The Sacred Formulas of the Cherokees

But few inanimate gods are included in the category, the principal being the Stone, to which the shaman prays while endeavoring to find a lost article by means of a swinging pebble suspended by a string; the Flint, invoked when the shaman is about to scarify the patient with a flint arrow-head before rubbing on the medicine; and the Mountain, which is addressed in one or two of the formulas thus far translated. Plant gods do not appear prominently, the chief one seeming to be the ginseng, addressed in the formulas as the “Great Man” or “Little Man,” although its proper Cherokee name signifies the “Mountain Climber.”

A number of personal deities are also invoked, the principal being the Red Man. He is one of the greatest of the gods, being repeatedly called upon in formulas of all kinds, and is hardly subordinate to the Fire, the Water, or the Sun. His identity is as yet uncertain, but he seems to be intimately connected with the Thunder family. In a curious marginal note in one of the Gahuni formulas (page 350), it is stated that when the patient is a woman the doctor must pray to the Red Man, but when treating a man he must pray to the Red Woman, so that this personage seems to have dual sex characteristics. Another god invoked in the hunting songs is Tsu´l’kalû´, or “Slanting Eyes” (see Cherokee Myths), a giant hunter who lives in one of the great mountains of the Blue Ridge and owns all the game. Others are the Little Men, probably the two Thunder boys; the Little People, the fairies who live in the rock cliffs; and even the De´tsata, a diminutive sprite who holds the place of our Puck. One unwritten formula, which could not be obtained correctly by dictation, was addressed to the “Red-Headed Woman, whose hair hangs down to the ground.”

The personage invoked is always selected in accordance with the theory of the formula and the duty to be performed. Thus, when a sickness is caused by a fish, the Fish-hawk, the Heron, or some other fish-eating bird is implored to come and seize the intruder and destroy it, so that the patient may find relief. When the trouble is caused by a worm or an insect, some insectivorous bird is called in for the same purpose. When a flock of redbirds is pecking at the vitals of the sick man the Sparrow-hawk is brought down to scatter them, and when the rabbit, the great mischief-maker, is the evil genius, he is driven out by the Rabbit-hawk. Sometimes after the intruder has been thus expelled “a small portion still remains,” in the words of the formula, and accordingly the Whirlwind is called down from the treetops to carry the remnant to the uplands and there scatter it so that it shall never reappear. The hunter prays to the fire, from which he draws his omens; to the reed, from which he makes his arrows; to Tsu´l’kalû, the great lord of the game, and finally addresses in songs the very animals which he intends to kill. The lover prays to the Spider to hold fast the affections of his beloved one in the meshes of his web, or to the Moon, which looks down upon him in the dance. The warrior prays to the Red War-club, and the man about to set out on a dangerous expedition prays to the Cloud to envelop him and conceal him from his enemies.

Each spirit of good or evil has its distinct and appropriate place of residence. The Rabbit is declared to live in the broomsage on the hillside, the Fish dwells in a bend of the river under the pendant hemlock branches, the Terrapin lives in the great pond in the West, and the Whirlwind abides in the leafy treetops. Each disease animal, when driven away from his prey by some more powerful animal, endeavors to find shelter in his accustomed haunt. It must be stated here that the animals of the formulas are not the ordinary, everyday animals, but their great progenitors, who live in the upper world (galû´nlati) above the arch of the firmament.

COLOR SYMBOLISM

Color symbolism plays an important part in the shamanistic system of the Cherokees, no less than in that of other tribes. Each one of the cardinal points has its corresponding color and each color its symbolic meaning, so that each spirit invoked corresponds in color and local habitation with the characteristics imputed to him, and is connected with other spirits of the same name, but of other colors, living in other parts of the upper world and differing widely in their characteristics. Thus the Red Man, living in the east, is the spirit of power, triumph, and success, but the Black Man, in the West, is the spirit of death. The shaman therefore invokes the Red Man to the assistance of his client and consigns his enemy to the fatal influences of the Black Man.

The symbolic color system of the Cherokees, which will be explained more fully in connection with the formulas, is as follows:

There is a great diversity in the color systems of the various tribes, both as to the location and significance of the colors, but for obvious reasons black was generally taken as the symbol of death; while white and red signified, respectively, peace and war. It is somewhat remarkable that red was the emblem of power and triumph among the ancient Oriental nations no less than among the modern Cherokees.9

IMPORTANCE ATTACHED TO NAMES

In many of the formulas, especially those relating to love and to life-destroying, the shaman mentions the name and clan of his client, of the intended victim, or of the girl whose affections it is desired to win. The Indian regards his name, not as a mere label, but as a distinct part of his personality, just as much as are his eyes or his teeth, and believes that injury will result as surely from the malicious handling of his name as from a wound inflicted on any part of his physical organism. This belief was found among the various tribes from the Atlantic to the Pacific, and has occasioned a number of curious regulations in regard to the concealment and change of names. It may be on this account that both Powhatan and Pocahontas are known in history under assumed appellations, their true names having been concealed from the whites until the pseudonyms were too firmly established to be supplanted. Should his prayers have no apparent effect when treating a patient for some serious illness, the shaman sometimes concludes that the name is affected, and accordingly goes to water, with appropriate ceremonies, and christens the patient with a new name, by which he is henceforth to be known. He then begins afresh, repeating the formulas with the new name selected for the patient, in the confident hope that his efforts will be crowned with success.

LANGUAGE OF THE FORMULAS

A few words remain to be said in regard to the language of the formulas. They are full of archaic and figurative expressions, many of which are unintelligible to the common people, and some of which even the shamans themselves are now unable to explain. These archaic forms, like the old words used by our poets, lend a peculiar beauty which can hardly be rendered in a translation. They frequently throw light on the dialectic evolution of the language, as many words found now only in the nearly extinct Lower Cherokee dialect occur in formulas which in other respects are written in the Middle or Upper dialect. The R sound, the chief distinguishing characteristic of the old Lower dialect, of course does not occur, as there are no means of indicating it in the Cherokee syllabary. Those who are accustomed to look to the Bible for all beauty in sacred expression will be surprised to find that these formulas abound in the loftiest nights of poetic imagery. This is especially true of the prayers used to win the love of a woman or to destroy the life of an enemy, in which we find such expressions as—"Now your soul fades away—your spirit shall grow less and dwindle away, never to reappear;" “Let her be completely veiled in loneliness—O Black Spider, may you hold her soul in your web, so that it may never get through the meshes;” and the final declaration of the lover, “Your soul has come into the very center of my soul, never to turn away.”

In the translation it has been found advisable to retain as technical terms a few words which could not well be rendered literally, such as ada´wĕhĭ and ugistā´‘tĭ. These words will be found explained in the proper place. Transliterations of the Cherokee text of the formulas are given, but it must be distinctly understood that the translations are intended only as free renderings of the spirit of the originals, exact translations with grammatic and glossarial notes being deferred until a more extended study of the language has been made, when it is hoped to present with more exactness of detail the whole body of the formulas, of which the specimens here given are but a small portion.

The facsimile formulas are copies from the manuscripts now in possession of the Bureau of Ethnology, and the portraits are from photographs taken by the author in the field.

SPECIMEN FORMULAS

NOTE ON THE ORTHOGRAPHY AND TRANSLATION

In the Cherokee text both d and g have a medial sound, approximating the sounds of t and k respectively. The other letters are pronounced in regular accordance with the alphabet of the Bureau of Ethnology. The language abounds in nasal and aspirate sounds, the most difficult of the latter being the aspirate ‘l, which to one familiar only with English sounds like tl.

A few words whose meaning could not be satisfactorily ascertained have been distinctively indicated in the Cherokee text by means of italics. In the translation the corresponding expression has been queried, or the space left entirely blank. On examining the text the student can not fail to be struck by the great number of verbs ending in iga. This is a peculiar form hardly ever used excepting in these formulas, where almost every paragraph contains one or more such verbs. It implies that the subject has just come and is now performing the action, and that he came for that purpose. In addition to this, many of these verbs may be either assertive or imperative (expressing entreaty), according to the accent. Thus hatû´ngani´ga means “you have just come and are listening and it is for that purpose you came.” By slightly accenting the final syllable it becomes “come at once to listen.” It will thus be seen that the great majority of the formulas are declarative rather than petitional in form—laudatory rhapsodies instead of prayers, in the ordinary sense of the word.

MEDICINE

DIDÛnLĔ´SKĭ ADANÛn´WÂTĭ KANÂHĔ´SKĭ

Sgĕ! Ha-Nûndâgû´nyĭ tsûl‘dâ´histĭ, Gi´‘lĭ Gigage´ĭ, hanâ´gwa hatû´ngani´ga usĭnuli´yu. Hida´wĕhi-gâgû´, gahu´stĭ tsan´ultĭ nige´sûnna. Ha-diskwûlti´yû tĭ´nanugagĭ´, ase´gwû nige´sûnna tsagista´‘tĭ adûnni´ga. Ulsg´eta hûnhihyû´nstani´ga. Ha-usdig´iyu-gwû ha-e´lawastû´n iytû´nta dûhilâ´hĭstani´ga.

Sgĕ! Ha-Uhûntsâ´yĭ tsûl‘dâ´histĭ Gi´‘lĭ Sa‘ka´nĭ, hanâ´gwa hatû´ngani´ga usĭnuli´yu. Hida´wĕhi-gâgû´, gahu´stĭ tsanu´ltĭ nige´sûnna. Diskwûlti´yû ti´nanugai´, ase´gwû nige´sûnna tsagista´‘tĭ adûnni´ga. Ulsge´ta hûnhihyûnstani´ga. Ha-usdigi´yu-gwû ha-e´lawastû´n iyû´ta dûhitâ´hĭstani´ga.

Sgĕ! (Ha)-Usûhi´(-yĭ) tsûl‘dâ´histĭ, Gi‘l´ĭ Gûnnage´ĭ, hanâ´gwa hatû´ngani´ga usĭnuli´yû. Hida´wĕhi-gâgû´, gahu´sti tsanu´ltĭ nige´sû´nna. Diskwûlti´yû tinanugagĭ´, ase´gwû nige´sûnna tsagista´‘tĭ adûnni´ga. Ulsg´eta hûnhihyûnstani´ga. Ha-usdigi´yu-gwû ha-e´lawastû´n iyû´nta dûhitâ´hĭstani´ga.

Sgĕ! Wa´hală´ tsûl‘dâ´histĭ, Gi´‘lĭ Tsûne´ga, hanâ´gwa hatû´ngani´ga usĭnuli´yu. Hida´wĕhi-gâgû´, gahu´stĭ tsanu´ltĭ nige´sûnna. Diskwûlti´yû ti´nanugagĭ´, ase´gwû nige´sûnna tsagista´‘tĭ adûnni´ga. Ha-ulsge´ta hûnhihyû´nstani´ga. Ha-usdigi´yu-gwû e´lawastû´n iyû´nta dûhitâ´hĭstani´ga.

Sgĕ! Wa´hală tsûl‘dâ´histĭ Tû´ksĭ Tsûne´ga, hanâ´gwa hatû´ngani´ga usĭnuli´yu. Hida´wĕhi-gâgû´, gahu´stĭ tsanu´ltĭ nige´sûnna. Ha-kâ´lû gayûske´ta tsatûn´neli´ga. Utsĭna´wa nu´tatănû´nta.

(Degâsisisgû´nĭ.)—Tûksĭ uhya´ska gûnsta‘tĭ´ na´skĭ igahi´ta gunstâ´ĭ hĭ´skĭ iyuntale´gĭ tsûntûngi´ya. Ûnskwû´ta kĭlû´ atsâ´tastĭ sâ´gwa iyûtsâ´tastĭ, nû´‘kĭ igû´nkta‘tĭ, naski-gwû´ diûnlĕ´nĭskâhĭ´ igûnyi´yĭ tsale´nihû. Nû´‘kine ûnskwû´ta kĭlû´ nû´‘kĭ iyatsâ´tastĭ. Uhyaskâ´hi-‘nû ade´la degû‘la´ĭ tă´lĭ unine´ga-gwû´ nû´nwâti-‘nû´ higûnehâ´ĭ uhyaskâ´hĭ usdi´a-gwû. Une´lagi-‘nû sâĭ´ agadâ´ĭ agadi´dĭ û´nti-gwû´ yĭkĭ´ âsi´yu-gwû na´ski-‘nû aganûnli´eskâ´ĭ da´gûnstanehû´nĭ ŭ‘taâ´ta. Hiă‘-nû´ nû´nwâtĭ: Yâ´na-Unatsĕsdâ´gĭ tsana´sehâ´ĭ sâ´i-‘nû Kâ´ga-Asgû´ntagĕ tsana´sehâ´ĭ, sâi-‘nû´ Egû´nli-gwû, sâi-nû´ (U)wa´sgilĭ tsĭgĭ´ Egû´nlĭ Usdi´a tsĭgĭ´, nûnyâ´hi-‘nû tsuyĕ‘dâ´ĭ Yâ´na-Utsĕsdâgĭ naskiyû´ tsĭgĭ´, usdi´-gwû tsĭgĭ´. Egû´nlĭ (u)wa´sgilĭ tsĭgĭ´; sâ´ĭ Wâ´tige Unas(te´)tsa tsĭgĭ´, sâ´i-‘nû Û´nage Tsunaste´tsa, Niga´ta unaste´tsa gesâ´ĭ.

Sunale´-gwû ale´ndĭ adanû´nwâtĭ; tă´line e´ladĭ tsitkala´ĭ; tsâ´ine u´lsaladĭ´‘satû´; nû´‘kine igû´ ts´kalâ´ĭ. Yeli´gwû´ igesâ´ĭ. Nû´lstâiyanû´na gesâ´ĭ akanûnwi´skĭ, nasgwû´ nulstaiyanû´na.

Translation

FORMULA FOR TREATING THE CRIPPLER (RHEUMATISM)

Listen! Ha! In the Sun Land you repose, O Red Dog, O now you have swiftly drawn near to hearken. O great ada´wĕhĭ10, you never fail in anything. O, appear and draw near running, for your prey never escapes. You are now come to remove the intruder. Ha! You have settled a very small part of it far off there at the end of the earth.

Listen! Ha! In the Frigid Land you repose, O Blue Dog. O now you have swiftly drawn near to hearken, O great ada´wĕhĭ, you never fail in anything. O, appear and draw near running, for your prey never escapes. You are now come to remove the intruder. Ha! You have settled a very small part of it far off there at the end of the earth.

Listen! Ha! In the darkening land you repose, O Black Dog. O, now you have swiftly drawn near to hearken. O great ada´wĕhĭ, you never fail in anything. O, appear and draw near running, for your prey never escapes. You are now come to remove the intruder. Ha! You have settled a very small part of it far off there at the end of the earth.

Listen! On Wa´hală you repose. O White Dog. Oh, now you have swiftly drawn near to hearken. O great ada´wĕhĭ, you never fail in anything. Oh, appear and draw near running, for your prey never escapes. You are now come to remove the intruder. Ha! You have settled a very small part of it far off there at the end of the earth.

Listen! On Wa´hală, you repose, O White Terrapin. O, now you have swiftly drawn near to hearken. O great ada´wĕhĭ, you never fail in anything. Ha! It is for you to loosen its hold on the bone. Belief is accomplished.

(Prescription.)—Lay a terrapin shell upon (the spot) and keep it there while the five kinds (of spirits) listen. On finishing, then blow once. Repeat four times, beginning each time from the start. On finishing the fourth time, then blow four times. Have two white beads lying in the shell, together with a little of the medicine. Don’t interfere with it, but have a good deal boiling in another vessel—a bowl will do very well—and rub it on warm while treating by applying the hands. And this is the medicine: What is called Yâ´na-Utsĕ´sta ("bear’s bed," the Aspidium acrostichoides or Christmas fern); and the other is called Kâ´ga-Asgû´ntagĭ ("crow’s shin," the Adianthum pedatum or Maidenhair fern); and the other is the common Egû´nlĭ (another fern); and the other is the Little Soft (-leaved) Egû´nlĭ (Osmunda Cinnamonea or cinnamon fern), which grows in the rocks and resembles Yâna-Utsĕ´sta and is a small and soft (-leaved) Egû´nlĭ. Another has brown roots and another has black roots. The roots of all should be (used).

Begin doctoring early in the morning; let the second (application) be while the sun is still near the horizon; the third when it has risen to a considerable height (10 a.m.); the fourth when it is above at noon. This is sufficient. (The doctor) must not eat, and the patient also must be fasting.

Explanation

As this formula is taken from the manuscript of Gahuni, who died nearly thirty years ago, no definite statement of the theory of the disease, or its treatment, can be given, beyond what is contained in the formula itself, which, fortunately, is particularly explicit; most doctors contenting themselves with giving only the words of the prayer, without noting the ceremonies or even the medicine used. There are various theories as to the cause of each disease, the most common idea in regard to rheumatism being that it is caused by the spirits of the slain animals, generally the deer, thirsting for vengeance on the hunter, as has been already explained in the myth of the origin of disease and medicine.

The measuring-worm (Catharis) is also held to cause rheumatism, from the resemblance of its motions to those of a rheumatic patient, and the name of the worm wahhĭlĭ´ is frequently applied also to the disease.

There are formulas to propitiate the slain animals, but these are a part of the hunting code and can only be noticed here, although it may be mentioned in passing that the hunter, when about to return to the settlement, builds a fire in the path behind him, in order that the deer chief may not be able to follow him to his home.

The disease, figuratively called the intruder (ulsgéta), is regarded as a living being, and the verbs used in speaking of it show that it is considered to be long, like a snake or fish. It is brought by the deer chief and put into the body, generally the limbs, of the hunter, who at once begins to suffer intense pain. It can be driven out only by some more powerful animal spirit which is the natural enemy of the deer, usually the dog or the Wolf. These animal gods live up above beyond the seventh heaven and are the great prototypes of which the earthly animals are only diminutive copies. They are commonly located at the four cardinal points, each of which has a peculiar formulistic name and a special color which applies to everything in the same connection. Thus the east, north, west, and south are respectively the Sun Land, the Frigid Land, the Darkening Land, and Wă´hală´, while their respective mythologic colors are Red, Blue, Black, and White. Wáhală is said to be a mountain far to the south. The white or red spirits are generally invoked for peace, health, and other blessings, the red alone for the success of an undertaking, the blue spirits to defeat the schemes of an enemy or bring down troubles upon him, and the black to compass his death. The white and red spirits are regarded as the most powerful, and one of these two is generally called upon to accomplish the final result.

In this case the doctor first invokes the Red Dog in the Sun Land, calling him a great adáwehi, to whom nothing is impossible and who never fails to accomplish his purpose. He is addressed as if out of sight in the distance and is implored to appear running swiftly to the help of the sick man. Then the supplication changes to an assertion and the doctor declares that the Red Dog has already arrived to take the disease and has borne away a small portion of it to the uttermost ends of the earth. In the second, third, and fourth paragraphs the Blue Dog of the Frigid Land, the Black Dog of the Darkening Land, and the White Dog of Wáhală are successively invoked in the same terms and each bears away a portion of the disease and disposes of it in the same way. Finally, in the fifth paragraph, the White Terrapin of Wáhălă is invoked. He bears off the remainder of the disease and the doctor declares that relief is accomplished. The connection of the terrapin in this formula is not evident, beyond the fact that he is regarded as having great influence in disease, and in this case the beads and a portion of the medicine are kept in a terrapin shell placed upon the diseased part while the prayer is being recited.

The formulas generally consist of four paragraphs, corresponding to four steps in the medical ceremony. In this case there are five, the last being addressed to the terrapin instead of to a dog. The prayers are recited in an undertone hardly audible at the distance of a few feet, with the exception of the frequent ha, which seems to be used as an interjection to attract attention and is always uttered in a louder tone. The beads—which are here white, symbolic of relief—are of common use in connection with these formulas, and are held between the thumb and finger, placed upon a cloth on the ground, or, as in this case, put into a terrapin shell along with a small portion of the medicine. According to directions, the shell has no other part in the ceremony.

The blowing is also a regular part of the treatment, the doctor either holding the medicine in his mouth and blowing it upon the patient, or, as it seems to be the case here, applying the medicine by rubbing, and blowing his breath upon the spot afterwards. In some formulas the simple blowing of the breath constitutes the whole application. In this instance the doctor probably rubs the medicine upon the affected part while reciting the first paragraph in a whisper, after which he blows once upon the spot. The other paragraphs are recited in the same manner, blowing once after each. In this way the whole formula is repeated four times, with four blows at the end of the final repetition. The directions imply that the doctor blows only at the end of the whole formula, but this is not in accord with the regular mode of procedure and seems to be a mistake.

The medicine consists of a warm decoction of the roots of four varieties of fern, rubbed on with the hand. The awkward description of the species shows how limited is the Indian’s power of botanic classification. The application is repeated four times during the same morning, beginning just at daybreak and ending at noon. Four is the sacred number running through every detail of these formulas, there being commonly four spirits invoked in four paragraphs, four blowings with four final blows, four herbs in the decoction, four applications, and frequently four days’ gaktun´ta or tabu. In this case no tabu is specified beyond the fact that both doctor and patient must be fasting. The tabu generally extends to salt or lye, hot food and women, while in rheumatism some doctors forbid the patient to eat the foot or leg of any animal, the reason given being that the limbs are generally the seat of the disease. For a similar reason the patient is also forbidden to eat or even to touch a squirrel, a buffalo, a cat, or any animal which “humps” itself. In the same way a scrofulous patient must not eat turkey, as that bird seems to have a scrofulous eruption on its head, while ball players must abstain from eating frogs, because the bones of that animal are brittle and easily broken.

HIĂ‘-NÛ´ NASGWÛ´ DIDÛnLĔ´SKĬ ADĂNÛ´nWÂTĬ

Asga´ya yûkanû´nwĭAgĕ´‘ya Giagage´ĭ atătĭ´;agĕ´‘ya-nû yûkanû´nwĭAsga´ya Gigage´ĭ atătĭ´.

Yû! Higĕ´‘ya Gigage´ĭ tsûdante´lûhĭ gese´ĭ. Ulsge´ta hi´tsanu´y’tani´leĭ´. Ha-Nûndâgû´nyĭ nûnta´tsûdălenû´hĭ gese´ĭ. Gasgilâ´ gigage´ĭ tsusdi´ga tetsadĭ´ilĕ´ detsala´siditĕ-gĕ´ĭ. Hanâ´gwa usĭnuli´yu detsaldisi´yûĭ.

Utsĭ(nă´)wa nu´tatanû´nta. Usû´hita nutanû´na. Utsĭnă´wa-gwû nigûntisge´stĭ.

(Degâ´sisisgû´nĭ)—Hiă-gwû´ nigaû´ kanâhe´ta. Nû´‘kiba nagû´nkw’tisga´ dagû´nstiskû´ĭ. Sâ´gwa nûnskwû´ta gûnstû´nĭ agûnstagi´s-kâĭ hûntsatasgâ´ĭ nû´‘kine-‘nû ûnskwû´ta nû´‘kĭ nûntsâtasgâ´ĭ. Hiă-‘nû´ nû´nwâtĭ: Egû´nlĭ, Yâ´na-‘nû Utsĕsdâ´gĭ, (U)wa´sgilĭ tsĭgĭ´ Egû´nlĭ, tă´lĭ tsinu´dalĕ´ha, Kâ´ga-‘nû Asgû´ntagĕ tsiûnnâ´sehâ´ĭ, Da´yĭ-‘nû Uwâ´yĭ tsiûnnâ´sehâ´ĭ. Su´talĭ iyutale´gĭ unaste´tsa agâ´tĭ, uga´nawû‘nû´ dagûnsta´‘tisgâ´ĭ nû´nwâtĭ asûnga‘la´ĭ. Usû´hĭ adanû´nwâtĭ, nu´‘kĭ tsusû´hita dulsi´nisû´n adanû´nwâti. Ă‘nawa´gi-‘nû dilasula´gĭ gesû´nĭ ûlĕ´ tsĭkani´kaga´ĭ gûw’sdi´-gwû utsawa´ta ă‘nawa´-gwû-nû´.

Hiă-nû´ gaktû´nta gûlkwâ´gĭ tsusû´hita. Gû´nwădana´datlahistĭ´ nige´sûnna—Salâ´lĭ, gi´‘li-‘nû, wĕ´sa-‘nû, ă´tatsû-nû´, a´mă-‘nû´, anigĕ´‘ya-nû. Uda‘lĭ´ ya´kanûnwi´ya nû´‘kiha tsusû´hita unădană´lâtsi´-tastĭ nige´sûnna. Gasgilâ´gi-‘nû uwă´sun-gwû´ u´skĭladi´stĭ uwă´sû nû´‘kĭ tsusû´hită´. Disâ´i-‘nû dega´sgilâ û´ntsa nû‘nă´ uwa´‘tĭ yigesûĭ nû´‘kĭ tsusû´hita.

Translation

AND THIS ALSO IS FOR TREATING THE CRIPPLER

Yû! O Red Woman, you have caused it. You have put the intruder under him. Ha! now you have come from the Sun Land. You have brought the small red seats, with your feet resting upon them. Ha! now they have swiftly moved away from you. Relief is accomplished. Let it not be for one night alone. Let the relief come at once.