Toilers of the Sea

The stopper was made, and it appeared to be sufficient.

These clothes passed partly through the gap, the sail-cloth outside enveloping them. The sea making an effort to enter, pressed against the obstacle, spread it over the gap, and blocked it. It was a sort of exterior compression.

Inside, the centre only of the bulging having been driven out, there remained all around the gap and the stuffing just thrust through a sort of circular pad formed by the tarpaulin, which was rendered still firmer by the irregularities of the fracture with which it had become entangled.

The leak was staunched, but nothing could be more precarious. Those sharp splinters of the gap which fixed the tarpaulin might pierce it and make holes, by which the water would enter; while he would not even perceive it in the darkness. There was little probability of the stoppage lasting until daylight. Gilliatt's anxiety changed its form; but he felt it increasing at the same time that he found his strength leaving him.

He had again set to work to bale out the hold, but his arms, in spite of all his efforts, could scarcely lift a scoopfull of water. He was naked and shivering. He felt as if the end were now at hand.

One possible chance flashed across his mind. There might be a sail in sight. A fishing-boat which should by any accident be in the neighbourhood of the Douvres, might come to his assistance. The moment had arrived when a helpmate was absolutely necessary. With a man and a lantern all might yet be saved. If there were two persons, one might easily bale the vessel. Since the leak was temporarily staunched, as soon as she could be relieved of this burden, she would rise, and regain her ordinary water-line. The leak would then be above the surface of the water, the repairs would be practicable, and he would be able immediately to replace the stuff by a piece of planking, and thus substitute for the temporary stoppage a complete repair. If not, it would be necessary to wait till daylight – to wait the whole night long; a delay which might prove ruinous. If by chance some ship's lantern should be in sight, Gilliatt would be able to signal it from the height of the Great Douvre. The weather was calm, there was no wind or rolling sea; there was a possibility of the figure of a man being observed moving against the background of the starry sky. A captain of a ship, or even the master of a fishing-boat, would not be at night in the waters of the Douvres without directing his glass upon the rock, by way of precaution.

Gilliatt hoped that some one might perceive him.

He climbed upon the wreck, grasped the knotted rope, and mounted upon the Great Douvre.

Not a sail was visible around the horizon; not a boat's lantern. The wide expanse, as far as eye could reach, was a desert. No assistance was possible, and no resistance possible.

Gilliatt felt himself without resources; a feeling which he had not felt until then.

A dark fatality was now his master. With all his labour, all his success, all his courage, he and his bark, and its precious burden, were about to become the sport of the waves. He had no other means of continuing the struggle; he became listless. How could he prevent the tide from returning, the water from rising, the night from continuing? The temporary stoppage which he had made was his sole reliance. He had exhausted and stripped himself in constructing and completing it; he could neither fortify nor add to it. The stopgap was such that it must remain as it was; and every further effort was useless. The apparatus, hastily constructed, was at the mercy of the waves. How would this inert obstacle work? It was this obstacle now, not Gilliatt, which had to sustain the combat, that handfull of rags, not that intelligence. The swell of a wave would suffice to re-open the fracture. More or less of pressure; the whole question was comprised in that formula.

All depended upon a brute struggle between two mechanical quantities. Henceforth he could neither aid his auxiliary, nor stop his enemy. He was no longer any other than a mere spectator of this struggle, which was one for him of life or death. He who had ruled over it, a supreme intelligence, was at the last moment compelled to resign all to a mere blind resistance.

No trial, no terror that he had yet undergone, could bear comparison with this.

From the time when he had taken up his abode upon the Douvres, he had found himself environed, and, as it were, possessed by solitude. This solitude more than surrounded, it enveloped him. A thousand menaces at once had met him face to face. The wind was always there, ready to become furious; the sea, ready to roar. There was no stopping that terrible mouth the wind, no imprisoning that dread monster the sea. And yet he had striven, he, a solitary man, had combated hand to hand with the ocean, had wrestled even with the tempest.

Many other anxieties, many other necessities had he made head against. There was no form of distress with which he had not become familiar. He had been compelled to execute great works without tools, to move vast burdens without aid, without science to resolve problems, without provisions to find food, without bed or roof to cover it, to find shelter and sleep.

Upon that solitary rock he had been subjected by turns to all the varied and cruel tortures of nature; oftentimes a gentle mother, not less often a pitiless destroyer.

He had conquered his isolation, conquered hunger, conquered thirst, conquered cold, conquered fever, conquered labour, conquered sleep. He had encountered a mighty coalition of obstacles formed to bar his progress. After his privations there were the elements; after the sea the tempest, after the tempest the devil-fish, after the monster the spectre.

A dismal irony was then the end of all. Upon this rock, whence he had thought to arise triumphant, the spectre of Clubin had only arisen to mock him with a hideous smile.

The grin of the spectre was well founded. Gilliatt saw himself ruined; saw himself no less than Clubin in the grasp of death.

Winter, famine, fatigue, the dismemberment of the wreck, the removal of the machinery, the equinoctial gale, the thunder, the monster, were all as nothing compared with this small fracture in a vessel's planks. Against the cold one could procure – and he had procured – fire; against hunger, the shell-fish of the rocks; against thirst, the rain; against the difficulties of his great task, industry and energy; against the sea and the storm, the breakwater; against the devil-fish, the knife; but against the terrible leak he had no weapon.

The hurricane had bequeathed him this sinister farewell. The last struggle, the traitorous thrust, the treacherous side blow of the vanquished foe. In its flight the tempest had turned and shot this arrow in the rear. It was the final and deadly stab of his antagonist.

It was possible to combat with the tempest, but how could he struggle with that insidious enemy who now attacked him.

If the stoppage gave way, if the leak re-opened, nothing could prevent the sloop foundering. It would be the bursting of the ligature of the artery; and once under the water with its heavy burden, no power could raise it. The noble struggle, with two months' Titanic labour, ended then in annihilation. To recommence would be impossible. He had neither forge nor materials. At daylight, in all probability, he was about to see all his work sink slowly and irrecoverably into the gulf. Terrible, to feel that sombre power beneath. The sea snatched his prize from his hands.

With his bark engulfed, no fate awaited him but to perish of hunger and cold, like the poor shipwrecked sailor on "The Man Rock."

During two long months the intelligences which hover invisibly over the world had been the spectators of these things; on one hand the wide expanse, the waves, the winds, the lightnings, the meteors; on the other a man. On one hand the sea, on the other a human mind; on the one hand the infinite, on the other an atom.

The battle had been fierce, and behold the abortive issue of these prodigies of valour.

Thus did this heroism without parallel end in powerlessness; thus ended in despair that formidable struggle; that struggle of a nothing against all; that Iliad against one.

Gilliatt gazed wildly into space.

He had no clothing. He stood naked in the midst of that immensity.

Then overwhelmed by the sense of that unknown infinity, like one bewildered by a strange persecution, confronting the shadows of night, in the presence of that impenetrable darkness, in the midst of the murmur of the waves, the swell, the foam, the breeze, under the clouds, under that vast diffusion of force, under that mysterious firmament of wings, of stars, of gulfs, having around him and beneath him the ocean, above him the constellations, under the great unfathomable deep, he sank, gave up the struggle, lay down upon the rock, his face towards the stars, humbled, and uplifting his joined hands towards the terrible depths, he cried aloud, "Have mercy."

Weighed down to earth by that immensity, he prayed.

He was there alone, in the darkness upon the rock, in the midst of that sea, stricken down with exhaustion like one smitten by lightning, naked like the gladiator in the circus, save that for circus he had the vast horizon, instead of wild beasts the shadows of darkness, instead of the faces of the crowd the eyes of the Unknown, instead of the Vestals the stars, instead of Cæsar the All-powerful.

His whole being seemed to dissolve in cold, fatigue, powerlessness, prayer, and darkness, and his eyes closed.

VII

THE APPEAL IS HEARD

Some hours passed.

The sun rose in an unclouded sky.

Its first ray shone upon a motionless form upon the Great Douvre. It was Gilliatt.

He was still outstretched upon the rock.

He was naked, cold, and stiff; but he did not shiver. His closed eyelids were wan. It would have been difficult for a beholder to say whether the form before him was not a corpse.

The sun seemed to look upon him.

If he were not dead, he was already so near death that the slightest cold wind would have sufficed to extinguish life.

The wind began to breathe, warm and animating: it was the opening breath of May.

Meanwhile the sun ascended in the deep blue sky; its rays, less horizontal, flushed the sky. Its light became warmth. It enveloped the slumbering form.

Gilliatt moved not. If he breathed, it was only that feeble respiration which could scarcely tarnish the surface of a mirror.

The sun continued its ascent; its rays striking less and less obliquely upon the naked man. The gentle breeze which had been merely tepid became hot.

The rigid and naked body remained still without movement; but the skin seemed less livid.

The sun, approaching the zenith, shone almost perpendicularly upon the plateau of the Douvres. A flood of light descended from the heavens; the vast reflection from the glassy sea increased its splendour: the rock itself imbibed the rays and warmed the sleeper.

A sigh raised his breast.

He lived.

The sun continued its gentle offices. The wind, which was already the breath of summer and of noon, approached him like loving lips that breathed upon him softly.

Gilliatt moved.

The peaceful calm upon the sea was perfect. Its murmur was like the droning of the nurse beside the sleeping infant. The rock seemed cradled in the waves.

The sea-birds, who knew that form, fluttered above it; not with their old wild astonishment, but with a sort of fraternal tenderness. They uttered plaintive cries: they seemed to be calling to him. A sea-mew, who no doubt knew him, was tame enough to come near him. It began to caw as if speaking to him. The sleeper seemed not to hear. The bird hopped upon his shoulder, and pecked his lips softly.

Gilliatt opened his eyes.

The birds dispersed, chattering wildly.

Gilliatt arose, stretched himself like a roused lion, ran to the edge of the platform, and looked down into the space between the two Douvres.

The sloop was there, intact; the stoppage had held out; the sea had probably disturbed it but little.

All was saved.

He was no longer weary. His powers had returned. His swoon had ended in a deep sleep.

He descended and baled out the sloop, emptied the hold, raised the leakage above the water-line, dressed himself, ate, drank some water, and was joyful.

The gap in the side of his vessel, examined in broad daylight, proved to require more labour than he had thought. It was a serious fracture. The entire day was not too much for its repair.

At daybreak on the morrow, after removing the barrier and re-opening the entrance to the defile, dressed in the tattered clothing which had served to stop the leak, having about him Clubin's girdle and the seventy-five thousand francs, standing erect in the sloop, now repaired, by the side of the machinery which he had rescued, with a favourable breeze and a good sea, Gilliatt pushed off from the Douvres.

He put the sloop's head for Guernsey.

At the moment of his departure from the rocks, any one who had been there might have heard him singing, in an undertone, the air of "Bonnie Dundee."

PART III. – DÉRUCHETTE

BOOK I

NIGHT AND THE MOON

I

THE HARBOUR BELL

The St. Sampson of the present day is almost a city; the St. Sampson of forty years since was almost a village.

When the winter evenings were ended and spring had come, the inhabitants were not long out of bed after sundown. St. Sampson was an ancient parish which had long been accustomed to the sound of the curfew-bell, and which had a traditional habit of blowing out the candle at an early hour. Those old Norman villages are famous for early roosting, and the villagers are generally great rearers of poultry.

The people of St. Sampson, except a few rich families among the townsfolk, are also a population of quarriers and carpenters. The port is a port of ship repairing. The quarrying of stone and the fashioning of timber go on all day long; here the labourer with the pickaxe, there the workman with the mallet. At night they sink with fatigue, and sleep like lead. Rude labours bring heavy slumbers.

One evening, in the commencement of the month of May, after watching the crescent moon for some instants through the trees, and listening to the step of Déruchette, walking alone in the cool air in the garden of the Bravées, Mess Lethierry had returned to his room looking on the harbour, and had retired to rest; Douce and Grace were already a-bed. Except Déruchette, the whole household were sleeping. Doors and shutters were everywhere closed. Footsteps were silent in the streets. Some few lights, like winking eyes about to close in rest, showed here and there in windows in the roofs, indicating the hour of domestics going to bed. Nine had already struck in the old Romanesque belfry, surrounded by ivy, which shares with the church of St. Brélade at Jersey the peculiarity of having for its date four ones (IIII), which are used to signify eleven hundred and eleven.

The popularity of Mess Lethierry at St. Sampson had been founded on his success. The success at an end, there had come a void. It might be imagined that ill-fortune is contagious, and that the unsuccessful have a plague, so rapidly are they put in quarantine. The young men of well-to-do families avoided Déruchette. The isolation around the Bravées was so complete that its inmates had not even yet heard the news of the great local event which had that day set all St. Sampson in a ferment. The rector of the parish, the Rev. Ebenezer Caudray, had become rich. His uncle, the magnificent Dean of St. Asaph, had just died in London. The news had been brought by the mail sloop, the Cashmere, arrived from England that very morning, and the mast of which could be perceived in the roads of St. Peter's Port. The Cashmere was to depart for Southampton at noon on the morrow, and, so the rumour ran, to convey the reverend gentleman, who had been suddenly summoned to England, to be present at the official opening of the will, not to speak of other urgent matters connected with an important inheritance. All day long St. Sampson had been conversing on this subject. The Cashmere, the Rev. Ebenezer, his deceased uncle, his riches, his departure, his possible preferment in the future, had formed the foundations of that perpetual buzzing. A solitary house, still uninformed on these matters, had remained at peace. This was the Bravées.

Mess Lethierry had jumped into his hammock, and lay down in his clothing.

Since the catastrophe of the Durande, to get into his hammock had been his resource. Every captive has recourse to stretching himself upon his pallet, and Mess Lethierry was the captive of his grief. To go to bed was a truce, a gain in breathing time, a suspension of ideas. He neither slept nor watched. Strictly speaking, for two months and a half – for so long was it since his misfortune – Mess Lethierry had been in a sort of somnambulism. He had not yet regained possession of his faculties. He was in that cloudy and confused condition of intellect with which those are familiar who have undergone overwhelming afflictions. His reflections were not thought, his sleep was no repose. By day he was not awake, by night not asleep. He was up, and then gone to rest, that was all. When he was in his hammock forgetfulness came to him a little. He called that sleeping. Chimeras floated about him, and within him. The nocturnal cloud, full of confused faces, traversed his brain. Sometimes it was the Emperor Napoleon dictating to him the story of his life; sometimes there were several Déruchettes; strange birds were in the trees; the streets of Lons-le-Saulnier became serpents. Nightmares were the brief respites of despair. He passed his nights in dreaming, and his days in reverie.

Sometimes he remained all the afternoon at the window of his room, which looked out upon the port, with his head drooping, his elbows on the stone, his ears resting on his fists, his back turned to the whole world, his eye fixed on the old massive iron ring fastened in the wall of the house, at only a few feet from his window, where in the old days he used to moor the Durande. He was looking at the rust which gathered on the ring.

He was reduced to the mere mechanical habit of living.

The bravest men, when deprived of their most cherished idea, will come to this. His life had become a void. Life is a voyage; the idea is the itinerary. The plan of their course gone, they stop. The object is lost, the strength of purpose gone. Fate has a secret discretionary power. It is able to touch with its rod even our moral being. Despair is almost the destitution of the soul. Only the greatest minds resist, and for what?

Mess Lethierry was always meditating, if absorption can be called meditation, in the depth of a sort of cloudy abyss. Broken words sometimes escaped him like these, "There is nothing left for me now, but to ask yonder for leave to go."

There was a certain contradiction in that nature, complex as the sea, of which Mess Lethierry was, so to speak, the product. Mess Lethierry's grief did not seek relief in prayer.

To be powerless is a certain strength. In the presence of our two great expressions of this blindness – destiny and nature – it is in his powerlessness that man has found his chief support in prayer.

Man seeks succour from his terror; his anxiety bids him kneel. Prayer, that mighty force of the soul, akin to mystery. Prayer addresses itself to the magnanimity of the Shades; prayer regards mystery with eyes themselves overshadowed by it, and beneath the power of its fixed and appealing gaze, we feel the possibility of the great Unknown unbending to reply.

The mere thought of such a possibility becomes a consolation.

But Mess Lethierry prayed not.

In the time when he was happy, God existed for him almost in visible contact. Lethierry addressed Him, pledged his word to Him, seemed at times to hold familiar intercourse with Him. But in the hour of his misfortune, a phenomenon not infrequent – the idea of God had become eclipsed in his mind. This happens when the mind has created for itself a deity clothed with human qualities.

In the state of mind in which he existed, there was for Lethierry only one clear vision – the smile of Déruchette. Beyond this all was dark.

For some time, apparently on account of the loss of the Durande, and of the blow which it had been to them, this pleasant smile had been rare. She seemed always thoughtful. Her birdlike playfulness, her childlike ways, were gone. She was never seen now in the morning, at the sound of the cannon which announced daybreak, saluting the rising sun with "Boom! Daylight! Come in, please!" At times her expression was very serious, a sad thing for that sweet nature. She made an effort, however, sometimes to laugh before Mess Lethierry and to divert him; but her cheerfulness grew tarnished from day to day – gathered dust like the wing of a butterfly with a pin through its body. Whether through sorrow for her uncle's sorrow – for there are griefs which are the reflections of other griefs – or whether for any other reasons, she appeared at this time to be much inclined towards religion. In the time of the old rector, M. Jaquemin Hérode, she scarcely went to church, as has been already said, four times a year. Now she was, on the contrary, assiduous in her attendance. She missed no service, neither of Sunday nor of Thursday. Pious souls in the parish remarked with satisfaction that amendment. For it is a great blessing when a girl who runs so many dangers in the world turns her thoughts towards God. That enables the poor parents at least to be easy on the subject of love-making and what not.

In the evening, whenever the weather permitted, she walked for an hour or two in the garden of the Bravées. She was almost as pensive there as Mess Lethierry, and almost always alone. Déruchette went to bed last. This, however, did not prevent Douce and Grace watching her a little, by that instinct for spying which is common to servants; spying is such a relaxation after household work.

As to Mess Lethierry, in the abstracted state of his mind, these little changes in Déruchette's habits escaped him. Moreover, his nature had little in common with the Duenna. He had not even remarked her regularity at the church. Tenacious of his prejudices against the clergy and their sermons, he would have seen with little pleasure these frequent attendances at the parish church. It was not because his own moral condition was not undergoing change. Sorrow is a cloud which changes form.

Robust natures, as we have said, are sometimes almost overthrown by sudden great misfortunes; but not quite. Manly characters such as Lethierry's experience a reaction in a given time. Despair has its backward stages. From overwhelmment we rise to dejection; from dejection to affliction; from affliction to melancholy. Melancholy is a twilight state; suffering melts into it and becomes a sombre joy. Melancholy is the pleasure of being sad.

These elegiac moods were not made for Lethierry. Neither the nature of his temperament nor the character of his misfortune suited those delicate shades. But at the moment at which we have returned to him, the reverie of his first despair had for more than a week been tending to disperse; without, however, leaving him less sad. He was more inactive, was always dull; but he was no longer overwhelmed. A certain perception of events and circumstances was returning to him, and he began to experience something of that phenomenon which may be called the return to reality.

Thus by day in the great lower room, he did not listen to the words of those about him, but he heard them. Grace came one morning quite triumphant to tell Déruchette that he had undone the cover of a newspaper.

This half acceptance of realities is in itself a good symptom, a token of convalescence. Great afflictions produce a stupor; it is by such little acts that men return to themselves. This improvement, however, is at first only an aggravation of the evil. The dreamy condition of mind in which the sufferer has lived, has served, while it lasted, to blunt his grief. His sight before was thick. He felt little. Now his view is clear, nothing escapes him; and his wounds re-open. Each detail that he perceives serves to remind him of his sorrow. He sees everything again in memory, every remembrance is a regret. All kinds of bitter aftertastes lurk in that return to life. He is better, and yet worse. Such was the condition of Lethierry. In returning to full consciousness, his sufferings had become more distinct.