Wolfert's Roost, and Miscellanies

He could now no longer doubt the fact that, somehow or other, he had skipped over a whole century, during the night he had spent at the Island of the Seven Cities; and he was now as complete a stranger in his native city, as if he had never been there. A thousand times did he wish himself back to that wonderful island, with its antiquated banquet halls, where he had been so courteously received; and now that the once young and beautiful Serafina was nothing but a great-grandmother in marble, with generations of descendants, a thousand times would he recall the melting black eyes of the Alcayde's daughter, who doubtless, like himself, was still flourishing in fresh juvenility, and breathe a secret wish that he were seated by her side.

He would at once have set on foot another expedition, at his own expense, to cruise in search of the sainted island, but his means were exhausted. He endeavored to rouse others to the enterprise, setting forth the certainty of profitable results, of which his own experience furnished such unquestionable proof. Alas! no one would give faith to his tale; but looked upon it as the feverish dream of a shipwrecked man. He persisted in his efforts; holding forth in all places and all companies, until he became an object of jest and jeer to the light-minded, who mistook his earnest enthusiasm for a proof of insanity; and the very children in the streets bantered him with the title of "The Adelantado of the Seven Cities."

Finding all his efforts in vain, in his native city of Lisbon, he took shipping for the Canaries, as being nearer the latitude of his former cruise, and inhabited by people given to nautical adventure. Here he found ready listeners to his story; for the old pilots and mariners of those parts were notorious island-hunters and devout believers in all the wonders of the seas. Indeed, one and all treated his adventure as a common occurrence, and turning to each other, with a sagacious nod of the head, observed, "He has been at the Island of St. Brandan."

They then went on to inform him of that great marvel and enigma of the ocean; of its repeated appearance to the inhabitants of their islands; and of the many but ineffectual expeditions that had been made in search of it. They took him to a promontory of the island of Palma, from whence the shadowy St. Brandan had oftenest been descried, and they pointed out the very tract in the west where its mountains had been seen.

Don Fernando listened with rapt attention. He had no longer a doubt that this mysterious and fugacious island must be the same with that of the Seven Cities; and that there must be some supernatural influence connected with it, that had operated upon himself, and made the events of a night occupy the space of a century.

He endeavored, but in vain, to rouse the islanders to another attempt at discovery; they had given up the phantom island as indeed inaccessible. Fernando, however, was not to be discouraged. The idea wore itself deeper and deeper in his mind, until it became the engrossing subject of his thoughts and object of his being. Every morning he would repair to the promontory of Palma, and sit there throughout the live-long day, in hopes of seeing the fairy mountains of St. Brandan peering above the horizon; every evening he returned to his home, a disappointed man, but ready to resume his post on the following morning.

His assiduity was all in vain. He grew gray in his ineffectual attempt; and was at length found dead at his post. His grave is still shown in the island of Palma, and a cross is erected on the spot where he used to sit and look out upon the sea, in hopes of the reappearance of the enchanted island.

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NATIONAL NOMENCLATURE

TO THE EDITOR OF THE KNICKERBOCKER

Sir: I am somewhat of the same way of thinking, in regard to names, with that profound philosopher, Mr. Shandy, the elder, who maintained that some inspired high thoughts and heroic aims, while others entailed irretrievable meanness and vulgarity; insomuch that a man might sink under the insignificance of his name, and be absolutely "Nicodemused into nothing." I have ever, therefore, thought it a great hardship for a man to be obliged to struggle through life with some ridiculous or ignoble Christian name, as it is too often falsely called, inflicted on him in infancy, when he could not choose for himself; and would give him free liberty to change it for one more to his taste, when he had arrived at years of discretion.

I have the same notion with respect to local names. Some at once prepossess us in favor of a place; others repel us, by unlucky associations of the mind; and I have known scenes worthy of being the very haunt of poetry and romance, yet doomed to irretrievable vulgarity, by some ill-chosen name, which not even the magic numbers of a Halleck or a Bryant could elevate into poetical acceptation.

This is an evil unfortunately too prevalent throughout our country. Nature has stamped the land with features of sublimity and beauty; but some of our noblest mountains and loveliest streams are in danger of remaining for ever unhonored and unsung, from bearing appellations totally abhorrent to the Muse. In the first place, our country is deluged with names taken from places in the old world, and applied to places having no possible affinity or resemblance to their namesakes. This betokens a forlorn poverty of invention, and a second-hand spirit, content to cover its nakedness with borrowed or cast-off clothes of Europe.

Then we have a shallow affectation of scholarship: the whole catalogue of ancient worthies is shaken out from the back of Lempriere's Classical Dictionary, and a wide region of wild country sprinkled over with the names of the heroes, poets, and sages of antiquity, jumbled into the most whimsical juxtaposition. Then we have our political god-fathers; topographical engineers, perhaps, or persons employed by government to survey and lay out townships. These, forsooth, glorify the patrons that give them bread; so we have the names of the great official men of the day scattered over the land, as if they were the real "salt of the earth," with which it was to be seasoned. Well for us is it, when these official great men happen to have names of fair acceptation; but wo unto us, should a Tubbs or a Potts be in power: we are sure, in a little while, to find Tubbsvilles and Pottsylvanias springing up in every direction.

Under these melancholy dispensations of taste and loyalty, therefore, Mr. Editor, it is with a feeling of dawning hope, that I have lately perceived the attention of persons of intelligence beginning to be awakened on this subject. I trust if the matter should once be taken up, it will not be readily abandoned. We are yet young enough, as a country, to remedy and reform much of what has been done, and to release many of our rising towns and cities, and our noble streams, from names calculated to vulgarize the land.

I have, on a former occasion, suggested the expediency of searching out the original Indian names of places, and wherever they are striking and euphonious, and those by which they have been superseded are glaringly objectionable, to restore them. They would have the merit of originality, and of belonging to the country; and they would remain as reliques of the native lords of the soil, when every other vestige had disappeared. Many of these names may easily be regained, by reference to old title deeds, and to the archives of states and counties. In my own case, by examining the records of the county clerk's office, I have discovered the Indian names of various places and objects in the neighborhood, and have found them infinitely superior to the trite, poverty-stricken names which had been given by the settlers. A beautiful pastoral stream, for instance, which winds for many a mile through one of the loveliest little valleys in the state, has long been known by the common-place name of the "Saw-mill River." In the old Indian grants, it is designated as the Neperan. Another, a perfectly wizard stream, which winds through the wildest recesses of Sleepy Hollow, bears the hum-drum name of Mill Creek: in the Indian grants, it sustains the euphonious title of the Pocantico.

Similar researches have released Long-Island from many of those paltry and vulgar names which fringed its beautiful shores; their Cow Bays, and Cow Necks, and Oyster Ponds, and Mosquito Coves, which spread a spell of vulgarity over the whole island, and kept persons of taste and fancy at a distance.

It would be an object worthy the attention of the historical societies, which are springing up in various parts of the Union, to have maps executed of their respective states or neighborhoods, in which all the Indian local names should, as far as possible, be restored. In fact, it appears to me that the nomenclature of the country is almost of sufficient importance for the foundation of a distinct society; or rather, a corresponding association of persons of taste and judgment, of all parts of the Union. Such an association, if properly constituted and composed, comprising especially all the literary talent of the country, though it might not have legislative power in its enactments, yet would have the all-pervading power of the press; and the changes in nomenclature which it might dictate, being at once adopted by elegant writers in prose and poetry, and interwoven with the literature of the country, would ultimately pass into popular currency.

Should such a reforming association arise, I beg to recommend to its attention all those mongrel names that have the adjective New prefixed to them, and pray they may be one and all kicked out of the country. I am for none of these second-hand appellations, that stamp us a second-hand people, and that are to perpetuate us a new country to the end of time. Odds my life! Mr. Editor, I hope and trust we are to live to be an old nation, as well as our neighbors, and have no idea that our cities, when they shall have attained to venerable antiquity, shall still be dubbed New-York, and New-London, and new this and new that, like the Pont-Neuf, (the New Bridge,) at Paris, which is the oldest bridge in that capital, or like the Vicar of Wakefield's horse, which continued to be called "the colt," until he died of old age.

Speaking of New-York, reminds me of some observations which I met with some time since, in one of the public papers, about the name of our state and city. The writer proposes to substitute for the present names, those of the State of Ontario, and the CITY OF MANHATTAN. I concur in his suggestion most heartily. Though born and brought up in the city of New-York, and though I love every stick and stone about it, yet I do not, nor ever did, relish its name. I like neither its sound nor its significance. As to its significance, the very adjective new gives to our great commercial metropolis a second-hand character, as if referring to some older, more dignified, and important place, of which it was a mere copy; though in fact, if I am rightly informed, the whole name commemorates a grant by Charles II. to his brother, the duke of York, made in the spirit of royal munificence, of a tract of country which did not belong to him. As to the sound, what can you make of it, either in poetry or prose? New-York! Why, Sir, if it were to share the fate of Troy itself; to suffer a ten years' siege, and be sacked and plundered; no modern Homer would ever be able to elevate the name to epic dignity.

Now, Sir, ONTARIO would be a name worthy of the empire state. It bears with it the majesty of that internal sea which washes our northwestern shore. Or, if any objection should be made, from its not being completely embraced within our boundaries, there is the MOHEGAN, one of the Indian names for that glorious river, the Hudson, which would furnish an excellent state appellation. So also New-York might be called Manhatta, as it is named in some of the early records, and Manhattan used as the adjective. Manhattan, however, stands well as a substantive, and "Manhattanese," which I observe Mr. COOPER has adopted in some of his writings, would be a very good appellation for a citizen of the commercial metropolis.

A word or two more, Mr. Editor, and I have done. We want a NATIONAL NAME. We want it poetically, and we want it politically. With the poetical necessity of the case I shall not trouble myself. I leave it to our poets to tell how they manage to steer that collocation of words, "The United States of North America," down the swelling tide of song, and to float the whole raft out upon the sea of heroic poesy. I am now speaking of the mere purposes of common life. How is a citizen of this republic to designate himself? As an American? There are two Americas, each subdivided into various empires, rapidly rising in importance. As a citizen of the United States? It is a clumsy, lumbering title, yet still it is not distinctive; for we have now the United States of Central America; and heaven knows how many "United States" may spring up under the Proteus changes of Spanish America.

This may appear matter of small concernment; but any one that has travelled in foreign countries must be conscious of the embarrassment and circumlocution sometimes occasioned by the want of a perfectly distinct and explicit national appellation. In France, when I have announced myself as an American, I have been supposed to belong to one of the French colonies; in Spain, to be from Mexico, or Peru, or some other Spanish-American country. Repeatedly have I found myself involved in a long geographical and political definition of my national identity.

Now, Sir, meaning no disrespect to any of our co-heirs of this great quarter of the world, I am for none of this coparceny in a name that is to mingle us up with the riff-raff colonies and off-sets of every nation of Europe. The title of American may serve to tell the quarter of the world to which I belong, the same as a Frenchman or an Englishman may call himself a European; but I want my own peculiar national name to rally under. I want an appellation that shall tell at once, and in a way not to be mistaken, that I belong to this very portion of America, geographical and political, to which it is my pride and happiness to belong; that I am of the Anglo-Saxon race which founded this Anglo-Saxon empire in the wilderness; and that I have no part or parcel with any other race or empire, Spanish, French, or Portuguese, in either of the Americas. Such an appellation, Sir, would have magic in it. It would bind every part of the confederacy together as with a keystone; it would be a passport to the citizen of our republic throughout the world.

We have it in our power to furnish ourselves with such a national appellation, from one of the grand and eternal features of our country; from that noble chain of mountains which formed its back-bone, and ran through the "old confederacy," when it first declared our national independence. I allude to the Appalachian or Alleghany mountains. We might do this without any very inconvenient change in our present titles. We might still use the phrase, "The United States," substituting Appalachia, or Alleghania, (I should prefer the latter,) in place of America. The title of Appalachian, or Alleghanian, would still announce us as Americans, but would specify us as citizens of the Great Republic. Even our old national cypher of U. S. A. might remain unaltered, designating the United States of Alleghania.

These are crude ideas, Mr. Editor, hastily thrown out to elicit the ideas of others, and to call attention to a subject of more national importance than may at first be supposed.

Very respectfully yours,

Geoffrey Crayon.

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DESULTORY THOUGHTS ON CRITICISM

"Let a man write never so well, there are now-a-days a sort of persons they call critics, that, egad, have no more wit in them than so many hobby-horses: but they'll laugh at you, Sir, and find fault, and censure things, that, egad, I'm sure they are not able to do themselves; a sort of envious persons, that emulate the glories of persons of parts, and think to build their fame by calumniation of persons that, egad, to my knowledge, of all persons in the world, are in nature the persons that do as much despise all that, as – a – In fine, I'll say no more of 'em!" – REHEARSAL.

All the world knows the story of the tempest-tossed voyager, who, coming upon a strange coast, and seeing a man hanging in chains, hailed it with joy, as the sign of a civilized country. In like manner we may hail, as a proof of the rapid advancement of civilization and refinement in this country, the increasing number of delinquent authors daily gibbeted for the edification of the public.

In this respect, as in every other, we are "going ahead" with accelerated velocity, and promising to outstrip the superannuated countries of Europe. It is really astonishing to see the number of tribunals incessantly springing up for the trial of literary offences. Independent of the high courts of Oyer and Terminer, the great quarterly reviews, we have innumerable minor tribunals, monthly and weekly, down to the Pie-poudre courts in the daily papers; insomuch that no culprit stands so little chance of escaping castigation, as an unlucky author, guilty of an unsuccessful attempt to please the public.

Seriously speaking, however, it is questionable whether our national literature is sufficiently advanced, to bear this excess of criticism; and whether it would not thrive better, if allowed to spring up, for some time longer, in the freshness and vigor of native vegetation. When the worthy Judge Coulter, of Virginia, opened court for the first time in one of the upper counties, he was for enforcing all the rules and regulations that had grown into use in the old, long-settled counties. "This is all very well," said a shrewd old farmer; "but let me tell you, Judge Coulter, you set your coulter too deep for a new soil."

For my part, I doubt whether either writer or reader is benefited by what is commonly called criticism. The former is rendered cautious and distrustful; he fears to give way to those kindling emotions, and brave sallies of thought, which bear him up to excellence; the latter is made fastidious and cynical; or rather, he surrenders his own independent taste and judgment, and learns to like and dislike at second hand.

Let us, for a moment, consider the nature of this thing called criticism, which exerts such a sway over the literary world. The pronoun we, used by critics, has a most imposing and delusive sound. The reader pictures to himself a conclave of learned men, deliberating gravely and scrupulously on the merits of the book in question; examining it page by page, comparing and balancing their opinions, and when they have united in a conscientious verdict, publishing it for the benefit of the world: whereas the criticism is generally the crude and hasty production of an individual, scribbling to while away an idle hour, to oblige a book-seller, or to defray current expenses. How often is it the passing notion of the hour, affected by accidental circumstances; by indisposition, by peevishness, by vapors or indigestion; by personal prejudice, or party feeling. Sometimes a work is sacrificed, because the reviewer wishes a satirical article; sometimes because he wants a humorous one; and sometimes because the author reviewed has become offensively celebrated, and offers high game to the literary marksman.

How often would the critic himself, if a conscientious man, reverse his opinion, had he time to revise it in a more sunny moment; but the press is waiting, the printer's devil is at his elbow; the article is wanted to make the requisite variety for the number of the review, or the author has pressing occasion for the sum he is to receive for the article, so it is sent off, all blotted and blurred; with a shrug of the shoulders, and the consolatory ejaculation: "Pshaw! curse it! it's nothing but a review!"

The critic, too, who dictates thus oracularly to the world, is perhaps some dingy, ill-favored, ill-mannered varlet, who, were he to speak by word of mouth, would be disregarded, if not scoffed at; but such is the magic of types; such the mystic operation of anonymous writing; such the potential effect of the pronoun we, that his crude decisions, fulminated through the press, become circulated far and wide, control the opinions of the world, and give or destroy reputation.

Many readers have grown timorous in their judgments since the all-pervading currency of criticism. They fear to express a revised, frank opinion about any new work, and to relish it honestly and heartily, lest it should be condemned in the next review, and they stand convicted of bad taste. Hence they hedge their opinions, like a gambler his bets, and leave an opening to retract, and retreat, and qualify, and neutralise every unguarded expression of delight, until their very praise declines into a faintness that is damning.

Were every one, on the contrary, to judge for himself, and speak his mind frankly and fearlessly, we should have more true criticism in the world than at present. Whenever a person is pleased with a work, he may be assured that it has good qualities. An author who pleases a variety of readers, must possess substantial powers of pleasing; or, in other words, intrinsic merits; for otherwise we acknowledge an effect, and deny the cause. The reader, therefore, should not suffer himself to be readily shaken from the conviction of his own feelings, by the sweeping censures of pseudo critics. The author he has admired, may be chargeable with a thousand faults; but it is nevertheless beauties and excellencies that have excited his admiration; and he should recollect that taste and judgment are as much evinced in the perception of beauties among defects, as in a detection of defects among beauties. For my part, I honor the blessed and blessing spirit that is quick to discover and extol all that is pleasing and meritorious. Give me the honest bee, that extracts honey from the humblest weed, but save me from the ingenuity of the spider, which traces its venom, even in the midst of a flower-garden.

If the mere fact of being chargeable with faults and imperfections is to condemn an author, who is to escape? The greatest writers of antiquity have, in this way, been obnoxious to criticism. Aristotle himself has been accused of ignorance; Aristophanes of impiety and buffoonery; Virgil of plagiarism, and a want of invention; Horace of obscurity; Cicero has been, said to want vigor and connexion, and Demosthenes to be deficient in nature, and in purity of language. Yet these have all survived the censures of the critic, and flourished on to a glorious immortality. Every now and then the world is startled by some new doctrines in matters of taste, some levelling attacks on established creeds; some sweeping denunciations of whole generations, or schools of writers, as they are called, who had seemed to be embalmed and canonized in public opinion. Such has been the case, for instance, with Pope, and Dryden, and Addison, who for a time have almost been shaken from their pedestals, and treated as false idols.

It is singular, also, to see the fickleness of the world with respect to its favorites. Enthusiasm exhausts itself, and prepares the way for dislike. The public is always for positive sentiments, and new sensations. When wearied of admiring, it delights to censure; thus coining a double set of enjoyments out of the same subject. Scott and Byron are scarce cold in their graves, and already we find criticism beginning to call in question those powers which held the world in magic thraldom. Even in our own country, one of its greatest geniuses has had some rough passages with the censors of the press; and instantly criticism begins to unsay all that it has repeatedly said in his praise; and the public are almost led to believe that the pen which has so often delighted them, is absolutely destitute of the power to delight!

If, then, such reverses in opinion as to matters of taste can be so readily brought about, when may an author feel himself secure? Where is the anchoring-ground of popularity, when he may thus be driven from his moorings, and foundered even in harbor? The reader, too, when he is to consider himself safe in admiring, when he sees long-established altars overthrown, and his household deities dashed to the ground!

There is one consolatory reflection. Every abuse carries with it its own remedy or palliation. Thus the excess of crude and hasty criticism, which has of late prevailed throughout the literary world, and threatened to overrun our country, begins to produce its own antidote. Where there is a multiplicity of contradictory paths, a man must make his choice; in so doing, he has to exercise his judgment, and that is one great step to mental independence. He begins to doubt all, where all differ, and but one can be in the right. He is driven to trust to his own discernment, and his natural feelings; and here he is most likely to be safe. The author, too, finding that what is condemned at one tribunal, is applauded at another, though perplexed for a time, gives way at length to the spontaneous impulse of his genius, and the dictates of his taste, and writes in the way most natural to himself. It is thus that criticism, which by its severity may have held the little world of writers in check, may, by its very excess, disarm itself of its terrors, and the hardihood of talent become restored.