling one another, twitching one another’s rochets, and at last flourishing their crosiers like quarter-staves, it is a great sight for him everyway! Not mockery, scorn, bitterness alone; though there is enough of that too. But a true, loving, illuminating laugh mounts-up over the earnest visage; not a loud laugh; you would say, a laugh in the eyes most of all. An honest-hearted, brotherly man; brother to the high, brother also to the low; sincere in his sympathy with both. He has his pipe of Bourdeaux too, we find, in that old Edinburgh house of his; a cheery social man, with faces that loved him! They go far wrong who think this Knox was a gloomy, spasmodic, shrieking fanatic. Not at all: he is one of the solidest of men. Practical, cautious-hopeful, patient; a most shrewd, observing, quietly discerning man. In fact, he has very much the type of character we assign to the Scotch at present: a certain sardonic taciturnity is in him; insight enough; and a stouter heart than he himself knows of. He has the power of holding his peace over many things which do not vitally concern him,—“They? what are they?” But the thing which does vitally concern him, that thing he will speak of; and in a tone the whole world shall be made to hear: all the more emphatic for his long silence.

This Prophet of the Scotch is to me no hateful man!—He had a sore fight of an existence: wrestling with Popes and Principalities; in defeat, contention, life-long struggle; rowing as a galley-slave, wandering as an exile. A sore fight: but he won it. “Have you hope?” they asked him in his last moment, when he could no longer speak. He lifted his finger, ‘pointed upwards with his finger,’ and so died. Honour to him! His works have not died. The letter of his work dies, as of all men’s; but the spirit of it never.

One word more as to the letter of Knox’s work. The unforgivable offence in him is, that he wished to set-up Priests over the head of Kings. In other words he strove to make the Government of Scotland a Theocracy. This indeed is properly the sum of his offences, the essential sin; for which what pardon can there be? It is most true, he did, at bottom, consciously or unconsciously, mean a Theocracy, or Government of God. He did mean that Kings and Prime Ministers, and all manner of persons, in public or private, diplomatising or whatever else they might be doing, should walk according to the Gospel of Christ, and understand that this was their Law, supreme over all laws. He hoped once to see such a thing realised; and the Petition, Thy Kingdom come, no longer an empty word. He was sore grieved when he saw greedy worldly Barons clutch hold of the Church’s property; when he expostulated that it was not secular property, that it was spiritual property, and should be turned to true churchly uses, education, schools, worship;—and the Regent Murray had to answer, with a shrug of the shoulders, “It is a devout imagination!” This was Knox’s scheme of right and truth; this he zealously endeavoured after, to realise it. If we think this scheme of truth was too narrow, was not true, we may rejoice that he could not realise it; that it remained after two centuries of effort, unrealisable, and is a ‘devout imagination’ still. But how shall we blame him for struggling to realise it? Theocracy, Government of God, is precisely the thing to be struggled for! All Prophets, zealous Priests, are there for that purpose. Hildebrand wished a Theocracy; Cromwell wished it, fought for it; Mahomet attained it. Nay, is it not what all zealous men, whether called Priests, Prophets, or whatsoever else called, do essentially wish, and must wish? That right and truth, or God’s Law, reign supreme among men, this is the Heavenly Ideal (well named in Knox’s time, and namable in all times, a revealed ‘Will of God’) towards which the Reformer will insist that all be more and more approximated. All true Reformers, as I said, are by the nature of them Priests, and strive for a Theocracy.

How far such Ideals can ever be introduced into Practice, and at what point our impatience with their non-introduction ought to begin, is always a question. I think we may say safely, Let them introduce themselves as far as they can contrive to do it! If they are the true faith of men, all men ought to be more or less impatient always where they are not found introduced. There will never be wanting Regent Murrays enough to shrug their shoulders, and say, “A devout imagination!” We will praise the Hero-priest, rather, who does what is in him to bring them in; and wears out, in toil, calumny, contradiction, a noble life, to make a God’s Kingdom of this Earth. The Earth will not become too godlike!

LECTURE V

THE HERO AS A MAN OF LETTERS. JOHNSON, ROUSSEAU, BURNS

[Tuesday, 19th May 1840]

Hero-gods, Prophets, Poets, Priests are forms of Heroism that belong to the old ages, make their appearance in the remotest times; some of them have ceased to be possible long since, and cannot any more show themselves in this world. The Hero as Man of Letters, again, of which class we are to speak today, is altogether a product of these new ages; and so long as the wondrous art of Writing, or of Ready-writing which we call Printing, subsists, he may be expected to continue, as one of the main forms of Heroism for all future ages. He is, in various respects, a very singular phenomenon.

He is new, I say; he has hardly lasted above a century in the world yet. Never, till about a hundred years ago, was there seen any figure of a Great Soul living apart in that anomalous manner; endeavouring to speak-forth the inspiration that was in him by Printed Books, and find place and subsistence by what the world would please to give him for doing that. Much had been sold and bought, and left to make its own bargain in the marketplace; but the inspired wisdom of a Heroic Soul never till then, in that naked manner. He, with his copy-rights and copy-wrongs, in his squalid garret, in his rusty coat; ruling (for this is what he does), from his grave, after death, whole nations and generations who would, or would not, give him bread while living,—is a rather curious spectacle! Few shapes of Heroism can be more unexpected.

Alas, the Hero from of old has had to cramp himself into strange shapes: the world knows not well at any time what to do with him, so foreign is his aspect in the world! It seemed absurd to us, that men, in their rude admiration, should take some wise great Odin for a god, and worship him as such, some wise great Mahomet for one god-inspired, and religiously follow his Law for twelve centuries: but that a wise great Johnson, a Burns, a Rousseau, should be taken for some idle non-descript, extant in the world to amuse idleness, and have a few coins and applauses thrown in, that he might live thereby; this perhaps, as before hinted, will one day seem a still absurder phasis of things!—Meanwhile, since it is the spiritual always that determines the material, this same Man-of-Letters Hero must be regarded as our most important modern person. He, such as he may be, is the soul of all. What he teachers, the whole world will do and make. The world’s manner of dealing with him is the most significant feature of the world’s general position. Looking well at his life, we may get a glance, as deep as is readily possible for us, into the life of those singular centuries which have produced him, in which we ourselves live and work.

There are genuine Men of Letters, and not genuine; as in every kind there is a genuine and a spurious. If Hero be taken to mean genuine, then I say the Hero as Man of Letters will be found discharging a function for us which is ever honourable, ever the highest; and was once well known to be the highest. He is uttering-forth, in such a way as he has, the inspired soul of him; all that a man, in any case, can do. I say inspired; for what we call ‘originality,’ ‘sincerity,’ ‘genius,’ the heroic quality we have no good name for, signifies that. The Hero is he who lives in the inward sphere of things, in the True, Divine and Eternal, which exists always, unseen to most, under the Temporary, Trivial: his being is in that; he declares that abroad, by act or speech as it may be, in declaring himself abroad. His life, as we said before, is a piece of the everlasting heart of Nature herself: all men’s life is,—but the weak many know not the fact, and are untrue to it, in most times; the strong few are strong, heroic, perennial, because it cannot be hidden from them. The Man of Letters, like every Hero, is there to proclaim this in such sort as he can. Intrinsically it is the same function which the old generations named a man Prophet, Priest, Divinity for doing; which all manner of Heroes, by speech or by act, are sent into the world to do.

Fichte the German Philosopher delivered, some forty years ago at Erlangen, a highly remarkable Course of Lectures on this subject: ‘Ueber das Wesen des Gelehrten, On the Nature of the Literary Man.’ Fichte, in conformity with the Transcendental Philosophy, of which he was a distinguished teacher, declares first: That all things which we see or work with in this Earth, especially we ourselves and all persons, are as a kind of vesture or sensuous Appearance: that under all there lies, as the essence of them, what he calls the ‘Divine Idea of the World;’ this is the Reality which ‘lies at the bottom of all Appearance.’ To the mass of men no such Divine Idea is recognisable in the world; they live merely, says Fichte, among the superficialities, practicalities and shows of the world, not dreaming that there is anything divine under them. But the Man of Letters is sent hither specially that he may discern for himself, and make manifest to us, this same Divine Idea: in every new generation it will manifest itself in a new dialect; and he is there for the purpose of doing that. Such is Fichte’s phraseology; with which we need not quarrel. It is his way of naming what I here, by other words, am striving imperfectly to name; what there is at present no name for: The unspeakable Divine Significance, full of splendour, of wonder and terror, that lies in the being of every man, of every thing,—the Presence of the God who made every man and thing. Mahomet taught this in his dialect; Odin in his: it is the thing which all thinking hearts, in one dialect or another, are here to teach.

Fichte calls the Man of Letters, therefore, a Prophet, or as he prefers to phrase it, a Priest, continually unfolding the Godlike to men: Men of Letters are a perpetual Priesthood, from age to age, teaching all men that a God is still present in their life; that all ‘Appearance,’ whatsoever we see in the world, is but as a vesture for the ‘Divine Idea of the World,’ for ‘that which lies at the bottom of Appearance.’ In the true Literary Man there is thus ever, acknowledged or not by the world, a sacredness: he is the light of the world; the world’s Priest:—guiding it, like a sacred Pillar of Fire, in its dark pilgrimage through the waste of Time. Fichte discriminates with sharp zeal the true Literary Man, what we here call the Hero as Man of Letters, from multitudes of false unheroic. Whoever lives not wholly in this Divine Idea, or living partially in it, struggles not, as for the one good, to live wholly in it,—he is, let him live where else he like, in what pomps and prosperities he like, no Literary Man; he is, says Fichte, a ‘Bungler, Stümper.’ Or at best, if he belong to the prosaic provinces, he may be a ‘Hodman;’ Fichte even calls him elsewhere a ‘Nonentity,’ and has in short no mercy for him, no wish that he should continue happy among us! This is Fichte’s notion of the Man of Letters. It means, in its own form, precisely what we here mean.

In this point of view, I consider that, for the last hundred years, by far the notablest of all Literary Men is Fichte’s countryman, Goethe. To that man too, in a strange way, there was given what we may call a life in the Divine Idea of the World; vision of the inward divine mystery: and strangely, out of his Books, the world rises imaged once more as godlike, the workmanship and temple of a God. Illuminated all, not in fierce impure fire-splendour as of Mahomet, but in mild celestial radiance;—really a Prophecy in these most unprophetic times; to my mind, by far the greatest, though one of the quietest, among all the great things that have come to pass in them. Our chosen specimen of the Hero as Literary Man would be this Goethe. And it were a very pleasant plan for me here to discourse of his heroism: for I consider him to be a true Hero; heroic in what he said and did, and perhaps still more in what he did not say and did not do; to me a noble spectacle: a great heroic ancient man, speaking and keeping silence as an ancient Hero, in the guise of a most modern, high-bred, high-cultivated Man of Letters! We have had no such spectacle; no man capable of affording such, for the last hundred-and-fifty years.

But at present, such is the general state of knowledge about Goethe, it were worse than useless to attempt speaking of him in this case. Speak as I might, Goethe, to the great majority of you would remain problematic, vague; no impression but a false one could be realised. Him we must leave to future times. Johnson, Burns, Rousseau, three great figures from a prior time, from a far inferior state of circumstances, will suit us better here. Three men of the Eighteenth Century; the conditions of their life far more resemble what those of ours still are in England, than what Goethe’s in Germany were. Alas, these men did not conquer like him; they fought bravely, and fell. They were not heroic bringers of the light, but heroic seekers of it. They lived under galling conditions; struggling as under mountains of impediment, and could not unfold themselves into clearness, or victorious interpretation of that ‘Divine Idea.’ It is rather the Tombs of three Literary Heroes that I have to show you. There are the monumental heaps, under which three spiritual giants lie buried. Very mournful, but also great and full of interest for us. We will linger by them for a while.

Complaint is often made, in these times, of what we call the disorganised condition of society: how ill many arranged forces of society fulfil their work; how many powerful forces are seen working in a wasteful, chaotic, altogether unarranged manner. It is too just a complaint, as we all know. But perhaps if we look at this of Books and the Writers of Books, we shall find here, as it were, the summary of all other disorganisation;—a sort of heart, from which, and to which, all other confusion circulates in the world! Considering what Book-writers do in the world, and what the world does with Book-writers, I should say, It is the most anomalous thing the world at present has to show.—We should get into a sea far beyond sounding, did we attempt to give account of this: but we must glance at it for the sake of our subject. The worst element in the life of these three Literary Heroes was, that they found their business and position such a chaos. On the beaten road there is tolerable travelling; but it is sore work, and many have to perish, fashioning a path through the impassable!

Our pious Fathers, feeling well what importance lay in the speaking of man to men, founded churches, made endowments, regulations; everywhere in the civilised world there is a Pulpit, environed with all manner of complex dignified appurtenances and furtherances, that therefrom a man with the tongue may, to best advantage, address his fellow-men. They felt that this was the most important thing; that without this there was no good thing. It is a right pious work, that of theirs; beautiful to behold! But now with the art of Writing, with the art of Printing, a total change has come over that business. The Writer of a Book, is not he a Preacher preaching not to this parish or that, on this day or that, but to all men in all times and places? Surely it is of the last importance that he do his work right, whoever do it wrong;—that the eye report not falsely, for then all the other members are astray! Well; how he may do his work, whether he do it right or wrong, or do it at all, is a point which no man in the world has taken the pains to think of. To a certain shopkeeper, trying to get some money for his books, if lucky, he is of some importance; to no other man of any. Whence he came, whither he is bound, by what ways he arrived, by what he might be furthered on his course, no one asks. He is an accident in society. He wanders like a wild Ishmaelite, in a world of which he is as the spiritual light, either the guidance or the misguidance!

Certainly the art of writing is the most miraculous of all things man has devised. Odin’s Runes were the first form of the work of a Hero; Books, written words, are still miraculous Runes, of the latest form! In Books lies the soul of the whole Past Time; the articulate audible voice of the Past, when the body and material substance of it has altogether vanished like a dream. Mighty fleets and armies, harbours and arsenals, vast cities, high-domed, many-engined,—they are precious, great: but what do they become? Agamemnon, the many Agamemnons, Pericleses, and their Greece; all is gone now to some ruined fragments, dumb mournful wrecks and blocks: but the Books of Greece! There Greece, to every thinker, still very literally lives; can be called-up again into life. No magic Rune is stranger than a Book. All that Mankind has done, thought, gained or been: it is lying as in magic preservation in the pages of Books. They are the chosen possession of men.

Do not Books still accomplish miracles as Runes were fabled to do? They persuade men. Not the wretchedest circulating-library novel, which foolish girls thumb and con in remote villages but will help to regulate the actual practical weddings and households of those foolish girls. So ‘Celia’ felt, so ‘Clifford’ acted: the foolish Theorem of Life, stamped into those young brains, comes out as a solid Practice one day. Consider whether any Rune in the wildest imagination of Mythologist ever did such wonders as, on the actual firm Earth, some Books have done! What built St Paul’s Cathedral? Look at the heart of the matter, it was that divine Hebrew Book,—the word partly of the man Moses, an outlaw tending his Midianitish herds, four thousand years ago, in the wildernesses of Sinai! It is the strangest of things, yet nothing is truer. With the art of Writing, of which Printing is a simple, an inevitable and comparatively insignificant corollary, the true reign of miracles for mankind commenced. It related, with a wondrous new contiguity and perpetual closeness, the Past and Distant with the Present in time and place; all times and all places with this our actual Here and Now. All things were altered for men; all modes of important work of men: teaching, preaching, governing, and all else.

To look at Teaching, for instance. Universities are a notable, respectable product of the modern ages. Their existence too is modified, to the very basis of it, by the existence of Books. Universities arose while there were yet no Books procurable; while a man, for a single Book, had to give an estate of land. That, in those circumstances, when a man had some knowledge to communicate, he should do it by gathering the learners round him, face to face, was a necessity for him. If you wanted to know what Abelard knew, you must go and listen to Abelard. Thousands, as many as thirty-thousand, went to hear Abelard and that metaphysical theology of his. And now for any other teacher who had something of his own to teach, there was a great convenience opened: so many thousands eager to learn were already assembled yonder; of all places the best place for him was that. For any third teacher it was better still; and grew ever the better, the more teachers there came. It only needed now that the King took notice of this new phenomenon; combined or agglomerated the various schools into one school; gave it edifices, privileges, encouragements, and named it Universitas, or School of all Sciences: the University of Paris, in its essential characters, was there. The model of all subsequent Universities; which down even to these days, for six centuries now, have gone on to found themselves. Such, I conceive, was the origin of Universities.

It is clear, however, that with this simple circumstance, facility of getting Books, the whole conditions of the business from top to bottom were changed. Once invent Printing, you metamorphosed all Universities, or superseded them! The Teacher needed not now to gather men personally round him, that he might speak to them what he knew: print it in a Book, and all learners far and wide, for a trifle, had it each at his own fireside, much more effectually to learn it!—Doubtless there is still peculiar virtue in Speech; even writers of Books may still, in some circumstances, find it convenient to speak also,—witness our present meeting here! There is, one would say, and must ever remain while man has a tongue, a distinct province for Speech as well as for Writing and Printing. In regard to all things this must remain; to Universities among others. But the limits of the two have nowhere yet been pointed out, ascertained; much less put in practice: the University which would completely take-in that great new fact, of the existence of Printed Books, and stand on a clear footing for the Nineteenth Century as the Paris one did for the Thirteenth, has not yet come into existence. If we think of it, all that a University, or final highest School can do for us, is still but what the first School began doing,—teach us to read. We learn to read, in various languages, in various sciences; we learn the alphabet and letters of all manner of Books. But the place where we go to get knowledge, even theoretic knowledge, is the Books themselves! It depends on what we read, after all manner of Professors have done their best for us. The true University of these days is a Collection of Books.

But to the Church itself, as I hinted already, all is changed, in its preaching, in its working, by the introduction of Books. The Church is the working recognised Union of our Priests or Prophets, of those who by wise teaching guide the souls of men. While there was no Writing, even while there was no Easy-writing or Printing, the preaching of the voice was the natural sole method of performing this. But now with Books!—He that can write a true Book, to persuade England, is not he the Bishop and Archbishop, the Primate of England and of All England? I many a time say, the writers of Newspapers, Pamphlets, Poems, Books, these are the real working effective Church of a modern country. Nay not only our preaching, but even our worship, is not it too accomplished by means of Printed Books? The noble sentiment which a gifted soul has clothed for us in melodious words, which brings melody into our hearts,—is not this essentially, if we will understand it, of the nature of worship? There are many, in all countries, who, in this confused time, have no other method of worship. He who, in any way, shows us better than we knew before that a lily of the fields is beautiful, does he not show it us as an effluence of the Fountain of all Beauty; as the handwriting, made visible there, of the great Maker of the Universe? He has sung for us, made us sing with him, a little verse of a sacred Psalm. Essentially so. How much more he who sings, who says, or in any way brings home to our heart the noble doings, feelings, darings and endurances of a brother man! He has verily touched our hearts as with a live coal from the altar. Perhaps there is no worship more authentic.

Literature, so far as it is Literature, is an ‘apocalypse of Nature,’ a revealing of the ‘open secret.’ It may well enough be named, in Fichte’s style; a ‘continuous revelation’ of the Godlike in the Terrestrial and Common. The Godlike does ever, in very truth, endure there; is brought out, now in this dialect, now in that, with various degrees of clearness: all true gifted Singers and Speakers are, consciously or unconsciously, doing so. The dark stormful indignation of a Byron, so wayward and perverse, may have touches of it; nay the withered mockery of a French sceptic,—his mockery of the False, a love and worship of the True. How much more the sphere-harmony of a Shakspeare, of a Goethe; the cathedral-music of a Milton! They are something too, those humble genuine lark-notes of a Burns,—skylark, starting from the humble furrow, far overhead into the blue depths, and singing to us so genuinely there! For all true singing is of the nature of worship; as indeed all true working may be said to be,—whereof such singing is but the record, and fit melodious representation, to us. Fragments of a real ‘Church Liturgy’ and ‘Body of Homilies,’ strangely disguised from the common eye, are to be found weltering in that huge froth-ocean of Printed Speech we loosely call Literature! Books are our Church too.