Wolfert's Roost, and Miscellanies

About this time, too, arrives the blue-bird, so poetically yet truly described by Wilson. His appearance gladdens the whole landscape. You hear his soft warble in every field. He sociably approaches your habitation, and takes up his residence in your vicinity. But why should I attempt to describe him, when I have Wilson's own graphic verses to place him before the reader?

  When winter's cold tempests and snows are no more,  Green meadows and brown furrowed fields re-appearing:  The fishermen hauling their shad to the shore,  And cloud-cleaving geese to the lakes are a-steering;  When first the lone butterfly flits on the wing,  When red glow the maples, so fresh and so pleasing,  O then comes the blue-bird, the herald of spring,  And hails with his warblings the charms of the season.  The loud-piping frogs make the marshes to ring;  Then warm glows the sunshine, and warm glows the weather;  The blue woodland flowers just beginning to spring,  And spice-wood and sassafras budding together;  O then to your gardens, ye housewives, repair,  Your walks border up, sow and plant at your leisure;  The blue-bird will chant from his box such an air,  That all your hard toils will seem truly a pleasure.  He flits through the orchard, he visits each tree,  The red flowering peach, and the apple's sweet blossoms;  He snaps up destroyers, wherever they be,  And seizes the caitiffs that lurk in their bosoms;  He drags the vile grub from the corn it devours,  The worms from the webs where they riot and welter;  His song and his services freely are ours,  And all that he asks is, in summer a shelter.  The ploughman is pleased when he gleams in his train,  Now searching the furrows, now mounting to cheer him;  The gard'ner delights in his sweet simple strain,  And leans on his spade to survey and to hear him.  The slow lingering school-boys forget they'll be chid,  While gazing intent, as he warbles before them,  In mantle of sky-blue, and bosom so red,  That each little loiterer seems to adore him.

The happiest bird of our spring, however, and one that rivals the European lark, in my estimation, is the Boblincon, or Boblink, as he is commonly called. He arrives at that choice portion of our year, which, in this latitude, answers to the description of the month of May, so often given by the poets. With us, it begins about the middle of May, and lasts until nearly the middle of June. Earlier than this, winter is apt to return on its traces, and to blight the opening beauties of the year; and later than this, begin the parching, and panting, and dissolving heats of summer. But in this genial interval, nature is in all her freshness and fragrance: "the rains are over and gone, the flowers appear upon the earth, the time of the singing of birds is come, and the voice of the turtle is heard in the land." The trees are now in their fullest foliage and brightest verdure; the woods are gay with the clustered flowers of the laurel; the air is perfumed by the sweet-briar and the wild rose; the meadows are enamelled with clover-blossoms; while the young apple, the peach, and the plum, begin to swell, and the cherry to glow, among the green leaves.

This is the chosen season of revelry of the Boblink. He comes amidst the pomp and fragrance of the season; his life seems all sensibility and enjoyment, all song and sunshine. He is to be found in the soft bosoms of the freshest and sweetest meadows; and is most in song when the clover is in blossom. He perches on the topmost twig of a tree, or on some long flaunting weed; and as he rises and sinks with the breeze, pours forth a succession of rich tinkling notes; crowding one upon another, like the outpouring melody of the skylark, and possessing the same rapturous character. Sometimes he pitches from the summit of a tree, begins his song as soon as he gets upon the wing, and flutters tremulously down to the earth, as if overcome with ecstasy at his own music. Sometimes he is in pursuit of his paramour; always in full song, as if he would win her by his melody; and always with the same appearance of intoxication and delight.

Of all the birds of our groves and meadows, the Boblink was the envy of my boyhood. He crossed my path in the sweetest weather, and the sweetest season of the year, when all nature called to the fields, and the rural feeling throbbed in every bosom; but when I, luckless urchin! was doomed to be mewed up, during the livelong day, in that purgatory of boyhood, a school-room. It seemed as if the little varlet mocked at me, as he flew by in full song, and sought to taunt me with his happier lot. Oh, how I envied him! No lessons, no tasks, no hateful school; nothing but holiday, frolic, green fields, and fine weather. Had I been then more versed in poetry, I might have addressed him in the words of Logan to the cuckoo:

  Sweet bird! thy bower is ever green,  Thy sky is ever clear;  Thou hast no sorrow in thy note,  No winter in thy year.  Oh! could I fly, I'd fly with thee;  We'd make, on joyful wing,  Our annual visit round the globe,  Companions of the spring!

Farther observation and experience have given me a different idea of this little feathered voluptuary, which I will venture to impart, for the benefit of my school-boy readers, who may regard him with the same unqualified envy and admiration which I once indulged. I have shown him only as I saw him at first, in what I may call the poetical part of his career, when he in a manner devoted himself to elegant pursuits and enjoyments, and was a bird of music, and song, and taste, and sensibility, and refinement. While this lasted, he was sacred from injury; the very school-boy would not fling a stone at him, and the merest rustic would pause to listen to his strain. But mark the difference. As the year advances, as the clover-blossoms disappear, and the spring fades into summer, his notes cease to vibrate on the ear. He gradually gives up his elegant tastes and habits, doffs his poetical and professional suit of black, assumes a russet or rather dusty garb, and enters into the gross enjoyments of common, vulgar birds. He becomes a bon-vivant, a mere gourmand; thinking of nothing but good cheer, and gormandizing on the seeds of the long grasses on which he lately swung, and chaunted so musically. He begins to think there is nothing like "the joys of the table," if I may be allowed to apply that convivial phrase to his indulgences. He now grows discontented with plain, every-day fare, and sets out on a gastronomical tour, in search of foreign luxuries. He is to be found in myriads among the reeds of the Delaware, banqueting on their seeds; grows corpulent with good feeding, and soon acquires the unlucky renown of the ortolan. Whereever he goes, pop! pop! pop! the rusty firelocks of the country are cracking on every side; he sees his companions falling by the thousands around him; he is the reed-bird, the much-sought-for tit-bit of the Pennsylvanian epicure.

Does he take warning and reform? Not he! He wings his flight still farther south, in search of other luxuries. We hear of him gorging himself in the rice swamps; filling himself with rice almost to bursting; he can hardly fly for corpulency. Last stage of his career, we hear of him spitted by dozens, and served up on the table of the gourmand, the most vaunted of southern dainties, the rice-bird of the Carolinas.

Such is the story of the once musical and admired, but finally sensual and persecuted Boblink. It contains a moral, worthy the attention of all little birds and little boys; warning them to keep to those refined and intellectual pursuits, which raised him to so high a pitch of popularity, during the early part of his career; but to eschew all tendency to that gross and dissipated indulgence, which brought this mistaken little bird to an untimely end.

Which is all at present, from the well-wisher of little boys and little birds,

GEOFFREY CRAYON.

* * * * *

RECOLLECTIONS OF THE ALHAMBRA

BY THE AUTHOR OF THE SKETCH-BOOK

During a summer's residence in the old Moorish palace of the Alhambra, of which I have already given numerous anecdotes to the public, I used to pass much of my time in the beautiful hall of the Abencerrages, beside the fountain celebrated in the tragic story of that devoted race. Here it was, that thirty-six cavaliers of that heroic line were treacherously sacrificed, to appease the jealousy or allay the fears of a tyrant. The fountain which now throws up its sparkling jet, and sheds a dewy freshness around, ran red with the noblest blood of Granada, and a deep stain on the marble pavement is still pointed out, by the cicerones of the pile, as a sanguinary record of the massacre. I have regarded it with the same determined faith with which I have regarded the traditional stains of Rizzio's blood on the floor of the chamber of the unfortunate Mary, at Holyrood. I thank no one for endeavoring to enlighten my credulity, on such points of popular belief. It is like breaking up the shrine of the pilgrim; it is robbing a poor traveller of half the reward of his toils; for, strip travelling of its historical illusions, and what a mere fag you make of it!

For my part, I gave myself up, during my sojourn in the Alhambra, to all the romantic and fabulous traditions connected with the pile. I lived in the midst of an Arabian tale, and shut my eyes, as much as possible, to every thing that called me back to every-day life; and if there is any country in Europe where one can do so, it is in poor, wild, legendary, proud-spirited, romantic Spain; where the old magnificent barbaric spirit still contends against the utilitarianism of modern civilization.

In the silent and deserted halls of the Alhambra; surrounded with the insignia of regal sway, and the still vivid, though dilapidated traces of oriental voluptuousness, I was in the strong-hold of Moorish story, and every thing spoke and breathed of the glorious days of Granada, when under the dominion of the crescent. When I sat in the hall of the Abencerrages, I suffered my mind to conjure up all that I had read of that illustrious line. In the proudest days of Moslem domination, the Abencerrages were the soul of every thing noble and chivalrous. The veterans of the family, who sat in the royal council, were the foremost to devise those heroic enterprises, which carried dismay into the territories of the Christians; and what the sages of the family devised, the young men of the name were the foremost to execute. In all services of hazard; in all adventurous forays, and hair-breadth hazards; the Abencerrages were sure to win the brightest laurels. In those noble recreations, too, which bear so close an affinity to war; in the tilt and tourney, the riding at the ring, and the daring bull-fight; still the Abencerrages carried off the palm. None could equal them for the splendor of their array, the gallantry of their devices; for their noble bearing, and glorious horsemanship. Their open-handed munificence made them the idols of the populace, while their lofty magnanimity, and perfect faith, gained them golden opinions from the generous and high-minded. Never were they known to decry the merits of a rival, or to betray the confidings of a friend; and the "word of an Abencerrage" was a guarantee that never admitted of a doubt.

And then their devotion to the fair! Never did Moorish beauty consider the fame of her charms established, until she had an Abencerrage for a lover; and never did an Abencerrage prove recreant to his vows. Lovely Granada! City of delights! Who ever bore the favors of thy dames more proudly on their casques, or championed them more gallantly in the chivalrous tilts of the Vivarambla? Or who ever made thy moon-lit balconies, thy gardens of myrtles and roses, of oranges, citrons, and pomegranates, respond to more tender serenades?

I speak with enthusiasm on this theme; for it is connected with the recollection of one of the sweetest evenings and sweetest scenes that ever I enjoyed in Spain. One of the greatest pleasures of the Spaniards is, to sit in the beautiful summer evenings, and listen to traditional ballads, and tales about the wars of the Moors and Christians, and the "buenas andanzas" and "grandes hechos," the "good fortunes" and "great exploits" of the hardy warriors of yore. It is worthy of remark, also, that many of these songs, or romances, as they are called, celebrate the prowess and magnanimity in war, and the tenderness and, fidelity in love, of the Moorish cavaliers, once their most formidable and hated foes. But centuries have elapsed, to extinguish the bigotry of the zealot; and the once detested warriors of Granada are now held up by Spanish poets, as the mirrors of chivalric virtue.

Such was the amusement of the evening in question. A number of us were seated in the Hall of the Abencerrages, listening to one of the most gifted and fascinating beings that I had ever met with in my wanderings. She was young and beautiful; and light and ethereal; full of fire, and spirit, and pure enthusiasm. She wore the fanciful Andalusian dress; touched the guitar with speaking eloquence; improvised with wonderful facility; and, as she became excited by her theme, or by the rapt attention of her auditors, would pour forth, in the richest and most melodious strains, a succession of couplets, full of striking description, or stirring narration, and composed, as I was assured, at the moment. Most of these were suggested by the place, and related to the ancient glories of Granada, and the prowess of her chivalry. The Abencerrages were her favorite heroes; she felt a woman's admiration of their gallant courtesy, and high-souled honor; and it was touching and inspiring to hear the praises of that generous but devoted race, chanted in this fated hall of their calamity, by the lips of Spanish beauty.

Among the subjects of which she treated, was a tale of Moslem honor, and old-fashioned Spanish courtesy, which made a strong impression on me. She disclaimed all merit of invention, however, and said she had merely dilated into verse a popular tradition; and, indeed, I have since found the main facts inserted at the end of Conde's History of the Domination of the Arabs, and the story itself embodied in the form of an episode in the Diana of Montemayor. From these sources I have drawn it forth, and endeavored to shape it according to my recollection of the version of the beautiful minstrel; but, alas! what can supply the want of that voice, that look, that form, that action, which gave magical effect to her chant, and held every one rapt in breathless admiration! Should this mere travestie of her inspired numbers ever meet her eye, in her stately abode at Granada, may it meet with that indulgence which belongs to her benignant nature. Happy should I be, if it could awaken in her bosom one kind recollection of the lonely stranger and sojourner, for whose gratification she did not think it beneath her to exert those fascinating powers which were the delight of brilliant circles; and who will ever recall with enthusiasm the happy evening passed in listening to her strains, in the moon-lit halls of the Alhambra.

* * * * *

GEOFFREY CRAYON.

THE ABENCERRAGE

A SPANISH TALE

On the summit of a craggy hill, a spur of the mountains of Ronda, stands the castle of Allora, now a mere ruin, infested by bats and owlets, but in old times one of the strong border holds of the Christians, to keep watch upon the frontiers of the warlike kingdom of Granada, and to hold the Moors in check. It was a post always confided to some well-tried commander; and, at the time of which we treat, was held by Rodrigo de Narvaez, a veteran, famed, both among Moors and Christians, not only for his hardy feats of arms, but also for that magnanimous courtesy which should ever be entwined with the sterner virtues of the soldier.

The castle of Allora was a mere part of his command; he was Alcayde, or military governor of Antiquera, but he passed most of his time at this frontier post, because its situation on the borders gave more frequent opportunity for those adventurous exploits which were the delight of the Spanish chivalry. His garrison consisted of fifty chosen cavaliers, all well mounted and well appointed: with these he kept vigilant watch upon the Moslems; patrolling the roads, and paths, and defiles of the mountains, so that nothing could escape his eye; and now and then signalizing himself by some dashing foray into the very Vega of Granada.

On a fair and beautiful night in summer, when the freshness of the evening breeze had tempered the heat of day, the worthy Alcayde sallied forth, with nine of his cavaliers, to patrol the neighborhood, and seek adventures. They rode quietly and cautiously, lest they should be overheard by Moorish scout or traveller; and kept along ravines and hollow ways, lest they should be betrayed by the glittering of the full moon upon their armor. Coming to where the road divided, the Alcayde directed five of his cavaliers to take one of the branches, while he, with the remaining four, would take the other. Should either party be in danger, the blast of a horn was to be the signal to bring their comrades to their aid.

The party of five had not proceeded far, when, in passing through a defile, overhung with trees, they heard the voice of a man, singing. They immediately concealed themselves in a grove, on the brow of a declivity, up which the stranger would have to ascend. The moonlight, which left the grove in deep shadow, lit up the whole person of the wayfarer, as he advanced, and enabled them to distinguish his dress and appearance with perfect accuracy. He was a Moorish cavalier, and his noble demeanor, graceful carriage, and splendid attire showed him to be of lofty rank. He was superbly mounted, on a dapple-gray steed, of powerful frame, and generous spirit, and magnificently caparisoned. His dress was a marlota, or tunic, and an Albernoz of crimson damask, fringed with gold. His Tunisian turban, of many folds, was of silk and cotton, striped, and bordered with golden fringe. At his girdle hung a scimitar of Damascus steel, with loops and tassels of silk and gold. On his left arm he bore an ample target, and his right hand grasped a long double-pointed lance. Thus equipped, he sat negligently on his steed, as one who dreamed of no danger, gazing on the moon, and singing, with a sweet and manly voice, a Moorish love ditty.

Just opposite the place where the Spanish cavaliers were concealed, was a small fountain in the rock, beside the road, to which the horse turned to drink; the rider threw the reins on his neck, and continued his song.

The Spanish cavaliers conferred together; they were all so pleased with the gallant and gentle appearance of the Moor, that they resolved not to harm, but to capture him, which, in his negligent mood, promised to be an easy task; rushing, therefore, from their concealment, they thought to surround and seize him. Never were men more mistaken. To gather up his reins, wheel round his steed, brace his buckler, and couch his lance, was the work of an instant; and there he sat, fixed like a castle in his saddle, beside the fountain.

The Christian cavaliers checked their steeds and reconnoitered him warily, loth to come to an encounter, which must end in his destruction.

The Moor now held a parley: "If you be true knights," said he, "and seek for honorable fame, come on, singly, and I am ready to meet each in succession; but if you be mere lurkers of the road, intent on spoil, come all at once, and do your worst!"

The cavaliers communed for a moment apart, when one, advancing singly, exclaimed: "Although no law of chivalry obliges us to risk the loss of a prize, when clearly in our power, yet we willingly grant, as a courtesy, what we might refuse as a right. Valiant Moor! defend thyself!" So saying, he wheeled, took proper distance, couched his lance, and putting spurs to his horse, made at the stranger. The latter met him in mid career, transpierced him with his lance, and threw him headlong from his saddle. A second and a third succeeded, but were unhorsed with equal facility, and thrown to the earth, severely wounded. The remaining two, seeing their comrades thus roughly treated, forgot all compact of courtesy, and charged both at once upon the Moor. He parried the thrust of one, but was wounded by the other in the thigh, and, in the shock and confusion, dropped his lance. Thus disarmed, and closely pressed, he pretended to fly, and was hotly pursued. Having drawn the two cavaliers some distance from the spot, he suddenly wheeled short about, with one of those dexterous movements for which the Moorish horsemen are renowned; passed swiftly between them, swung himself down from his saddle, so as to catch up his lance, then, lightly replacing himself, turned to renew the combat.

Seeing him thus fresh for the encounter, as if just issued from his tent, one of the cavaliers put his lips to his horn, and blew a blast, that soon brought the Alcayde and his four companions to the spot.

The valiant Narvaez, seeing three of his cavaliers extended on the earth, and two others hotly engaged with the Moor, was struck with admiration, and coveted a contest with so accomplished a warrior. Interfering in the fight, he called upon his followers to desist, and addressing the Moor, with courteous words, invited him to a more equal combat. The latter readily accepted the challenge. For some time, their contest was fierce and doubtful; and the Alcayde had need of all his skill and strength to ward off the blows of his antagonist. The Moor, however, was exhausted by previous fighting, and by loss of blood. He no longer sat his horse firmly, nor managed him with his wonted skill. Collecting all his strength for a last assault, he rose in his stirrups, and made a violent thrust with his lance; the Alcayde received it upon his shield, and at the same time wounded the Moor in the right arm; then closing, in the shock, he grasped him in his arms, dragged him from his saddle, and fell with him to the earth: when putting his knee upon his breast, and his dagger to his throat, "Cavalier," exclaimed he, "render thyself my prisoner, for thy life is in my hands!"

"Kill me, rather," replied the Moor, "for death would be less grievous than loss of liberty." The Alcayde, however, with the clemency of the truly brave, assisted the Moor to rise, ministered to his wounds with his own hands, and had him conveyed with great care to the castle of Allora. His wounds were slight, and in a few days were nearly cured; but the deepest wound had been inflicted on his spirit. He was constantly buried in a profound melancholy.

The Alcayde, who had conceived a great regard for him, treated him more as a friend than a captive, and tried in every way to cheer him, but in vain; he was always sad and moody, and, when on the battlements of the castle, would keep his eyes turned to the south, with a fixed and wistful gaze.

"How is this?" exclaimed the Alcayde, reproachfully, "that you, who were so hardy and fearless in the field, should lose all spirit in prison? If any secret grief preys on your heart, confide it to me, as to a friend, and I promise you, on the faith of a cavalier, that you shall have no cause to repent the disclosure."

The Moorish knight kissed the hand of the Alcayde. "Noble cavalier," said he "that I am cast down in spirit, is not from my wounds, which are slight, nor from my captivity, for your kindness has robbed it of all gloom; nor from my defeat, for to be conquered by so accomplished and renowned a cavalier, is no disgrace. But to explain to you the cause of my grief, it is necessary to give you some particulars of my story; and this I am moved to do, by the great sympathy you have manifested toward me, and the magnanimity that shines through all your actions."

"Know, then, that my name is Abendaraez, and that I am of the noble but unfortunate line of the Abencerrages of Granada. You have doubtless heard of the destruction that fell upon our race. Charged with treasonable designs, of which they were entirely innocent, many of them were beheaded, the rest banished; so that not an Abencerrages was permitted to remain in Granada, excepting my father and my uncle, whose innocence was proved, even to the satisfaction of their persecutors. It was decreed, however, that, should they have children, the sons should be educated at a distance from Granada, and the daughters should be married out of the kingdom.

"Conformably to this decree, I was sent, while yet an infant, to be reared in the fortress of Cartama, the worthy Alcayde of which was an ancient friend of my father. He had no children, and received me into his family as his own child, treating me with the kindness and affection of a father; and I grew up in the belief that he really was such. A few years afterward, his wife gave birth to a daughter, but his tenderness toward me continued undiminished. I thus grew up with Xarisa, for so the infant daughter of the Alcayde was called, as her own brother, and thought the growing passion which I felt for her, was mere fraternal affection. I beheld her charms unfolding, as it were, leaf by leaf, like the morning rose, each moment disclosing fresh beauty and sweetness.