The House of the Whispering Pines

"Of course. What else could she have meant?"

"Well! delirium is a queer thing; makes a fellow feel creepy all over. I don't reckon on my nights here."

"Hexford, help me to a peep. I've got a difficult job before me and I need all the aid I can get."

"Oh, there's no trouble about that! Walk boldly along; he won't notice—"

"He won't notice?"

"No, he notices nothing but what comes from the sick room."

"I see." Sweetwater's jaw had fallen, but it righted itself at this last word.

"Listening, eh?"

"Yes—as a fellow never listened before."

"Expectant like?"

"Yes, I should call it expectant."

"Does the nurse know this?"

"The nurse is a puzzler."

"How so?"

"Half nurse and half—but go see for yourself. Here's a package to take in,—medicine from the drug store. Tell her there was no one else to bring it up. She'll show no surprise."

Muttering his thanks, Sweetwater seized the proffered package, and hastened with it down the hall. He had been as far as the turn before, but now he passed the turn to find, just as he expected, a closed door on the left and an open alcove on the right. The door led into Miss Cumberland's room; the alcove, circular in shape and lighted by several windows, projected from the rear of the extension, and had for its outlook the stable and the huge sycamore tree growing beside it.

Sweetwater's fingers passed thoughtfully across his chin as he remarked this and took in the expressive outline of its one occupant. He could not see his face; that was turned towards the table before which he sat. But his drooping head, rigid with desperate thinking; his relaxed hand closed around the neck of a decanter which, nevertheless, he did not lift, made upon Sweetwater an impression which nothing he saw afterwards ever quite effaced.

"When I come back, that whiskey will be half gone," thought he, and lingered to see the tumbler filled and the first draught taken.

But no. The hand slowly unclasped and fell away from the decanter; his head sank forward until his chin rested on his breast; and a sigh, startling to Sweetwater, fell from his lips. Hexford was right; only one thing could arouse him.

Sweetwater now tried that thing. He knocked softly on the sick-room door.

This reached the ear oblivious to all else. Young Cumberland started to his feet; and for a moment Sweetwater saw again the heavy features which, an hour before, had produced such a repulsive effect upon him in the rooms below. Then the nerveless figure sank again into place, with the same constraint in its lines, and the same dejection.

Sweetwater's hand, lifted in repetition of his knock, hung suspended. He had not expected quite such indifference as this. It upset his calculations just a trifle. As his hand fell, he reminded himself of the coroner's advice to go easy. "Easy it is," was his internal reply. "I'll walk as lightly as if eggshells were under my feet."

The door was opened to him, this time. As it swung back, he saw, first, a burst of rosy color as a room panelled in exquisite pink burst upon his sight; then the great picture of his life—the bloodless features of Carmel, calmed for the moment into sleep.

Perfect beauty is so rare, its effect so magical! Not even the bandage which swathed one cheek could hide the exquisite symmetry of the features, or take from the whole face its sweet and natural distinction. Frenzy, which had distorted the muscles and lit the eyes with a baleful glare, was lacking at this moment. Repose had quieted the soul and left the body free to express its natural harmonies.

Sweetwater gazed at the winsome, brown head over the nurse's shoulder, and felt that for him a new and important factor had entered into this case, with his recognition of this woman's great beauty. How deep a factor, he was far from suspecting, or he would not have met the nurse's eye with quite so cheery and self-confident a smile.

"Excuse the intrusion," he said. "We thought you might need these things. Hexford signed for them."

"I'm obliged to you. Are you—one of them?" she sharply asked.

"Would it disturb you if I were? I hope not. I've no wish to seem intrusive."

"What do you want? Something, I know. Give it a name before there's a change there."

She nodded towards the bed, and Sweetwater took advantage of the moment to scrutinise more closely the nurse herself. She was a robust, fine-looking woman, producing an impression of capability united to kindness. Strength of mind and rigid attendance to duty dominated the kindness, however. If crossed in what she considered best for her patient, possibly for herself, she could be severe, if not biting, in her speech and manner. So much Sweetwater read in the cold, clear eye and firm, self-satisfied mouth of the woman awaiting his response to the curt demand she had made.

"I want another good look at your patient, and I want your confidence since you and I may have to see much of each other before this matter is ended. You asked me to speak plainly and I have done so."

"You are from headquarters?"

"Coroner Perry sent me." Throwing back his coat, he showed his badge. "The coroner has returned to his office. He was quite upset by the outcry which came from this room at an unhappy moment during the funeral."

"I know. It was my fault; I opened the door just for an instant, and in that instant my patient broke through her torpor and spoke."

She had drawn him in, by this time, and, after another glance at her patient, softly closed the door behind him.

"I have nothing to report," said she, "but the one sentence everybody heard."

Sweetwater took in the little memorandum book and pencil which hung at her side, and understood her position and extraordinary amenability to his wishes. Unconsciously, a low exclamation escaped him. He was young and had not yet sunk the man entirely in the detective.

"A cruel necessity to watch so interesting a patient, for anything but her own good," he remarked. Yet, because he was a detective as well as a man, his eye went wandering all over the room as he spoke until it fell upon a peculiar-looking cabinet or closet, let into the wall directly opposite the bed. "What's that?" he asked.

"I don't know; I can't make it out, and I don't like to ask."

Sweetwater examined it for a moment from where he stood; then crossed over, and scrutinised it more particularly. It was a unique specimen. What it lacked in height—it could not have measured more than a foot from the bottom to the top—it made up in length, which must have exceeded five feet. The doors, of which it had two, were both tightly locked; but as they were made of transparent glass, the objects behind them were quite visible. It was the nature of these objects which made the mystery. The longer Sweetwater examined them, the less he understood the reason for their collection, much less for their preservation in a room which in all other respects, expressed the quintessence of taste.

At one end he saw a stuffed canary, not perched on a twig, but lying prone on its side. Near it was a doll, with scorched face and limbs half-consumed. Next this, the broken pieces of a china bowl and what looked like the torn remnants of some very fine lace. Further along, his eye lighted on a young girl's bonnet, exquisite in colour and nicety of material, but crushed out of all shape and only betraying its identity by its dangling strings. The next article, in this long array of totally unhomogeneous objects, was a metronome, with its pendulum wrenched half off and one of its sides lacking. He could not determine the character of what came next, and only gave a casual examination to the rest. The whole affair was a puzzle to him, and he had no time for puzzles disconnected with the very serious affair he was engaged in investigating.

"Some childish nonsense," he remarked, and moved towards the door. "The servants will be coming back, and I had rather not be found here. You'll see me again—I cannot tell just when. Perhaps you may want to send for me. If so, my name is Sweetwater."

His hand was on the knob, and he was almost out of the room when he started and looked back. A violent change in the patient had occurred. Disturbed by his voice or by some inner pulsation of the fever which devoured her, Carmel had risen from the pillow and now sat, staring straight before her with every feature working and lips opened as if to speak. Sweetwater held his breath, and the nurse leaped towards her and gently encircled her with protecting arms.

"Lie down," she prayed; "lie down. Everything is all right: I am looking after things. Lie down, little one, and rest."

The young girl drooped, and, yielding to the nurse's touch, sank slowly back on the pillow; but in an instant she was up again, and flinging out her hand, she cried out loudly just as she had cried an hour before:

"Break it open! Break the glass and look in. Her heart should be there—her heart—her heart!"

"Go, or I cannot quiet her!" ordered the nurse, and Sweetwater turned to obey.

But a new obstacle offered. The brother had heard this cry, and now stood in the doorway.

"Who are you?" he impatiently demanded, surveying Sweetwater in sudden anger.

"I brought up the drugs," was the quiet explanation of the ever-ready detective. "I didn't mean to alarm the young lady, and I don't think I did. It's the fever, sir, which makes her talk so wildly."

"We want no strangers here," was young Cumberland's response. "Remember, nurse, no strangers." His tone was actually peremptory.

Sweetwater observed him in real astonishment as he slid by and made his quiet escape. He was still more astonished when, on glancing towards the alcove, he perceived that, contrary to his own prognostication, the whiskey stood as high in the decanter as before.

"I've got a puzzler this time," was his comment, as he made his way downstairs. "Even Mr. Gryce would say that. I wonder how I'll come out. Uppermost!" he finished in secret emphasis to himself. "Uppermost! It would never do for me to fail in the first big affair I've undertaken on my own account."

XV

HELEN SURPRISES SWEETWATER

Lurk, lurk.King Lear.

The returning servants drove up just as Sweetwater reached the lower floor. He was at the side door when they came in, and a single glance convinced him that all had gone off decorously at the grave, and that nothing further had occurred during their absence to disturb them.

He followed them as they filed away into the kitchen, and, waiting till the men had gone about their work, turned his attention to the girls who stood about very much as if they did not know just what to do with themselves.

"Sit, ladies," said he, drawing up chairs quite as if he were doing the honours of the house. Then with a sly, compassionate look into each woe-begone face, he artfully remarked: "You're all upset, you are, by what Mr. Cumberland said in such an unbecoming way at the funeral. He'd like to strangle Mr. Ranelagh! Why couldn't he wait for the sheriff. It looks as if that gentleman would have the job, all right."

"Oh! don't!" wailed out one of the girls, the impressionable, warm-hearted Maggie. "The horrors of this house'll kill me. I can't stand it a minute longer. I'll go—I'll go to-morrow."

"You won't; you're too kind-hearted to leave Mr. Cumberland and his sister in their desperate trouble," Sweetwater put in, with a decision as suggestive of admiration as he dared to assume.

Her eyes filled, and she said no more. Sweetwater shifted his attention to Helen. Working around by her side, he managed to drop these words into her ear:

"She talks most, but she doesn't feel her responsibilities any more than you do. I've had my experience with women, and you're of the sort that stays."

She rolled her eyes towards him, in a slow, surprised way, that would have abashed most men.

"I don't know your name, or your business here," said she; "but I do know that you take a good deal upon yourself when you say what I shall do or shan't do. I don't even know, myself."

"That's because your eye is not so keen to your own virtues as—well, I won't say as mine, but as those of any appreciative stranger. I can't help seeing what you are, you know."

She turned her shoulder but not before he caught a slight disdainful twitch of her rosy, non-communicative mouth.

"Ah, ah, my lady, not quick enough!" thought he; and, with the most innocent air in the world, he launched forth in a tirade against the man then in custody, as though his guilt were an accepted fact and nothing but the formalities of the law stood between him and his final doom. "It must make you all feel queer," he wound up, "to think you have waited on him and seen him tramping about these rooms for months, just as if he had no wicked feelings in his heart and meant to marry Miss Cumberland, not to kill her."

"Oh, oh," Maggie sobbed out. "And a perfect gentleman he was, too. I can't believe no bad of him. He wasn't like—" Her breath caught, and so suddenly that Sweetwater was always convinced that the more cautious Helen had twitched her by her skirt. "Like—like other gentlemen who came here. It was a kind word he had or a smile. I—I—" She made no attempt to finish but bounded to her feet, pulling up the more sedate Helen with her. "Let's go," she whispered, "I'm afeared of the man."

The other yielded and began to cross the floor behind the impetuous Maggie.

Sweetwater summoned up his courage.

"One moment," he prayed. "Will you not tell me, before you go, whether the candlestick I have noticed on the dining-room mantel is not one of a pair?"

"Yes, there were two—once," said Helen, resisting Maggie's effort to drag her out through the open door.

"Once," smiled Sweetwater; "by which you mean, three days ago."

A lowering of her head and a sudden make for the door.

Sweetwater changed his tone to one of simple inquiry.

"And was that where they always stood, the pair of them, one on each end of the dining-room mantel?"

She nodded; involuntarily, perhaps, but decisively.

Sweetwater hid his disappointment. The room mentioned was a thoroughfare for the whole family. Any member of it could have taken the candlestick.

"I'm obliged to you," said he; and might have ventured further had she given him the opportunity. But she was too near the door to resist the temptation of flight. In another moment she was gone, and Sweetwater found himself alone with his reflections.

They were not altogether unpleasing. He was sure that he read the evidences of struggle in her slowly working lips and changing impulses.

"So, so!" thought he. "The good seed has found its little corner of soil. I'll leave it to take root and sprout. Perhaps the coroner will profit by it. If not, I've a way of coaxing tender plants which should bring this one to fruit. We'll see."

The moon shone that night, much to Sweetwater's discomforture. As he moved about the stable-yard, he momentarily expected to see the window of the alcove thrown up and to hear Mr. Cumberland's voice raised in loud command for him to quit the premises. But no such interruption came. The lonely watcher, whose solitary figure he could just discern above the unshaded sill, remained immovable, with his head buried in his arms, but whether in sleep or in brooding misery, there was naught to tell.

The rest of the house presented an equally dolorous and forsaken appearance. There were lights in the kitchen and lights in the servants' rooms at the top of the house, but no sounds either of talking or laughing. All voices had sunk to a whisper, and if by chance a figure passed one of the windows, it was in a hurried, frightened way, which Sweetwater felt very ready to appreciate.

In the stable it was no better. Zadok had bought an evening paper, and was seeking solace from its columns. Sweetwater had attempted the sociable but had been met by a decided rebuff. The coachman could not forget his attitude before the funeral and nothing, not even the pitcher of beer the detective proposed to bring in, softened the forbidding air with which this old servant met the other's advances.

Soon Sweetwater realised that his work was over for the night and planned to leave. But there was one point to be settled first. Was there any other means of exit from these grounds save that offered by the ordinary driveway?

He had an impression that in one of his strolls about, he had detected the outlines of a door in what looked like a high brick wall in the extreme rear. If so, it were well worth his while to know where that door led. Working his way along in the shadow cast by the house and afterward by the stable itself, he came upon what was certainly a wall and a wall with a door in it. He could see the latter plainly from where he halted in the thick of the shadows. The moonlight shone broadly on it, and he could detect the very shape and size of its lock. It might be as well to try that lock, but he would have to cross a very wide strip of moonlight in order to do so, and he feared to attract attention to his extreme inquisitiveness. Yet who was there to notice him at this hour? Mr. Cumberland had not moved, the girls were upstairs, Zadok was busy with his paper, and the footman dozing over his pipe in his room over the stable. Sweetwater had just come from that room, and he knew.

A quiet stable-yard and a closed door only ten feet away! He glanced again at the latter, and made up his mind. Advancing in a quiet, sidelong way he had, he laid his hand on the small knob above the lock and quickly turned it. The door was unlocked and swung under his gentle push. An alley-way opened before him, leading to what appeared to be another residence street. He was about to test the truth of this surmise when he heard a step behind him, and turning, encountered the heavy figure of the coachman advancing towards him, with a key in his hand.

Zadok was of an easy turn, but he had been sorely tried that day, and his limit had been reached.

"You snooper!" he bawled. "What do you want here? Won't the run of the house content ye? Come! I want to lock that door. It's my last duty before going to bed."

Sweetwater assumed the innocent.

"And I was just going this way. It looks like a short road into town. It is, isn't it?"

"No! Yes," growled the other. "Whichever it is, it isn't your road to-night. That's private property, sir. The alley you see, belongs to our neighbours. No one passes through there but myself and—"

He caught himself in time, with a sullen grunt which may have been the result of fatigue or of that latent instinct of loyalty which is often the most difficult obstacle a detective has to encounter.

"And Mr. Ranelagh, I suppose you would say?" was Sweetwater's easy finish.

No answer; the coachman simply locked the door and put the key in his pocket.

Sweetwater made no effort to deter him. More than that he desisted from further questions though he was dying to ask where this key was kept at night, and whether it had been in its usual place on the evening of the murder. He had gone far enough, he thought. Another step and he might rouse this man's suspicion, if not his enmity. But he did not leave the shadows into which he again receded until he had satisfied himself that the key went into the stable with the coachman, where it probably remained for this night, at least.

It was after ten when Sweetwater re-entered the house to say good night to Hexford. He found him on watch in the upper hall, and the man, Clarke, below. He had a word with the former:

"What is the purpose of the little door in the wall back of the stable?"

"It connects these grounds with those of the Fultons. The Fultons live on

Huested Street."

"Are the two families intimate?"

"Very. Mr. Cumberland is sweet on the young lady there. She was at the funeral to-day. She fainted when—you know when."

"I can guess. God! What complications arise! You don't say that any woman can care for him?"

Hexford gave a shrug. He had seen a good deal of life.

"He uses that door, then?" Sweetwater pursued, after a minute.

"Probably."

"Did he use it that night?"

"He didn't visit her"

"Where did he go?"

"We can't find out. He was first seen on Garden Street, coming home after a night of debauch. He had drunk hard. Asked where he got the liquor, he maundered out something about a saloon; but none of the places which he usually frequents had seen him that night. I have tried them all and some that weren't in his books. It was no good."

"That door is supposed to be locked at night. Zadok says that's his duty.

Was it locked that night?"

"Can't say. Perhaps the coroner can. You see the inquiry ran in such a different direction, at first, that a small matter like that may have been overlooked."

Sweetwater subdued the natural retort, and, reverting to the subject of the saloons, got some specific information in regard to them. Then he passed thoughtfully down-stairs, only to come upon Helen who was just extinguishing the front-hall light.

"Good night!" he said, in passing.

"Good night, Mr. Sweetwater."

There was something in her tone which made him stop and look back. She had stepped into the library and was blowing out the lamp there. He paused a moment and sighed softly. Then he started towards the door, only to stop again and cast another look back. She was standing in one of the doorways, anxiously watching him and twisting her fingers in and out in an irresolute way truly significant in one of her disposition.

He felt his heart leap.

Returning softly, he took up his stand before her, looking her straight in the eye.

"Good night," he repeated, with an odd emphasis.

"Good night," she answered, with equal force and meaning.

But the next moment she was speaking rapidly, earnestly.

"I can't sleep," said she. "I never can when I'm not certain of my duty. Mr. Ranelagh is an injured man. Ask what was said and done at their last dinner here. I can't tell you. I didn't listen and I didn't see what happened, but it was something out of the ordinary. Three broken wineglasses lay on the tablecloth when I went in to clear away. I heard the clatter when they fell and smashed, but I said nothing. I have said nothing since; but I know there was a quarrel, and that Mr. Ranelagh was not in it, for his glass was the only one which remained unbroken. Am I wrong in telling you? I wouldn't if—if it were not for Mr. Ranelagh. He didn't do right by Miss Cumberland, but he don't deserve to be in prison; and so would Miss Carmel tell you if she knew what was going on and could speak. She loved him and—I've said enough; I've said enough," the agitated girl protested, as he leaned eagerly towards her. "I couldn't tell the priest any more. Good night."

And she was gone.

He hesitated a moment, then pursued his way to the side door, and so out of the house into the street. As he passed along the front of the now darkened building, he scanned it with a new interest and a new doubt. Soon he returned to his old habit of muttering to himself. "We don't know the half of what has taken place within those walls during the last four weeks," said he. "But one thing I will solve, and that is where this miserable fellow spent the hours between this dinner they speak of and the time of his return next day. Hexford has failed at it. Now we'll see what a blooming stranger can do."

XVI

62 CUTHBERT ROAD

Tush! I will stir about,And all things will be well, I warrant thee.Romeo and Juliet.

He was walking south and on the best lighted and most beautiful street in town, but his eyes were forever seeking a break in the long line of fence which marked off the grounds of a seemingly interminable stretch of neighbouring mansions, and when a corner was at last reached, he dashed around it and took a straight course for Huested Street, down which he passed with quickened steps and an air of growing assurance.

He was soon at the bottom of the hill where the street, taking a turn, plunged him at once into a thickly populated district. As this was still the residence quarter, he passed on until he gained the heart of the town and the region of the saloons. Here he slackened pace and consulted a memorandum he had made while talking to Hexford. "A big job," was his comment, sorry to find the hour quite so late. "But I'm not bound to finish it to-night. A start is all I can hope for, so here goes."