The Autobiography of an Ex-Colored Man

I was on hand promptly and found that he was giving a dinner in his own apartments to a party of ladies and gentlemen and that I was expected to furnish the musical entertainment. When the grave, dignified man at the door let me in, the place struck me as being almost dark, my eyes had been so accustomed to the garish light of the "Club." He took my coat and hat, bade me take a seat, and went to tell his master that I had come. When my eyes were adjusted to the soft light, I saw that I was in the midst of elegance and luxury in a degree such as I had never seen; but not the elegance which makes one ill at ease. As I sank into a great chair, the subdued tone, the delicately sensuous harmony of my surroundings, drew from me a deep sigh of relief and comfort. How long the man was gone I do not know, but I was startled by a voice saying: "Come this way, if you please, sir," and I saw him standing by my chair. I had been asleep; and I awoke very much confused and a little ashamed, because I did not know how many times he may have called me. I followed him through into the dining-room, where the butler was putting the finishing touches to a table which already looked like a big jewel. The doorman turned me over to the butler, and I passed with the butler on back to where several waiters were busy polishing and assorting table utensils. Without being asked whether I was hungry or not, I was placed at a table and given something to eat. Before I had finished eating, I heard the laughter and talk of the guests who were arriving. Soon afterwards I was called in to begin my work.

I passed in to where the company was gathered and went directly to the piano. According to a suggestion from the host, I began with classic music. During the first number there was absolute quiet and appreciative attention, and when I had finished, I was given a round of generous applause. After that the talk and the laughter began to grow until the music was only an accompaniment to the chatter. This, however, did not disconcert me as it once would have done, for I had become accustomed to playing in the midst of uproarious noise. As the guests began to pay less attention to me, I was enabled to pay more to them. There were about a dozen of them. The men ranged in appearance from a girlish-looking youth to a big grizzled man whom everybody addressed as "Judge." None of the women appeared to be under thirty, but each of them struck me as being handsome. I was not long in finding out that they were all decidedly blasé. Several of the women smoked cigarettes, and with a careless grace which showed they were used to the habit. Occasionally a "Damn it!" escaped from the lips of some one of them, but in such a charming way as to rob it of all vulgarity. The most notable thing which I observed was that the reserve of the host increased in direct proportion with the hilarity of his guests. I thought that there was something going wrong which displeased him. I afterwards learned that it was his habitual manner on such occasions. He seemed to take cynical delight in watching and studying others indulging in excess. His guests were evidently accustomed to his rather non-participating attitude, for it did not seem in any degree to dampen their spirits.

When dinner was served, the piano was moved and the door left open, so that the company might hear the music while eating. At a word from the host I struck up one of my liveliest ragtime pieces. The effect was surprising, perhaps even to the host; the ragtime music came very near spoiling the party so far as eating the dinner was concerned. As soon as I began, the conversation suddenly stopped. It was a pleasure to me to watch the expression of astonishment and delight that grew on the faces of everybody. These were people—and they represented a large class—who were ever expecting to find happiness in novelty, each day restlessly exploring and exhausting every resource of this great city that might possibly furnish a new sensation or awaken a fresh emotion, and who were always grateful to anyone who aided them in their quest. Several of the women left the table and gathered about the piano. They watched my fingers and asked what kind of music it was that I was playing, where I had learned it, and a host of other questions. It was only by being repeatedly called back to the table that they were induced to finish their dinner. When the guests arose, I struck up my ragtime transcription of Mendelssohn's "Wedding March," playing it with terrific chromatic octave runs in the bass. This raised everybody's spirits to the highest point of gaiety, and the whole company involuntarily and unconsciously did an impromptu cake-walk. From that time on until the time of leaving they kept me so busy that my arms ached. I obtained a little respite when the girlish-looking youth and one or two of the ladies sang several songs, but after each of these it was "back to ragtime."

In leaving, the guests were enthusiastic in telling the host that he had furnished them the most unusual entertainment they had ever enjoyed. When they had gone, my millionaire friend—for he was reported to be a millionaire—said to me with a smile: "Well, I have given them something they've never had before." After I had put on my coat and was ready to leave, he made me take a glass of wine; he then gave me a cigar and twenty dollars in bills. He told me that he would give me lots of work, his only stipulation being that I should not play any engagements such as I had just filled for him, except by his instructions. I readily accepted the proposition, for I was sure that I could not be the loser by such a contract. I afterwards played for him at many dinners and parties of one kind or another. Occasionally he "loaned" me to some of his friends. And, too, I often played for him alone at his apartments. At such times he was quite a puzzle to me until I became accustomed to his manners. He would sometimes sit for three or four hours hearing me play, his eyes almost closed, making scarcely a motion except to light a fresh cigarette, and never commenting one way or another on the music. At first I sometimes thought he had fallen asleep and would pause in playing. The stopping of the music always aroused him enough to tell me to play this or that; and I soon learned that my task was not to be considered finished until he got up from his chair and said: "That will do." The man's powers of endurance in listening often exceeded mine in performing—yet I am not sure that he was always listening. At times I became so oppressed with fatigue and sleepiness that it took almost superhuman effort to keep my fingers going; in fact, I believe I sometimes did so while dozing. During such moments this man sitting there so mysteriously silent, almost hid in a cloud of heavy-scented smoke, filled me with a sort of unearthly terror. He seemed to be some grim, mute, but relentless tyrant, possessing over me a supernatural power which he used to drive me on mercilessly to exhaustion. But these feelings came very rarely; besides, he paid me so liberally I could forget much. There at length grew between us a familiar and warm relationship, and I am sure he had a decided personal liking for me. On my part, I looked upon him at that time as about all a man could wish to be.

The "Club" still remained my headquarters, and when I was not playing for my good patron, I was generally to be found there. However, I no longer depended on playing at the "Club" to earn my living; I rather took rank with the visiting celebrities and, occasionally, after being sufficiently urged, would favor my old and new admirers with a number or two. I say, without any egotistic pride, that among my admirers were several of the best-looking women who frequented the place, and who made no secret of the fact that they admired me as much as they did my playing. Among these was the "widow"; indeed, her attentions became so marked that one of my friends warned me to beware of her black companion, who was generally known as a "bad man." He said there was much more reason to be careful because the pair had lately quarreled and had not been together at the "Club" for some nights. This warning greatly impressed me and I resolved to stop the affair before it should go any further; but the woman was so beautiful that my native gallantry and delicacy would not allow me to repulse her; my finer feelings entirely overcame my judgment. The warning also opened my eyes sufficiently to see that though my artistic temperament and skill made me interesting and attractive to the woman, she was, after all, using me only to excite the jealousy of her companion and revenge herself upon him. It was this surly, black despot who held sway over her deepest emotions.

One night, shortly afterwards, I went into the "Club" and saw the "widow" sitting at a table in company with another woman. She at once beckoned for me to come to her. I went, knowing that I was committing worse than folly. She ordered a quart of champagne and insisted that I sit down and drink with her. I took a chair on the opposite side of the table and began to sip a glass of the wine. Suddenly I noticed by an expression on the "widow's" face that something had occurred.

I instinctively glanced around and saw that her companion had just entered. His ugly look completely frightened me. My back was turned to him, but by watching the "widow's" eyes I judged that he was pacing back and forth across the room. My feelings were far from being comfortable; I expected every moment to feel a blow on my head. She, too, was very nervous; she was trying hard to appear unconcerned, but could not succeed in hiding her real feelings. I decided that it was best to get out of such a predicament even at the expense of appearing cowardly, and I made a motion to rise. Just as I partly turned in my chair, I saw the black fellow approaching; he walked directly to our table and leaned over. The "widow" evidently feared he was going to strike her, and she threw back her head. Instead of striking her he whipped out a revolver and fired; the first shot went straight into her throat. There were other shots fired, but how many I do not know; for the first knowledge I had of my surroundings and actions was that I was rushing through the chop-suey restaurant into the street. Just which streets I followed when I got outside I do not know, but I think I must have gone towards Eighth Avenue, then down towards Twenty-third Street and across towards Fifth Avenue. I traveled, not by sight, but instinctively. I felt like one fleeing in a horrible nightmare.

How long and far I walked I cannot tell; but on Fifth Avenue, under a light, I passed a cab containing a solitary occupant, who called to me, and I recognized the voice and face of my millionaire friend. He stopped the cab and asked: "What on earth are you doing strolling in this part of the town?" For answer I got into the cab and related to him all that had happened. He reassured me by saying that no charge of any kind could be brought against me; then added: "But of course you don't want to be mixed up in such an affair." He directed the driver to turn around and go into the park, and then went on to say: "I decided last night that I'd go to Europe tomorrow. I think I'll take you along instead of Walter." Walter was his valet. It was settled that I should go to his apartments for the rest of the night and sail with him in the morning.

We drove around through the park, exchanging only an occasional word. The cool air somewhat calmed my nerves and I lay back and closed my eyes; but still I could see that beautiful white throat with the ugly wound. The jet of blood pulsing from it had placed an indelible red stain on my memory.

IX

I did not feel at ease until the ship was well out of New York harbor; and, notwithstanding the repeated reassurances of my millionaire friend and my own knowledge of the facts in the case, I somehow could not rid myself of the sentiment that I was, in a great degree, responsible for the "widow's" tragic end. We had brought most of the morning papers aboard with us, but my great fear of seeing my name in connection with the killing would not permit me to read the accounts, although, in one of the papers, I did look at the picture of the victim, which did not in the least resemble her. This morbid state of mind, together with sea-sickness, kept me miserable for three or four days. At the end of that time my spirits began to revive, and I took an interest in the ship, my fellow passengers, and the voyage in general. On the second or third day out we passed several spouting whales, but I could not arouse myself to make the effort to go to the other side of the ship to see them. A little later we ran in close proximity to a large iceberg. I was curious enough to get up and look at it, and I was fully repaid for my pains. The sun was shining full upon it, and it glistened like a mammoth diamond, cut with a million facets. As we passed, it constantly changed its shape; at each different angle of vision it assumed new and astonishing forms of beauty. I watched it through a pair of glasses, seeking to verify my early conception of an iceberg—in the geographies of my grammar school days the pictures of icebergs always included a stranded polar bear, standing desolately upon one of the snowy crags. I looked for the bear, but if he was there, he refused to put himself on exhibition.

It was not, however, until the morning that we entered the harbor of Havre that I was able to shake off my gloom. Then the strange sights, the chatter in an unfamiliar tongue, and the excitement of landing and passing the customs officials caused me to forget completely the events of a few days before. Indeed, I grew so lighthearted that when I caught my first sight of the train which was to take us to Paris, I enjoyed a hearty laugh. The toy-looking engine, the stuffy little compartment cars, with tiny, old-fashioned wheels, struck me as being extremely funny. But before we reached Paris my respect for our train rose considerably. I found that the "tiny" engine made remarkably fast time, and that the old-fashioned wheels ran very smoothly. I even began to appreciate the "stuffy" cars for their privacy. As I watched the passing scenery from the car window, it seemed too beautiful to be real. The bright-colored houses against the green background impressed me as the work of some idealistic painter. Before we arrived in Paris, there was awakened in my heart a love for France which continued to grow stronger, a love which to-day makes that country for me the one above all others to be desired.

We rolled into the station Saint Lazare about four o'clock in the afternoon and drove immediately to the Hôtel Continental. My benefactor, humoring my curiosity and enthusiasm, which seemed to please him very much, suggested that we take a short walk before dinner. We stepped out of the hotel and turned to the right into the rue de Rivoli. When the vista of the Place de la Concorde and the Champs Élysées suddenly burst on me, I could hardly credit my own eyes. I shall attempt no such supererogatory task as a description of Paris. I wish only to give briefly the impressions which that wonderful city made upon me. It impressed me as the perfect and perfectly beautiful city; and even after I had been there for some time, and seen not only its avenues and palaces, but its most squalid alleys and hovels, this impression was not weakened. Paris became for me a charmed spot, and whenever I have returned there, I have fallen under the spell, a spell which compels admiration for all of its manners and customs and justification of even its follies and sins.

We walked a short distance up the Champs Élysées and sat for a while in chairs along the sidewalk, watching the passing crowds on foot and in carriages. It was with reluctance that I went back to the hotel for dinner. After dinner we went to one of the summer theatres, and after the performance my friend took me to a large café on one of the Grands Boulevards. Here it was that I had my first glimpse of the French life of popular literature, so different from real French life. There were several hundred people, men and women, in the place drinking, smoking, talking, and listening to the music. My millionaire friend and I took seats at a table, where we sat smoking and watching the crowd. It was not long before we were joined by two or three good-looking, well-dressed young women. My friend talked to them in French and bought drinks for the whole party. I tried to recall my high-school French, but the effort availed me little. I could stammer out a few phrases, but, very naturally, could not understand a word that was said to me. We stayed at the café a couple of hours, then went back to the hotel. The next day we spent several hours in the shops and at the tailor's. I had no clothes except what I had been able to gather together at my benefactor's apartments the night before we sailed. He bought me the same kind of clothes which he himself wore, and that was the best; and he treated me in every way as he dressed me, as an equal, not as a servant. In fact, I don't think anyone could have guessed that such a relation existed. My duties were light and few, and he was a man full of life and vigor, who rather enjoyed doing things for himself. He kept me supplied with money far beyond what ordinary wages would have amounted to. For the first two weeks we were together almost constantly, seeing the sights, sights old to him, but from which he seemed to get new pleasure in showing them to me. During the day we took in the places of interest, and at night the theatres and cafés. This sort of life appealed to me as ideal, and I asked him one day how long he intended to stay in Paris. He answered: "Oh, until I get tired of it." I could not understand how that could ever happen. As it was, including several short trips to the Mediterranean, to Spain, to Brussels, and to Ostend, we did remain there fourteen or fifteen months. We stayed at the Hôtel Continental about two months of this time. Then my millionaire took apartments, hired a piano, and lived almost the same life he lived in New York. He entertained a great deal, some of the parties being a good deal more blasé than the New York ones. I played for the guests at all of them with an effect which to relate would be but a tiresome repetition to the reader. I played not only for the guests, but continued, as I used to do in New York, to play often for the host when he was alone. This man of the world, who grew weary of everything and was always searching for something new, appeared never to grow tired of my music; he seemed to take it as a drug. He fell into a habit which caused me no little annoyance; sometimes he would come in during the early hours of the morning and, finding me in bed asleep, would wake me up and ask me to play something. This, so far as I can remember, was my only hardship during my whole stay with him in Europe.

After the first few weeks spent in sight-seeing I had a great deal of time left to myself; my friend was often I did not know where. When not with him, I spent the day nosing about all the curious nooks and corners of Paris; of this I never grew tired. At night I usually went to some theatre, but always ended up at the big café on the Grands Boulevards. I wish the reader to know that it was not alone the gaiety which drew me there; aside from that I had a laudable purpose. I had purchased an English-French conversational dictionary, and I went there every night to take a language lesson. I used to get three or four of the young women who frequented the place at a table and buy beer and cigarettes for them. In return I received my lesson. I got more than my money's worth, for they actually compelled me to speak the language. This, together with reading the papers every day, enabled me within a few months to express myself fairly well, and, before I left Paris, to have more than an ordinary command of French. Of course, every person who goes to Paris could not dare to learn French in this manner, but I can think of no easier or quicker way of doing it. The acquiring of another foreign language awoke me to the fact that with a little effort I could secure an added accomplishment as fine and as valuable as music; so I determined to make myself as much of a linguist as possible. I bought a Spanish newspaper every day in order to freshen my memory of that language, and, for French, devised what was, so far as I knew, an original system of study. I compiled a list which I termed "Three hundred necessary words." These I thoroughly committed to memory, also the conjugation of the verbs which were included in the list. I studied these words over and over, much as children of a couple of generations ago studied the alphabet. I also practiced a set of phrases like the following: "How?" "What did you say?" "What does the word – mean?" "I understand all you say except –." "Please repeat." "What do you call –?" "How do you say –?" These I called my working sentences. In an astonishingly short time I reached the point where the language taught itself—where I learned to speak merely by speaking. This point is the place which students taught foreign languages in our schools and colleges find great difficulty in reaching. I think the main trouble is that they learn too much of a language at a time. A French child with a vocabulary of two hundred words can express more spoken ideas than a student of French can with a knowledge of two thousand. A small vocabulary, the smaller the better, which embraces the common, everyday-used ideas, thoroughly mastered, is the key to a language. When that much is acquired the vocabulary can be increased simply by talking. And it is easy. Who cannot commit three hundred words to memory? Later I tried my method, if I may so term it, with German, and found that it worked in the same way.

I spent a good many evenings at the Opéra. The music there made me strangely reminiscent of my life in Connecticut; it was an atmosphere in which I caught a fresh breath of my boyhood days and early youth. Generally, in the morning after I had attended a performance, I would sit at the piano and for a couple of hours play the music which I used to play in my mother's little parlor.

One night I went to hear Faust. I got into my seat just as the lights went down for the first act. At the end of the act I noticed that my neighbor on the left was a young girl. I cannot describe her either as to feature, or color of her hair, or of her eyes; she was so young, so fair, so ethereal, that I felt to stare at her would be a violation; yet I was distinctly conscious of her beauty. During the intermission she spoke English in a low voice to a gentleman and a lady who sat in the seats to her left, addressing them as father and mother. I held my program as though studying it, but listened to catch every sound of her voice. Her observations on the performance and the audience were so fresh and naïve as to be almost amusing. I gathered that she was just out of school, and that this was her first trip to Paris. I occasionally stole a glance at her, and each time I did so my heart leaped into my throat. Once I glanced beyond to the gentleman who sat next to her. My glance immediately turned into a stare. Yes, there he was, unmistakably, my father! looking hardly a day older than when I had seen him some ten years before. What a strange coincidence! What should I say to him? What would he say to me? Before I had recovered from my first surprise, there came another shock in the realization that the beautiful, tender girl at my side was my sister. Then all the springs of affection in my heart, stopped since my mother's death, burst out in fresh and terrible torrents, and I could have fallen at her feet and worshiped her. They were singing the second act, but I did not hear the music. Slowly the desolate loneliness of my position became clear to me. I knew that I could not speak, but I would have given a part of my life to touch her hand with mine and call her "sister." I sat through the opera until I could stand it no longer. I felt that I was suffocating. Valentine's love seemed like mockery, and I felt an almost uncontrollable impulse to rise up and scream to the audience: "Here, here in your very midst, is a tragedy, a real tragedy!" This impulse grew so strong that I became afraid of myself, and in the darkness of one of the scenes I stumbled out of the theatre. I walked aimlessly about for an hour or so, my feelings divided between a desire to weep and a desire to curse. I finally took a cab and went from café to café, and for one of the very few times in my life drank myself into a stupor.