The Third. Volume

From Eastbourne the road, winding, dipping, rising, and curving like a white snake, ran over hill, through dale, along plain, till it ultimately formed the High Street of Thorston. Thence it ran again into the country, but at this point it made its way between houses, thatched and old; and toward the center opened into a market-place adorned by an antique cross. The Inn of St. Elfrida, with an effigy of the saint for a sign, stood on the right of this square, fronting the battered cross; directly opposite a narrow road led on to the village green, at the end of which rose the low hill whereon the Church of St. Elfrida stood amid its trees. Lower down by the Lax could be seen the ruins of her nunnery, and a well frequented by her was to be inspected in the near neighborhood. Here, said the legend, she fought with the devil, who strove to carry away the tower of the church, and being worsted, as the demons always were by Mother Church, he dropped the tower a few yards off the main building. As a matter of fact the square tower is detached from the church, but, as has before been stated, it was built by the Normans long after Elfrida was laid to rest. But the legend took no account of dates, nor did the natives of Thorston, who would have been highly offended had anyone denied the authenticity of their story. In confirmation thereof they referred to the guide book – a notable authority truly.

The whole neighborhood was full of St. Elfrida, who must have been a busy saint in her day, and numerous tourists came to view church, and tower, and holy well. The village derived quite an income from her reputation, and valued the saint accordingly. Amid ancient oaks stood the gray church with its detached tower; around lichened tombstones leaned over one another, and rank grass grew up to the verge of the low stone wall which ran like a battlement round the crest of the little hill. A flight of rugged steps led up to the lych-gate, and here stood a pretty girl in converse with Frank Linton, alias John Parver.

It was a hot summer's day, and the golden light, piercing through the foliage of the trees, enveloped the girl in a glittering haze. She was extremely pretty; dark-eyed, dark-haired, with a complexion of roses and lilies, and as neat a figure as was ever seen. Envious people said that Miss Paynton pinched her waist, but such was not the case, for she was too careless of her appearance, and too careful of her health, to sacrifice the latter to the former. As a matter of fact, she appreciated brains more than beauty, and much preferred to exercise the first in clever conversation than to be complimented on the second. Linton, who had known her for many years, skillfully combined the two modes of paying homage to his divinity. That he received hard words in return was to be expected, for Jenny knew her power over the youth, and liked to exercise it. She was the least vain of mortals, but could not hide from herself that she was clever and pretty, and therefore entitled to indulge in coquetry.

"You grow more beautiful every day, Jenny," said Linton, who had lately arrived from town and was making up for lost time.

"And you more stupid," retorted Miss Paynton, climbing up on the low wall, where she sat and smiled at him from under her straw hat. "If you have come here to pay me compliments you can go away again. I want you to talk sense, not nonsense."

"What shall I talk about?"

"As if there were any question of that," said she, in supreme disdain. "Are you not famous now? Tell me of your success."

"You know about it already. I sent you all the papers. 'A Whim of Fate,' is the book of the season."

"Oh, just think of that now! Oh, lucky, lucky Frank! So young and so successful. You ought to be happy."

"I am happy, because I now see a chance of making you my – "

"Now you are talking nonsense," cried Jenny, ruthlessly interrupting him. "I won't hear a word more, you ridiculous boy. You are my brother, nothing more."

"But – "

"Don't talk about it, Frank. Be sensible. Come now, you have not yet told me how your father received the news."

"Oh, he is pleased, of course," said Linton, unwillingly changing the subject; "but he reserves his opinion till he has read the book. If he doesn't like it he'll very likely order me to stop writing."

"I'm sure he won't," said Jenny promptly. "You'll make more as an author than as a lawyer."

"No doubt, if you continue to supply me with such excellent plots. I wish I had your invention, Jenny."

"It was not invention. You know that quite well. I found an account of the trial in an old bundle of provincial newspapers. I couldn't have made up such a story."

"Jenny," asked Linton, with some apprehension, "has your father read the book?"

"No; I asked him to do so, but he refuses to read novels. History is what he likes – kings and dates, and battles. Father wouldn't waste a minute over fiction."

"I hope he won't be angry at your giving me the plot, Jenny."

Miss Paynton stared at him in surprise, and burst into a merry laugh. His objection seemed supremely ridiculous to her at that moment.

"My dear boy, why should he? The account of an old murder case can have nothing to do with him. I found the papers in the garret among a heap of old books. I don't suppose he knows of their existence."

"It was a real case, wasn't it?"

"Yes; it took place at Horriston in 1866. But of course the public need not know that."

"Well, I told someone about it."

"Oh, you are an idiot, Frank; or else," added Jenny more graciously, "you are very honest. I suppose you explained that the story was founded on fact?"

"Yes."

"Who asked you about it?"

"Three people. An old gentleman, and two young men."

"What are their names?" asked Jenny curiously.

"I forget. The third one was called Tait, I think, but I don't remember the names of the other two. It doesn't matter, you know," continued the novelist hastily; "lots of authors found their plots on episodes in real life."

"Oh, it's of no consequence," said Jenny idly. "I suppose they thought the plot was too clever for you to invent. At all events the credit is due to you for solving the mystery."

"Ah! But did I solve it properly? Do you think Michael Dene committed the crime?"

"No, I don't!" rejoined Jenny promptly. "I think Jeringham did."

"Jeringham. Who is he?"

"I forgot," said Jenny, with some dismay, "I did not tell you the real names of the people. Jeringham is the man you call Markham in the book. If you remember, I wanted you to make him commit the crime."

"If I had done so no one would have read the book," protested the author. "His flight made it so patent that he was guilty; and I had to put the crime on to someone like Dene, whom no reader would suspect. Do you think that Markham – Jeringham really committed the murder?"

"Yes, I do. If he was innocent why did he fly?"

"Was he ever found again," asked Linton, with some curiosity.

"Never! It is five-and-twenty years ago since the murder was committed, and it is a mystery to this day."

"I'd like to read that newspaper report for myself," said the author, after a pause. "Could you not let me see it?"

Jenny shook her head. "I'm afraid not," she replied guiltily. "You see Kerry found me with the papers one day and took them away. He was very angry, and said I had no business to look at them."

"My stars!" cried Linton, in a startled tone; "what will he say when he finds out that you and I have made use of them?"

"He won't find out," replied Jenny, jumping down off the wall. "Kerry never reads novels, and no one will tell him. Oh, it's quite safe, Frank, quite safe."

"I'm not so sure of that, Jenny. My father will talk about my book to Mr. Paynton, and he'll tell Kerry."

"Well, what if he does," cried Jenny, skipping down the steps. "I'm sure I don't care if Kerry does know. Who cares for a musty, fusty old crime of five-and-twenty years ago? Don't trouble about it, Frank. I'll take the blame."

Linton walked on in silence beside her, and they entered the market place on their way to the vicarage, He was beginning to have some qualms about the matter. Kerry had a very bad temper, and Linton was by no means anxious to encounter him.

"I wish we had left it alone," he said gloomily, pausing by the cross in the square.

"Nonsense! Don't be a moral coward," said Jenny pettishly. "I'll take the blame on myself. Kerry can't kill me be – "

At this point she was interrupted by a dog-cart containing two young men, which spun past rapidly. The driver took off his hat to Miss Paynton with a smile.

"Oh!" said Jenny composedly, when the vehicle had vanished, "there is our new Lord of the Manor, Mr. Tait."

"Why, those are the two fellows who questioned me about my story!" cried Linton.

"Are they? Yes, you mentioned the name of Tait," said Jenny quietly; "but what does it matter? What a fuss you make over nothing."

"Jenny," said Linton solemnly, "there is going to be trouble over that story."

Miss Paynton stared at him in surprise, then pointed an accusing finger at him.

"Francis Linton," she said slowly, "you are a silly fool. If ever I help you again in your writing, I give you leave to marry me."

Then she ran away and left him dumfounded in the market place. But she was by no means so light-hearted as she appeared to be. Kerry's anger, the questions of the two strangers, made her feel uneasy, and she thought it would have been better had she left the provincial newspapers in the garret. But Fate decided otherwise, and Jenny Paynton, though she knew it not, was an unconscious instrument to revive interest in a forgotten case, to solve a mystery of five-and-twenty years, and to bring an unknown criminal to justice. Life is a chess board, we are the puppets, and Fate plays the game.

CHAPTER XXII

IN THE CHURCH

Thorston Manor, built in broad meadow land, about a quarter of a mile from the village, was now the property of Spencer Tait. He had purchased it lately at a small price from old Miss Felcar, the last representative of that ancient family. She, unable to maintain the house in its original splendor, got quit of it altogether in this way, and shortly afterward took up her quarters at Eastbourne, leaving the house of her ancestors in the possession of a stranger.

The house itself was of no great pretensions, or age, dating only from the second George – a square, red-brick mansion, only redeemed from actual ugliness by the mellow beauty of its hues. The grounds themselves were better, and the trees best of all. An avenue curved nobly to the gate, which gave on the highroad, and to the right of this, fronting the house, was a delightful garden, laid out in the Dutch fashion. There were yew trees cut into quaint shapes, stiff and formal hedges running in straight lines, and beds of old-fashioned flowers. A fountain, a summer house, and a statue or two completed the furniture of this pleasant ground, to which Tait introduced his friend with unconcealed pride.

"I paid for this," he said, looking round as they paced the broad walks. "By itself the house is a monstrosity, only rendered endurable by its years; but you must confess that the garden is worth the money."

"It is certainly quaint," replied Larcher, looking around with an absent air, "but I do not care for nature in buckram. The formality of this place offends my eye."

"Ah, my dear fellow, you have been used to the wildness of New Zealand woods of late. You will find these grounds grow on you. I shall leave you alone this afternoon to make the attempt."

"Indeed," said Larcher, in some surprise at this cavalier treatment, "and what do you intend to do?"

"I am going to church."

"To church – on a week-day?"

"Oh, I am not bent on devotion, Claude. But Miss Paynton is the organist of the parish. To-day is Wednesday, when she is accustomed to practice between three and five. I propose to see her there."

"Why?"

"Can't you guess? To forestall her with Hilliston. That gentleman is at Eastbourne, and will probably come over to-day or to-morrow to ask Jenny to hold her tongue. As we can't afford to run such a risk, I must get all I can out of her to-day."

"Can I come also?"

"No!" replied Tait promptly. "It would be necessary for me to introduce you."

"What of that? Does it matter?"

"It matters a great deal. Miss Paynton has, we believe, obtained the plot of Linton's novel from a report of the trial. She will know the name of Larcher, and when she hears that you are called so, she will probably take fright and hold her tongue."

"But why should she think I have anything to do with the case?"

"Your own name. Your guardian's," answered Tait quietly. "Both are mentioned in the report of the trial. Oh, I assure you, Jenny is a clever girl, and knows that two and two make four. She will put this and that together, with the result that nothing will be gained by the interview."

"Well, well, go alone," said Claude crossly; "though I envy you the chance. She is a pretty girl, from the glimpse I caught of her."

"And as wise as she is pretty," laughed Tait. "I will need all my wits to deal with her. Now, is it settled?"

"Yes. You go to your organist, and I'll potter about these green alleys and think myself an abbe of Louis XIV.'s time."

Having come to this amicable understanding, they went in to luncheon, after which Tait gave Claude a sketch of the people in the neighborhood. Later on he sent him into the Dutch garden with a cigar and a book, then betook himself by a short cut through the park to the Church of St. Elfrida. Shortly after four he entered by the main door, and found himself in the aisle listening to the rolling notes of the organ.

There was no attempt at decoration in that church, for the vicar was broad in his views, and hating all ritualism from his soul, took a pride in keeping the edifice bare and unadorned. The heavy arches of gray stone, the white-washed walls, with here and there a mural tablet, the plain communion table under the single stained-glass window; nothing could be less attractive. Only the deep hues of roof and pews, the golden pipes of the organ, and the noble lectern, with its brazen eagle, preserved the church from looking absolutely irreverent. Through the glazed windows of plain glass poured in the white light of day, so that the interior lacked the reverent gloom, most fitted to the building, and the marks of time were shown up in what might be termed a cruel manner. Of old, St. Elfrida's had been rich in precious marbles, in splendid altars, and gorgeous windows, many-hued and elaborate; but the Puritans had destroyed all these, and reduced the place to its present bareness, which the vicar took a pride in preserving. It seemed a shame that so noble a monument of Norman architecture should be so neglected.

The red curtains of the organ loft hid the player, but Tait knew that it was Jenny by the touch, and sat down in a pew to wait till she had finished her practising. One piece followed the other, and the stately music vibrated among the arches in great bursts of sound, a march, an anthem, an offertory, till Tait almost fell asleep, lulled by the drone of the pipes. At length Jenny brought her performance to an end, and having dismissed the boy who attended to the bellows, tripped down the aisle with a music book under her arm. She looked as fresh and pink as a rose, but quite out of place in that bare, bleak building. Toward her Tait advanced with a bow.

"Here I am, you see, Miss Paynton," he said, shaking her by the hand. "I heard your music, and could not help coming in to listen. I hope you do not mind my intrusion."

"Oh, the Lord of the Manor can go anywhere," said Jenny demurely. "I am glad to see you again, Mr. Tait. The second time to-day, is it not?"

"Yes; I drove past you in the market place, if I remember rightly. Won't you sit down, Miss Paynton, and give me all the news. I am terribly ignorant of local gossip, I assure you."

Nothing loath, the girl seated herself in a pew near the door, and occupied herself in fixing her glove. Remembering the conversation with Linton, she was slightly uneasy at Tait's very direct request, but thinking that it could not possibly have anything to do with the plot of Linton's novel, resigned herself to circumstances. Before the conversation ended she wished that she had refused to speak to Tait at that moment; but it was then too late.

"News," she repeated with a laugh, "do we ever have any news in this dreary place. I should rather ask you for news, Mr. Tait, who are fresh from London."

"Oh, but no doubt our young author has already told you all that is worth hearing," said Tait, deftly leading up to his point; "he has been quite the lion of the season."

"Yes. He has been very fortunate," replied Jenny carefully. She did not relish the sudden introduction of this forbidden subject.

"And he owes it to you, I believe."

"To me. Good gracious, Mr. Tait! what have I to do with Frank's success?"

"According to what he says, everything."

"What do you mean," she said, sitting up very straight, with a deeper color than usual on her cheek.

"Why," said Tait, looking directly at her, and thereby adding to her confusion, "Frank told me that you supplied the plot of 'A Whim of Fate.'"

"And what if I did, Mr. Tait?"

"Oh, nothing, only I must compliment you on your – shall we say selection or invention?"

"The former," replied Jenny, with extraordinary quickness. "Since Frank makes no secret of it, why should I? The plot was told him by me, and I found it set forth as a trial in a newspaper of 1866."

"H'm! In the Canterbury Observer, I believe?"

"How do you know that is the name of the paper?" she asked in a nervous tone.

"I learned it from the same source that supplied me with the history of the Larcher affair."

"What! You also know the name of the case?"

"As you see."

"Frank does not know it. I did not show him the papers. I suppressed all names when I told the story," she said incoherently; "but now you – you – "

"I know all. Yes, you are right," observed Tait complacently. "I am better acquainted with the plot of 'A Whim of Fate' than John Parver himself."

Jenny sat looking at him in a kind of wild amazement. From the significance of his tone, the extent of his knowledge, she vaguely felt that something was wrong. Again, the anger of Kerry, the conversation of Linton, came into her mind, and she saw into what difficulty the chance telling of that ancient crime had led her. Tait noticed that she was perplexed and frightened, so dexterously strove to set her more at ease by making a clean breast of it, and enlisting her sympathy for Claude.

"You saw the friend who was with me in the cart, Miss Paynton?"

"Yes. Who is he?"

"Claude Larcher!"

"Claude La – What do you mean, Mr. Tait? I am in the dark. I do not understand. Have I done anything wrong in – in – "

"In telling the case to Linton?" finished Tait smoothly. "By no means. As a matter of fact you have done my friend a service."

"He is called Larcher! Who is he?" she asked again with an effort.

"He is the son of George Larcher, who was murdered at Horriston in 1866."

CHAPTER XXIII

FACT AND FICTION

A silence ensued between them; Tait waiting to mark the effect of his revelation, while Jenny tried to grasp the idea that fiction had changed unexpectedly to fact. To her the case had been more or less of a romance, far removed and impossible; as such she had told it to Linton; but now, brought face to face with the fact that the murdered man's son was in the neighborhood, she scarcely knew what to think, certainly she was ignorant what to say. The shock would have unstrung a more nervous woman, but Jenny Paynton was not wanting in pluck, and so braced herself up to do what was required of her. Yet it took her a little time to recover, and seeing this, Tait afforded her the opportunity by talking broadly of the matter; later on he intended to enter into details.

"I do not wonder you are startled, Miss Paynton," he said easily; "this is a coincidence such as we rarely meet with in real life. My friend was ignorant of his father's fate, but one evening papers were put into his hands which recounted the tragedy; papers similar to those whence you obtained the story. He came to tell me all, but scarcely had he begun his relation, when I became aware that I knew everything beforehand."

"Had you also seen the papers, Mr. Tait?"

"No; but I had read 'A Whim of Fate.' There I found the Larcher affair set forth in the guise of fiction. Astonished at this I sought out Linton, who, I learned, was the author hidden under the name of John Parver, and asked him whence he obtained his material. He mentioned your name, and so I have come to you."

"Why?"

"Can you ask? To find out all you know of the matter."

"For what reason?"

"I think you can guess my reason," replied Tait quietly. "My friend Claude Larcher wishes to find out who killed his father."

"After five-and-twenty years? Impossible!"

"So I said at first. Now I am of a different opinion. In a short space of time we have found out a great deal. With your help we will discover more, and so in the end the matter may be cleared up."

"You want my help?"

"Decidedly! It is solely for that reason that Larcher and I have come here."

It was a pale-faced Jenny who sat considering a reply to this remark. She began to be aware that she had inadvertently set a ball rolling, the progress of which she was powerless to stop. That chance discovery in the garret had resuscitated an old scandal, and brought her into contact with people of whose existence she had hitherto been ignorant. As a matter of fact Jenny was responsible for the revival of the Larcher affair. Her narration of the plot had caused the writing of the novel, and that in its turn had freshened the memory of Mrs. Bezel, with the result that Claude had been told the truth. Now he had come to the source to learn more.

"I don't see how I can help," said Jenny, fencing with the inevitable. "If, as you say, Mr. Larcher saw the Canterbury Observer, he must know as much as I do about the matter."

"Very true," replied Tait promptly; "but there are many things in the novel which are not mentioned in the report of the case."

"Those things are fictitious. You must go to Frank for information about them."

"Was that scarfpin episode fictitious?"

"No," replied Jenny, with some hesitation. "Kerry told me that."

"Kerry!"

"Our man-servant. He has been with my father ever since I can remember, and is quite the autocrat of the household. He found me with those papers one day after I told Frank the story, and took them away from me. You have no idea how angry he was that I had read them."

"Yet he told you about the scarfpin?"

"Oh! that was because I asked him who had committed the crime," said Jenny quickly. "At first he would not talk about it, but when I said that no doubt Jeringham was guilty, since he had fled, Kerry denied it, and asserted that the crime was committed by the man who owned the garnet scarfpin."

"Did he say who owned it?"

"No. He went away before I could ask him, and will not let me speak of the matter. In the book Frank makes Michael Dene the owner of the pin."

"Ah! and Michael Dene is Francis Hilliston in real life."

"How do you know that?" asked the girl quickly, with a nervous start.

"My dear young lady, I have read the report of the case and the novel. It is easy to see who your fictitious personages are. Do you know Mr. Hilliston?"

"A little. He has visited my father once or twice, but we have not seen him now for many years. In fact, I had almost forgotten his name till I saw it in the case."

"Humph! In the novel Michael Dene, the man meant for Hilliston, commits the crime. Was that your idea or Linton's?"

"It was Frank's. Dene was the least likely person to be suspected, and it was necessary to keep up the mystery to the end. But I think he ought to have made Markham commit the crime."

"Markham is Jeringham, is he not?" said Tait thoughtfully. "With your permission, Miss Paynton, we will use the real names, not the fictitious. It will help us to understand the matter more clearly."

Jenny stood up, and tucked the music book under her arm. The recollection of Kerry's anger made her feel that she was unwise to talk so freely to a stranger about the matter. Hitherto, Tait had taken his own way; now she was resolved to take hers.