Daniel Webster

As every one knows, this speech contains much more than the argument against nullification, which has just been discussed, and exhibits all its author's intellectual gifts in the highest perfection. Mr. Hayne had touched on every conceivable subject of political importance, including slavery, which, however covered up, was really at the bottom of every Southern movement, and was certain sooner or later to come to the surface. All these various topics Mr. Webster took up, one after another, displaying a most remarkable strength of grasp and ease of treatment. He dealt with them all effectively and yet in just proportion. Throughout there are bursts of eloquence skilfully mingled with statement and argument, so that the listeners were never wearied by a strained and continuous rhetorical display; and yet, while the attention was closely held by the even flow of lucid reasoning, the emotions and passions were from time to time deeply aroused and strongly excited. In many passages of direct retort Mr. Webster used an irony which he employed always in a perfectly characteristic way. He had a strong natural sense of humor, but he never made fun or descended to trivial efforts to excite laughter against his opponent. He was not a witty man or a maker of epigrams. But he was a master in the use of a cold, dignified sarcasm, which at times, and in this instance particularly, he used freely and mercilessly. Beneath the measured sentences there is a lurking smile which saves them from being merely savage and cutting attacks, and yet brings home a keen sense of the absurdity of the opponent's position. The weapon resembled more the sword of Richard than the scimetar of Saladin, but it was none the less a keen and trenchant blade. There is probably no better instance of Mr. Webster's power of sarcasm than the famous passage in which he replied to Hayne's taunt about the "murdered coalition," which was said to have existed between Adams and Calhoun. In a totally different vein is the passage about Massachusetts, perhaps in its way as good an example as we have of Webster's power of appealing to the higher and more tender feelings of human nature. The thought is simple and even obvious, and the expression unadorned, and yet what he said had that subtle quality which stirred and still stirs the heart of every man born on the soil of the old Puritan Commonwealth.

The speech as a whole has all the qualities which made Mr. Webster a great orator, and the same traits run through his other speeches. An analysis of the reply to Hayne, therefore, gives us all the conditions necessary to forming a correct idea of Mr. Webster's eloquence, of its characteristics and its value. The Attic school of oratory subordinated form to thought to avoid the misuse of ornament, and triumphed over the more florid practice of the so-called "Asiatics." Rome gave the palm to Atticism, and modern oratory has gone still farther in the same direction, until its predominant quality has become that of making sustained appeals to the understanding. Logical vigilance and long chains of reasoning, avoided by the ancients, are the essentials of our modern oratory. Many able men have achieved success under these conditions as forcible and convincing speakers. But the grand eloquence of modern times is distinguished by the bursts of feeling, of imagery or of invective, joined with convincing argument. This combination is rare, and whenever we find a man who possesses it we may be sure that, in greater or less degree, he is one of the great masters of eloquence as we understand it. The names of those who in debate or to a jury have been in every-day practice strong and effective speakers, and also have thrilled and shaken large masses of men, readily occur to us. To this class belong Chatham and Burke, Fox, Sheridan and Erskine, Mirabeau and Vergniaud, Patrick Henry and Daniel Webster.

Mr. Webster was of course essentially modern in his oratory. He relied chiefly on the sustained appeal to the understanding, and he was a conspicuous example of the prophetic character which Christianity, and Protestantism especially, has given to modern eloquence. At the same time Mr. Webster was in some respects more classical, and resembled more closely the models of antiquity, than any of those who have been mentioned as belonging to the same high class. He was wont to pour forth the copious stream of plain, intelligible observations, and indulge in the varied appeals to feeling, memory, and interest, which Lord Brougham sets down as characteristic of ancient oratory. It has been said that while Demosthenes was a sculptor, Burke was a painter. Mr. Webster was distinctly more of the former than the latter. He rarely amplified or developed an image or a description, and in this he followed the Greek rather than the Englishman. Dr. Francis Lieber wrote: "To test Webster's oratory, which has ever been very attractive to me, I read a portion of my favorite speeches of Demosthenes, and then read, always aloud, parts of Webster; then returned to the Athenian; and Webster stood the test." Apart from the great compliment which this conveys, such a comparison is very interesting as showing the similarity between Mr. Webster and the Greek orator. Not only does the test indicate the merit of Mr. Webster's speeches, but it also proves that he resembled the Athenian, and that the likeness was more striking than the inevitable difference born of race and time. Yet there is no indication that Webster ever made a study of the ancient models or tried to form himself upon them.

The cause of the classic self-restraint in Webster was partly due to the artistic sense which made him so devoted to simplicity of diction, and partly to the cast of his mind. He had a powerful historic imagination, but not in the least the imagination of the poet, which

"Bodies forth the forms of things unknown."

He could describe with great vividness, brevity, and force what had happened in the past, what actually existed, or what the future promised. But his fancy never ran away with him or carried him captive into the regions of poetry. Imagination of this sort is readily curbed and controlled, and, if less brilliant, is safer than that defined by Shakespeare. For this reason, Mr. Webster rarely indulged in long, descriptive passages, and, while he showed the highest power in treating anything with a touch of humanity about it, he was sparing of images drawn wholly from nature, and was not peculiarly successful in depicting in words natural scenery or phenomena. The result is, that in his highest flights, while he is often grand and affecting, full of life and power, he never shows the creative imagination. But if he falls short on the poetic side, there is the counterbalancing advantage that there is never a false note nor an overwrought description which offends our taste and jars upon our sensibilities.

Mr. Webster showed his love of direct simplicity in his style even more than in his thought or the general arrangement and composition of his speeches. His sentences are, as a rule, short, and therefore pointed and intelligible, but they never become monotonous and harsh, the fault to which brevity is always liable. On the contrary, they are smooth and flowing, and there is always a sufficient variety of form. The choice of language is likewise simple. Mr. Webster was a remorseless critic of his own style, and he had an almost extreme preference for Anglo-Saxon words and a corresponding dislike of Latin derivatives. The only exception he made was in his habit of using "commence" instead of its far superior synonym "begin." His style was vigorous, clear, and direct in the highest degree, and at the same time warm and full of vitality. He displayed that rare union of strength with perfect simplicity, the qualities which made Swift the great master of pure and forcible English.

Charles Fox is credited with saying that a good speech never reads well. This opinion, taken in the sense in which it was intended, that a carefully-prepared speech, which reads like an essay, lacks the freshness and glow that should characterize the oratory of debate, is undoubtedly correct. But it is equally true that when a speech which we know to have been good in delivery is equally good in print, a higher intellectual plane is reached and a higher level of excellence is attained than is possible to either the mere essay or to the effective retort or argument, which loses its flavor with the occasion which draws it forth. Mr. Webster's speeches on the tariff, on the bank, and on like subjects, able as they are, are necessarily dry, but his speeches on nobler themes are admirable reading. This is, of course, due to the variety and ease of treatment, to their power, and to the purity of the style. At the same time, the immediate effect of what he said was immense, greater, even, than the intrinsic merit of the speech itself. There has been much discussion as to the amount of preparation which Mr. Webster made. His occasional orations were, of course, carefully written out beforehand, a practice which was entirely proper; but in his great parliamentary speeches, and often in legal arguments as well, he made but slight preparation in the ordinary sense of the term. The notes for the two speeches on Foote's resolution were jotted down on a few sheets of note-paper. The delivery of the second one, his masterpiece, was practically extemporaneous, and yet it fills seventy octavo pages and occupied four hours. He is reported to have said that his whole life had been a preparation for the reply to Hayne. Whether he said it or not, the statement is perfectly true. The thoughts on the Union and on the grandeur of American nationality had been garnered up for years, and this in a greater or less degree was true of all his finest efforts. The preparation on paper was trifling, but the mental preparation extending over weeks or days, sometimes, perhaps, over years, was elaborate to the last point. When the moment came, a night's work would put all the stored-up thoughts in order, and on the next day they would pour forth with all the power of a strong mind thoroughly saturated with its subject, and yet with the vitality of unpremeditated expression, having the fresh glow of morning upon it, and with no trace of the lamp.

More than all this, however, in the immediate effect of Mr. Webster's speeches was the physical influence of the man himself. We can but half understand his eloquence and its influence if we do not carefully study his physical attributes, his temperament and disposition. In face, form, and voice, nature did her utmost for Daniel Webster. No envious fairy was present at his birth to mar these gifts by her malign influence. He seemed to every one to be a giant; that, at least, is the word we most commonly find applied to him, and there is no better proof of his enormous physical impressiveness than this well-known fact, for Mr. Webster was not a man of extraordinary stature. He was five feet ten inches in height, and, in health, weighed a little less than two hundred pounds. These are the proportions of a large man, but there is nothing remarkable about them. We must look elsewhere than to mere size to discover why men spoke of Webster as a giant. He had a swarthy complexion and straight black hair. His head was very large, the brain weighing, as is well known, more than any on record, except those of Cuvier and of the celebrated bricklayer. At the same time his head was of noble shape, with a broad and lofty brow, and his features were finely cut and full of massive strength. His eyes were extraordinary. They were very dark and deep-set, and, when he began to rouse himself to action, shone with the deep light of a forge-fire, getting ever more glowing as excitement rose. His voice was in harmony with his appearance. It was low and musical in conversation; in debate it was high but full, ringing out in moments of excitement like a clarion, and then sinking to deep notes with the solemn richness of organ-tones, while the words were accompanied by a manner in which grace and dignity mingled in complete accord. The impression which he produced upon the eye and ear it is difficult to express. There is no man in all history who came into the world so equipped physically for speech. In this direction nature could do no more. The mere look of the man and the sound of his voice made all who saw and heard him feel that he must be the embodiment of wisdom, dignity, and strength, divinely eloquent, even if he sat in dreamy silence or uttered nothing but heavy commonplaces.

It is commonly said that no one of the many pictures of Mr. Webster gives a true idea of what he was. We can readily believe this when we read the descriptions which have come down to us. That indefinable quality which we call personal magnetism, the power of impressing by one's personality every human being who comes near, was at its height in Mr. Webster. He never, for instance, punished his children, but when they did wrong he would send for them and look at them silently. The look, whether of anger or sorrow, was punishment and rebuke enough. It was the same with other children. The little daughter of Mr. Wirt once came into a room where Mr. Webster was sitting with his back toward her, and touched him on the arm. He turned suddenly, and the child started back with an affrighted cry at the sight of that dark, stern, melancholy face. But the cloud passed as swiftly as the shadows on a summer sea, and the next moment the look of affection and humor brought the frightened child into Mr. Webster's arms, and they were friends and playmates in an instant.

The power of a look and of changing expression, so magical with a child, was hardly less so with men. There have been very few instances in history where there is such constant reference to merely physical attributes as in the case of Mr. Webster. His general appearance and his eyes are the first and last things alluded to in every contemporary description. Every one is familiar with the story of the English navvy who pointed at Mr. Webster in the streets of Liverpool and said, "There goes a king." Sidney Smith exclaimed when he saw him, "Good heavens, he is a small cathedral by himself." Carlyle, no lover of America, wrote to Emerson:—

"Not many days ago I saw at breakfast the notablest of all your notabilities, Daniel Webster. He is a magnificent specimen. You might say to all the world, 'This is our Yankee Englishman; such limbs we make in Yankee land!' As a logic fencer, or parliamentary Hercules, one would incline to back him at first sight against all the extant world. The tanned complexion; that amorphous crag-like face; the dull black eyes under the precipice of brows, like dull anthracite furnaces needing only to be blown; the mastiff mouth accurately closed; I have not traced so much of silent Berserkir rage that I remember of in any man. 'I guess I should not like to be your nigger!' Webster is not loquacious, but he is pertinent, conclusive; a dignified, perfectly bred man, though not English in breeding; a man worthy of the best reception among us, and meeting such I understand."

Such was the effect produced by Mr. Webster when in England, and it was a universal impression. Wherever he went men felt in the depths of their being the amazing force of his personal presence. He could control an audience by a look, and could extort applause from hostile listeners by a mere glance. On one occasion, after the 7th of March speech, there is a story that a noted abolitionist leader was present in the crowd gathered to hear Mr. Webster, and this bitter opponent is reported to have said afterwards, "When Webster, speaking of secession, asked 'what is to become of me,' I was thrilled with a sense of some awful impending calamity." The story may be apocryphal, but there can be no doubt of its essential truth so far as the effect of Mr. Webster's personal presence goes. People looked at him, and that was enough. Mr. Parton in his essay speaks of seeing Webster at a public dinner, sitting at the head of the table with a bottle of Madeira under his yellow waistcoat, and looking like Jove. When he presided at the Cooper memorial meeting in New York he uttered only a few stately platitudes, and yet every one went away with the firm conviction that they had heard him speak words of the profoundest wisdom and grandest eloquence.

The temptation to rely on his marvellous physical gifts grew on him as he became older, which was to be expected with a man of his temperament. Even in his early days, when he was not in action, he had an impassible and slumberous look; and when he sat listening to the invective of Hayne, no emotion could be traced on his cold, dark, melancholy face, or in the cavernous eyes shining with a dull light. This all vanished when he began to speak, and, as he poured forth his strong, weighty sentences, there was no lack of expression or of movement. But Mr. Webster, despite his capacity for work, and his protracted and often intense labor, was constitutionally indolent, and this sluggishness of temperament increased very much as he grew older. It extended from the periods of repose to those of action until, in his later years, a direct stimulus was needed to make him exert himself. Even to the last the mighty power was still there in undiminished strength, but it was not willingly put forth. Sometimes the outside impulse would not come; sometimes the most trivial incident would suffice, and like a spark on the train of gunpowder would bring a sudden burst of eloquence, electrifying all who listened. On one occasion he was arguing a case to the jury. He was talking in his heaviest and most ponderous fashion, and with half-closed eyes. The court and the jurymen were nearly asleep as Mr. Webster argued on, stating the law quite wrongly to his nodding listeners. The counsel on the other side interrupted him and called the attention of the court to Mr. Webster's presentation of the law. The judge, thus awakened, explained to the jury that the law was not as Mr. Webster stated it. While this colloquy was in progress Mr. Webster roused up, pushed back his thick hair, shook himself, and glanced about him with the look of a caged lion. When the judge paused, he turned again to the jury, his eyes no longer half shut but wide open and glowing with excitement. Raising his voice, he said, in tones which made every one start: "If my client could recover under the law as I stated it, how much more is he entitled to recover under the law as laid down by the court;" and then, the jury now being thoroughly awake, he poured forth a flood of eloquent argument and won his case. In his latter days Mr. Webster made many careless and dull speeches and carried them through by the power of his look and manner, but the time never came when, if fairly aroused, he failed to sway the hearts and understandings of men by a grand and splendid eloquence. The lion slept very often, but it never became safe to rouse him from his slumber.

It was soon after the reply to Hayne that Mr. Webster made his great argument for the government in the White murder case. One other address to a jury in the Goodridge case, and the defence of Judge Prescott before the Massachusetts Senate, which is of similar character, have been preserved to us. The speech for Prescott is a strong, dignified appeal to the sober, and yet sympathetic, judgment of his hearers, but wholly free from any attempt to confuse or mislead, or to sway the decision by unwholesome pathos. Under the circumstances, which were very adverse to his client, the argument was a model of its kind, and contains some very fine passages full of the solemn force so characteristic of its author. The Goodridge speech is chiefly remarkable for the ease with which Mr. Webster unravelled a complicated set of facts, demonstrated that the accuser was in reality the guilty party, and carried irresistible conviction to the minds of the jurors. It was connected with a remarkable exhibition of his power of cross-examination, which was not only acute and penetrating, but extremely terrifying to a recalcitrant witness. The argument in the White case, as a specimen of eloquence, stands on far higher ground than either of the other two, and, apart from the nature of the subject, ranks with the very best of Mr. Webster's oratorical triumphs. The opening of the speech, comprising the account of the murder and the analysis of the workings of a mind seared with the remembrance of a horrid crime, must be placed among the very finest masterpieces of modern oratory. The description of the feelings of the murderer has a touch of the creative power, but, taken in conjunction with the wonderful picture of the deed itself, the whole exhibits the highest imaginative excellence, and displays the possession of an extraordinary dramatic force such as Mr. Webster rarely exerted. It has the same power of exciting a kind of horror and of making us shudder with a creeping, nameless terror as the scene after the murder of Duncan, when Macbeth rushes out from the chamber of death, crying, "I have done the deed. Didst thou not hear a noise?" I have studied this famous exordium with extreme care, and I have sought diligently in the works of all the great modern orators, and of some of the ancient as well, for similar passages of higher merit. My quest has been in vain. Mr. Webster's description of the White murder, and of the ghastly haunting sense of guilt which pursued the assassin, has never been surpassed in dramatic force by any speaker, whether in debate or before a jury. Perhaps the most celebrated descriptive passage in the literature of modern eloquence is the picture drawn by Burke of the descent of Hyder Ali upon the plains of the Carnatic, but even that certainly falls short of the opening of Webster's speech in simple force as well as in dramatic power. Burke depicted with all the ardor of his nature and with a wealth of color a great invasion which swept thousands to destruction. Webster's theme was a cold-blooded murder in a quiet New England town. Comparison between such topics, when one is so infinitely larger than the other, seems at first sight almost impossible. But Mr. Webster also dealt with the workings of the human heart under the influence of the most terrible passions, and those have furnished sufficient material for the genius of Shakespeare. The test of excellence is in the treatment, and in this instance Mr. Webster has never been excelled. The effect of that exordium, delivered as he alone could have delivered it, must have been appalling. He was accused of having been brought into the case to hurry the jury beyond the law and evidence, and his whole speech was certainly calculated to drive any body of men, terror-stricken by his eloquence, wherever he wished them to go. Mr. Webster did not have that versatility and variety of eloquence which we associate with the speakers who have produced the most startling effect upon that complex thing called a jury. He never showed that rapid alternation of wit, humor, pathos, invective, sublimity, and ingenuity which have been characteristic of the greatest advocates. Before a jury as everywhere else he was direct and simple. He awed and terrified jurymen; he convinced their reason; but he commanded rather than persuaded, and carried them with him by sheer force of eloquence and argument, and by his overpowering personality.

The extravagant admiration which Mr. Webster excited among his followers has undoubtedly exaggerated his greatness in many respects; but, high as the praise bestowed upon him as an orator has been, in that direction at least he has certainly not been overestimated. The reverse rather is true. Mr. Webster was, of course, the greatest orator this country has ever produced. Patrick Henry's fame rests wholly on tradition. The same is true of Hamilton, who, moreover, never had an opportunity adequate to his talents, which were unquestionably of the first order. Fisher Ames's reputation was due to a single speech which is distinctly inferior to many of Webster's. Clay's oratory has not stood the test of time; his speeches, which were so wonderfully effective when he uttered them, seem dead and cold and rather thin as we read them to-day. Calhoun was a great debater, but was too dry and hard for the highest eloquence. John Quincy Adams, despite his physical limitations, carried the eloquence of combat and bitter retort to the highest point in the splendid battles of his congressional career, but his learning, readiness, power of expression, argument, and scathing sarcasm were not rounded into a perfect whole by the more graceful attributes which also form an essential part of oratory.